label chapter5: #KoGa3 START# $ KoGa3GameProgress = "Chapter 5" #KoGa3 END# centered "{size=100}{color=#ff005a}{cps=60}Chapter 5:{/size}{/color}{/cps}" centered "{size=120}{color=#ff005a}{cps=60}Little Girl Blue{/size}{/color}{/cps}" $ renpy.pause() #VARIABLES default ch5erikablowjob = False default exhibcontent = False default ameliecontent = False default kyracontent = False default joannecontent = False default jeremycontent = True default lilianacontent = False default ch5erikapanty = False default erikabiancahook = False play sound ambiencestreet fadeout 1.0 fadein 1.0 loop play music [ "audio/music/beyondtheline.ogg", "audio/music/spacingout.ogg", "audio/music/upbeat.mp3" ] fadein 13.0 fadeout 07.0 scene e1 with dissolve # MC and Erika are sitting around the source from a145. # Both are in the background and unfocused, the focus of the scene should be in the passage in front of them. # The big deal is: the people will pass in front of them while taking care of their lives, enough for you to spot render them. The focus should be on this place. # It should be around 6PM, like end of afternoon, and there should be some water puddles on the ground. ek "You know, you're a pretty convincing liar. He left pretty defeated." mc "No surprises after all... most of the things I said actually happened." ek "Oh? With whom?" mc "With someone I want to forget, sorry." ek "It's okay..." mc "Thanks for caring anyway." ek "No problem." ek "I wonder if he'll give me some space now..." mc "Why did you have to resort to that?" ek "What? Lying?" mc "Yeah?" ek "Long story." mc "I have time." ek "Yeah, but I don't." ek "Let's just say..." scene e2 with dissolve # Similar to e1, but a character is walking around on the focused place. Put a male one from your library that didn't appear before. ek "Brandon is the type of person who thinks the world revolves around him." ek "I'm a person who gives everyone a fair chance. Most of my dearest friendships back home are with people that others wouldn't look twice in their face." ek "But..." ek "Brandon wasn't like that. He was the one who approached me the first day and he was really nice at first." scene e3 with dissolve # Use this character, carrying the book, with a innocent expression, walking in the opposite direction of the other character. # The other character shouldn't be around anymore >>> https://cdn.discordapp.com/attachments/971120138055196732/1071549732645765151/EQl4rEcWsAAx_k6.jpg ek "But it didn't last long. He started pressuring me to do things for him." ek "Holding my hand first, then trying to kiss and lots of other things that make me uncomfortable." ek "After that, the convenient situations and encounters started to happen." ek "I think he even used some of the other girls to help him with me." mc "Girls?" mc "Plural?" ek "It's the uniform. I don't think you would understand." mc "To be honest, yes, I understand. I wish I hadn't though." ek "I hear he has a huge AlterLife fan club, mostly women." mc "Not surprising given what you said, but still..." scene e4 with dissolve # The two girls from a3 passing by. They wave in direction of them # They're using some normal clothes for a rainy day, no more rollers. # IF POSSIBLE, they look discretly to MC and Erika ek "Well, a big problem with these types of guys is that regardless of whether they want to, girls talk. So we know pretty much every skeleton in their closet." ek "Brandon... {w}Well, let's just say that, for him, Radiant Valley is a big menu of women at his disposal." ek "He's also a brute in bed. One girl I won't name due to Sisterhood Laws mentioned that he sent her to the hospital." ek "Since then, the girls at Sigma and Zeta have been avoiding him. It's probably the only topic our sororities can agree on." ek "And in his mind, he's technically a nice guy, coming from a humble background and all. A blue-collar father, while his mother ran a small clothing factory." ek "But nobody believes that anymore. He's basically been earning a salary of 15 grand since he was 9 years old with the Saint Michael 69ers. He's probably the richest student in all of Commons." mc "...{w}I see." ek "People have even claimed he's wasting his time being here, but dropping out of college to pursue a professional career would be counterproductive to his public image." mc "I see..." mc "What's he's studying?" ek "I don't know, and if I had to guess, neither does he." scene e5 with dissolve # Focus on the two girls ass - something that I wanted to do since the first time they appeared. # Here's a reference for the angle >>> https://cdn.discordapp.com/attachments/418638949335040010/1071574343437520917/Fq2pmgWNV0n-eeQj.jpg mc ".{w}.{w}." ek "Do you like them, dude?" mc "Oh, sorry. I was distracted by something." ek "Haha! I'm seeing that. Pretty nice, huh?" ek "I like to watch occasionally as well." mc "I wonder who they are, they keep popping up everywhere we are together." ek "The one with the braid is Valentina, while the blonde is Erin." ek "They are sorority sisters, Valentina is in the 2nd year of Economics, while Erin is in the 3rd year of History." mc "What they are doing here?" ek "They are the \"Vigils\", one rank below the Sisterhood's deputy leader. They keep an eye on everything the sisters are doing and help them if something happens." ek "They don't watch just me, but they try to stay around the pledgers most of the time. It's their job after all." ek "It's actually because of them that I met you." mc "What do you mean?" scene e1 with dissolve ek "While I was doing the devil's challenge, they suggested I look for a guy who looked lost but not desperate." ek "A well-dressed man, but not overdressed." ek "Someone who looked young but not naive." ek "And especially one who would like my goods without being a creep." ek "Guess who I ran into at the airport plaza?" mc "A creep! So you failed Erika, you don't know half the skeletons in my closet." ek "Haha! Maybe you're right!" scene e6 with dissolve # Instead of the two characters from before, put a character who you like, but was never able to show him or her around too much. College age. ek "Well, to sum up my relationship with Brandon." ek "He saw me, liked what he saw and has been hitting on me ever since." ek "That was a week before meeting you." ek "If he was normal, I think I would probably give him a chance. He's not a bad looking guy after all." ek "But you saw how he was as we talked about our \"past\" together." ek "A guy with a creepy fixation on me who won't take no for an answer." ek "So no, thank you. I'd rather spend my time with you." mc "That's really considerate of you." ek "No problem." mc "I wonder why he behaves like that towards you." ek "The answer is quite obvious." mc "What do you mean?" scene e1 with dissolve ek "Something I've learned throughout my life." ek "Almost all the merits and problems of a redhead can be summed up in a single sentence." ek "\"It's because of the hair\"." mc "Reductive..." ek "That's life, Sinatra." scene e7 with dissolve # Put another character here, it could be anyone on your library, it doesn't matter. College age. ek "Regardless of that, I think he lost any expectations he might have had of me when I met you." mc "Me? How cute." mc "Why?" ek "Because I like you. You are kind... loving." ek "You're easily approachable, and as far as I've seen, you never put anyone down." mc "Thanks, I think." ek "You're welcome." scene e1 with dissolve ek "But to be completely honest, you are a bit of a spineless sometimes." ek "And when you look at me, I sometimes see a \"simp-y\" personality. It's cute, but it's annoying sometimes." mc "Fuck-off Jeremy!" ek "{size=+5}Hahaha!{/size}" ek "Ouch!" ek "I deserved it, so I won't be mad at the comparison to your friend." ek "How is he, by the way?" mc "We aren't talking." ek "Why?" mc "I made some change of plans, however without consulting him." ek "I see..." ek "I hope you make amends eventually. I've seen friendships fall apart over less and I don't wish that on you." mc "Thanks. I think we just need some time away from each other, so I think we're going to use this time to rethink some things." ek "Ah~" ek "Bromance at it's finest." mc "Shut up, Erika!" ek "Hahaha!" stop music fadeout 5.0 scene black with dissolve $ renpy.pause() scene e8 with dissolve # Non-POV, MC and Erika are walking around the square. ek "I think it's time for me to go. I bet you're tired too." mc "Not really, but I understand you still need to work." mc "Can I walk you home?" ek "It's not necessary, thanks." ek "But maybe you could help me with an Awsom. I'll pay you back when I get my paycheck this friday." mc "No problem. What's the adress?" ek "Laodicea Terrace, 21. Near to the Lake Omsha." mc "Okay, no problem." "{cps=1}...{/cps}" mc "Done. Arriving in 15." ek "Thank you." if ch2erikakiss == True: if erikaR >= 10: ek "Do you want to accompany me to the street corner?" ek "It won't take more than a second. I'd like to show you something, and we'll have some privacy there." mc "No problem, let's go." jump ch5alleymakingout else: ek "Call you later?" mc "No problem. See you later Erika." ek "You too." scene black with dissolve $ renpy.pause() jump ch5eveninghome else: ek "See you later [mc]." ek "If you need something, just send me a message and I'll answer you whenever I can." mc "No problem. Good night." ek "You too." jump ch5eveninghome label ch5alleymakingout: $ erikablowjob = True scene e9 with dissolve #(Non-pov, MC and Erika are walking near to a corner in front of a mailbox) mc "Interesting place you've chosen to get picked up." mc "It's a perfect place for a beating, a murder or even worse, selling oregano as marijuana." ek "Hahaha!" ek "Sorry. But don't worry, these apartments have been closed for a long time and it's a perfect place to do something." mc "Like what?" ek "Like this!" scene e10 with hpunch #(Erika jumps again on MC, kissing him) mc "Mh?" mct "That surprised me." play music chillwave fadeout 1.0 loop mct "Her lips are sweet as always. Her skin is so smooth." mct "Her tongue is a little desperate this time." mct "But I think I forgot something..." mct "It shouldn't be anything important." ek "Come~" scene e11 with dissolve #(POV, Erika is in front of MC, while leaning against the wall. She should be looking at MC's eyes deeply, smiling naughtly) ek "I've been waiting for this since the last time." ek "And now you can focus your attention on me, and I can focus on you." ek "And especially, that beautiful cock of yours." ek "Can I see it?" mc "What if the driver shows up?" ek "We still have 20 or so minutes, it's enough time for me to see, touch, and maybe doing something else~" mc "We're a little exposed, no?" ek "Yeah." ek "Isn't this exciting?" menu: "Yes~[persistent.KoGa3WTChange1](choice is not essential)": jump ch5exhibitionist "It's dangerous![persistent.KoGa3WTChange1](choice is not essential)": jump ch5prudish label ch5exhibitionist: $ exhibcontent = True mc "Yeah." mc "My heart is racing right now." mc "But are you sure about this?" ek "Yes." ek "It's one of my fetishes, but I never had someone to share it with... until now!" ek "Gimme!" jump ch5eveningcontinue label ch5prudish: mc "Its not something that I'm accustomed to." mc "I would die of shame if someone showed up right here, right now." mc "But I'll do this to satisfy your fantasy." ek "Thanks for caring about me." jump ch5eveningcontinue label ch5eveningcontinue: scene e12 with dissolve #(MC's dick is near to Erika's face. She's with a happy face. Not sure if you need a reference, but if you need a reference for camera and pose, you can look at Freeloading Family's LC10 - without the ribbon, of course) ek "So big~" ek "So veiny." ek "A strong smell, so manly." ek "So beautiful. Any of the girls would be quite envious of me right now." if ch3dickpick == True: mc "You didn't show my dick around, did you?" ek "Of course not [mc], I'm not crazy." ek "I won't claim that none of the girls saw your picture, Bianca saw it while I wasn't looking." ek "You aren't angry, are you?" menu: mct "How should I answer that?" "Yes[persistent.KoGa3WTChange2](erikaR - 1)[persistent.KoGa3WTChange](lust + 5 later)": $ erikaR -= 1 mc "A little. I trusted you." mc "No one saw the pics you sent to me, for example." scene e12b with aass #(Same as e12, but Erika is with a serious expression) ek "Sorry. It wasn't my intention." ek "I was planning on having your dick as a trophy, but as a pledger, I can't count on any kind of privacy yet." ek "How should I make it up to you?" mc "I don't know..." mc "Did this Bianca like my cock?" ek "Yes, she even drooled a bit while looking at it." ek "Yeah, that could help." ek "Maybe I could hook you up with her. She's insanely hot." ek "But she isn't a normal girl. She {b}really{/b} likes sex." ek "Up to you." menu: "Yes[persistent.KoGa3WTChange](lust + 5)": scene e12 with dissolve $ erikabiancahook = True $ lust += 5 mc "She isn't a hooker, is she?" ek "No. She's a sister too, she studies Veterinary Medicine." ek "But she has a problem: She has a big heart." ek "And an even bigger leg opening." mc "I see..." mc "Maybe we could work with something." ek "Alright! I think you'll like her." jump ch5erikablowjob "No": scene e12b with aass mc "No, I wouldn't like doing that." mc "Girls like that generally are trouble." mc "Imagine if we hooked up, then in the future we met each other at a party, and then suddenly she finds someone else that she also hooked up with?" mc "So no, I wouldn't like that." mc "But more importantly, you don't need to do anything for me in that sense." mc "I forgive you. It wasn't your intention anyway." ek "Thanks for understanding [mc]." jump ch5erikablowjob "No[persistent.KoGa3WTChange](erikaR + 5)": $ erikaR += 5 mc "It's not a problem Erika." mc "Honestly, it's kinda flattering to know that a girl would like it." mc "As a man, we never know if it's big enough, small enough or even good enough for a girl." mc "With your friend, I have at least four positive reviews of it." ek "Four?" ek "I think I'm missing someone." mct "Shit, I think I messed up." mct "How to explain that?" ek "Well, it doesn't matter. A good dick is a good dick anyway." jump ch5erikablowjob label ch5erikablowjob: $ ch5erikablowjob = True scene e12 with dissolve ek "Let's taste this big boy." ek "If I do something wrong, please correct me." mc "Don't worry, I will." mc "And it's not too hard. Avoid biting and teeth and you will be good." ek "I'll try." scene e13 with dissolve #(Erika is giving a sloppy blowjob to MC. It needs to be clear that she doesn't know what she's doing) mc "Urgh!" mc "Wait, don't force yourself, I won't run away." mc "Slow down a bit. Try to breathe." ek "*Gulf*" mc "Yeah, just like that. Slowly~" mc "Less teeth. Use your lips to reduce the friction of your teeth on my cock." mc "*Unff*" mc "Yeah~" mc "Just like that." ek "*Moans*" mc "Yeah, it's so fucking good." mc "Please continue like that!" scene e14 with dissolve #(Erika is looking at MC with a naughty face, MC's dick should be near to her cheek and she's smiling at him. The dick should be wet) ek "So delicious..." ek "My pussy is drenched already." ek "Honestly, my pussy was drenched since we were talking with your cute japanese friend." ek "But it was nowhere as how it is right now." mc "Wish I was able to see it." ek "I'll show you." ek "I just want to suck this fat cock first." ek "Hope I will be able to walk around with these panties, hope it won't be uncomfortable in the car, I don't want to throw them away." if lust >= 12: menu: mct "Maybe I should claim a trophy?" "Give me your panties[persistent.KoGa3WTChange1](no points, but can lead to an additional scene later)": mc "Why don't you give them to me?" scene e14b with aass #(Same as e14, but with a slightly surprised face) ek "I'm sorry?" mc "Don't be. I didn't stutter." mc "Why don't you give your panties to me? It will be a good souvenir from you." ek "Why would you need a souvenir?" ek "I'm right here, right now." mc "I know, but you're not with me all the time." mc "And something as personal as your panties is a good memento of our spicy adventures." if erikaR >= 9: $ ch5erikapanty = True scene e14 with dissolve ek "Teeheehee~" ek "Okay!" ek "But only after sucking this beautiful cock of yours." ek "I want all your attention on me now." pass else: ek "Sorry [mc]." ek "They are my favorite pair, I can't just give them to you without thinking." ek "I like you, but this is maybe too much." ek "I promise giving you something else in the future." ek "Maybe a truely personal gift, but not a piece of cloth that I like so much." ek "Sorry..." mc "Don't worry. I still have your mouth on my dick." ek "Hehe, that's true." jump ch5erikablowjobcontinue "Praise her[persistent.KoGa3WTChange](erikaR + 4)[persistent.KoGa3WTChange](love +4 / lust +4)": $ erikaR += 4 $ love += 4 $ lust += 4 mc "You're amazing Erika." mc "Everything a man could want in a woman." mc "Even when you're sucking a dick in an deserted alley." ek "*Giggles*" ek "Does that mean that I'm a whore?" mc "I don't know, but if you are one, you're certainly my personal whore." ek "Oh, naughty!" ek "Good thing we don't live together, otherwise I would use your dick as my pacifier." mc "Fuck, that was so hot!" ek "Heheheh~" jump ch5erikablowjobcontinue label ch5erikablowjobcontinue: scene e13 with dissolve mc "Oh yes, Erika!" mc "You're doing great!" mc "Please don't stop..." ek "*Moans*" mc "That's it..." mc "Please continue like that." mc "Don't be shy about using your tongue." mc "{cps=1}...{/cps}" mc "Just like that, yeah." mc "I'm almost cumming." mc "Please continue..." mc "Almost~" mc "*Urgh*" scene e15 with hpunch #(MC cums inside Erika's mouth) mc "URGH!" mc "OH!" mc "Fuck yes! Argh!" ek "Hmmm~" mc "Damn, I needed that." scene e16 with dissolve #(Focus on Erika, she's cleaning the cum of her chin with her lips while looking at MC) ek "It's salty. And a little gooey." mc "You didn't need to swallow. It was good, but a little too much for your first time." ek "Yeah, but I really wanted to try it." ek "It's delicious~" mc "Really? Delicious?" mc "You don't need to try to please me." ek "I'm not trying, I'm completely sincere." ek "It's like a salty drink." ek "I wonder what it would be like if I put this into a normal drink. This, plus a part of rum, a lime and ice could be a great cocktail." mc "Cocktail... The name fits it." ek "Haha! Yes." ek "Maybe I'll make my own drink too, just for you... I'll take my pussy juice, add some vodka, vanilla ice cream, chopped strawberries and serve it in my crotch." mc "Oh Erika... Do you want to lose your virginity right here, right now?" mc "Keep talking like that and I won't be able to control myself." scene e17 with dissolve #(Erika smiles and looks at MC) ek "Hehehe~" ek "As much as I want to have sex right now, I won't do in a street corner for everyone to see, I still have my self-respect." ek "So you'll need to wait a little, cowboy!" ek "Not too long, I promise you." if ch5erikapanty == True: ek "But I promised you this, and I'm a woman of my word." ek "So pay attention while I'm doing it." scene e18 with dissolve #(Erika is on her back lowering down her panties to MC. A big trail of pussy juice should be going from Erika's pussy to her panties." ek "I hope you will like your gift." ek "Twice actually, because these panties are one of my favorites. So, if I'm giving to you, I hope you will take a good care of them." mc "Definitely I will." ek "I hope so, because now the pair is incomplete." mc "Why don't you give the bra too?" ek "Does it look like I'm wearing a bra?" mc "*Chuckles*" mc "No." ek "So that wouldn't work." ek "But being with you I know they'll be in good hands." scene e19 with dissolve # Focus on Erika bottomless. The pose should be like the example, including the lifting skirt. # The difference is that the angle camera needs to be different instead of just being down-up. Be creative, like a dutch angle on the thigh level, a concave angle like in b94 and so on # The expression should be the same of a80 OR a83 # Example >>> https://cdn.discordapp.com/attachments/462724535888904202/1071681789279608863/1640880446_57-siski-name-p-porno-zasvet-volosatoi-erotika-57.jpg ek "What do you think?" mc "I'm thinking in a lot of things, and all them are dirty right now." ek "It's good to know." ek "Is she as good as you were expecting in real life?" ek "I know that sometimes there's some differences between a pic and the real thing, but-" mc "She's perfect, don't worry." mc "As perfect as her owner." ek "*Giggles*" ek "Okay~" mc "Does she have a name?" ek "Huh? Do you mean...?" mc "A friend of mine mentioned that girls name their parts with female names." mc "Or so I heard. Maybe it's something that she does to herself and it's weird for the others." ek "It's not." ek "I did that too." ek "But I'm not sure I'd like to share this. It's a very personal thing~" mc "I promise to not tell anyone. I didn't say the other girl's names after all." ek "Hehehe, okay~" ek "This beautiful lady you're seeing right now is Heather." ek "Above them are Ally and Amy." ek "They like you [mc]. Do you like them?" mc "I love them! But I love their owner too." ek "Naughty~ I love it!" scene e20 with dissolve #(Erika is showing her ass to MC, while looking back at him, same expression of c13. Reference >>> https://cdn.discordapp.com/attachments/462724535888904202/1071681878081413220/0014-03_1200.jpg) ek "My ass doesn't have a name, but I like her too." mc "Why doesn't your ass have a name?" ek "I don't know? I think it would be weird naming the ass of a girl." mc "I think it's equally weird to name the other parts, but I'm not complaining." ek "Well, if it's the case, maybe you could name my ass for me." mc "Really?" ek "Yes? What's the problem? A little secret between us. One of many, I hope." mc "Me too. I'll think about it some more later." mc "But even without a name, your ass is really nice." mc "Wish I was able to spank it." ek "Do you want to spank her, Daddy?" mc "I really want." ek "Too bad, you'll have to wait a while. But not for long, I promise you." play sound carhorn scene e21 with dissolve #(Erika is standing in front of MC, while a car stops in front of the mailbox. It's lights are strong) ek "Too bad that the car arrived, otherwise I would keep teasing you forever." mc "Oh, yeah, I forgot that you're like that." ek "Don't be mad. There's always the day after tomorrow, and we can keep talking on phone, if you want." mc "Seems cool." mc "I really like what we did here today, and I honestly forgot that we were in public." mc "Hope no one saw us." ek "I think I saw one or two people pass by, taking long looks at what we were doing, but other than that, nothing." mc "Hope we won't get problems because of that in the future." ek "I think they have bigger problems than seeing a couple fooling around in an alley." ek "Come here~" scene e22 with dissolve #(Erika Kisses MC) $ renpy.pause() scene e23 with dissolve #(They stop the kiss and Erika smiles at him) ek "Good night [mc], have sweet dreams." stop music fadeout 5.0 mc "You too Erika, you too..." scene black with dissolve $ renpy.pause() label ch5eveninghome: play music [ "audio/music/bluedream.mp3", "audio/music/quietnight.mp3", "audio/music/meninoefogo.ogg" ] fadein 13.0 fadeout 07.0 scene e24 with dissolve # MC is entering at Melissa's house. # It's an early night and both Melissa and Stacy are sitting down on the sofa. # Both girls look at MC while he's entering, Melissa is with smiling, while Stacy is neutral/serious. # They have popcorn over the table. The lights and such could be similar to a152 mc "Good evening." me "Good evening [mc], how did things go today?" mc "Pretty well, I think." mc "The Commons is bigger than I was expecting." mc "I had a small problem with one of the teachers, but the Dean fixed it for me." me "That's good. How Karen is these days?" mc "{cps=20}...?{/cps}" mc "Oh yeah! I remember her mentioning that you were friends." me "She took on the job last year after Mr. Dreyfuss' retirement." me "Which is good, because Mr. Dreyfuss was the Dean when I was a student." me "Sit, I'll bring you dinner." mc "It's not necessary, I can-" me "Not open for discussion. Sit down and relax." mc "Heh, okay." scene e25 with dissolve # MC is sitting on the sofa, while Stacy is looking fixed to the TV. Stacy has a neutral/serious expression, mouth closed) # They're sitting side by side, in a similar way that they are on a153 mc "{size=-10}I wonder why she's so insistent on leaving.{/size}" scene e25b with aass # Same as above, but Stacy is with her mouth open st "She didn't like the movie." scene e25 with aass mc "Oh, did you hear me? I thought I was murmuring." scene e25b with aass st "You're not good at murmuring." scene e25 with aass mc "It's not like it's a competition anyway." mc "What's this movie about?" scene e25b with aass st "You wouldn't understand." scene e25 with aass mc "Try me." scene e25b with aass st "This isn't a repeat of our last conversation." scene e25 with aass mc "Certainly. You won't deceive me this time." me "{size=-5}What are you guys talking about?{/size}" mc "{size=+5}Nothing specific, Stacy jusy commented that you weren't enjoying the movie.{/size}" me "{size=-5}It's not that I'm not enjoying it, I'm just not used to foreign movies without subtitles.{/size}" mc "Where is this one from?" scene e25b with aass st "Serbia." scene e25 with aass mc "Yeah, this time I'll be as lost as you." scene e25b with aass st "Thought so..." scene e25 with aass mc "What's the story about?" st ".{w}.{w}." mc "Stacy?" scene e25b with aass st "I'm trying to remember, be quiet." st "If memory serves..." st "It's a story of a bus stop." scene e25 with aass mc "...{w}a bus stop." mc "How?" scene e25b with aass st "Simple, in the first act, we see some characters coming and going while they talk with each other while waiting for a bus." st "Some people are heading off to work and school, while others are coming home from their night life." st "There's even unusual characters, like a cheating couple that only became cheaters because their partners were cheating them with each other." st "And then, in the second act there are resolutions to some of the conflicts, while the third one interconnects all the stories." scene e25 with aass mc "And why that guy with the squared head is dressed half as a officer and half as a vampire?" st "..." mc "Stacy?" scene e25b with aass st "I don't know, alright?" st "Serbian movies are generally about political criticism interwoven with symbolism and melodrama." st "But this... urgh..." st "It doesn't make any sense." scene e25 with aass mc "Why did you choose this movie then?" st "..." mc "Oh, right." mc "Mariya told you about me and you picked a movie so obscure that I wouldn't be able to help." mc "Can't you just change for one you would like? I think it would be better for everyone." me "I agree completely." scene e26 with dissolve # Melissa gives a hamburger in a plate to MC, while she has another on the other hand for Stacy. # Stacy has an surprise/innocent expression on her face # Melissa has a happy expression. me "Here [mc]." mc "Thanks Melissa. Looks delicious." me "You're welcome, dear. Here's one for you too, Stacy." st "I'm not hungry." me "I know." st "So you're giving this to me, because...?" me "Because I love you, and I know that you have pretty erratic meal times when you're studying." me "But mostly because I love you." st ".{w}.{w}." st "Thanks mom." me "You're welcome, sweetie." me "I know that you were never able to resist my hambugers, even when you were little." st "It's true~" mct "A positive interaction between Stacy and her mother..." mct "I'm honestly surprised." mct "Hope it won't be the last." me "I'll bring you guys some milkshakes." mc "Thanks!" scene black with dissolve $ renpy.pause() scene e27 with dissolve # Non-POV, Melissa and Stacy are the focus of the scene. # Both girls should be sitting, barefoot and looking forward. Stacy needs to be holding the burger, bitten, while Melissa should be relaxing in some way # Melissa should be smiling while watching the movie, while Stacy should be with her normal neutral expression. mc "This one is better." me "Agreed. That actor is quite handsome too." st "Is that the first thing you look mom? If the actor is hot or not?" me "You can't blame for looking. After all, one of the reason for movies to exist is to give an opening to escape reality." me "But I'm surprised. In my time, Bond movies were pretty cadenced." me "This one's action is frenetic." mc "It's the modern style, I think." st "Yeah, but the whole plot is a mess. You can remove two of those villains, combine the rest and cut the explosions by half." st "And why someone would setup an illegal operation in the Swiss Alps?" st "Is there any place as bleak as that?" st "That place is surely a logistics nightmare." scene e28 with dissolve # Similar than before, but there isn't burger anymore. st "Imagine getting there. Imagine having to leave there with whatever they produce. It would be insane!" me "It's just a movie, dear." st "I don't think it needs to be this stupid." st "This is form over function. It only exists because they needed to do a ski scene, and a parachute scene in sequence interspersing the action." st ".{w}.{w}.{w}there, just like I said!" st "Why, instead of the top of a skiing station, would they not choose to go with an african territory?" st "A lot more natural resources, a better geography, and all you wouldn't need to be worried about getting collapsed because of the mountains." st "A giant as hell coast would help to cover at least part of the operations." st "Depending on the situation, some support from locals would even be encouraged." me "I'm not sure if a Bond movie would work in Africa, dear." st "Why not?" me "Bond movies generally needs James to shoot people. And, considering the environment, people from that territory would need to be shot too." mc "Heh, makes sense that, these days, terrorists in fiction are generally from an undisclosed location and use invented languages for talk amongst themselves." st "...{w}I think I'll shut up and stop being too analytical. But this movie certainly isn't helping." scene black with dissolve $ renpy.pause() scene e29 with dissolve # Melissa is leaving the couch, while yawning. me "Enjoy the movie kids, I'm going to take a bath and sleep." mc "It's almost over." me "Yeah, but I'm tired and have a bit of a headache. It's always like that in the office days." st "We can pause and-" me "Don't worry about me, I can watch the rest later." me "And, if my experience with Bond movies counts for anything, James will survive and the villain will realize later that a core fundamental of his plan is faulty." me "So it's okay, I can live with that. Good night sweetie, dear!" mc "Good night." st "Night!" scene e30 with dissolve # Focus on Stacy watching the movie, while MC is at her side, unfocused. # Her expression is neutral, mouth closed mc "How was your day?" scene e30b with aass # Same as e30, but Stacy is with her mouth open st "It's none of your business." scene e30 with aass mc "Your mother mentioned that you left early to work on a new project, but she couldn't explain what it was." scene e30b with aass st "It's none of her business either." scene e30 with aass mc "You could say that, but she's your mother and she cares about you." scene e30b with aass st "Hah! Yeah, right!" scene e30 with aass mc "You don't believe me?" scene e30b with aass st "Mom is too busy to care what I do." scene e30 with dissolve mc "Do you think it's true?" scene e30b with aass st "I know it's true." st "Eighteen years. It's a lot longer than a week, if you know what I'm saying." scene e30 with aass mc "It doesn't mean she doesn't love you." scene e30b with aass st "You could say that, but you'd have to look at it from my perspective to know what happened." scene e30 with aass mc "And you're not seeing mine to acknowledge all the effort she puts in for you. But that's okay, you shouldn't know anyway." scene e31 with dissolve # Stacy looks at MC while sitting on the couch, she has a curious face, mouth open st "Why this sudden interest in my life again?" scene e31b with aass # Same as above, mouth closed mc "No big reason. I just want to get to know you better." mc "After all, Mariya said you're nice." scene e31 with aass st "Mariya says that about everyone. Even that brat at school who used to make fun of her." st "She said the same about you." scene e31b with aass mc "Oh?" mc "What did she say?" scene e31 with aass st "It doesn't matter to you." scene e31b with aass mc "It doesn't? It's literally about me..." scene e31 with aass st "Yeah, we talk about a lot of things, and it's not like you're the most important part of my day." scene e31b with aass mct "That's obviously a lie, but I won't dwell on it any longer." mc "We had lunch today, Mariya, a friend, and I." mc "You weren't around." scene e31 with aass st "I had things to do off the Commons, and Mariya had labs after break." st "And even if that wasn't the case, I usually eat at the Acting Club, while Mariya eats with whoever invites her to join them." st "It's not like we're super glued together or anything." scene e31b with aass mc "Of course not, but to be honest, she was a little evasive when we were talking about you earlier." st "{cps=1}...{/cps}" mct "It's time to test the waters a little." mc "Stacy..." mc "Is there something bothering you?" mc "Maybe I can help you with that." scene e32 with dissolve #(Stacy looks back at TV, serious expression, mouth open) st "I think maybe you should mind your own business and leave me alone." scene e32b with aass #(Same as above, but mouth closed) mc "So there's something-" scene e32 with aass st "There's always something, asshole! Nobody's life is perfect." st "But it's not like someone like you could understand." scene e32b with aass mc "Someone... {w}like me?" mc "Care to explain?" st "{cps=1}...{/cps}" mc "That's what I thought. You can't even understand why you're so upset with me." mc "So, instead of figuring that out, let's do an imagination exercise, shall we?" st "..." mc "Okay." mc "Let's assume the thing happens tomorrow." mc "Who would you turn to?" st "{cps=5}...{/cps}" mc "Your mother? Mariya? Tiffany?" mc "Your father?" scene e32 with aass st "Why's that important to you?" scene e32b with aass mc "Because I care about you." scene e32 with aass st "You don't." st "You care about my mom." scene e32b with aass mc "Maybe, but I also-" scene e32 with aass st "I'm just collateral damage to whatever you want with her." st "Maybe a surrogate mother for yourself. Or maybe you think she's a hot piece of ass." st "*humpf*" st "Maybe both..." scene e32b with aass mc "People aren't as simplistic as that." mc "But maybe you're biased, so I won't judge you." scene e32 with aass st "What do you mean?" scene e32b with aass mc "Mariya mentioned you had issues. And now I think they are deeper than I was thinking." st "*humpft*" mc "At first glance, I thought you're a bratty girl who thought I was invading your space." mc "Later, I thought you're a lonely girl who tries to push away whatever you think it's disruptive to your normal mind setting." mc "And now, I believe that you're being intimidated, not by me, a completely stranger who just randomly appeared on your doorstep, but by something or someone else." mc "So I'm going to throw out all my common sense and ask you three questions. You can answer in any way you want, or not answer at all." mc "Do you hate me? Answer accordingly and I will never look you in the face or speak to you again." st ".{w}.{w}." mc "Do you want me to go away? If you say yes, I'll pack all my stuff up and none of you girls will ever hear about me again." st ".{w}.{w}." mc "What are you afraid of? I know that this could have a lot of answers, but you should know what I'm talking about." st ".{w}.{w}." mc "So why are you so defensive?" scene e32 with aass st "You're annoying." scene e32b with aass mc "Aren't we all a little annoying sometimes?" scene e32 with aass st "Yeah, but you're especially annoying." st "Why don't you go mind your own life and leave me alone?" mct "...{w}ironic." mct "Let's answer her with the same answer and see where this will go." scene e32b with aass mc "I could do that." mc "Or-" mc "I could keep pestering you until I beat you into exhausted submission." scene e32c with aass #(Same as above, but Stacy gives a slight smile) st "Idiot." mct "A small smile from her. It's a start." mct "I wonder where this will go. She still seems pretty closed off and guarded." scene e32 with aass st "Fuck! You made me miss the end of the movie." scene e32b with aass mc "I doubt it was any different than what your mother said." scene e32 with aass st "Maybe. But the movie was good. Better than I was expecting." st "Not exceptional or impressive, but interesting nonetheless." st "Good enough for simple-minded people, but there's some good production qualities here and there." scene e32b with aass mc "I don't know what you expected from an action movie. Definitely not a Shakespearean narrative." scene e32 with aass st "Of course not." scene e32b with aass mc "I liked it too, what I saw, at least." scene e32 with aass st "Yeah, yeah. I think I'll watch the parts I missed on my laptop later." scene e33 with dissolve #(Stacy is lifting from the couch, she's stretching and yawning. The focus should be her back and ass) st "*Yawn*" st "I think I'll take a long bath and sleep." st "Walking around with equipment wasn't the best for me. I need that car, dammit!" mct "What a nice ass..." mct "It seems on this department, Stacy inherited Melissa's qualities." mc "Why do you need to carry equipment around? Aren't you in the first year or something?" st "..." mc "Okay, it doesn't concern me. I got it." st "I was just thinking on how to explain that on the most basic way I know." st "But yeah, it doesn't concern you anyway." st "Could you please low the volume or use the headphones?" mc "Yeah, no problem, good-" scene e34 with dissolve #(Stacy is walking in the direction of her bedroom.) mc "night{w}.{w}.{w}." mct "Humpf... As asshole as always..." mct "But it was good to have a slightly decent conversation with her." mct "Now that she's admitted she's been hiding something, I wonder what it is." scene e34b with aass #(Same as above, but Stacy isn't around anymore and the door of her room is open) mct "Oliver is behind that story, so I won't be alone with that." mct "But if the things go south..." mct "I'll have to turn to {b}him{/b}..." mct "..." mct "What was the code again?" mct "If I use \"What if I say that...\" before anything, he wouldn't ask questions." mct "But it was when Dad was alive though..." mct "..." mct "Weird..." mct "She left the door open." mct "...again...?" play sound squeakyfaucet "*turns on the water*" play sound bathtubwater fadeout 1.0 fadein 1.0 loop "*filling the bathtub*" mct "As I thought, there's a reason of her being on the first floor." mct "Not sure if it's the best idea letting the door open for something like that." mct "Maybe I could close the door and prevent the heat to escape from the room." mct "And maybe having a look on her one more time." mct "{cps=5}...{/cps}" mct "You know what? This is too convenient." mct "Almost like she's trying to force a situation for..." mct "Yeah, it's exactly that." mct "Maybe she has a camera or anything like that hanging around and if I take a little peek, she would confront me, or exposing it to her mother afterwards." mct "So no, I won't buy it. Not this time." scene e35 with dissolve # MC goes and closes the door of Stacy's room. mct "Not today, Stacy." mct "But I wish you a good night. I'm serious." mct "And I hope that, eventually, we'll be able to have a long talk and put our differences aside." mct "A wishful thinking, sadly." stop sound fadeout 1.0 stop music fadeout 2.0 scene black with dissolve $ renpy.pause() label ch5mcroomnight: play sound quietrain fadeout 1.0 fadein 1.0 loop scene e36 with dissolve # Inside MC's room, it's night and it's raining outside, window closed but curtains open. # There's some blanklets over the bed or over the table, whatever place you decide to give focus # There are one or two lighted red candles around, in strategical places, like over the table or over the mct "As always, two steps forward. Thanks Melissa." mct "Even after our kiss, she didn't look particularly angry or annoyed tonight." mct "Maybe she was pretending. Or hiding her emotions in front of her daughter." mct "..." mct "I think I'll give a step back and leave her alone for a while. That... weird look... she gave me during our second kiss let me uncomfortable." scene e37 with dissolve # MC is on his underwear, covered by the blanklet. mct "I think I'll buy a new PC tomorrow. Or at least ask Jeremy to send my stuff here." mct "Updating the OS and having my files back would be interesting." mct "Having my porn stash would be good too. Maybe I should get ashamed of having 10 gigabytes of porn categorized from A to Z, enumerating my weird fetishes." mct "Faceless robot ballerinas with weird attachments on the chests, what else a man would want?" scene e38 with dissolve # MC looks away to another part of his room. mct "This is cozy, and it's not too cold. If this was a two-days of rain on Old Town, the temperature would have swimming around 15°C, or 60°F." mct "Right now? Good enough for just stay on my thoughts, since I'm not particularly tired." mct "I'm not particularly in a mood to sustain a longer conversation anyway, but I think I'll send a message to someone." mct "So, an hour at max, enough for three conversations." default ch5totalnightmessages = 0 default ch5mariyamessage = False default ch5tiffanymessage = False default ch5jeremymessage = False default ch5olivermessage = False default ch5belladonnamessage = False default ch5ameliemessage = False default ch5kyramessage = False default ch5auntjoannemessage = False default ch5unclecarlmessage = False default ch5natemessage = False play music nightrain fadeout 1.0 loop label ch5mondaynightmessages: if ch5totalnightmessages == 0: mct "Who should I message?" #if ch5totalnightmessages == 1: if ch5totalnightmessages <= 8: scene e39 with dissolve # Different focus inside the room mct "Who should I mesage now?" #if ch5totalnightmessages == 2: if ch5totalnightmessages == 9: scene e40 with dissolve # Another different focus on the scene, different from the previously ones, maybe with MC on the background, unfocused, laying down and holding his phone mct "It's late. I think I'll send only one message and then sleep afterwards." #if ch5totalnightmessages == 3: if ch5totalnightmessages >= 10: scene black with dissolve with Pause(2) jump ch5stacyroom menu: "Info KoGa3: normally you could do it three times, I changed that for all ten" "{size=-10}Mariya{/size}" if ch5mariyamessage == False: $ ch5totalnightmessages += 1 $ ch5mariyamessage = True jump ch5mariyamessage "{size=-10}Tiffany{/size}" if ch5tiffanymessage == False: $ ch5totalnightmessages += 1 $ ch5tiffanymessage = True jump ch5tiffanymessage "{size=-10}Jeremy{/size}" if ch5jeremymessage == False: $ ch5totalnightmessages += 1 $ ch5jeremymessage = True jump ch5jeremymessage "{size=-10}Oliver{/size}" if ch5olivermessage == False: $ ch5totalnightmessages += 1 $ ch5olivermessage = True jump ch5olivermessage "{size=-10}Amelie{/size}" if ch5ameliemessage == False: $ ch5totalnightmessages += 1 $ ch5ameliemessage = True jump ch5ameliemessage "{size=-10}Kyra{/size}" if ch5kyramessage == False: $ ch5totalnightmessages += 1 $ ch5kyramessage = True jump ch5kyramessage "{size=-10}\"Belladonna\"{/size}" if ch5belladonnamessage == False: $ ch5totalnightmessages += 1 $ ch5belladonnamessage = True jump ch5belladonamessage "{size=-10}Aunt Joanne{/size}" if ch5auntjoannemessage == False: $ ch5totalnightmessages += 1 $ ch5auntjoannemessage = True jump ch5auntjoannemessage "{size=-10}Uncle Carl{/size}" if ch5unclecarlmessage == False: $ ch5totalnightmessages += 1 $ ch5unclecarlmessage = True jump ch5unclecarlmessage "{size=-10}Nate{/size}" if ch5natemessage == False: $ ch5totalnightmessages += 1 $ ch5natemessage = True jump ch5natemessage label ch5mariyamessage: mct "I'm not sure if she's a room away or studying overtime in the lab, but we'll see how things go." mcp "Hey Mariya-chan. Bored night." mcp "Are you still up?" ".{w}.{w}." map "Are you really going to insist on this, [mc]-san? (\" '-')7" mcp "Shouldn't I?" map "You do whatever you want." mcp "But not if you're not comfortable with it." map "I can live with that I guess. You mean well at least." map "You are in the room?" mcp "Yeah. Looking at the roof, basically." mcp "How was the college?" map "It was good. Most of the classes were pretty basic stuff." mcp "Basic? My level of basic or your level of basic?" map "Basic-basic. We were learning the effect of water on body tissue." mcp "Oh, alright. So that level of basic." mcp "What are you doing now?" map "Listening to Casiopea." mcp "Casiopea?" map "A Japanese Jazz-Fusion band, very popular in the 80's and 90's." mcp "Jazz-fusion? Seems boring." map "Why?" mcp "Not a big fan of elevator-type of songs." map "You must be thinking of Bossa Nova. I understand where that comes from, but it's not like that." map "Tiffany-san had that exact impression, but I convinced her to try some Japanese musicians." map "I'm pretty sure Tatsuro Yamashita is one of her favorite singers now." mcp "I'll take a look on it then." map "If you want, I can pick some Japanese musicians you might like and leave them in your room. It won't be a problem." mcp "I definitely won't say no to that, thanks Mariya-chan!" mcp "How it was the talk with Erika?" map "We didn't talk much after we left you. But she's really nice!" map "She reminds me of one of my friends from high school, Sienna." map "She's your girlfriend?" mcp "No, we're just friends for now." map "Oh yeah? She could have tricked me." mcp "I mean, we've kissed a few times and had a some intimate phone conversations, but nothing more than that." if ch5erikablowjob == True: mct "No way am I going to tell Mariya everything that happened between Erika and me. She would probably freak out." mcp "We're getting to know each other, but who knows how things will turn out in the future." map "That's interesting [mc]-san, I hope everything works out." mcp "I hope that as well." mcp "Anyway, enough talking about others, I want to talk about you now." mcp "What do you like to do?" map "What do you mean?" mcp "Anything. I feel that I don't know a lot about you and I want to fix that as soon as possible." mcp "Do you have a hobby? A real one not attached to a college club?" map "I..." "{cps=20}..........................{/cps}" mct "Weird. She's taking some time to answer." mct "Maybe being a introvert doesn't help, but still." map "Well, I like dressing up sometimes. Cosplay, you know." mcp "That's great. Do you make your own clothes?" map "I used to. I don't have enough time these days, and if I really wanted something quality, I'd probably spend three to six months on a drafting table and a sewing machine." mcp "I'd like to see you dressed as a character someday." mcp "Which character is your favorite to dress up as?" "A laugh is possible to be heard in the end of the corridor." mct "I forgot that these walls are thin..." mct "I hope I didn't say something stupid." map "A character that you probably wouldn't know." mcp "Try me." map "Ever heard about 009-1?" mcp "...{w}I think not." map "Like I said, you wouldn't know." mcp "So maybe one day we can watch it together, and you could show me why you like the character so much." map "Are you serious [mc]-san?" mcp "Why not? It would be nice to spend more time together. You would like that, right?" ".{w}.{w}." map "Yes! That would be really great!" mcp "Good!" mcp "What about me, do you have anything to ask?" map "I don't know..." map "Your favorite game? Or your favorite movie?" mcp "One is easier than the other. My favorite game is Chrono Trigger." mcp "Favorite movie... there's so many, but one I really liked when I was growing up was Highlander." map "Highlander is so cool! I used to watch when I was a kid. It's been almost ten years since that time." map "I don't think I ever played the Chrono game. Is it good?" mcp "It's one of the best games ever made. The kind of game that you look back on years and years after you've finished it and are amazed that some story detail you missed that someone pointed out." map "Maybe you could show me someday." mcp "I'd like that. I'll see if I can pick a PC and we can play together." map "I have mine, if helps." mcp "That won't be necessary, since I have to buy one anyway. But thanks for offering." map "No problem!" map "That would be amazing! I can't wait." mcp "Me too." mcp "I'll see what I can do tomorrow and we'll play when we have the time." map "Perfect then! We'll start on the Saturday after my pool cleaning." mcp "Oh yeah! I've forgot about that." mcp "Do you want some help?" map "No. Rules of the house, chores are individual. But you can make me company if you want." mcp "Perfect then!" map "Good night [mc], have nice dreams." mcp "You too Mariya! Have a good day tomorrow." map "You too!" jump ch5mondaynightmessages label ch5tiffanymessage: mct "I think I never sent her a message, but we could start now." mcp "Hey there, girl!" ".{w}.{w}." tfp "Who is it?" mcp "Damn, they forget so easily." mcp "It almost look like that if you don't look like a dumbbell or a Corporate Law class, then you're just unimportant to her." ".{w}.{w}." tfp "Listen champ, I don't have you on my contact list and I've had a rough day." tfp "If you keep sending weird cryptic messages in the middle of the night, I'll be obliged to block and report you to authorities." tfp "But maybe you should keep talking and give me more ammunition for a restraining order. I don't mind at all." tfp "Or maybe you would just want to meet up somewhere, if you want to fight. I love to kick the asses of creeps." mcp "Hahahahaha!" tfp "What's so funny? Afraid of getting beaten by a woman?" mct "Oh my God! I can't take this anymore." mct "Who would've thought that the Sweet Tiffy would be so contentious." mct "Maybe she took the advice of letting the Tiffanies geting out of her too literally and now Punisher Tiffany is taking the lead." mct "Let's end this." "I make a mock fear expression and send it to her next." "Not even five seconds later, the message arrives." tfp "OH MY GOD!" tfp "[mc]!!!!" tfp "Why didn't you say it was you?" mcp "I don't know. I was thinking of giving you a surprise, but now I think it's a bad idea and you're going to hit me so hard I'm going to have to eat through a straw for at least six months." tfp "Sorry sorry sorry!" mcp "Your day was so hard you need to threaten strangers huh? Damn remind me to make sure your birthday is booked on my phone. And on my mind, skin, or whatever place I'm able to." tfp "Oh my God, I'm feeling like a bully right now." mcp "Don't worry Tiff. I'm pretty sure you have your motives." mcp "Where are you now?" tfp "At the college. I have to sleep in the hiperbaric chamber again... urgh!" tfp "I'll be at home tomorrow night." mcp "No worries." mcp "Are these things legal?" tfp "Technically yes, but they're grey area." tfp "If I had injected something into my body to make more blood cells, that would be illegal." tfp "If I were to train at an altitude center, that would be legal." tfp "This is the middle ground. People can't be blamed for sleeping, right?" mcp "I don't think so. When are you going to stop doing this?" tfp "Thursday. Last day of training!" tfp "After that, the only thing I'm going to do is basically regenerate for Saturday, the big day!" mcp "Good to know. I'm sure you'll win, with a big lead." tfp "I would like to, but I'll do my best." tfp "Can I see your dick?" mcp "What? Why?" tfp "I don't know... I'm horny and I couldn't have my creampie that time. Seeing your dick could be a good consolation prize." mcp "Alright then. Hope you won't show this around." tfp "Who else would I show? I don't have female friends outside Home, and the guys from the club probably would evvy your anaconda anyway." mcp "If you say so..." "I picked my dick and took out, make some shots for her and put back." tfp "Thank you!" mcp "You're welcome." mcp "Say, you talk a lot about creampies." mcp "Aren't you afraid of having a baby? It could be problematic for your career." tfp "No, because athletes like me with problematic menstrual cycles need to take a specific, pre-approved birth control pill that helps during competition periods." tfp "So the risk of babies is almost zero. It's not zero because there's still a 0.075\% chance of it happening, but at this rate it's easier to find a black pearl in an ordinary oyster on the beach." mcp "Weirdly specific, but okay." tfp "You'll get used to." tfp "Damn, your cock is so good, it makes me want to touch myself. Sadly I can't." mcp "There's always tomorrow." mcp "For now, focus on your work and we'll be together eventually." tfp "You're right. Thanks [mc]!" tfp "I can't send you a nude because I'm already wearing these weird pajamas with electrodes, but after Saturday we're going to have so much sex you won't be able to stand up for a month." mcp "Wish I was intimidated by what you said, but it made me horny." tfp "That's the intention. Good night!" mcp "Good night Tiffy! Nice dreams." tfp "If I manage to sleep on this thing. Urgh!" "..." jump ch5mondaynightmessages label ch5jeremymessage: mct "I've been trying to contact Jeremy for a while, but he's still irreducible on not wanting to talk with me." mct "This will be my last try. As much as I hate to admit, I'm ready to move on if he don't break the ice." if melissapicture == True: mct "There's the picture option, but this is the nuclear option for the question, so let's try not to depend on that for a while." mcp "Hey dude. Please talk with me." mcp "I miss you. I know you're mad, but come on! We've been through worse in the past." mcr "I kept looking at the phone, without much reaction." mcr "In my mind, the minutes were like hours." mcr "I've never been an emotional type of guy, or at least I never thought of myself that way. For me, it's always been about the \"mood\" of the situation, but this was the first time I found myself crying and wetting myself." mcr "I told him that story years later and he couldn't stop laughing at me. \"Cry over a man? What a fag\" he said." mcr "It didn't matter. I always knew when Jeremy was talking shit and when he was being serious. Even though he was cursing me he was smiling throughout the whole conversation." "..." mct "Yeah, it looks like it's time to let that matter go." mct "I just wish we could have a better-" "*Jeremy is Typing*" mct "Wait, will it work? I can't believe it!" jrp "What do you want?" mcp "It's good to talk to you again." jrp "I wish I could say the same, but I still have the knife in my back." mcp "Stop being so dramatic." jrp "Me? You were the one who said you couldn't live without me around once." mcp "Perhaps, but I have a feeling you feel the same way." jrp "I don't know... living alone in this place has been an interesting experience." jrp "No curfews, basically chilling 24/7, going to parties alone." jrp "Living alone isn't so bad. This apartment Dad got from the government is good enough for two, so that means plenty of space for a single guy." jrp "So, maybe our plan on living together would have fallen down after some time." mcp "If you say so." jrp "Yes, and while I'm here, maybe I could join the Army and see how things go." mcp "You and the Army are two things I can't see working together." jrp "If it was good enough for Dad, then maybe it could be good enough for me. He raised three kids on it. Four if you count my cousin Jackson." mcp "You're not your father, you don't have enough discipline for that." jrp "Dad said he changed after picking out his first military uniform. Maybe it could be the same for me." mcp "I still can't see you as a soldier. You brewed your own beer when you were 13 and started selling it to veterans." mcp "How the hell did you made that?" jrp "People like beer, veterans usually have government money. I just made an offer to meet a demand." mcp "Not that. How the hell did you know how to brew beer?" jrp "It's easy as fuck. You mix some grains, add some water, yeast, sugar and a lot of patience." mcp "Yeah, but I remember the queue around the corner since you decided to sell it for one dollar the gallon." jrp "You have to look beyond the situation. I covered the cost of the operation and managed to make almost three thousand dollars the first day." mcp "Yeah, but I remember Uncle Carl finding out about the operation and shutting it down. Worse, I remember him having a veterans' barbecue using the money and the rest of your stock." jrp "Wild times. Some of Dad's friends used to come over and ask if I still made them." jrp "I guess that was… well, maybe it's still the only thing Dad was even remotely proud of me, committing at least four federal crimes and getting pats on the back for it." mcp "Was he proud that you took the punishment with your head held high or that you created something that people like?" jrp "Who knows what passes by Dad's mind?" mcp "I don't know. More than mine, maybe." jrp "Maybe..." mcp "What are your plans now? Maybe returning home?" jrp "For Mom and Dad? Hah! It's their dream to put all their kids out of the house, they already did with my sister two years ago. What face would I make if I came back after two weeks?" mcp "A sensate one?" jrp "It almost like you don't know me." mcp "I know, that's why I'm worried." mcp "Can we talk about my decision to stay here or not?" jrp ".{w}.{w}." jrp "I'm listening." mcp "Well, it was basically..." mcp "..." mcr "I told him the basics of what happened since last time. I decided direct words would work for me there. He didn't respond until the end of the monologue." mcr "I decided not to talk about the sex, just mentioning Erika's kiss and my date with Melissa. It didn't get his attention." mcp "..." jrp "...and now you're enrolled?" mcp "Seems to be." jrp "What will happen to us? The plan?" mcp "I don't know... but we'll have to wait two or three years for that." mcp "Can't wait for it?" jrp "I could. But now I'm wondering, what else could I do with my life while I wait?" jrp "I don't know... I'm not particularly smart or funny or even charming." mcp "What? Dude!" mcp "You were always the Top student of the Chemistry class. You made Theresa Moore look like a fool more than a handful of times." mcp "Usually when she had the correct answer to a question, you had at least four with a joke that usually made people like you more than her." jrp "Unfortunately that was my only skill. I wish I had the same ability for math, English, physics, history... and everything else, as she did." jrp "But Theresa Moore... Damn dude, you dug up someone I haven't thought of in a while." mcp "For the best, I think. She kicked us out of her sweet sixteen party." jrp "No, she kicked me. You could have stayed if you wanted." mcp "It wouldn't be the same without you." jrp "If you say so..." jrp "But now, I'm thinking... What should I do?" mcp "I don't know dude... but your chemistry skills shouldn't be wasted." mcp "Never thought on keep studying? Or getting a job?" mcp "I'm pretty sure that Nate would give you a job on the company if I ask him." jrp "A gallstone would be nicer than that guy." jrp "But I don't know dude... I'm lost." jrp "Having you by my side would have made things less confusing." mcp "It would be a blind man hand in hand with another blind man, walking towards a valley." jrp "Maybe..." jrp "But maybe I need my personal Melissa." mcp "You already have it. Her name is Joanne." jrp "Yeah, you don't understand. But I don't blame you [mc]." jrp "I think it's time to put my tail between my legs and return home." jrp "What am I supposed to do with your things? They're still in the boxes." mcp "Maybe you could put it on a truck and send it to me? I'll send you the address." jrp "Yeah, whatever. They're just six boxes anyway." mcp "Thank you." mcp "It's nice to know we're good again." jrp "Good? Haha!" jrp "Believe me man, we're FAR from good, but I don't know... I'm sad, alone, drunk and looking at the roof in the middle of a dawn." jrp "Maybe tomorrow I'll regret this whole conversation, but for now, it was nice talking to you again." mcp "I say the same. Good night." jrp "Night." "..." mct "Okay, this talk was weird and nostalgic, but he's still pissed." if melissapicture == True: mct "I'll use the nuclear solution eventually." mct "For now, let's move on..." jump ch5mondaynightmessages label ch5olivermessage: mct "Surprise, Oliver sent me a message." mct "Let's see what he wants." olp "Hey man! How are the things?" olp "Did Tiffany get better?" mcp "Hey man! She's better now." if ch5tiffanymessage == True: mcp "She's in the hyperbaric chamber now, but will stop hardcore training on Thursday." else: mcp "No news after leaving her in the shower, but I assume she's better now." olp "That's good. She needs to learn to relax sometimes." mcp "Can't say I disagree with that, her routine isn't for many." mcp "Has anything like this happened to her in the past?" olp "Not with her, but I saw it happening with some people before." olp "It's the pressure, especially considering the Commons is commonly (lol) recognized as a hub for top-level athletes." olp "And after all, Adam Solomon is her coach." mcp "So, he's important." olp "I could say yes. His resume speaks by him." olp "He trained Rick Johnson, The guy who brought two golden medals during the Athens 2000 Olympics." olp "He has also coached many other students with varying potential to be athletes. Most, if not all, have successful careers." olp "And he gained a golden medal by himself during the 1984 Olympics a million years ago while he was a student." mcp "I hope Tiffany is in good hands. She has a lot of faith in him." mcp "Will you be part of the NCAA this weekend?" olp "I will, but I'm not interested in racing or anything, I'll just be there to improve my time." mcp "That's nice to know. Which is your best time?" olp "2h, 10min for a half marathon, 50min for cross country, I've also done a few runs that I haven't timed yet." olp "Mainly for endurance. I'm not competing anymore." mcp "\"Anymore\"?" olp "Yes. I think I mentioned to you before, I was a quarterback in high school. I was good." mcp "What made you desist?" olp "I decided to pursue the education over sports." olp "Especially considering I'll be the first in our family to go to college. My two sisters and little cousins ​​will come eventually, but I need to be a good role model for them." mcp "So your intention is to be the cool big cousin your family could count on. That's a good way to think about it." olp "My opinion too. Unfortunately it was not shared by the team." mcp "It's your life, after all." mcp "Do you have any idea what you're going to do after college?" olp "I don't know yet. Maybe going back to Orchard and taking care of the family business, or sticking around and trying my hand at corporate life." olp "Engineering will provide a great field for action, but I still don't know where to go." mcp "My father was a civil engineer and lawyer. He started his building business after the Commons, he studied here about twenty years ago." olp "That's cool. What's the name of the company?" mcp "Sunders & Smith, not sure if you ever heard about." olp "I think I heard before, but I don't remember the context." olp "Are you \"Sunders\" or \"Smith\"?" mcp "Sunders. From Jonathan Sunders." olp "Are you here from the Right of Inheritance?" mcp "Right of Inheritance?" olp "Yeah! All alumni have the right to nominate their children for a place at college. A kind of socially accepted nepotism." mcp "No, a month ago I wasn't even thinking about college. At least for a while, I had other plans." olp "I wish I had that option, but I'm not judging." olp "But hey, we're starting your case now." mcp "That's good. I'm sure it's a lot less interesting than you'd like, but it's something." olp "We need to start somewhere." olp "I bought a board, some pins and asked for the phone today. Johnny is already asking some questions around, I'm sure we'll have something in the next few days." mcp "It's okay then. Let me know if you guys need anything else." olp "We will." olp "I'm going to get something to eat. I would offer it to you if you were here." mcp "Don't worry, enjoy your food. I'll enjoy the solitude of my room during the rain." mcp "How long this rain will stay?" olp "Last time it lasted a week, but I have a feeling the worst is over." mcp "Let's hope for the best. Good night." olp "Good night for you too. Fly high!" mcp "Huh?" olp "You'll understand, someday..." "..." jump ch5mondaynightmessages label ch5ameliemessage: mct "The gothic girl from the Detective Club." mct "She's pretty, but her personality isn't the most sociable ever. Well, apart from Stacy." mct "What's her name again? Amanda?" mct "No... too normal. It was a little more foreign." mct "Amelia? No, but it's almost there..." mct "Amelie. That's it." mct "She has some pictures on her timeline. Let's have a look." scene e41 with dissolve # On the phone, on Vertical, it's night and is raining # Amelie is sitting in an armchair, with a cup of coffee, looking to a window. She's smiling, and the outside light is over her body # It need to have some books around her in the top of a side table, and in the top of right of the screen, it needs to have an emissive light in a red color. # She needs to be using a sweatshirt and panties. # The pic needs to have a photography-feel on it, like it's a professional photo booking # In the stripe, it needs to have the words "Love yourself" and a cup of coffee, a heart and a musical note mct "She's sexy. In a very particular way." mct "She's a psychology student, if I remember correctly. She has some animosity towards the other girl." mct "I wonder if this is just a frenemy relationship or if they have a real problem." scene e42 with dissolve # On the phone, still on vertical, in a different environment. It's early evening/late afternoon, and it's still raining outside. # The girl is using a mask, with a sexy yet respectful and comfortable lingerie. # She's looking at the camera, smiling, in a mysterious pose, one suggestion below, but you can do whatever pose you want. # This is the pose in question: https://cdn.discordapp.com/attachments/971120138055196732/1110305028150939648/depositphotos_92587772-stock-photo-young-beautiful-girl-posing.jpg mct "Sexy!" mct "Is she a model? At least an amateur? Doesn't seem too far off." mct "Should I interact a little?" menu: mct "She doesn't look too bad after all." "Yes[persistent.KoGa3WTChange]recommended by me so far\n(Amelie content)": jump ch5amelieyes "No": mct "Nah, she was an asshole to Mariya." mct "If she was an asshole to the cutest, kindest girl that ever lived, I'm not sure if I would maintain any kind of contact with her." mct "Let's move on..." jump ch5mondaynightmessages label ch5amelieyes: $ ameliecontent = True mct "Maybe? She's hot enough." mct "Even though it's weird how she treats the people around her, maybe we can have a decent conversation." mct "After all, friendships are never enough." "I send her a small heart in the first picture and a wide-eyed, open-mouthed emoji in the second." "She answers shortly after that." amp "Who is it?" mcp "Hello! Sorry for sending these, but I really enjoyed your pics there." mcp "I'm [mc], I was on the Detective Club in the past Saturday. I was with a friend." amp "Oh! Right, I remember you!" amp "I didn't recognize you without the asian girl by your side. I was wondering who is the master and servant of your relationship." mcp "Yeah, very funny." amp "Sorry, but I couldn't miss the joke. No hard feelings?" mcp "Whatever, I'm not the one who would be offended by that." mcp "Your pictures are nice. Your work?" amp "Not really. At most I posed and did the environment. Post-production was done by Jordi, a guy I met at the Photography Club." mcp "Sounds like you guys are a good team." amp "Thank you!" amp "Eight hours of work for only five, maybe six good pictures. But what can I do?" amp "Maybe one day I'll reach the level of Leah Phillips." mcp "I'm not sure I know this person, but the quality of their work so far is amazing." mcp "Are you a model?" amp "A Model? No. I'm an Alt-Model." mcp "What's the difference?" amp "An Alt-Model is the type of girl who usually breaks the conventions of a traditional model. Alt-Models often have larger proportions, different hairstyles and tattoos." amp "Alt-models often produce \"not safe for work\" content too, but I'm not one of those." amp "All things considered, I have the body of a normal model, but I'm not stupid enough to be one." mcp "This is the pinnacle of sorority!" amp "That doesn't exist." mcp "Why?" amp "That's a banal explanation and I'm not exactly on the mood, sorry." mcp "It's fine. But you know, some of your behavior towards the other girl at the club makes sense now." amp "You mean Kyra? My relationship with her could have been so much better if she wasn't so annoying." mcp "What kind of annoying things does she do to make you say that?" amp "She's extremely friendly and is always picking on me for not behaving like her." mcp "That's a bad thing?" amp "Of course it is! No one who is genuine behaves like her." amp "She's always around, even if you don't realize it. Like a wart you have behind your ear." amp "If I'm doing something completely random, like an origami class, she's buying the same kit and enrolling in the same class." amp "If I just want to walk around and buy clothes, she's right behind me with her credit card." amp "If I'm interested in a boy, she's right in the corner trying to get us together." mcp "Seems like a beautiful friendship." amp "But I don't want her friendship!" mcp "Looks like you're going to have it, whether you want it or not." mct "And maybe, just maybe, Kyra might have a reason for that. But let's not assume anything." amp "Ugh!" mcp "I'm sure you'll be able to handle it." amp "But I don't. Can we talk about something else?" mcp "Sure." mcp "Do you plan to pursue a modeling career?" amp "No. This will be punctual until I get my degree." amp "As easy as it may seem, I'm not interested in continuing to live on sponsorships and merchandising." amp "Especially considering that the core customer base is weirdos." mcp "And with Psychology it will be different in any way?" amp "With Psychology, at least, I would try to help them." mcp "Maybe you're right, even if I don't believe it." mcp "Do you have plans for the next photo shoot?" amp "Not yet, this kind of thing takes time. Why do you ask?" mcp "I'm just curious to see how it works. Maybe I'll learn to appreciate it eventually and stop having a cynical opinion about girls who have OnlyStands." amp "Do you think I have an OnlyStands?" mcp "You don't?" amp ";)" mcp "Haha!" amp "Well, I don't do nude photoshoots if that's what you're asking." amp "But if you want, you can come and watch the next time you're at the Club. I could use an assistant." mcp "Sounds like a deal. When's the next meeting again?" amp "Wednesday and Saturday, but Wednesday was canceled this week. Don't ask me why." mcp "Saturday then." amp "Okay, deal! See you on Saturday... Sir..." mcp "Hahaha! It's [mc]." amp "Oh yeah! That's it!" amp "Sorry [mc]." mcp "Did you realize that you basically invited someone you don't even know the name to a private photo shoot?" amp "I could have scrolled back but I got too lazy. I'm better with faces anyway and yours are cute enough to remember." mcp "Really?" amp "Yeah. I mean, your hair is silly, but you have a symmetrical face and body, if something like that counts." mct "Why everyone keeps talking like that about my hair?" mcp "Coming from a girl who has a purple sidecut, I take it as a compliment. So thanks." amp "Haha, you're welcome! Good Night!" mcp "Good night!" "..." jump ch5mondaynightmessages label ch5kyramessage: mct "This is the girl from the Detective Club. Kyra if I remember her name correctly." mct "She's online right now. What she's doing?" scene e43 with dissolve # Kyra is sitting on the couch from the Detective Club, she's waving to the camera. If doesn't work, just put her standing, with the other characters on the background # It's mid afternoon, but it's raining outside. On the background, there's a white board and Oliver, Johnny and Amelie standing and talking with each other # Kyra is with a bright warming smile, and in the black stripe it needs to read "Coming soon: The Radiant Privates, name pending." mct "The Radiant Privates? It looks more like a name for a porn company than a club for detectives. If it works, then it works." mct "Nice smile and spirits. She looks quite invitative here." mct "This girl is quite the opposite of the other. I wonder how they became friends." mct "Or, better saying, how she bullies the other girl to a frenemy relationship." if ch5ameliemessage == False: mct "What's the name of the other girl, by the way? Amelia or something like that." scene e44 with dissolve # Kyra is in a bedroom, she's sitting in on using normal clothes, without shoes. # She's with a cute yet pensive expression # It's night time, and it's raining, but it needs to have a cozy environment. # A random girl can or can't be somewhere on the background. If yes, she's with comfortable clothes. mct "Cute!" mct "Relaxing time, perhaps?" mct "Stylish room. Maybe all the effort of sorority membership is worth it in the end." if feetcontent == True: mct "Cute feet, although Tiffany's look better at first glance." mct "Should I interact a little?" menu: mct "She doesn't look bad, after all." "Yes[persistent.KoGa3WTChange]recommended by me so far\n(Kyra content)": jump ch5kyrayes "No": mct "Nah. I'm not sure if I would want that." mct "As much as interesting she can be, I feel she's hiding her true intentions in a facade of kindness." mct "Let's move on..." jump ch5mondaynightmessages label ch5kyrayes: $ kyracontent = True mct "Why not? Friendships are never enough." "I give a thumbs up for the second image, while I comment on the first pic." mcp "That's great! Can't wait for being part of this new story on the Commons." mct "And done." "I decided to pick a glass of water. When I returned to my bed, there were already messages from Kyra." kyp "Hey [mc], thanks for your interest and for commenting on my photo." kyp "The name isn't consensus, but we'll vote in the Saturday. Will you appear?" mcp "Hey Kyra! I'm glad you remember my name." mcp "The name is okay, but it doesn't give the correct idea of what you guys are. Why not \"Radiant Valley Detective Club\"?" kyp "There's already a Radiant Valley Detectives Club in town. They're a bunch of sixty-year-olds who play cards, chess, and general board games while smoking pipes." kyp "They're not exactly a privative group, but... well, it would be hard for us gather interest with that name." mcp "Makes sense then. But \"The Radiant Privates\" gives the wrong idea." mcp "You know, as if someone's private parts were spewing lightning or something." kyp "Hahahahahahaha!" kyp "Well, maybe it's a matter of people getting used to the name. But if any unsuspecting ones show up, we'll send them back home." mcp "It works like that." mcp "I liked your smile in the pic. It's not a quality that many people have." kyp "I don't have either. But I trained enough for making it look natural." mcp "What do you mean?" kyp "Nah, I don't want to tell a sad story to break our mood." mcp "Up to you, but that made me curious." kyp "..." kyp "Well..." kyp "Let's just say I have no one to turn to." mcp "No one? Like, in the world?" kyp "No, I've always been an orphan." kyp "It's okay though. I've been by myself mostly of my life, and only after I turned 11 I managed to find an Aunt." kyp "She's not my real Aunt, but she's the sister of a non-related Aunt I had." kyp "She fed me, gave me a home and, as a retired teacher, gave me the education I needed after leaving the orphanage." kyp "But she's old. She's almost on her eighties and never got married. But she insisted on me going for the college." mcp "Seems she loves you." kyp "And I love her, that's why I don't want to disappoint." kyp "I'm going to give her my diploma to frame and hang over the fireplace. And then I'll be certain that she will be proud of what I've turned myself into." mcp "A renowned architect." kyp "YES! And maybe I can give her the dream house she always wanted." mcp "It's a nice dream. You seem a passionated person." kyp "Thanks for the praise." kyp "But honestly, I don't feel myself as a passionated person. I just don't think I have other option but keep moving forward." kyp "Did you ever feel yourself like that?" mcp "Being honest? I think not." kyp "So I envy you [mc]..." mct "Is there anything to envy?" kyp "Did you know? Oliver got our first job." kyp "We need to investigate the life of a girl. I don't know the details yet." mcp "That's good. What's the next steps?" kyp "We're working on a database for now. We don't have any tech experts yet, but Amelie knows people." kyp "She's so amazing! I love her!" mcp "I see..." kyp "What?" mcp "I'm just imagining things. I could be wrong as I don't know you girls very well, but it doesn't seem like she likes you on the same level that you like her." kyp "It's not like that. She loves me as much as I love her." kyp "I just need to remind her everyday." mcp "I'm not sure that's how friendships work." kyp "Amelie and I have been friends since sophomore year of elementary school. She's always been a lonely girl." kyp "And, thinking back on how things were, I think she was suicidal." mcp "Damn..." kyp "Yes, since then I've promised to be there for her, whether she likes it or not." kyp "I see it as a challenge that I love to do, even if it is exhausting at the end of the day." kyp "I wish I could break the animosity she has towards new people, but I'll keep trying." mcp "I see... that explains why you girls are so different from each other." kyp "I hope you mentioned that with good intentions." mcp "The best, I swear!" kyp "Thank you then." kyp "You're still showing up on Saturday, right? For the official opening, I mean." mcp "I think so, but not until after the NCAA event. I'm rooting for Tiffany." kyp "Cool! Me too!" kyp "Thank goodness the event will take place in the morning." kyp "Are you up for a coffee after the meeting?" mcp "A coffee, a beer, a hot dog, whatever you want." mcp "Not an ice cream though. I still owe Mariya that." kyp "Haha, I remember. I still think you guys are perfect for each other." mcp "I'm not sure about that, but it's good to know you root for us." kyp "No problem. But remember me when you choose the Maid of Honor for your wedding." mcp "Don't worry, I will." kyp "Good night [mc], thanks for the company." mcp "Good night!" "..." jump ch5mondaynightmessages label ch5belladonamessage: mct "\"Belladonna\", the mysterious girl." mct "I wonder why they aren't allowed to share names." mct "To maintain the mysterious aura, maybe?" mct "Or to depersonalize the talk?" mct "I don't know, but let's try something, just for fun..." "..." mcp "Hello Belladonna! Hope everything is going well with you." ".{w}.{w}." unk "Hi. So-so." unk "The lessons are starting to peak." unk "Nothing that I can't handle though." unk "You're the Erika's boy, right?" mcp "Erika's boy? I'm not sure if I should be disgusted or flattered by this." unk "You're free to feel however you want. If I were you, I'd be flattered." unk "So what do I owe the honor to?" mcp "I don't know, I'm bored and curious to know who is behind these messages." unk "You wouldn't recognize me. I'm pretty sure we've never met before." mcp "It makes you even more interesting." unk "You don't even know if I'm the same woman as before." mcp "Maybe not, but I'm going to assume so." mcp "What is it like to be a member of SIZ?" unk "Assuming I'm a member and not a pledger." mcp "I understand about hierarchy. You asked my opinion of Erika in the previous conversation and a candidate wouldn't ask that, especially considering there's a competition." unk "You shouldn't know this, but I'm surprised at your cunning." mcp "It's not something unthinkable anyway." mcp "So you won't answer?" unk "I will. It's just a complex answer, but I'll say it as best I can." unk "Not too bad, I think. People look at us in a different way, a mix of fear, respect, admiration and desire." mcp "Were you made to do the same humiliating things Erika mentioned doing?" unk "Humiliating? What do you mean?" mcp "Duck costume at a charity party, for example." unk "That was a protest about how hypocritical that party was. They were raising $250,000 at a lavish party where the dishes served were $500 each." unk "Believe me, if we wanted to humiliate the new members, we could have been much worse than we are now." mcp "I hope you're right." mcp "What kind of thing did you do when you were pledging?" unk "You've been too curious today, sir." mcp "Why are you defensive? I'm not from around here, I'm about to start my freshman year at college and I certainly wouldn't be able to do any correlations." mcp "So what's the problem with answering?" ".{w}.{w}." unk "None, I think." unk "Okay, I'll answer something that may or may not have happened to me or any other sister." mcp "Possible stories, my favorite type." unk "Alright." unk "Let's just say there was one night where the Mothers came up to us and mentioned we were having a stripper day." unk "They made a deal with the real strippers so we wouldn't get paid a penny for the performance, it would all go to them." unk "Other than that, we would have everything, hairstyle, makeup, clothes, aliases and so on." unk "We were the sensation of the night, and the place was four times as crowded as usual." unk "I did, or didn't, get nearly two thousand dollars for the night. I did, or didn't, have a pretty sexy outfit." unk "And the funniest thing about the night is that one of the girls danced for her brother and even though he was really mean to her in real life, he gave her four hundred dollars at the end." unk "Of course he didn't know, she was using, or not, a disguise." mcp "A night to remember." unk "Yeah." unk "Considering if happened or not." mcp "And considering whether you have danced for your own brother or not." unk "Maybe." mcp "I hope Erika knows what she's doing. She's very optimistic about this; I'd hate it if she didn't come through." unk "Can I say something unofficially? And you promise not to tell her later? These messages will be deleted afterwards." mcp "Yeah, no problem." unk "Okay." unk "She's already in." mcp "Nice!" mcp "She will be so happy for that." unk "Yeah but this isn't official yet, things could change but you seem cool enough to share." unk "So, no word on this with her, Erika's boy! Otherwise, this conversation never happened and she's officially out." mcp "Yeah, no problem. Thanks for trusting on me." unk "You're welcome." mcp "By the way, I really liked the picture I saw of the girls during the Truth or Dare challenge, they were really sexy." unk "We have good taste when it comes to new members. I'm glad you liked it!" mcp "Definitely. Were you in that picture?" unk "Maybe." mcp "Maybe?" unk "Yeah. I won't give any conclusive answers, as I said before." mcp "Fair enough. But please, praise the asses owners, they're quite tight!" unk "Hahaha!" unk "I will. Good night for you, Erika's Boy!" mcp "Good night Belladonna. Stay beautiful and stay deadly, but I don't think I need to say that." unk "You don't. And I will, thanks!" "..." jump ch5mondaynightmessages label ch5auntjoannemessage: mct "Aunt Joanne..." mct "It's been so long since we last spoke." mct "I wonder how she is. Has she gotten used to not having us around yet?" mct "Let's see..." mcp "Hey Aunt Joanne! How are you?" ".{w}.{w}.{w}." ajp "[mc]???" ajp "OH MY GOD!!!" ajp "My baby boy! It's been so long!" mcp "Yeah, sorry for not calling before." ajp "Are you safe? Unharmed? Are you eating accordingly?" mcp "Everything is good, thank you." ajp "I'm so happy!" ajp "NEVER DO THAT AGAIN!" mcp "Do what?" ajp "Staying without calling for so long! It's been so lonely lately..." mcp "What about Uncle Carl? Or Elizabeth?" ajp "Your uncle is been the same. Liz is good, but she's still on her friend's house." ajp "How are things over there? The apartment isn't a Four Seasons, but it's good enough for you to start your journey." ajp "It helped me and your uncle get through the first few years of our marriage. I hope it's still good to live, It's been five years since my last visit." mcp "Oh Auntie..." mcp "A lot has happened. I thought Jeremy would have spoken to you about it." ajp "Jeremy doesn't talk to me about things unless he wants something. If I don't insist, he won't say anything." ajp "What's happening?" mcp "Do you have time? The story could be a little long." ajp "Let me get some coffee and sit at the table and we'll talk about it." ajp "Call me, I'm tired and I don't feel like typing." mcp "No problem." scene black with dissolve mcr "I told her everything I could except the kisses with Melissa and the sexy interactions with Erika and Tiffany. She was mostly silent." scene e45 with dissolve # The white girl from e20 is using a sexy sleeping robe, she's sitting in a table, crossed legs, a coffee mug over the table, her phone over the table, she's on her speakerphone # Her body should be thicker, a good Milf-like body, similar to Melissa, Meredith and Karen # Since the first time she appeared she was blurred, I want you to make a face-lift on her and make her look similar, but cuter than the previous version. # If you dislike the OG Hair, you can change for something else. # The camera should be inclined, maybe, giving some focus on her legs, breasts and face. # She should be looking away, with a serious expression, mouth closed # It's late night mcp "And that resumes the whole question." aj "Uhnn..." mcp "Are you mad at me Auntie?" scene e45b with aass # Same as above, but mouth open aj "Mad? I can't be mad over you [mc]." aj "Disappointed, maybe." aj "This Melissa girl, Jin mentioned her a few times." aj "Do you think it's healthy to stay at her house?" scene e45 with aass mcp "Healthy? I don't know." mcp "But Dad has a plan for us, and I'm interested to see where it goes." scene e45b with aass aj "I see..." aj "About Melissa, is she beautiful?" scene e45 with aass mcp "I think yes." scene e45b with aass aj "Is she more beautiful than me?" scene e46 with dissolve # Aunt Joanne looks to a different direction, while holding the mug, her expression is sad/neutral. # Her face shouldn't be seen, or at least being in a side angle that it wouldn't matter her mouth being closed most of the time mcp "C'mon Auntie, no one is more beautiful than you." mct "Honestly, they're both beautiful and in a very similar way, but I really don't want to pick one and let the other down." aj "So why [mc]?" mcp "Huh?" aj "Why did you want to leave so badly?" aj "Was I that mean to you? I admit I wasn't the most considerate when you were growing up, but I don't think I was that awful." mcp "Nonsense, you were great!" mcp "You were kind even when we didn't deserve your kindness, and you had a heavy hand when we needed it." mcp "It's just that... Sometimes we need to walk by ourselves and find our own way." aj "You could have stayed in the city and studied at the Old Town Institute of Technology." aj "Now, you're in Radiant Valley while my son is in Capital City and neither of us are happy." aj "Admit it [mc], you just wanted a way to remove me from your lives." mcp "Please don't ever mention it again." mcp "Removing you from our lives is like removing the backbone from our bodies. We would never have worked without you and our lives would have been far more dysfunctional than they are now." scene e47 with dissolve # Focus on her upper body/chest, a slightly different pose than before. She's looking at the phone, with a contemplative expression # Mouth open aj "Thanks, honey! I'm not sure how much of that is true, but thanks for trying to cheer me up." scene e47b with aass # Same as above, but her mouth should be closed mcp "It's true Auntie. But your voice is tremble." mcp "Is there anything else going on?" scene e47 with aass aj "Hm? Oh, no." aj "At least, nothing you can fix." scene e47b with aass mcp "I'm listening." scene e47 with aass aj "But I'm not willing to share." scene e47b with aass mcp "Come on, Auntie! How many times did you listen to my problems while I was growing up?" scene e47 with aass aj "My problems and your problems are a little different. Yours aren't related to a twenty-five years of marriage." scene e47b with aass mcp "I don't claim to have the answers to your problems. I just like hearing your voice." scene e47 with aass aj "Why?" scene e47b with aass mcp "Because I love you." scene e47c with aass # Same as above, but her eyes are turned into a different direction and she's smiling, mouth open aj "Thank you [mc]. I love you too, honey!" aj "If you really want to know, your uncle and I haven't been on good terms lately." aj "It's okay, we've been in this situation before, but we managed to stick together for the kids. The seven year curse, you know?" aj "Things got better and when he got promoted we had more time for each other." aj "But now things are starting to get weird again after the kids started moving." aj "It was with Lucy, and now it's with Jeremy. I'm not sure what it's going to be like with Elizabeth when she's gone too, but I think he regrets our marriage." scene e47d with aass # Same as above, but her mouth is closed mcp "All due respect to him, but if he really regrets his marriage, he's a fool." mcp "And that's something Uncle Carl isn't." mcp "Have you tried spending time together? Like traveling? Going to the movies or just being spontaneous?" scene e47c with aass aj "Spontaneous? It's almost like you don't know him." scene e47d with aass mcp "I know, but we never know how things are between husband and wife." mcp "Is everything okay in bed?" scene e47c with aass aj "And this is where our conversation needs to end." scene e48 with dissolve # Slightly different pose and angle, she's swirling her index finger on the edges of the mug. # She's with a neutral smile, mouth closed # Still focus on her upper body mcp "I'm serious Aunt. You are a beautiful woman, and maybe the problem is the routine." mcp "Have you ever considered spicing up your marriage?" mcp "Perhaps wearing some sexy lingerie? Maybe that would bring back his interest in you." scene e48b with aass # Same as above, but mouth open aj "I tried some last week. It didn't have the reaction I was hoping for." scene e48 with aass mcp "Why?" scene e48b with aass ajp "As much as the girls praised me, I felt like an old woman trying to pass for a teenager." scene e48 with aass mcp "Why don't you show me?" scene e48b with aass aj "Yeah, right. There's zero chance of me showing these to you." scene e48 with aass mcp "Come on! What's the problem with that? I'm sure you looked amazing in them." scene e48b with aass aj "You are my son. Even though you weren't born to me, you are still mine." aj "For me, it's like if I show it to Jeremy, so no." scene e48 with aass mcp "Did you have a male opinion on this matter?" scene e48c with hpunch # Same as previous one, but she's with an annoyed expression, mouth open aj "[mc]!!!" aj "What do you think I am?" scene e48d with aass # Same as e48c, but with mouth closed mcp "A beautiful woman who deserves to be happy. Sending this to your friends probably gave them some insight into what the fabric was like, how they would like to look like you wearing the same model, and so on." mcp "Since you're surprising Uncle and probably wouldn't want Jeremy looking at them, what else could you ask?" scene e48c with aass aj "I don't know..." scene e48d with aass mcp "Yeah, it's perfect! You know I love and respect you in equal measure. I'm the perfect male opinion on the matter." scene e48c with aass aj "Yet you are eighteen, what kind of opinion could you possibly have?" mcp "Your point? Age is just a number anyway." scene e49 with dissolve # Similar as above, but Joanne gives a laugh. # She's not swirling the index finger on the mug anymore, but doing something else aj "Hahaha!" mcp "Heheheh." aj "Okay, I'll show you some of the pictures if you promise not to laugh." mcp "I don't know why I would laugh since you're so beautiful Auntie, but I promise to be respectful." aj "Okay." scene e50 with dissolve # MC is holding his phone vertically. On the screen, Joanne is using this lingerie while taking a selfie on the mirror. # The material shouldn't be too transparent >>> https://www.daz3d.com/dforce-x-fashion-melody-babydoll-outfit-for-genesis-81-females # She should be in a bedroom environment, it needs to be in a morning or at best in an early afternoon ajp "I showed this to the girls earlier." ajp "I'm deadly ashamed to send this to you, but maybe you can help me." ajp "What do you think? Please don't think less of me because I sent this to you." mc "Don't worry Aunt Joanne, you look really great." mc "Can I be sincere?" ajp "Please!" mc "I think you're very beautiful, the color is beautiful and it looks great on your body." mc "But to solve bed problems, maybe it's too plain?" ajp "Plain you say..." mc "Don't get me wrong, it's great, but I think Uncle Carl will look at you with the same eyes he does these days." mc "Maybe you should remind him how sexy the woman he married is, so a little bit of spiciness might help." mc "You guys are married after all, you should have {i}that{/i} level of intimacy." mc "So bolder is probably better for your case." ".{w}.{w}." ajp "Maybe you're right." ajp "Well, I have something else, but I don't think I'm brave enough to show you." mc "What's the harm? We're just sharing something for your well-being. Don't be shy and show how beautiful you are." mc "You'll only hear good things from me, I promise." ajp "Oh god! Okay!" scene e51 with dissolve # Still on the phone, Joanne is using this lingerie in a slightly different pose, maybe a little sexier # This is the asset: https://www.daz3d.com/x-fashion-dainty-lace-lingerie-set-for-genesis-8-and-81-females # Same place as the e50, same time. mc "That's what I'm talking about!" mc "You're fantastic, Auntie!" ajp "Isn't too much?" mc "No, to be honest, that's ideal. I like the wink you gave." mc "It would be impossible for him not to have his hands all over you." mc "I mean, unless Uncle Carl is secretly gay." ajp "Hahahaha!" ajp "No, I'm pretty sure he isn't." mc "So you'll be fine. You are a Goddess, it wouldn't be too difficult for you to reconcile." ajp "You're a sweetie, let's hope for that." ajp "I'm feeling a lot more confident now." ajp "Thank you [mc]." mc "No problem. I'm glad I could help you." ajp "I'll tell you if it works or not. Your uncle can be a little hard-headed when it comes to me." ajp "Kinda like how Jeremy is." mct "If you know how wrong you are, you'd be surprised." ajp "When you kids will start talking again?" if ch5jeremymessage == True: mc "I don't know. Things are weird for now, but at least there's minimal contact." else: mc "I don't know. I'm reticent to text him, but I have a feeling we'll talk soon." ajp "Okay then..." ajp "Could you do me a favor if you can?" mc "The world for you, Auntie." ajp "Thanks baby!" ajp "The weight of my words and yours are different on his head, but could you please ask him to return home?" ajp "I won't get mad and I won't let his father be hard on him." ajp "I just want him back. Maybe we'll be able to have a fresh start on our relationship from now." mc "No promises, but I'll do my best." ajp "It's enough for me." ajp "Good night [mc], hope everything works out for you in Radiant Valley." ajp "But if not, go back to Old Town. Our house will always be open for you." mc "Thank you, Auntie! I promise to consider it in the future." mc "Good night!" "*click*" "..." mct "It's the first time I've seen her so reticent about marriage." mct "I have a feeling there's more interference in their relationship, but I don't want to intrude too much." mct "But should I look into this situation?" menu: mct "What to do?" "Investigate their marriage[persistent.KoGa3WTChange]recommended by me so far": $ joannecontent = True mct "I'll see what I can do. I love them too much to just let something like this go." "Let it be": mct "I don't think so. I don't want to be in the middle of a fight between the two most loving but stormy people I've ever known." mct "At this point, I'm just going to pray that they get along at the end of the day." mct "Let's move on..." "..." jump ch5mondaynightmessages label ch5unclecarlmessage: mct "It's been a while since I talked with Uncle Carl. Since our deal, I think." mct "I'm not looking forward to {i}that{/i} conversation, but maybe I could start to soothe the situation for now." mcp "Hey Uncle! How are the things?" ".{w}.{w}." ucp "[mc], is that you?" mcp "In the flesh. Or, on the phone." ucp "Where are you calling from?" mcp "Huh?" ucp "Answer the question." mcp "Why are you asking that?" ucp "Take a guess." mcp "Are you monitoring me?" ucp "You? Certainly not." mcp "So you're monitoring Jeremy." ucp "It's your assumption." ucp "Will you answer or not?" mcp "Okay, okay." mcp "I'm in Radiant Valley." ucp "Why are you in Radiant Valley?" ucp "Do you intend to join the Navy?" mcp "Navy? I didn't even know there was a naval base here." ucp "The third biggest of the world." mcp "I see... so no." ucp "So why are you in Radiant Valley while my son is in my apartment, laying down most of the time and looking out the window?" mcp "You know that?" ucp "It's my responsibility as a father." ucp "I could have done the same to you, but I promised Jin to give you your privacy." mcp "Thanks, I guess..." mcp "Well, I could come up with a lot of excuses for that, but I'll try to be as clear as possible." ".{w}.{w}." scene e52 with dissolve # An render from inside the room, MC should be laying down on the bed, covered by the blanklet, and unfocused. ucp "Melissa eh?" ucp "Is she as beautiful as Jin mentioned?" mcp "Did he talk about her to you?" ucp "Of course. Constantly." ucp "He mentioned several times that she was the love of his life." ucp "Never met her, but he had good taste. He was generally surrounded by beautiful women his whole life, even not dating any as far as I remember." mcp "Well, yes... She's beautiful. Out of all the women my father has dated, she's probably the prettiest." ucp "I see..." ucp "{cps=5}...{/cps}" ucp "It kind of makes me regret getting married right out of high school." mcp "Huh? You regret marrying with Aunt Joanne? Because of Dad?" ucp "Oh! No!" ucp "Of course not! My wife is great, I could never ask for a better woman. And your father is completely innocent on this." ucp "It's just... sometimes it seems like the grass is greener on the other side, you know?" mcp "I think I understand. I don't agree, but I understand." ucp "I just think that, after almost thirty years of marriage, we just drifted apart." mcp "You don't consider your marriage a chore, do you?" ucp "Not a chore, but I don't feel myself as in love as I used to be with her." ucp "I don't think you would understand, after all you're young." mcp "I may be young, but I know Aunt Joanne is one in a million." mcp "Maybe out of a billion, but I've never been good with statistics." mcp "And honestly Uncle, you shouldn't envy Dad. His mood usually ranged from good to sad, he was always focused on work, and most of the time during cancer he used to fall asleep screaming." mcp "You have a beautiful family, a beautiful wife and you are on your way to being a general. Your life is so much better than my father's life." ucp "I wish I was as rich as he was. You probably never had any difficulties growing up." mct "Maybe..." mcp "I didn't grow up with money. At best, the maids and nannies were paid a small amount weekly to keep things running smoothly at home." mcp "But I think I could throw it all away just to have a family like yours. But I'm glad you let me be a little part of yours while I grew up." ucp "Oh Buddy... I don't know what to say." mcp "You don't have to say anything, Uncle Carl. I love you and I wish I could resolve your issues between you and Aunt Joanne." mcp "But my knowledge of the situation is limited to what I know about you on a superficial level. Only you are capable of fully understanding your wife." mcp "Anyway, maybe what you need is to remember the exact situation of how you met and try to recreate it in some way. Who knows, maybe a break from routine would be beneficial?" ucp "..." ucp "You sounded like your father right now." ucp "How are you dealing with his loss?" mcp "I don't know. Good, I think." mcp "Maybe I'm in denial, but I can swear that the memories of Dad being ill are fading away slowly." ucp "I don't think you are, but I understand you wanting only the good memories, even unconsciously." ucp "A way your brain is coping with his absence, perhaps." ucp "Jin was a good friend, I hope he's in a good place now." mcp "I think I never asked, but why do you call my dad \"Jin\" instead of \"Jonathan\"?" ucp "It's simple. My older brother is also named Jonathan and I hate him." mcp "You don't truly hate your brother, right?" ucp "No, but we have our differences. We will never be on good terms, and we're both fine with that." ucp "Jin for your father is good, in the same way he called me \"CJ\" and he called your aunt \"Dark\"." mcp "I think I'm missing something." ucp "Old school video game references, you're too young to understand..." ucp "You know, it was my dream that Jeremy would follow me into the Army, or at least get him into college... Looks like I'm not going to get that dream come true." ucp "I think he got tired of us comparing him to his sister after she left for West Point." mcp "I don't know, Jeremy always had a foot in Chemistry and Microbiology. I still remember the Veterans BBQ." ucp "The best money I never spent with meat and beer." mcp "I can't say much about the beer, but the whole situation was remarkable. Maybe what he needs is an incentive to keep getting better at it." ucp "Maybe you're right. I think I'll talk to him and work things out between us." ucp "How did you get into college on such short notice?" mcp "I asked Meredith a favor." ucp "Lady Death herself? I hope you know what you're doing." mcp "Why are you saying that?" ".{w}.{w}." ucp "For nothing. At all!" mct "That reaction to Meredith seems to be common these days." mct "What kind of secret does she hide behind the curtain? I don't know, but I have to find out." ucp "Okay, I guess I'll make some calls and get in touch with my superiors and see what I can do about my son." ucp "Thanks for listening to me, and for the advice with your aunt." mcp "Any time you need. Have a good night Uncle." ucp "Thanks son, to you too!" "..." jump ch5mondaynightmessages label ch5natemessage: mct "IIIRK!" mct "Mr. Nathaniel Smith himself..." mct "I don't think I'm ready for this conversation." mct "But... that reaction Meredith told me was curious." mct "Let's take a look and see what it's all about..." mcp "Hello..." "..." ntp "What do you want?" mcp "Hey Nate. How are things going?" ntp "Cut your bullshit [mc], I'm not in the mood for small talk." mcp "I'm fine too. I'm about to start college and decided to share what life is like here in Radiant Valley." ntp "So what? You want to be applauded, is that it?" mcp "I met a lot of people, especially one or two girls that I was interested in." mcp "And I met a lovely, beautiful lady. Her name is Melissa." ntp "{cps=5}...{/cps}" ntp "I see, so that's what this is about." ntp "Melissa is nice, isn't it?" ntp "She gives some real {i}{b}motherly{/b}{/i} vibes, right?" mcp "What do you mean?" ntp "Nothing at all. I swear." ntp "Interesting move you made there..." ntp "But I'm just wondering if twenty-something years are enough to heal some wounds." mcp "What wounds?" ntp "You don't know?" mcp "She mentioned that she was my dad's girlfriend and they were expecting, but it all went wrong." ntp "Did she mention, for example, that her mother didn't want the pregnancy at all?" mcp "...{w}no." ntp "So there's more to this story you don't know." mct "Okay, Nate may be a jerk, but he usually gives good insights into people and situations." mct "If Melissa's mom didn't want the pregnancy, maybe I should look into this further..." mct "Let's move for now." mcp "I didn't know you studied here too, it doesn't seem like a place you would frequent." ntp "There are a lot of things you don't know about me, don't be surprised by that." mcp "Maybe you're right, but Meredith mentioned that you were the one who gathered her group of friends." ntp "Why, because I once had a dorm party once? Anyone could have done that." mcp "It was enough for her to give you credit for it." ntp "Heh! Meredith... She never changes." ntp "So... Radiant Valley University, right?" mcp "Starting this Friday, second call." ntp "Are you going to stay? Or are you going to give up, like basically all the things you've tried before?" ntp "Please respond before I spend five million dollars on a project that may fail. Money doesn't grow on trees." mcp "Give up? That's not like me." ntp "Oh, no?" ntp "May 10, 20xx. You have decided to enter Judo training to see if you stop being a small, weak boy who cries for everything." ntp "December 3, 20xx. You quit judo because you didn't expect it to be so boring." ntp "September 30, 20xx, two years later. You decided to go to music school and be a professional musician and multi-instrumentalist." ntp "March 17, 20xx, a year and a half later. You dropped out because you felt too good to take the basic classes, but you left without even knowing how to read a score." ntp "June 12, 20xx, same year. You decided to enter in the Art School to learn how to draw, and maybe making two or more characters having sex like any teenager." mcp "I didn't say that." ntp "June 20, 20xx. Eight days later. You gave up because you thought you were going to draw from the beginning and didn't heed the old masters' teachings on basic anatomy." ntp "I can continue if you want." mcp "Okay, I'm a loser, you won! Is that what you want to hear?" ntp "A loser? Haha!" ntp "You really don't know what it's like to be a loser." ntp "You're just a brainless kid who doesn't know how lucky you are." ntp "The matter of the will, you didn't even protest when your father actively deprived you of most of his inheritance." mcp "How do you know that?" ntp "I know lots of things." mcp "Enough to know of a private matter between me, my late father and my lawyer?" ntp "You shouldn't be surprised. Meredith and I were friends before you even thought about being a sperm in your father's balls." mcp "That explains why all his shares were dissolved and you were named CEO of Sunders & Smith." ntp "Don't offend me. Do you think I want your change? I have my own money to look after." mcp "6.2 billions are a hell of a change." ntp "I own the same, a total of 45 percent of the company, plus 3.8 in my name due to my other investments." ntp "And there's no way I'm going to let 45 percent of my company be dissolved and resold to whatever idiot wants to do a hostile takeover. So, for now, those shares will be part of a Reserve." ntp "And regardless of that, if I want something, I work for it. I have the ability to create wealth out of nothing. If I lose it all tomorrow, a year from now I will have at least 10 million due to my work." ntp "I'm not like you, who spends my family's money in the stupidest way possible." mcp "I don't do that." ntp "No? Four years ago. You were depressed after getting your ass kicked by the daughter of the vice president of the Miranda Oil Company, a stupid move by the way, and one day you decided to take a trip to Samut Prakan." ntp "You spent sixty thousand dollars on two first-class tickets, then ten thousand dollars on the best suite in town and you couldn't even use it because you got arrested." ntp "I had to rent a jet, travel for nearly sixteen hours and risk my own status just to get you and that jerk you call your friend out of prison." ntp "And that's not counting my own legal fees, and I can assure you I'm {b}not{/b} cheap." ntp "For a guy who doesn't spend his father's money recklessly, you spent a hundred and thirty thousand dollars on a mere weekend." ntp "I guess I should charge you, after all you have the inheritance money now, right?" ntp "2.75 million dollars... not bad for a secondary heir." mcp "What? Secondary???" ntp "Don't you know? It seems Meredith was more discreet than I realized." ntp "Want to know more? Ask her, I don't have time and I'm not in the mood for this." mct "Oh, I definitely will. I'm done with Meredith's bullshit." ntp "What gave you the idea to go to Melissa?" mcp "Nothing, I was just following my father's will. Her house was mentioned as his in the will and so when I got here, I met Melissa, her daughter and the other girls." ntp "WHAT THE-" ntp "..." mct "Huh? What a weird reaction." mct "Looks like Nate didn't know all the terms of the will either." mct "Not surprising, but still fun to see." ntp "Name your price." mcp "About what?" ntp "The house." mcp "Why the sudden interest in this?" ntp "It doesn't concern you. I want the house to myself." ntp "One million, two millions, ten millions, it doesn't matter." ntp "This house has no purpose for you, but it will for me." mcp "Why are you so interested in my dad's ex-girlfriend's house?" ntp "If you don't know that answer, I won't be the one to answer it." mcp "Fine, whatever. Doesn't matter anyway." mcp "I've already asked Meredith to transfer the house for her at no charge on Saturday." ntp "No charge??? Are you retarded or something?" mcp "That's a little offensive." ntp "I don't give a shit what you find offensive or not, live in the real world you stupid boy!" ntp "You want me to be offensive? Smelling your own fart doesn't make you a good person." ntp "Why would anyone give anything for someone they barely know? Especially in a place like Radiant Valley?" mcp "It just didn't feel right to take her home. I could have lived my life without knowing it and wouldn't even have plans to live here anyway." mcp "Maybe in a vacation, but nothing more." ntp "And that's enough for you to give money to a complete stranger? Where would you go if you didn't have the Johnsons' apartment?" mcp "I don't know. I'd rent a little apartment somewhere, travel and be on the road around the world, or I could stay at the Sunders & Smith apartment, who knows? That place will be empty anyway." mcp "But I certainly wouldn't be interested on fucking someone's life for a bunch of dollars that wouldn't make difference for me at all." mcp "Especially from someone like Melissa." "His voice starts and breaks a few times." mct "He certainly has a lot on his mind about her. I'll try to break the ice." mcp "Why did you get divorced?" ntp "{cps=5}...{/cps}" ntp "Assuming you know what you're saying." mcp "It's pretty obvious actually." mcp "I just didn't know you once had a family. You're basically with a different woman every month." mcp "Hell, sometimes every week..." ntp "If you don't know the answer to that, maybe you didn't pay enough attention the last few days you lived there." ntp "Well, enough of that, I need to sleep eventually and, instead of you, I have business to take care of." mcp "It's your call." ntp "Yeah, it is." ntp "But hey..." ntp "{cps=5}...{/cps}" ntp "Listen [mc]..." ntp "Regardless of our differences, and we know there are A LOT of them over the years." ntp "I love you. But I understand if you don't believe me. But believe what I'm going to say now:" ntp "I'm worried about you. It keeps me up at night sometimes..." ntp "Maybe going after Melissa is one of the most assertive things you've ever done in your life. Maybe the most, but you don't know half the things that happened." ntp "I won't say anything else because some things you need to see for yourself, but if you really want to keep living there, know that you're about to open a Pandora's box that I won't be able to protect you this time." mct "Protect me... {w}this time?" ntp "So I want you to think very carefully about what you're doing, all the time." ntp "Believe me, I don't want to be the villain in your life, but most of the time you don't give me a choice." ntp "So listen to me, and listen well: always look over your shoulder, always believe half of what you see and none of what you hear." ntp "And please don't let people take advantage of you. Especially those you consider close to you." ntp "I had to give up a lot of things in my life because I was a reckless, good-natured boy like you." ntp "And as much as you think you look like your father, he wasn't a hippie." ntp "He was a Lion. And a very hungry one." mcp "You're worring me Nate." ntp "Good, because now at least you'll pay attention to your surroundings." ntp "Your father wasn't a bad person, but he wasn't a fool either." ntp "Honor his memory and be the man he always wanted you to be." mcp "How do you know what kind of man he wanted me to be?" ntp "I know a lot of things about you, more than I really want to..." mcp "Does that mean you know who my mother is?" ntp "No, but for a man of my position it's pretty easy to find out." mcp "...{w}and you don't want to?" ntp "What kind of person do you think I am?" ntp "Just say the word and I'll make some calls and ask the right people. But make sure you REALLY want this, you might not like the answer." mcp "..." mcp "I'll see what I'll do." mcp "But, let's go for an easy task first." mcp "Do you remember Carla? My babysitter from ten years ago. Latina, thin, dark hair, green eyes, tan skin?" ntp "{cps=5}.............{/cps}" ntp "I remember." ntp "Good." mcp "She disappeared one day and never came back. Could you locate where she is?" ntp "That will be easier, but what is your objective?" mcp "I miss her, I want to see if she's good or not." ntp "It's been a long time, but I'll see what I can do." ntp "Do you remember her last name?" mcp "I'm not sure... Rivera? Ramirez? Rosales? Something starting with an R." ntp "I'll see what I can do, but no promises." mcp "Thank you Nate." ntp "Yeah yeah..." "{cps=5}...{/cps}" mct "I don't know what to think. He's still the same weird, overbearing guy he's always been." mct "But there was always some kind of eager, friendly air to his words." mct "I wonder what that means." mct "..." jump ch5mondaynightmessages label ch5stacyroom: scene e53 with aass # Stacy is on the bath, she's relaxing with eyes closed, with an annoyed expression, mouth closed. # Her breasts should be hanging out of the water # Her hair should be wet # It should be night and the lights should be warm and in low. # The camera should be from above, in a 45 degrees, with focus on her breasts face, breasts and upper body stt "He didn't follow me to the bedroom, he just closed the door." stt "All that work for nothing..." stt "..." stt "I'm not crazy... I heard someone at my door on Saturday." stt "I'm not..." st "*urgh*" stt "..." stt "\"He's not so bad, you know? He's funny, kind and handsome...\"" stt "\"He's kinda like you when you're not pouting all the time\"." stt "\"You would love him if you gave him a chance\"." stt "Yeah, sure Mariya..." stt "I know what I saw." stt "That wasn't a mere kiss..." stt "Who does she think she is? She needs to act like someone of her age." stt "..." stt "He shouldn't have done that..." stt "If he was supposed to date someone it should have been..." stt "{cps=20}!!?{/cps}" scene e53b with aass # Same as above, but her eyes are slightly open stt "What the hell was that? Whatever it crossed my mind, I need to forget. Right now!" stt "What everyone see on the guy?" stt "Is the good boy aura around him? Or is that damned smile? That attempt at bonding was pathetic..." stt "I bet grandmas love him. Oma certainly would." stt "How can he be so gross? I'd love to slap his ass until it's red and swollen." stt "Maybe that would making he remove that smile on his face..." stt "That dumb smile..." stt "..." st "*urgh*" stt "Why is he always smiling? Does he have a mental problem or something?" stt "He's the third person I've ever met who does that." stt "..." scene e53c with aass # Same as e53b, but her eyes are turned left, like if she was focused on something stt "Maybe I should just agree and accept what Sovnik proposed." stt "It's just an interview anyway." stt "..." stt "It's not just an interview... They'll want something else." stt "Sabrina said it was safe... she lied to me..." stt "Or Maybe she's just another victim, who knows..." stt "..." stt "Maybe I should just tell Dad... But if I do that, I'll have to start saying goodbye to my ambitions." stt ".{w}.{w}." scene e53d with aass # Stacy looks forward and squeeze her eyes, in a uncomformed / sad expression stt "Why it needs to be so hard?" stt "Growing up is a shitty thing to do." stt "I have a feeling that... if I just got in Mom's car and started driving towards the horizon, nobody would care." stt "...{w}no." stt "I have to push back somehow..." stt "Overcome my enemies... and reach my goals." scene e54 with dissolve # Stacy is leaving the bathtub, she's drying herself # The focus shound be on her body from behind, around the knee-line and showing her ass # She's still with the pensive expression stt "I'll have to find a way to kick him out of here. If I do that, the rest will be easier." stt "Mariya can be accepted anywhere she wants to go, and Tiffany already has a place of honor in Phi Alpha Delta." stt "Then I could convince Dad to move in with us and all the problems would be solved." stt "Dad wouldn't resist me. I just need to know how to push him the right way and guilt-trip him somehow." stt "It's not the best scenario ever, but still..." stt "..." scene e55 with dissolve # Stacy is looking at the roof, while having the same pensive expression stt "Ten percent interest, dividend share, hotline..." stt "N-no... There's no way I could do something like that. At all." stt "It's enough for me to be called names of things I never did in the first place." stt "But... how long will they have the patience to wait?" stt "..." scene black with dissolve $ renpy.pause() scene e56 with dissolve # Stacy is laying down on the bed sideways, focus on her face and the bed. She looks to have a sad expression." # Like this example, for pose and camera, but with the eyes open >>> https://www.istockphoto.com/br/foto/bela-adormecida-gm151699864-21284814 # The expression should be sad, with some tear formations in the corner of her eyes # The tears in the corner of the eyes can be optional, but she needs to look sad. stt "Fuck my life." stt "Why did all this have to happen?" stt "..." stt "If I don't make my movie as soon as possible and start making some money, there's a good chance I'm going to fall into a bottomless pit that I can never get out of." stt "And Mom... she could lose everything as well..." stt "I know Mom would rather die than give up this place." stt "..." stt "I'm alone in this. It's all my fault." stt "I want to scream, but I don't have the strength for it..." stt "It's almost as if I have no mouth." scene e56b with aass # Same as above, Stacy closes her eyes, squeezing them. stt "Calm down Stacy." stt "The things will be better later." stt "All you need is a good night's sleep, and in the morning things will be better." stt "I hope..." stt "..." stt "...hope." stt "The only thing that makes me stand." stt "But even the fact that I have to wake up in the morning is painful..." scene e56c with aass # Same as e56b, but her expression relaxes, eyes still closed. There's a variation way below, around the line 2490 stt "I need to find a way..." stt "...someway..." stt "...any way..." stt ".{w}.{w}." stop music fadeout 2.0 scene black with dissolve $ renpy.pause() label ch5stacydream: play sound outsidenight fadeout 1.0 fadein 1.0 loop scene e57 with dissolve # Scene is a field, where a young Stacy, 8 to 10 years old at max, is sitting down. # She's looking down, crying # She needs to be dressed with autumn or winter clothes in pink or yellow # Near to her needs to have a lamp or lantern, on the ground # The camera should be a focus on her, but the POV needs to give an impression that she's been observed by someone, an adult. # This is the asset for the place, but I'm thinking on adding more stuff >>> https://www.daz3d.com/rose-arbour # It should be night-time st "..." st "*Sniffle-Sniffle*" st "*Augh*" st "..." unkm "So there you are." play music timebeing fadeout 1.0 fadein 1.0 loop st "..." unkm "No one understood why you screamed and run like that. Everyone was worried." st "..." unkm "Is everything alright, sweetpea? Why are you crying?" st "..." unkm "..." unkm "Okay, no need to talk. But it's been almost two hours, aren't you hungry already?" st "...{w}no." unkm "You should try something. We're in the best places in the world to eat." st "I don't understand what they are saying." unkm "It's okay, you don't have to. You can just point it out and they'll take care of the rest." unkm "But hey! You should give the Pasteis de Nata a try. They are a pastry filled with cream and sugar. One of the best things I've ever eaten in my life..." st "..." scene e58 with fade # The POV needs to be sitting at her side. She still needs to be looking down and sad, mouth closed unkm "Aren't you not enjoying the farm? The vineyard is nice, have you tried to pick some grapes? They're tasty." st "..." unkm "I grew up on a farm like this. My pops made us work from 5 to 5 every day, but I loved being there. I remember planting at least 20 apple trees by myself." st "..." unkm "It's been a while since I stopped living there, but I hope to return one day. My dream is to give my parents the rest they deserve, in the place they made their lives." unkm "They're almost in their seventies, they deserve to have their own place to live at their own pace." st "..." unkm "It's okay to be sad. I've been sad for a while now, but I try to keep a smile on my face, for the people I love." st "..." unkm "I remember the kitty my Mom gave me when I was a kid. I loved her, but sadly she disappeared one day. Her name was Dill." unkm "Mom gave me another, but it wasn't the same..." st "..." unkm "Each night, I put in the milk with strawberries that she liked, some cat food and left a little light around the basket with pillows that she used to sleep in." unkm "She never came back, so one day I decided to make a little memorial around the same tree she used to rest every afternoon." unkm "I thought it was funny that, after a while, people started making tributes to their own little animals on the same tree. It was beautiful, but very sad." st ".{w}.{w}." scene e58b with aass # Same as above, mouth open st "...what happened after?" scene e58 with dissolve unkm "As much as we wanted to preserve the place, the tree was old, so one day, the tree lost its leaves and died. It was in a Spring." st "..." scene e58b with aass st "And what happened with the memorial?" scene e58 with aass unkm "Like everything in life, we had to let go and get back to our lives. But sometimes I would hear the meows coming from where the tree was." st "{cps=10}...{/cps}" scene e58b with aass st "...let go..." scene e58 with aass unkm "Yes, let go..." scene e58b with aass st "Did you let your kitty... {w}go away?" st "From your mind, I mean..." scene e58 with aass unkm "Tough question. I don't think I ever let go of it, but I still have fond memories of it. After all, when I adopted her, she was the size of the palm of my hand." unkm "But the memories... they will never go away." unkm "They're on my heart, and I treasured them..." st "..." scene e58b with aass st "I see..." st "I guess I should... do the same..." scene e58 with aass unkm "Up to you, sweetpea." unkm "But you know, I was wondering what happened back there." unkm "Would you like to tell me? It's okay if you still don't feel comfortable." scene e59 with dissolve # Stacy looks at the PoV, still sad but with a sad/annoyed expression, mouth open. Variations go until e59i # Sorry FFC. st "Why do you care, sir?" scene e59b with aass # Same as above, mouth closed unkm "Because I've known you since you were a baby. I don't think you remember this, but I almost consider myself an uncle to you." scene e59 with aass st "An... {w}uncle?" st "Dad said he only have sisters." scene e59b with aass unkm "I admit I'm not your uncle by blood, but I don't think that's necessary to have a family relationship." unkm "Or you don't want to be my niece?" st "..." scene e59 with aass st "I don't know..." scene e59b with aass unkm "It's up to you then. But why don't you say what happened at dinner?" st ".{w}.{w}." unkm "You can trust me. I promise not to tell anyone." st ".{w}.{w}." unkm ".{w}.{w}." st ".{w}.{w}." unkm "Did you know I have a son about your age? He never tells me things either." scene e59 with aass st "Why?" scene e59b with aass unkm "I don't know... kids don't usually trust their parents." unkm "They think we're born grown up or something." scene e59 with aass st "How do you know my father, sir?" scene e59b with aass unkm "We work together. But first of all, we've been friends since elementary school." st "..." scene e59 with aass st "Do you know... that lady who showed up today?" scene e59b with aass unkm "..." unkm "I guess I can say that. She's his... special friend." scene e59 with aass st "You mean his girlfriend..." scene e59b with aass unkm "..." unkm "Yeah. Us adults aren't as assertive as kids are." scene e59 with aass st "What is \"assertive\"?" scene e59b with aass unkm "A quality children have a lot of, but adults almost don't have." unkm "It's the ability to say and act the way your heart tells you, without being disrespectful, and to make yourself understood correctly." unkm "It's a little more complicated than that, but it's the basics of assertiveness." st "..." scene e60 with dissolve # Stacy looks back to the ground, with a sad/anger expression, mouth open. st "I don't like her." scene e60b with aass # Same as above, mouth closed unkm "You don't? Why?" unkm "Did you talk to her?" scene e60 with aass st "No. And I don't want to." scene e60b with aass unkm "Is that enough for you not to like her?" scene e60 with aass st "I don't know." scene e60b with aass unkm "You don't know..." unkm "Your dad mentioned it's the first time you're taking vacations with him." unkm "Were you expecting something different?" scene e60 with aass st "I don't know..." scene e60b with aass unkm "Come on, sweetpea, you can trust me." st ".{w}.{w}." scene e60 with aass st "I just wanted us to spend time together... just the two of us." st "The day we arrived, he just wanted to sleep all the time. And yesterday, he started talking on the phone in the morning and ended up late at night." st "And now... That woman shows up and wants to stay by his side all the time." st "I hate this... why can't we be a family? There's always something that-" scene e60b with aass st "{cps=20}...{/cps}" st "{cps=20}.............................{/cps}" unkm "I see..." unkm "Look, Stacy... Sometimes in life, we can't get what we want..." scene e59b with aass unkm "Your father is an important person and does his best to feed you and give you a future." unkm "It's okay to be sad, especially considering you're not with him constantly." unkm "But do you really want to spend these short moments angry and not talking to him, instead of just being at his side?" st "..." unkm "Be honest. You're here, in the cold, crying and complaining how life is unfair." unkm "But you could be at his side, playing with him, making him smile and showing how smart and sensible you are." scene e59 with aass st "I'm not sensible!" scene e59b with aass unkm "Oh Sweetpea, you are. But being sensible doesn't mean you're fragile or anything." unkm "Having sensibility is a rare quality that few individuals possess, and those who possess it often have the world at their feet." unkm "You just have to control it, or else it will dominate every aspect of your life." unkm "Don't let it happen. You're better than that." scene e59c with aass # Same as e58, but she's with a neutral/annoyed expression instead of sad. Mouth open st "Sorry sir, but you're annoying." scene e59d with aass # Same as e58c, but mouth closed unkm "Aren't we all a little annoying sometimes?" scene e59c with aass st "Yes, but you're especially annoying." scene e59d with aass unkm "It's a good quality, right? Being annoying means that in a way or another, I care about you." scene e59c with aass st "You barely know me, sir." scene e59d with aass unkm "I know you enough. I know your father, your mother, your grandparents. I even know things that I don't supposed should know about you, but they aren't important right now." scene e59c with aass st "Do you know my mother too?" scene e59d with aass unkm "You could say yes. And I care about her as well." unkm "Your mother will be a great artist someday." scene e59c with aass st "I don't know how." scene e59d with aass unkm "She's as sensible as you, but she just decide to express it in a different way." scene e59c with aass st "Like how?" scene e59d with aass unkm "Painting." scene e59c with aass st "You're wrong sir. Mom doesn't paint anymore." scene e59d with aass unkm "She doesn't? What happened?" scene e59c with aass st "She has a job taking care of others. And when she doesn't, she keeps crying in her room." scene e59d with aass unkm ".{w}.{w}." unkm "I see..." unkm "How do you feel, when you see her crying?" scene e59c with aass st "I got sad too." scene e59d with aass unkm "And what did you say for making her feel better?" scene e59c with aass st "I don't know... I'm not good with words." scene e59d with aass unkm "What about actions?" scene e59c with aass st "I don't know what I could do." scene e59d with aass unkm "Did you try to hug her?" scene e59c with aass st "Yes." scene e59d with aass unkm "And how she reacted?" st ".{w}.{w}." scene e59c with aass st "...she hugged me back and stopped crying." st "She... {w}She even smiled sometimes." scene e59d with aass unkm "And how the things went? Did you felt sadder because of that?" scene e59c with aass st "No." scene e59d with aass unkm "See? An action has spoken for many words." unkm "Maybe that's what you need to do with your father: Showing him that you care about him, and then he will react positively on what you have to say and do." unkm "He's your father anyway. Whatever you do, he'll still love you." scene e59e with aass # Same as e59d, but Stacy is with a small smile, mouth open st "Do you really think on that, sir?" scene e59f with aass # Same as e59e, but mouth closed unkm "I know that's the case. As I mentioned, I also have a son, about your age." unkm "He keeps trying to impress me, even failing most of the times." unkm "He's a nice kid, wish I had more time to be with him." unkm "I love him more than my life. I bet you could be friends." scene e59e with aass st "Is he here?" scene e59f with aass unkm "No, he's on school break. He wanted to go camping with his best friend and I couldn't say no." unkm "Hope I won't regret that decision." scene e59 with aass st "Uhmm... I'm the only kid here, it's so boring..." scene e59b with aass unkm "Yeah, I know how grown-ups can be boring too. Even for adults, sometimes grown-ups can be just as boring." unkm "I would prefer to stay at home, watching cartoons and eating something tasty. Ice cream or popcorn preferably." scene e59e with aass st "I love ice cream and popcorn! I like to mix them and put on the fridge and eat after some time." scene e59f with aass unkm "What the-" unkm "{cps=5}......{/cps}" st "Hm?" unkm "*Ahem*" unkm "That sounds... {w}really nice, sweetpea." unkm "Could you make some for me tomorrow?" scene e59g with aass # Same as e59e, but Stacy is with a big smile, mouth open st "Of course, sir! I'll try to get someone to bring it for us." st "I wish I could ask the miss properly, but I'll try to ask Dad later." scene e59h with aass # Same as e59g, but mouth closed unkm "I can do that for you if you want. But not today, it's already too late and too cold." unkm "Maybe tomorrow? We'll spend a week around here afterall." scene e59g with aass st "Okay, it's a deal!" st "Thank you, sir..." st "..." scene e59i with aass # Same as e59 general, but she's with a embarassed expression, mouth open st "I'm sorry sir, I don't know your name." unkm "It's okay sweetpea, your dad introduced us very quickly yesterday, and you were too young to remember the last time we were together." unkm "My name is Jonathan, but you can call me Uncle Jon." scene e59g with aass st "Really, are you my uncle or not?" scene e59h with aass jn "You can call me that if you want, but I'm just a friend of your father." jn "But even if you don't want me to be your uncle, I can be your friend. If you don't think I'm too boring, of course." scene e59g with aass st "You seem okay, Mr. Jonathan." scene e59h with aass jn "Just Jonathan. Or Uncle Jon, if you want." scene e59g with aass st "Uncle Jon. I liked it." scene e59h with aass jn "Me too. Hope we'll be good friends." scene e59g with aass st "I think we will, thanks." scene e61 with dissolve # Non-POV, Focus on Stacy, she's looking to the sky, and smiling, mouth open # Jonathan is looking at the sky at the same direction, he's at her side # Stacy's face needs to be happy, she's smiling, with her two hands on the bench # The camera should be top-down, looking at the camera, and Jonathan needs to have a neutral/happy smile st "Uncle Jon, do you think Mom and Dad will get back together?" jn "..." scene e61b with aass # Same as above, but Stacy's mouth should be closed and Jonathan's mouth open jn "I don't know sweetie. Why?" scene e61 with aass st "I've always dreamed of them living together. But Dad never agrees to stay with us, every time he's in Radiant Valley, he stays at a hotel." scene e61b with aass jn "Oh yeah... The Ocean Palace." scene e61 with aass st "Do you know where is it?" scene e61b with aass jn "Yes, I worked there, many years ago. It's a nice place." scene e61 with aass st "Every time Mom takes me there, she just takes me down to the lobby, waits for Dad to show up, and then leaves. I wish they could talk to each other." jn "..." st "I remember when I was in the school play, I was Cinderella." scene e61b with aass jn "Oh yeah? I bet you looked really pretty in that blue dress..." scene e61 with aass st "How do you know I was in a blue dress?" jn "..." scene e61b with aass jn "I assumed. The movie character wore a blue dress after being enchanted for the Royal Ball." scene e61 with aass st "I think you're right." st "I was there, singing, dancing and stuff, everyone liked me. I even gave Charles, the boy who played the prince, an Eskimo kiss." scene e61c with aass # Same as above, but Stacy has a neutral/sad expression st "But Dad didn't show up. It was just Mom and her friend Karen in the seats." st "Mom sent him the footage. I don't think he bothered to watch it." scene e61d with aass # Same as above, but she's with a sadder expression. st "I don't think he loves me. Even though I try my best to make him happy." scene e61e with aass # Same as above, but Stacy has her mouth closed and Jonathan open jn "Of course he loves you, sweetpea. But your dad isn't someone who shows his emotions the easy way." scene e61d with aass st "I don't know what else to do, Uncle Jon." scene e61e with aass jn "That's easy. Instead of trying to make him happy, just be yourself. Show who you are, show what you like and show what you want to do, or what you want to be." jn "Have you thought about what you want to be when you grow up?" scene e61 with aass st "I don't know." scene e61b with aass jn "Why don't you try to think of what you like to do?" st "..." scene e61 with aass st "Sometimes when I'm alone in my room, I like to tell stories with my dolls." scene e61b with aass jn "That's good. What kind of stories do you like?" scene e61 with aass st "I don't know... Fairy tales, I think." st "Sometimes I like to pretend they are the main characters in the stories I like to tell." scene e61b with aass jn "That's really cool! Do you put your dolls out for tea or something?" scene e61 with aass st "Why I would do that? That's boring!" scene e61b with aass jn "Really? I thought it was a common theme for girls." scene e61 with aass st "I don't know, but I don't like that. I like stories when my dolls have a purpose." st "They travel to a special world, and then they manage to fight evil and the princess saves the prince and they kiss at the end!" scene e61b with aass jn "The princess saves the prince? Shouldn't it be the other way around?" scene e61 with aass st "Not all the time. One day the princess saves the prince, and another day, the prince saves the princess." scene e61b with aass jn "I see... well, which one do you prefer?" scene e61 with aass st "I don't know... Prince or Princess being the hero, I just like to pretend that evil will always lose in the end." scene e61b with aass jn "That's great, Stacy. Have you thought about writing your stories down and showing them to your father?" jn "You could do a puppet show. Or, like you did before, you could perform for him. A little tricky to do yourself, but hey, if it works, then it works!" scene e61 with aass st "I don't know... Do you think he might like it?" scene e61b with aass jn "I'm pretty sure he will." scene e61 with aass st "How shall I begin, Uncle Jon?" scene e61b with aass jn "This is the hardest part, but maybe we could spend some time together and find out." jn "Do you like books?" scene e61 with aass st "No. I tried to read a book Mom once had, but I couldn't understand anything." scene e61b with aass jn "What book?" scene e61 with aass st "I don't remember the name. I only remember one phrase: \"Families are unhappy in their own way\"." jn "..." scene e61b with aass jn "It makes sense that you didn't understand." jn "What about movies? They're an easier way to understand how to make a good story." scene e61 with aass st "Yes, I saw Barbara and the Secret of the Dolphins a few months ago." jn "..." scene e61b with aass jn "If you want to watch Barbara's movies, I won't stop you. But if you really want to learn how to write a story, I've got something better." jn "Have you ever heard about \"Spirited Away\"?" scene e61 with aass st "No..." scene e61b with aass jn "So, let's go! You'll be amazed at how good the movie is." scene e62 with aass # POV, Jonathan Is standing in front of her, she looks at him with surprise. # He gives his hand for her to hold. jn "Come. Your father is worried about you." st "I don't want to be near her..." jn "You don't have to, but I'm sure if you give her a chance, you'll find she's not so bad." st "Can I sit next to you at the table instead?" jn "Of course you can. Maybe now you can try some of the food. I have a feeling you'll like the \"Francesinha\"." scene e63 with aass # Similar than above, but Stacy smiles and gives her hand to him." st "Okay. It's a deal!" st "Thanks, Uncle Jon." jn "You're welcome, sweetpea! After dinner, I'll also show you some movies from my childhood. Ever heard of the Goonies?" st "No." jn "So, you're up for something really special." st "Alright!" scene e64 with aass # Jonathan's POV, he's giving a headpat to Stacy, she looks happy but confuse, mouth closed jn "Everything is gonna be alright." scene e64b with aass # Same as above, but mouth closed st "I know." scene e64 with aass jn "No, dear. You didn't understand." jn "I'm talking to you, but I'm also talking to the other you." scene e64b with aass st "The... {w}other me?" scene e64 with aass jn "Yes. Everything is gonna be alright." jn "When the need arises, make sure you understand the signals I'm going to send you." jn "And when you think of me, I will certainly be thinking of you." scene e64b with aass st "I don't understand..." scene e64 with aass jn "You don't have to understand now... Just live your life, respect others and always be grateful." jn "You'll be a great woman if you continue on your path. I'll help you with that, I promise..." jn "But if you're naughty, I'll crawl out of whatever hole I'm in and teach you a lesson." scene e64b with aass st "Ouch!" scene e64 with aass jn "Haha!" jn "Don't suffer in anticipation. Just live your life respectfully and you'll be fine." scene e64b with aass st "Okay. It's a promise!" scene e64 with aass jn "Good!" jn "But remember that promises are made to be kept." scene e64b with aass st "Hihihi. Okay!" scene e65 with fade # Behind their backs, Stacy and Jonathan are walking side by side # She looks at him, smiling. He's looking forward. # They're in direction of the house. # The pose and camera should be more or less like this, respecting the heights of course >>> https://cdn.discordapp.com/attachments/971120138055196732/1112868872723386409/istockphoto-655721618-612x612.jpg # I think I'll build the environment for you st "You don't have to try popcorn ice cream if you don't want to." jn "So you really don't like that stuff?" st "I like it, but I know it's weird for someone who's not used to it." jn "I would try, if it would make you happy." st "*giggles*" st "Okay, we can try something else. Have you ever had chocolate with bacon?" jn "No, but it looks tastier than the last one." st "I'll try to make it for you tomorrow if you want." jn "I'd like that. Thanks Stacy." st "...{w}sweetpea?" jn "Haha! Of course sweetpea." stop sound fadeout 3.5 stop music fadeout 3.5 scene black with Dissolve(2.5) $ renpy.pause() scene e56c with dissolve $ renpy.pause() scene e56d with aass # Same as e56c, but Stacy smiles, still with the eyes closed $ renpy.pause() scene black with dissolve $ renpy.pause() play sound quietrain fadeout 1.0 fadein 1.0 loop scene e66 with dissolve # Current days, MC is sitting on his bed, he's shirtless # It should be a morning # The blanket should be around or in the ground. mct "The rain is already calmer than before." mct "I'll see how things are after breakfast. If the rain doesn't stop, I think I'll head straight to the Commons Gym." mct "Let's see how Melissa is today..." scene black with dissolve $ renpy.pause() play music [ "audio/music/cute.mp3", "audio/music/creativeminds.ogg", "audio/music/upbeat.mp3", "audio/music/wings.mp3" ] fadein 13.0 fadeout 07.0 scene e67 with dissolve # MC is approaching the kitchen. Melissa is doing something, there's no one around # She's looking to whatever she's doing, and not paying attention to MC. mc "Good morning Melissa." me "Good morning dear, did you sleep well?" mc "Yes, the rain helped with that. Where are the girls?" me "Everyone has already left. You overslept this time." mc "Yes... the day after I enrolled in college." me "Haha! It's normal. Good thing you still have time." me "What are the plans for today?" mc "I don't know... maybe lie in bed, look up at the ceiling and count the fan revolutions?" me "Productive, to say the least." mc "Yeah, but with this rain, I doubt I'll be able to do anything." me "Knowing the city is, the rain won't last another day. Not even a 12-hour cycle." mc "I hope you right!" mc "Listen, about yesterday..." scene e68 with dissolve # Melissa looks at MC, smiling me "Don't worry about that." mc "Are you sure?" me "Yes. Perhaps the dismissing posture I had yesterday is not recommended for this situation." me "Yes. Maybe the rejection posture I had yesterday wasn't recommended for the situation." me "After all, you don't kiss someone you don't like on the lips." mct "Yeah, but I remember your tongue swirling in my mouth..." me "So instead of pretending otherwise, let's live with it. Maybe in the future we'll laugh about it." me "I'm ready to move on if you're ready to do that too." mct "No." mc "Yes." me "That's good then." me "Did I tell you I talked to Erika?" if ch4erikameeting == True: mc "No, but she mentioned it to me during our lunch." else: mc "No." me "Good girl. A little scared, but good talk." me "She's from Sigma, who would expect that." mc "Is this a big deal?" me "Well, I'm a Sigma too. I still remember the \"Oath to Sonoritas\" by heart." mc "Oh? That's curious." me "Yes, even though I didn't live there, I was a \"Cousin\" during my time. I put the sisters in line." mc "Line? What line?" me "I made sure the girls were safe and well. We were kind of supervisors, it was me and Karen." me "I think cousins ​​are called \"Vigils\" or something these days. They change the naming of the context from \"family\" to \"convent\". I don't understand why." mc "I see... So it all makes sense now." me "What do you mean?" mc "I met the girls who fill your role these days, during the time I was with Erika." mc "I'm not sure they could protect anyone. They're too beautiful for that." me "You'll be surprised. Karen used to be a black belt. And I know how to handle a fight." mc "With all due respect, you don't seem to know how to punch someone right." me "I'll remind you of that the next time I knock you out." mc "Haha! I'll keep that in mind." me "As for Erika, she is exactly what I expected her to be." mc "Is that a bad thing?" me "No, but she does have a problem with authority. I'm worried about what might happen if she continues to ignore my requests." me "Couldn't you help me?" mc "I could try, but no promises, she's a free spirit after all." me "Let's hope for the best then..." scene e69 with dissolve # Melissa gives a juice and a breakfast for MC stop sound fadeout 12.0 me "Here, do you want something else?" mc "No, I'm okay." me "Seriously now, what are your plans for the day?" mc "Nothing specific. I think I'll go for a run, then see if I can get a PC and a few things for my room." me "Do you need a ride?" mc "No thanks! I'll see if I can recognize the city myself as I walk around. I'll have to eventually." me "I'm here if you need anything, I won't need to go to the club until Sunday." mc "I'll keep that on mind." scene e70 with dissolve # MC is eating the breakfast, while Melissa looks at him, smiling mc "Has anyone ever said your food is the best?" me "Glad you like it, dear. Thanks mom for making her daughters learn to cook from an early age." me "Do you know how to cook? At least something?" mc "I know how to make a good spaghetti. The rest is more basic, but I'm not going to starve after all." mc "Some time ago I was trying out some AnyTime recipes, with varying degrees of success. Selma got really mad at me for making a mess in our kitchen once." me "Selma?" mc "The last maid I had at home before Dad passed away." mc "I tried a carrot and gorgonzola soufflé. The kitchen stank for a week." me "Soufflé isn't the easiest thing to make. I'm surprised you didn't just go for things kids like to eat, like hamburgers or pizza." mc "After the fifteenth pizza or the hundredth burger, your taste buds want to try something new." me "It's true." scene e71 with dissolve # The table is empty, Melissa is cleaning the dishes on the sink" mc "Thanks for the breakfast." me "You're welcome dear. Are you sure you don't want a ride? The weather is still unstable." mc "Yes, I'm sure. I'll get an Awsom and have them drop me off downtown, don't worry about me. But thanks for caring." me "You're welcome dear." "..." if melissapicture == True: mct "Uhnn... this is a good time for the photo." mct "Should I do it?" menu: "Yes[persistent.KoGa3WTChange]recommended by me": jump ch5melissapicture "No": $ melissapicture = False mct "Nah, Jeremy can live without it." mct "If he really doesn't want to talk, I don't think I should give him any reason to." mct "When he's ready for a talk, we'll have a fair talk." jump ch5downtown label ch5melissapicture: mct "Let's do this. At best, it'll serve as a reminder of her face when she's not around." scene e72 with dissolve # MC is with his phone on hands, it's focused on Melissa, which is on the background, smiling and messing on the sink # It needs to be a cute pose, in the level ofthe render a46 # The scene probably will need to be rendered twice: One with Melissa on the background and the other with Melissa on the phone. mct "You'll owe me big for this, Jeremy!" "*click*" mct "Now let's send it to him." scene e73 with dissolve # Same as above, but without the phone and Melissa looks discretly to MC # Her expression should be surprise/not understanding the situation me "Huh?" mc "I'm sorry, I couldn't resist." scene e73b with dissolve # Same as previous one, but Melissa gives a small smile to MC $ renpy.pause() label ch5downtown: stop music fadeout(2.0) scene black with dissolve mcr "As the rain had stopped, I decided to dress decently and went for a run. I passed through the same neighborhood, then the same bar, then the same condominium and the same square." mcr "But, instead of going back to the same flower shop, I decided to continue for a while." play music [ "audio/music/happy.ogg", "audio/music/beyondtheline.ogg", "audio/music/happiness.mp3"] fadein 13.0 fadeout 07.0 scene e74 with dissolve # The Camera should be a little distant from MC, he's walking around the alleys of the shopping district. # There should be some characters around walking together or taking care of their lives. # It should be daytime, after rain # This is the place MC is walking around >>> https://www.daz3d.com/shopping-street # The place is wet for the rain, so a wet shader or some puddles are welcomed # MC is using this sweatshirt >>> https://www.daz3d.com/high-neck-sweatshirt-outfit-for-genesis-8-male-s, with the darker version of these textures >>> https://www.daz3d.com/high-neck-sweatshirt-outfit-textures, the one darker blue and white stripes # For pants and shoes, it should be the ones from c40 mct "Nice place overall, this is the opposite side of the Shopping Street." mct "Without Erika around, this place feels pretty normal..." scene e75 with dissolve # MC is still walking around on the background, unfocused. # On the foreground, the same couple of c38 is walking around # The man should be pissed and walking away, while the woman is crying and trying to hold him, begging him for not going away # The man's expression should be angry/pissed, while the woman should be sad/begging mct "Yeah... so far everything I've seen around here costs at least triple what they're supposed to cost." mct "I wonder why that is. Status?" mct "I don't know... Maybe they can claim the cotton is from Egypt, and the threads were woven in microfibers using a special technique from Hungary, and the fabric was washed twice with spring water from the Alps." mct "But in the end... The regular price and the deluxe one come out of the same warehouse." mct "I think these people think rich people are stupid." mct "..." mct "Okay, most of them are stupid, but it's not like they all don't value the money they earn..." mct "..." mct "Am I being a little hypocritical about this? Who knows..." scene e76 with fade # MC enters in a store. # This is the store >>> https://www.daz3d.com/gadget-store, or it could be whatever gadget store you want. # There are some people around, not a lot, and there's a female attendant around. # She needs to be cute and somewhat virginal, but with an specific caracteristic to giver personality, like a blue/red hair lock, a choker or whatever you think it fits sl "Hello, welcome to the Little Corner Shop. How may I help you?" mc "Hi! I'm looking for a laptop, PC, or whatever similar device you have." sl "Of course sir. Do you have any brand preference?" mc "Not actually, but it would be cool to share the same ecosystem of my phone. It's a REC." sl "Okay, sir, just a second." scene e77 with fade # MC is holding a e-book, there are people on the background doing something, like looking to other gadgets mct "Uhnn..." mct "This isn't bad at all. I've always wanted an ebook reader. This one is from the Sweetle brand." mct "I think I could get one for myself and the girls, even Stacy if she wants one. I don't think any student would turn down one of these." sl "Interested, sir?" scene e78 with dissolve # The seller is holding a monitor and a laptop on her hands, she's smiling. mc "Yes, these are really cool. How much did it cost?" sl "The one you're holding a basic edition with 16 GB. It costs 129 USD." mc "Okay, nice. Do you have others?" sl "We have a more complete edition with paper-like texture, waterproof and the triple of capacity. 219 USD, and it comes with a cover." mc "That's better. Which one is the best?" sl "Sweetle 11th Generation, Ruby Edition. 10\" anti-glare, waterproof, note taking display, 128GB capacity. 359 USD." mc "Okay, that's good. If I buy more than one, can I get a discount?" sl "Sure sir, 5 percent with three or more pieces." mc "Perfect, can I have five of the 219's edition?" scene e78b with aass # Same as above but the seller is with a surprised expression sl "Oh my god, five?" mc "Yes, they are gifts for my roommates." sl "You're generous sir. I wish I had a roommate like you." mc "Thanks! It's not a big deal. In fact, it's the first time I've given them anything since coming to Radiant Valley." scene e78 with aass sl "So you're not from around here." mc "No, but I came here to stay awhile. College." sl "I see... Let me guess, Layton?" mc "Not exactly, Commons." sl "Nice place, visited a few times when I was younger. I thought I was going to study there, what a silly dream..." mc "What stopped you?" sl "I had other priorities in life at the time, and honestly, since moving out of the community, I've been living alone. I couldn't deal with debt." sl "But it was a good dream, to be an Interior Designer and help people in their homes. Now, at 23, I don't see myself studying anymore, but who knows? Maybe one day..." sl "I'll make the invoice and ask for the deposit to put them in their boxes." mc "No need to rush, can we talk about the PC first?" sl "Of course sir." scene e79 with dissolve # The girl shows the laptop with her two hands sl "This is an Aerial REC T1725, 2.5TB SSD, 256 RAM. It's the ideal for entertainment and study, with a good battery life." sl "The downside is that it's already a generation behind the Aerial REC T1850, the newest on the market which is unfortunately sold out, but it's still a system for a very long time." scene e80 with dissolve # The girl shows the other with her hands sl "This one, on the other hand, is a uREC, 14th generation." sl "It's a good computer for work and study, but it's not ideal for gaming. Another downside is that it's a closed system, with no room for upgrades." sl "For a \"normal priced system\", it's the top of the market." scene e78 with dissolve mc "I see... which one do you suggest?" sl "Honestly? The laptop, I'm a gamer and uREC wouldn't suit me properly." mc "Well said... well, I guess I'll use my old PC then." mc "But I'll take the laptop, you can put it with the ebooks." sl "Certainly. Thank you, sir." mc "[mc], please." sl "Alright Mr. [mc]." mc "Not \"Mr. [mc]\". Just [mc]. [mc] Sunders at best." sl "Liliana. Just Liliana from me." mc "Nice to meet you Liliana." ll "Same [mc]." ll "I'll get your receipt, can you wait for me at the counter?" mc "Sure thing." scene e81 with fade # Liliana appears, carrying five white bags. They don't need to be white, but they need to be an Apple-style # She has a gentle smile on her face # She's giving two of them to MC, while holding the other two on her other hand ll "Here, [mc]. I hope your roommates have fun." mc "I think they will. I mean, three college students and a landlady with a degree in Art History, an e-book would certainly come in handy." ll "I agree!" ll "If you are interested, signing in with a family or multi-account plan, you will receive the entire collection of \"{i}À la recherche du temps perdu\"{/i}." mc "\"In Search of Lost Time\"? I'm not sure I've read them before." scene e82 with dissolve # Liliana is in front of MC, in a standing/relaxed pose, mouth open. No more bags on her hands ll "Not everyone has the patience to read Proust. But it's a fantastic work." ll "Introspective and reflective, it's a story I recommend to anyone who wants a different view of the world and relevance of their own." scene e82b with aass # Same as above, mouth closed mc "In a crazy world like ours, some introspective stories are good for keeping your feet on the ground." scene e82 with aass ll "It's true." ll "Honestly, it was one of the first English books I ever read. It helped me to put some things into consideration." scene e82b with aass mc "English?" mc "Why did you mention the book's title in French then?" scene e82 with aass ll "Oh! Pardon me!" ll "English for me for and you have different meanings. Sometimes I forget how different the words in your world are." scene e82b with aass mc "My... {w}world?" mc "Are you an alien or something?" scene e82 with aass ll "Hahaha! No. But it's complex to explain." ll "Wish I had the time, but it looks like I have another client waiting for me and I really need that commission." scene e82b with aass mc "No problem. And thanks for the suggestion, when I finish reading I'll give you feedback." scene e82 with aass ll "Don't keep me waiting too long~" stop music fadeout 2.0 scene black with dissolve $ renpy.pause() label ch5aftershopping: play music [ "audio/music/waking.mp3", "audio/music/sparks.mp3", "audio/music/evening.mp3" ] fadein 13.0 fadeout 07.0 scene e83 with dissolve # MC is sitting in a bench, he's with shopping bags at his side, he has a soda at his side mct "Funny girl, sweet and melodious voice..." mct "Her eyes are quiet, though. As if she has a deep sadness in the depths of her soul..." mct "Better not think about it, otherwise I'll fall into another Famke trap." ".{w}.{w}." mct "6395 dollars, considering all the stuff I bought, isn't too bad." mct "I wonder how much I'll keep taking from my bank account without putting back." mct "How much it was already? Around 20 grand..." mct "That's wild... But it's even wilder that I don't have to answer to anyone for this." mct "..." mct "This is a little sad, being honest..." mct "I wonder how my dad spent his first million. Or whatever amount he had that far exceeded his salary in his jobs." scene e84 with fade # Non-POV, behind his back, MC's looking at the horizon # In a somewhat aerial shot, he looks around and look what he could pay attention around. # There are some people walking around the streets mct "I still don't know what to think about this city." mct "The city is beautiful by itself. It has a better climate than Old Town, more people on the streets and, from what I saw, a lot more to do." mct "On the other hand, the shitty situation of how I was sent here. What kind of purpose did my father have over me?" mct "He probably wanted me to tie up his loose ends after his death or something..." mct "Fixing what he wants to work out with Melissa is one, enrolling me in college was another... What else?" mct "I still don't understand the money part... Sure, it's his money and he can do whatever he wants with it... but why all this secrecy?" mct "..." mct "I need to follow it somehow..." mct "Uncle Daniel certainly had his part, maybe he has any idea on what was on Dad's mind." mct "And maybe... if something REALLY important happened in the past, maybe the College's files have some clues." mct "Erika suggested me to take a look on them in the past Thursday... I'll ask her if she's still up for it." if melissapicture == True and ch5jeremymessage == True: $ jeremyF += 5 play sound animemoan "*Message Received*" scene e85 with dissolve # Non-POV, over the shoulder, MC's checking his phone. jrp "Fucking hell man, is this the Melissa you mentioned?" mcp "Yes." jrp "Well I take back everything I said before, Mom never had a chance." mcp "Don't be like that. Your mother is great." jrp "Maybe she is. But your landlady is another level. It's like comparing a human to a goddess." jrp "Is she single?" mct "...{w}what are you pretending?" mct "Let's be as vague as possible." mcp "I don't know. Why?" jrp "Do you think she has problems on dating younger men?" mcp "And who do you think she would date? You?" jrp "Why not? The \"no\" I already have could turn it into a yes with some persistence." jrp "Or do you want Melissa to yourself? No hard feelings, a bro should never mess up where another bro feasts." mcp "Dude, you don't know half the story." mcp "Do you want to sit down and talk? We can do that later. It's not the best time." jrp "Sure. When?" mcp "I'll let you know eventually." mcp "This is my address here in Radiant Valley: 1426 Gethsemane Street, Radiant Hills. I'll send you the location on the Maps too." mcp "Could you send me my stuff when you have time?" jrp "Yeah, no problem." mcp "Thanks!" pass elif melissapicture == True and ch5jeremymessage == False: $ jeremyF += 3 mct "I think I'll text Jeremy and ask him to send my stuff for me." scene e85 with dissolve mct "Oh, he already replied to the photo. I didn't pay attention to the notification." mct "Let's see..." jrp "Wow, is that who I think she is?" mcp "Yes. Meet Melissa Brandt, my landlady/tenant, we're still not sure what we are for each other." ".{w}.{w}." jrp "Fuck man, she's probably one of the hottest women I've ever seen in my life." jrp "Is she related to you? If so, I need to visit sometime." mcp "She's Dad's ex-girlfriend, they dated through college but broke up eventually." mcp "I agree that she is beautiful..." mcp "Dad still cared enough about her to help her out here and there. The house I have here is hers and Dad picked it out before it was taken over." mcp "I can't say they had a \"friendly\" relationship, but from what I heard they had a lot of mutual respect." jrp "That's a complicated situation..." mcp "We're learning how to deal with it." jrp "Regardless, she's hot as fuck! Uncle Jon had good taste." jrp "She's even better than Mom. Maybe even better than Mrs. Hallow." mcp "I'll never understand what you saw in that lady." jrp "You need to have a certain type of eye to see a flower blooming in the slums." jrp "Is she single? Married?" mct "I'm not liking where this conversation is going... let's try to be as vague as possible." mcp "She's divorced, her ex-husband is someone you shouldn't mess with, and she's not very friendly with the shitlords who crosses her way." jrp "Damn man, did she reject you like that? I hope you get over it soon." mcp "For your information, I'm not the one with the \"Sex Offender\" in the records." jrp "Who cares? I was a minor on that time." mcp "Not anymore, dude. You're nineteen already, old enough to wait in line for the Death Penalty, but too young to drink." jrp "I was never good at following rules, after all. My own beer recipe when I was 13 is proof of that." mcp "Well, you do what you want, but Melissa is not someone you should mess with. She's a good, respectful woman, and she doesn't follow the sexually aggressive milf stereotype you usually chase after." jrp "Maybe she needs a decent guy in her life, who knows." mcp "I don't even know how to respond to that. Good thing you're far away from here." jrp "I'm not talking about me, dumbass!" mcp "What?" jrp "Yeah dude. I know that you never went MILF, but I'm pretty sure that, once you try, you won't be back." mcp "Okay, I know when you're talking shit." jrp "Whatever. I just think that if I were in your shoes, I wouldn't let that woman get away from my hands." jrp "Having someone take care of your dick with the same passion that bakes you cookies? It's the dream!" mcp "Seems the dream as you said is always changing, right? But I promise to consider..." mcp "Since I'm going to be here for a while, could you send me my stuff? I think that's six boxes in total." jrp "Okay, no problem. What's the address?" mcp "1426 Gethsemane Street, Radiant Hills, Radiant Valley. I'll also send you the location on Maps." jrp "Okay, no problem..." mcp "Thanks!" elif melissapicture == False and ch5jeremymessage == False: $ jeremycontent = False mct "Well, if I'm here for a while, maybe I should break the ice with Jeremy." mct "But I don't think our relationship will ever be the same after today..." mct "Well, there's no turning back now..." scene e85 with dissolve mcp "Hey dude. How are you today? I hope you're better." mcp "I'm sending this message to see how things are going, I don't want our friendship to end." mcp "You know you're my best friend, and even with our differences, we get along great." mcp "Like you said during your high school graduation, we could conquer the world if we wanted to." mcp "Please, don't let me on dark" "{cps=1}....................{/cps}" jrp "Hey!" jrp "How are the things?" mcp "Fine, actually. I'm downtown shopping for a few things." jrp "That's good. I'm about to leave for lunch." jrp "By the way, thanks for the extra money." mcp "Didn't you transfer to your father like he wanted?" jrp "Nah, it's not like I'm going to keep it, I'm just using a little bit to eat and have fun here and there." mcp "I see..." mcp "How we are?" jrp "You tell me." mcp "I really want us to be okay." jrp "We are good, [mc]. Maybe it was never supposed to be a thing, I know how people see us as problem childs." jrp "Imagine living together? We would have luck if we didn't kill ourselves at the end of that period." jrp "But we sure had fun in the past..." mcp "I agree..." mcp "Do you still have the Hell Angels shirt?" jrp "No. Dad made me light it on fire. Most of my motorcycle phase is over, the only things I have are the bike and helmet." mcp "I don't even have the bike anymore. But I think it's in the company garage." jrp "Do you still want to go down Route 66 one day?" mcp "Yes... One day..." jrp "Yeah..." jrp "So, Radiant Valley..." mcp "Yes, I'm going to study. Maybe I'll strive to build a life in the next four years, who knows..." jrp "That's good. I'm thinking about joining the army." mcp "Following your father footsteps. Commendable, but I can't see you as one of them." jrp "Who knows... maybe after putting on the uniform something changes in me." jrp "Now I'm regretting not pledging on West Point." mcp "What we said before? \"We still have time\"..." jrp "Together? Maybe... By myself? I doubt." mcp "So what will you do?" jrp "I don't know... maybe I'll stay here. Maybe I'll go back home, I still have some options." jrp "What it matters is: It seems Mario and Luigi got separated. Mario went to Delfino Island, while Luigi went to the Ghost's Mansion." jrp "But I'm not sure who is who this time." mcp "So... is this a goodbye?" jrp "It's never a goodbye dude. Maybe a \"See you later\", but in a long term." mcp "Damn... I feel my heart broken right now..." jrp "Why? Do you want to kiss and fuck me or something?" mcp "I don't think I need to kiss and fuck you to get my heart broken." jrp "Who knows? Everyone knows how strange our friendship is." jrp "Maybe I'm a love interest, and depending on your answers, you're about to enter in a gay path." mcp "Fuck you!" jrp "Hahaha! I couldn't have answered better." jrp "Relax dude, I like women too much to allow me something like that." jrp "And I know you don't swim in those waters either. But who knows what could happen." mcp "Well, no homo, but if everything went wrong and I end up alone, I'll marry with you and we'll spend our years on that white houses with porch in a suburb around the sea." jrp "Assuming everything will end bad for me as well." mcp "We can only hope." jrp "Yeah, fuck you too!" mcp "Haha!" mcp "Can you send my stuff? Since I'm going to be spending a few years here, I'd like my clothes, my old toothbrush and my PC." jrp "Damn... and I got used to wearing that red sweatshirt. It's great to lie in bed, cover your legs with a blanket and watch porn." mcp "Porn? Nah, you probably watched Marley and Me, Eat Pray Love or Dear John with that. And cried like a little girl after each session." mcp "You know what? Keep the sweatshirt as gift from me. But take a good care of it." jrp "Thanks. What's the address again?" mcp "1426, Gethsemane Street, Radiant Hills, Radiant Valley. I'll send the Maps location as well." jrp "Cool!" elif melissapicture == False and ch5jeremymessage == True: $ jeremyF += 2 play sound animemoan "*Message Received*" mct "Huh?" scene e85 with dissolve jrp "When did I send you all this shit?" mcp "Last night. You said you were drunk." jrp "You don't say..." mcp "You were a little sad... and maybe a little too honest." jrp "That's not my style, but I'll believe you." jrp "So... Radiant Valley." mcp "Seems to be..." jrp "Do you know what to expect?" mcp "I don't. But I'm looking forward to seeing what I can do." jrp "That girl you mentioned. Do you think she's the one?" mcp "The one? I don't know..." mcp "But I want to see her again." jrp "And she's the only one you're seeing?" mcp "Well... no." mcp "Remember Jocelyn Finn?" jrp "The high school sports freak?" mcp "Yeah... Let's just say I found someone who acts the same way but looks like a supermodel. She's a roommate." jrp "Damn... There's no mystery why you don't want to leave." jrp "Planning to score a goal?" mcp "Who knows... but she's really pretty to look at." jrp "Got it." jrp "You mentioned you would send the address, so I'm waiting." mcp "Oh, right." mcp "1426 Gethsemane Street, Radiant Hills. I'll send the location on the Maps location as well." jrp "Alright." jrp "Funny... now I'm imagining how things would have turned out if we changed the Capitol's plans to Radiant Valley." jrp "It would have been even better, considering you have a house there. But I would have been a complete freeloader instead of just a partial one." mcp "We always were a team, enough with this freeloader bullshit!" jrp "It doesn't matter anymore." mcp "For me still matters. We'll have our time." mcp "Even if... it takes two, three, five, ten years." mcp "I promised you, and you promised me." mcp "You won't back up now, will you?" ".{w}.{w}." jrp "Heh, ironic... But no, I won't." jrp "Tic Tac Sunders! I'll be watching you." jrp "Talk to you later!" mcp "Later!" mct "..." mct "This talk was better than I was expecting." mct "Maybe he still feels guilty about not being around during the last few months of Dad's life." mct "I don't blame him. If I were in his shoes, I wouldn't want to be around us." mct "It's almost noon, I think I'll stop somewhere and get something to eat." stop music fadeout 5.0 scene black with dissolve $ renpy.pause() label ch5afterlunch: play music fastfood fadeout 1.0 fadein 1.0 loop scene e86 with dissolve # MC is sitting in a table in a restaurant. He's with a small lunch over the table. # The food in front of him needs to be bitten, and he needs to have a sparkling water on half or less. # The shopping bags need to be somewhere. mct "Not too bad, I think." mct "Mama Doddy's food is better, but this on it's own personality..." mct "I wonder how they are doing, the last time I was at Sabotage, Benjamin was accepted into Prudence. She's probably very proud of her grandson..." mct "They really liked me for some reason... in a way that they let me eat behind the counter if they didn't have any available table." mct "I miss Mama Doddy's hugs... Although I admit what I miss most is how her breasts were pressed into my face." mct "I think everyone should experiment that at least once, a warm hug from a voluptuous black woman." scene e87 with fade # POV, MC looks at his eletronics invoice. # On the lower part of it, there's a phone number on the back or in the lower part mct "What is this?" mct "A... number?" mct "I can't recognize it. Could be from the store?" mct "But... why is it on pen instead of being a card or something?" mct "It seems Liliana put this here. Maybe a direct contact if I have any problems with the readers?" mct "I don't get why such discretion though..." mct "It's been a while, almost three hours since I left the store." mct "Let's give a go and what's this about?" scene e88 with dissolve # MC is holding the phone against his ear. The perspective doesn't matter. play sound phonecallinside "{cps=5}..................{/cps}" stop sound fadeout 0.1 unkw "Hello?" mc "Hi, this is [mc] Sunders. This number was on an invoice, but I can't recognize where it's from." mc "May I know who am I talking to?" unkw "Hello [mc], it's me Liliana." mc "Hello Liliana, it's nice to hear about you again." llp "It's nice to hear about you too... Are you already at home?" mc "No. I'm still on the downtown, eating in a restaurant that I found interesting. \"Shenanigans\", not sure if you know." llp "{cps=5}..............{/cps}" mc "Liliana? Are you still there?" llp "Yes... {w}I am." llp "I had to step out to answer the call properly." mc "Okay, you got me worried for a second." mc "Is this your personal number?" llp "Yeah, I wasn't sure if you would call or not. Sorry for my reaction." mc "It's okay... Do you need anything?" llp "Yes, but... {w}I'm not sure what I'm doing?" mc "I'm lost..." llp "Okay, let me try a different approach on the situation." llp "[mc], do you think I'm beautiful?" mc "Of course you are." llp "...{w}No, you don't get it." llp "I'll try to be as frank as possible." llp "When I saw you earlier, I thought you were really cute. I mean, for an English guy who's barely starting college and is about five years younger than me." mc "I still don't understand that \"English\" thing you mentioned." llp "Don't worry about that." llp "But hey, I was thinking of asking you to have lunch together, but it seems that I'm already late for that too..." mc "If you want, we can have a coffee after your work." llp "..." llp "No, that wouldn't work for me. I have some... {w}obligations... {w}I have to fulfill after I leave here..." llp "Do you have plans tomorrow?" mc "Yes. I have an essay to write for a teacher and I get the impression that she doesn't like me. So I'm going to have to put extra effort into that." llp "Oh, that sucks!" llp "Thursday?" mc "I have something with a friend. She's going to show me her place, and I'm not sure how long it will take." llp "I see..." llp "Maybe it was a bad idea, after all." mc "What do you mean?" llp "It's not because I was interested on you that you're obliged to be interested on me." llp "I mean, why would a guy who is capable of spending seven thousand dollars on gifts for girls be interested in a broke working-class girl like me?" llp "Not implying that this is the reason I took an interest in you, but the point still remains." mc "Nonsense. I think you're really hot." llp "{cps=20}..............................{/cps}" llp "Really?" mc "Yes! I mean, sorry if I'm not being chivalrous, but that's how I felt when I first saw you." llp ".{w}.{w}." llp "I-" llp "I'm not sure how to react, but I appreciate your words..." mc "I mean, I don't mean disrespect, but a girl like you should be used to it by now." llp "You're gentle..." llp "But no, I'm not. But thanks for thinking the otherwise." llp "Say, are you up for a small meeting?" mc "What do you mean?" llp "I have exactly 30 minutes of break for lunch. I'm lucky that I didn't spend it due to the work volume." llp "Shenanigans isn't too far from here, two blocks at max." llp "Since we won't have any other opportunities, this might be my only chance." menu: mct "How should I answer that?" "Sure[persistent.KoGa3WTChange]recommended by me so far\n(Liliana scene)": jump ch5lillyyes "No, sorry[persistent.KoGa3WTChange1](ends chapter 5)": jump ch5lillyno label ch5lillyyes: $ lilianacontent = True mc "Sure?" mc "I don't know what you have in mind, but we can do whatever you want." llp "Really?" mc "Yeah! A friendship is only as good as the people involved." llp "...{w}That's right, I think." llp "Care to wait for me in the alley behind the store? You can't miss where it is, the street is closed for renovations." mc "Sure thing. See you soon." llp "Thank you." "*Call ends*" scene e89 with dissolve # MC is looking at his phone. mct "That's a little surprising..." mct "Even though this girl is nice, I can't stop feeling sorry for her." mct "It's her eyes, I think... they seem like she's witnessed some intense experiences in the past... I wonder what they were." mct "Let's pay and see what it's all about." stop music fadeout 1.0 scene black with dissolve $ renpy.pause() jump ch5lillysex label ch5lillyno: $ lilianacontent = False mc "Sorry Liliana, I won't have time. Neither of us, to be honest." mc "I mean, maybe we can get a hot dog and a Coke on a street corner, and then what else?" mc "I think you deserve better than that. Especially considering you're a working girl, as you mentioned." llp "..." llp "So no." mc "Not now, but maybe we can keep talking over the phone and getting to know each other, what do you think?" llp "Yeah..." llp "It's the best for the situation." llp "Sorry, I'm a little irrational these days. I believe that if you had accepted my proposal, I would have done something crazy." llp "Seems like even leaving the cult, the cult can't get out of my head. Sorry [mc]." llp "I hope we can be friends, regardless." mc "...{w}cult?" llp "I don't wanna talk about it. At least right now. Hope you don't mind." mc "Of course. And don't worry about being crazy, it happens to everyone..." llp "Not on the level that happened to me. But thanks anyway." llp "See you later." mc "Later." "*Call ends*" scene e89 with dissolve mct "I'm not sure what to think about this girl... She's nice and very well-mannered." mct "But she looks desperate for affection. Or at least some life experiences." mct "I will continue to text her and get to know her a little more." mct "But for now, let's go back home..." scene black with dissolve stop music fadeout 5.0 $ renpy.pause() jump chapter6 label ch5lillysex: play sound ambiencestreet fadeout 1.0 fadein 1.0 loop scene e90 with dissolve # MC is in a dirty alley behind, while Liliana is waiting while sitting next to the door, or even in the step in front of the door # This is the alley >>> https://www.daz3d.com/urban-alley # It's midday, or at least around 1-2 PM # The camera should be behind his shoulder, while he's looking where she is # He should be unfocused, while her should be focused on the place. # If showing her face, she should have with a neutral/sad expression, like she's nervous or having second thoughts. Otherwise, her head should be down # He's not with his bags anymore mct "There she is." mct "I wonder why she didn't want me to wait in front of the store instead of... here." mct "Looks like even she's having second thoughts." mct "Well, let's not spend a second longer than necessary here." mc "Hey Liliana, you called?" scene e91 with dissolve # Liliana looks at MC, she looks legitimately happy to see him. # POV, up to down, or whatever angle you think it fits ll "Oh! H-hey [mc]. You took longer than I expected." mc "Sorry, had to find a closet for things. Luckily, I found some near the water fountain." ll "That's good. But unfortunately it cost me another ten minutes." mc "Sorry, but I'm here now. Where do you want to go?" ll "Nowhere. I just want this." play music stylish fadeout 1.0 fadein 1.0 loop scene e92 with vpunch # Liliana is kissing MC mct "W-what?" mct "Where's this coming from?" ll "Mmmmnnn~" mct "A little clumsy... and anxious..." mct "She certainly lacks experience, but that could be a good thing." mct "Let's guide her a little." scene e93 with dissolve # MC holds Liliana's neck and her back ll "Ahh~" mct "Yes, like that. Your tongue is easier to guide now." mct "She tastes so good, and smells like strawberries." mct "But she's too nervous... It looks like she's putting a lot of effort into it." scene e94 with dissolve # Non-POV, MC is looking at Liliana and holding her chin with a hand and her waist with another. She's smiling while looking at him. mc "What was that?" ll "Sorry, I couldn't hold myself." mc "It's okay, you're a good kisser. But is that what you really want?" ll "Yes? No?" ll "I don't know..." ll "But I really need this." scene e95 with vpunch # POV, Liliana unzips MC's pants, and holds his dick with her left hand # She has a really surprised expression on her face ll "Holy Almighty!" mc "H-Hey! What are you d-" ll "If it wasn't enough to be handsome and rich, he's also well endowed!" mc "That's kind, but don't put me on a pedestal." ll "I don't need it, you're already there." ll "Can I taste it?" mc "I'm not sure if we should do this h-" scene e96 with hpunch # Liliana is sucking MC's dick # She holds on his thigh with a hand # If the other is possible to be seen, she's with her other hand inside her pants, caressing her pussy mc "*NGH*" mc "Easy Liliana, I'm not running away." ll "Hmmm~" mc "I appreciate your effort, but you don't have to give a full porn star performance." ll "*Sucks harder*" mc "Okay, stay at your pace, I won't say anything else." mc "But please, don't rip my dick off." ll "*Giggles*" scene e97 with dissolve # Liliana looks at MC with his dick next to her face. # She's smiling slyly, with her eyes squinted ll "Call me slut!" mc "{size=+5}What?{/size}" ll "Do it!" mc "You're... a slut?" ll "Fuck yes, I am." ll "I couldn't stop thinking about your dick." ll "When I saw you entering, I kept wondering the color, size, thickness and how good it tastes." ll "And I'm not disappointed. Your dick is like a big lolipop, I can't stop myself." ll "I imagine how yummy the stuffing is." mc "If you keep this up you won't have to wonder for long." mc "Do you want to continue?" ll "Right away sir." scene e98 with dissolve # Non-POV, Liliana is sucking MC's dick. # MC needs to be leaning against the wall with both hands on the wall, while Liliana is hungrily sucking his dick # The camera should be placed somewhat on the ground, while being the two characters should be on the left, giving some space for a character walk on the background mc "Oh! Just like that." mc "Do you like that, your slut?" ll "*moans*" mc "Who would have thought, the cute and diligent saleswoman being just a cheap whore who's eager to give blowjobs in a corner, surrounded by trash and in the middle of the day?" mc "Aren't you ashamed? Or are you just showing what a slut you really are?" ll "Ahhh~" mc "That's it, you like the degrading talk, right? You're sucking even harder because of that." mc "You could have making a living out of with this, you know? A good cocksucker is hard to find." scene e98b with aass # Same as the one above, but she deepthroats it mc "Unff! So good!" mc "It's almost written by law that whores must always know how to deepthroat, and you're already a master of it." mct "Actually, I wouldn't know, as I've never owned one of these." mct "When the degrading talk is too much? This is a completely new scope for me." mct "Getting a blowjob from a girl whose name I barely know is the same, but still..." mct "Let's use the golden rule of any situation at a roast: Let's not talk about her mother. Or her family." scene e98c with aass # Same as above, but a delicious asian milf appear on the background. # I want this girl >>> https://www.daz3d.com/izanami-for-genesis-3-and-8-female # Morph her in the way you want with a cute face lift, but I want some nice breasts and ass. And when I mean "nice", I mean Hailey level like how she is on Freeloading Family O11, O12 or O13. # She needs to have long, curved lashes and some makeup # You can mix her with another character from SASE if you want, but it's not necessary. # This hair, or whatever hair you have >>> https://www.daz3d.com/tied-back-hair-for-genesis-8-female, in a dark brown or black material # I want this dress on her, no panties >>> https://www.renderhub.com/matteoio/dforce-summer-dress-2-g8fg8-1f # She needs to be using high heels and a handbag on the shoulder # She needs to have a stripe or a inverted triangle as pubic hair >>> https://www.renderhub.com/causam3d/pubic-hair-professional-suite-for-genesis-8-x-female mc "Yeah, right there, bitch! You're doing an awesome job!" mc "I bet you're soaking wet. But that's typical of girls like you, the worse the better!" scene e98d with aass # The girl walking on the background looks back at them, with a mix of disgust and curiosity. mc "If you keep doing that, I'll cum in no time~" ll "I want it in my mouth, it will be my lunch all day, so I'm expecting a full filling." scene e99 with dissolve # Focused on the girl on the background, the girl should be surprised/disgusted/curious, with one of her hands over her mouth. # The camera should be around the thigh line ll "Will you feed me with your delicious spunk?" uwt "What the fuck?!" uwt "In the middle of the street?" uwt "People could easily see them." uwt "Worse, they look so young, not even a day after 18 years." mc "Fuck, I'm cumming!" ll "Yes, fill your cumdump! I need it so bad~" uwt "Without a shred of shame! Not even in my horniest days I would ever disgrace myself like th-" scene e100 with hpunch # Similar to e98, but focused on MC and Liliana, but she's with her mouth open and tongue out, he's cumming. # The girl in the background should be unfocused scene e100 with vpunch scene e100 with hpunch mc "Argh!" ll "Fuck yes, give to me!" ll "I knew it! It's so sweet, with a hint of bitterness at the end." ll "I could easily get addicted to this~" scene e101 with dissolve # Similar to e99, but slightly different, the girl should be curious. uwt "Fuck! It's so big!" uwt "What the hell did they put in the water to make a guy as hung as that?" uwt "And how the hell was that girl able to get it all down her throat?" uwt "No wonder she looks so addicted to him~" uwt "If one of my boyfriends was like that, I would be broke for the rest of my life." scene e102 with dissolve # Back to MC and Liliana. Liliana licked the cum from her face and she's tasting her fingers # She smiles slyly, while looking at MC ll "Thanks for the meal, but I don't think it's going to be enough for me." ll "Are you up for a second round, [mc]?" mc "Aren't you worried about the work?" ll "I couldn't care less about work right now. I need to feel you at least once before we part ways." ll "You want that, right?" mc "Only if you want to." ll "I definitely want that." mc "Honestly, I didn't expect the cute saleswoman from the gadget store to be so kinky." scene e101 with aass uwt "OH! {w}MY! {w}FUCKING! {w}GOD!" uwt "They're not even in a relationship." uwt "Worse! Looks like they met today or something..." uwt "What the hell is going on with these girls these days?" uwt "I admit I wasn't a saint when I was younger, but this...{w}this is too much!" uwt "It's like the worst 80's porn plot is happening in real life!" uwt "Why can't I look away from this freak show?" scene e103 with dissolve # Liliana is lowering her pants in the knee height (but if you want, you can remove it on totally) ll "As much as I wanted to bounce on you, today isn't a safe day." ll "And to be honest, I don't think I would want my first time to go like this." mc "First time?" ll "Yes. Is it surprising?" mc "After that ferocious blowjob, yes." ll "I guess I was really eager to prove myself that I could do this." ll "But maybe you could help me with this." scene e104 with dissolve # Liliana is with her arms against the wall, leaning forward, she looks back at MC # In her ass, there's a toy. It can be anything from here >>> http://www.renderotica.com/store/sku/63455_Morphing-Butt-Plug # It needs to be small and discret, but you can use whatever color you like # The camera could be a non-POV, in a way she could fill the camera properly ll "Could you please pull it for me? It's starting to get a little uncomfortable." mc "OH FUCK!" scene e105 with vpunch # Similar to 101, but the girl looks even more surprised than before. uwt "OH FUCK!" uwt "She's completely crazy!" uwt "There's-" uwt "FUCK! Why, from all the days, I chose today for not using panties?" uwt "There's no way he would fit inside her." uwt "...{w}And, you know what? There's no way I'm going to miss this as well." scene e106 with fade # The asian girl walks in and hides herself as best as she can, while holding her phone. # She smiles maliciously while looking forward uwt "If I don't record this, the girls at the club will never believe me." uwt "I think I can ask {b}her{/b} to edit the video as best she can to hide the girl's identity." uwt "The boy? Nah! He deserves to be recognized for this wonderful piece of meat he carries between his legs." uwt "How funny life is. First, I was upset that I had to go to my lawyer early in the morning to file my divorce and imagine all the drama that would eventually ensue." uwt "And here I am, all turned on by a boy my oldest son's age screwing a girl who looks like a farmer's daughter." uwt "Thank God the lawyer insisted on checking the evidence three times. I could have missed a great show~" scene e107 with dissolve # Focus behind the skirt of the asian girl, a close from her pussy, or even an angle down-above # Her pussy should be wet, or as wet as you can put. uwt "Everything is settled." uwt "Come on, stud, give that bad bitch what she wants." uwt "And maybe, if you're good enough, I'll let the girls know about your performance and you'll have a very happy life going forward." uwt " After all, everyone knows that the appetite of bitches with an eight-figure sum in their bank accounts is unstoppable..." play sound pop "*POP*" scene e108 with dissolve # MC pulls the plug from Liliana's ass. Her ass should be open. ll "Unff! Suddenly, everything seemed less vivid." ll "As if everything had lost its magic and emotion..." scene e108b with aass # Same as above, but her ass closes. ll "Do you have any idea on how to make that feeling stop." mc "I have some ideas." ll "Yeah? Like how?" scene e109 with aass # MC fingers Liliana, while holding one of her butt cheeks. mc "What do you think about this?" ll "Really nice, but not what I was expecting." ll "Ahh~" ll "But your finger is goooood!" mc "And you have a really hungry ass. It's sucking me inside." ll "I've been training. Less than two months ago, not even a sewing thread could get in." mc "Why did you start?" ll "I wanted a life change and I embraced my inner slut." mc "And your inner slut is an anal addict it seems..." ll "No, but she's learning to be." mc "I see... And how will she react when I try this?" scene e110 with hpunch # MC pushes his dick on Liliana. If possible to see her face, she moans. ll "Oh yeah! She loves it!" play sound penetrationmoan fadeout 1.0 fadein 1.0 loop ll "Harder please!" mc "Wow, you have a really tight ass!" mc "It's almost like you could break my dick in half." ll "I'm not used to that sensation~" ll "*Unff*" mc "Oh? Really?" mc "I'm the one who's able to explore this unknown land of Lilly's anal virginity?" ll "Yes, you are~" ll "Harder [mc]!" ll "Make me your bitch!" scene e111 with dissolve # A variation of the scene above, but focused on Liliana. She looks back, While MC is taking her from behind. # On the background, the asian girl is filming them # Her blouse should be lifted and her breasts should be showing # Her expression should be a mix of pain and pleasure ll "OH YES!" ll "AHHH~" ll "PLEASE DON'T STOP!" mc "*Grunts*" ll "YOU'RE BALLS DEEP ON ME! IT'S SO GOOD!" uwt "That's so hot. How can she get so much pleasure from anal sex? And with such monstrosity?" uwt "The boy knows what he's doing. I bet he fucks a lot of girls constantly." uwt "Thanks to my soon-to-be ex-husband, I never had the chance to experience any pleasure from conventional sex, let alone anal sex." uwt "He makes me want to try it at least once." ll "Your balls are hitting my pussy! I love that feeling!" ll "I think I~" ll "*moans*" ll "I think I'm cumming!" uwt "Me too~" stop sound fadeout 0.1 scene e112 with vpunch # POV, MC removes his dick from Liliana. ll "What the fuck!" ll "Why?" mc "I want to hear you asking for it!" ll "I was almost there!" uwt "Me too, damn it!" mc "ASK. {w}FOR. {w}IT!" ll "*Whimpers*" ll "[mc], could you please make me cum?" mc "No." ll "Why?" mc "I prefer doing this!" scene e113 with hpunch # MC slaps Liliana's ass hard play sound slap "*Slaps*" play sound femaleorgasm ll "AAAAAAHHHHHH!" scene e114 with hpunch # Focus on Liliana's face, looking back, she's screaming of pleasure. A small part of her upper body until her breasts is possible to be seen scene e114 with vpunch scene e114 with hpunch scene e114b with vpunch # Same as e114, but her eyes are closed $ renpy.pause() scene e115 with dissolve # Focus on Liliana's ass, mc is spreading her ass and her wet pussy ll "*Phew*" ll "How... ahhh~" ll "How did you know?" mc "I didn't know. I just followed my instinct. I thought you might like." ll "You thought right! Jeez, it was really intense..." ll "Did you cum?" mc "Not yet. I just thought I'd take a look at you one more time. You're so beautiful down here." ll "Oh! R-right..." mct "Am I hearing a hint of hesitation in her voice? Honestly, I thought she was ready for anything..." mct "Well, asking never hurt anyone." mc "Will you let me put it on the front?" ll "Please dont." mc "Why?" ll "I nev-" ll "*Ahem*" ll "I-I mean, it's not a safe day. I live by myself s-so I can't risk a pregnancy right now." ll "You're not satisfied with my ass? It's there, ready for you to take care of." mc "...{w}I am." mct "But honestly, I didn't expect to fuck a 23 year old virgin's ass. I wonder why you stayed like that for so long, especially considering how pretty you are." scene e116 with dissolve # The mysterious asian milf is smiling naughty, while her breasts are showing up and her pussy is able to be seen # She's still filming with her phone uwt "Oh, so she's not ready. Too bad for you, my hanging stallion." uwt "If it were me, I would have make you fuck me until my pussy getting swollen and your dick skinned." uwt "Not today, unfortunately. But regardless of who you are, I will find you, and I will scream your name all day and night." uwt "I wonder how long they'll be there... I'm glad today is pretty desolate. Let's enjoy it while we can." scene e117 with dissolve # MC puts again on her ass. play sound penetrationmoan fadeout 1.0 fadein 1.0 loop ll "Ahhh~" ll "Yeah, just like that." ll "Take it slow this time, I want to feel filled with your cock." mc "That's it? Now that you've tasted it, how long do you think you can stay away from my cock?" ll "I'll never be able to stay away for long~" ll "It's almost like my ass was made to have your cock inside it." mc "That's true." mc "But now it will be impossible for you to take pleasure in anything other than my cock." mc "Not even a big toy will be able to satisfy your hunger like I'm doing now." ll "Ah~" ll "Don't get too confident. It's not like my previous boyfriends have never been lucky enough to pleasure me from behind." mc "What past boyfriends? Didn't you say I was your first?" "Her asshole contracts around my dick from the first time." ll "Ahh? W-well..." ll "I-I mean~" stop sound fadeout 0.1 "I stop briefly, gently caressing her buttchecks and making her relax for a while." mc "Relax. Sorry for being too cocky." mc "And thank you for letting me explore this beautiful side of you." mc "Don't feel to pressured on doing things just because you felt that you're missing something in life or wasting time. All in it's due time." ll "...{w}thank you." scene e116 with dissolve uwt "So my mysterious stud has a heart too." uwt "What an interesting fella." uwt "You certainly aren't from around here, because anyone in your position would pressure the girl to do whatever you want." uwt "I'm even more interested in finding out more about you now. We'll see how things progress." uwt "Right now, keep fucking that bitch! Give her what she wants." uwt "Fuck, I think I'll cum again. It's my third already." uwt "It's more than Gavin has given me in the last six months~" uwt "And I'm just a voyeur, I wonder what it would have been like if I were the female in question..." scene e117 with dissolve play sound penetrationmoan fadeout 1.0 fadein 1.0 loop ll "Oh yeah! Ahh~" ll "My ass is on fire already! You're really mistreating me." mc "Do you want me to stop?" ll "Fuck no! Give to me!" mc "As you wish, Lilly!" stop sound fadeout 0.1 scene e118 with vpunch # MC is filling her ass, while she moans. scene e118 with vpunch scene e118 with vpunch play sound moan1 ll "Ahhh~" mc "*URGH*" play sound moan3 ll "YESSSS~" ll "IT'S SO GOOOOOD~" uwt "It really seems to be..." uwt "I wonder if he would agree to have sex with an older woman..." uwt "Most younger guys never take anything seriously. I wonder if he's different because my pussy is itching for his cock already." uwt "Let's take it slow~" scene e119 with dissolve # Liliana shows MC her creampied asshole, which is dripping his cum around on her thighs. ll "Take a look at what you've done to me [mc]!" ll "Aren't you ashamed?" mc "Aren't you ashamed of having my cum in your ass and not even showing any resistance to it?" mc "I just did what I was supposed to do, I used my cumdump to drop some cum. There's nothing wrong on it." ll "And there's nothing wrong with taking some cum out of my ass and tasting it to see what the big deal is." mc "What do you m-" scene e120 with dissolve # Non-POV Liliana takes some of the cum dripping from her ass $ renpy.pause() scene e121 with dissolve # POV Liliana tastes the cum from her fingers while looking at MC and smiling. # If you need reference, pick Freeloading Family's T58, but a small quantity and only on the fingers. mc "Wow, kinky!" ll "What can I do? A woman has to do what a woman has to do." ll "You don't mind, do you?" mc "You do whatever you want, I don't mind at all." ll "Oh? Is that so?" ll "What if I ask you a kiss now?" mc "Ehh~" menu: mct "What should I do?" "Kiss Liliana[persistent.KoGa3WTChange1](your preferred choice)[persistent.KoGa3WTChange](lust + 5)": $ lust += 5 mc "Well, why the hell no?" scene e122 with dissolve # MC is kissing Liliana mct "Funny, it doesn't taste like anything but sweet strawberry lipstick." mct "I think lust says more about these situations than basic logic." mct "Just in case, when I get home, I spend a little extra time brushing my teeth." pass "Don't Kiss Liliana[persistent.KoGa3WTChange1](your preferred choice)[persistent.KoGa3WTChange](dom +5)": $ dom += 2 mc "Sorry Lilly, I don't like that." ll "It's okay. You don't have to do this." ll "Honestly, I found it more interesting than it actually is. I think my Hana Masaki covers it all." mc "Hana Masaki?" ll "The brand of my lipstick. 48 hours of protection and flavor for the lips. Based on a famous plastic artist who." mc "I'm not sure I know, but I'm not really a yardstick." ll "Yeah." pass stop music fadeout 13.0 play sound ambiencestreet fadeout 1.0 fadein 1.0 loop scene e123 with dissolve # POV, MC looks at Liliana, she's still with her angelic expression she has. Mouth closed mc "I think you better run. I think we've been here for over fifty minutes." scene e123b with aass #Same as e123, but mouth open ll "Maybe, but it's worth the effort. I don't think I'll ever be as satisfied as I am now." scene e123 with aass mc "Maybe. But maybe it's not healthy to skip lunch." scene e123b with aass ll "I have your cum in my belly." scene e123 with aass mc "Yeah. Because sperm is such a nutritious food, amrite?" scene e123b with aass ll "You never know. But honestly, I'm not really hungry. I can wait another four hours until I get to the retirement house." scene e123 with aass mc "What retirement house?" scene e124 with dissolve # Liliana looks surprised and ashamed, and she looks away # Her body expression needs to be embarrassed in someway ll "Oh! It's nothing." mc "It's not?" ll "I mean..." ll "Sometimes I volunteer there, and they are so kind, they help me with food and whatever else I need." mc "I see... {w}What about your family?" ll ".{w}.{w}." mc "I see... {w}A complex subject. Sorry, I won't ask anymore." ll "It's okay." ll "Let's just say I had a choice. Stay with them or move out after a certain age. I choose the latter." ll "Bonuses and burdens. That's fine, but I wish I could stay in touch..." mc "Got it. Sorry for asking." ll "Don't worry, it's not your fault." scene e123b with dissolve ll "Will I see you again?" scene e123 with aass mc "I really don't know. If in a normal situation, then yes." scene e123b with aass ll "I liked this one though, even being in the way it was. Probably it was the most exciting thing I did in my whole life." scene e123 with aass mc "I'm glad you enjoyed it. I wish I could say the same, but that doesn't make this moment any less special than it is." scene e123b with aass ll "Oh! So you have some stories to tell. I'd like to hear them someday." scene e123 with aass mc "We can talk, eventually." scene e123b with aass ll "Talk you by phone?" scene e123 with aass mc "No problem, I've already saved your number. Text me whenever you want." scene e123b with aass ll "Thanks!" scene e122 with dissolve $ renpy.pause() scene black with dissolve $ renpy.pause() play music stylishfunk fadeout 1.0 fadein 1.0 loop scene e125 with dissolve # The Asian Milf leaves from whatever place she was hiding and she has with her phone on hands # She's smiling while looking at the phone # Neither MC or Liliana are on the place anymore uwt "Better than any porn I've ever seen!" uwt "Honestly, better than anything I've ever seen related to sex. Gayle is going to freak out when she hears the salesgirl is freakier than she'll ever be." uwt "It even made me forget my good-for-nothing husband who cheated on me with his secretary who doesn't even know how to sharpen a pencil." uwt "I wouldn't be surprised if she's with him for the money, because it certainly isn't for how handsome or manly he is." uwt "Honestly? With this big boy here, she can have him whenever she wants. I'll have a better toy from now on." uwt "Let's just pray he likes older women. I'd hate it if he didn't." uwt "And even if he isn't, a little blackmail never hurt anyone. He might even like it..." scene e126 with dissolve # The woman is calling someone with the phone, she's with her back turned to the camera, and it's possible to see her toned ass and thighs" uwt "Come-on, answer it!" uwt "Of all days, today is the day you shouldn't ignore me." uwt "Come on, you bitch! Stop being an ass, at least once..." ".{w}.{w}." unkw "Rika? It's me, Shiori." "..." sh "What do you mean \"which Shiori\"? The only one you know, bitch!" sh "Listen! Don't hang up! You have no idea what I found today, just in case, as I left the lawyer's office to get my car." sh "A couple having sex!" "..." sh "And you think you're better than me? You enjoyed watching the horses copulating on Grandpa's farm for hours!" "..." sh "Shut up and listen, okay?" sh "It was amazing! He made a number on her, the guy's dick was huge!" sh "I'll send you the video I recorded. Watch it, and give me feedback, I bet you'll squirt like a hose!" sh "I need you to do a little video editing, covering and distorting the girl's face and voice, but good enough to leave the guy untouched." sh "And no, I'm not asking you to do me a favor. I want a level 5 discretion in this matter." sh "Five encrypted copies, with the key on my cell phone and a 256-bit password. I will pay via cryptocurrency." sh "0.35 BTC is enough for you?" "..." sh "Trust me, it's nothing illegal, it's just because the guy is fire. I'll show the girls and maybe we can come up with a plan to get that delicious piece of meat." "..." sh "It's the dirty talking about the poorly washed." "..." sh "Okay Rika, shut up, are you going to help or not? I'm not paying you fifty thousand dollars to scold me, especially considering you still have roommates." "..." sh "Good we came to an agreement. But I'm sure you'll like it anyway." sh "How much time you need?" sh "..." sh "Okay, that's perfect. I'll wait for your answer." sh "And please be dressed when I get there. I don't have to see you naked all day." sh "..." sh "Don't forget to take your medicine and eat your vegetables." sh "..." sh "Yeah, fuck you too, my lovely sister~" scene e127 with dissolve # Same as above, but she looks at the phone in the end of the call. "*CLICK*" sh "That's it! Now let's hope for the best." sh "I can't wait for Sunday. Our reunion will have a pretty racy subject rather than another boring charity event to organize and schedule." sh "Gayle, Anne, Nora, Melissa, Bethany. Can't wait to see your faces." scene black with dissolve sh "You'll be up for a surprise..." stop music fadeout 5.0 scene black with dissolve $ renpy.pause() jump chapter6 return