label ep12_start: #KoGa3 START# #"Begin of Mod EP12 / KoGa3" $ KoGa3GameProgress = "EP 12" $ KoGa3pts_auntStart = 1 # for old saves $ KoGa3pts_momStart = 1 # for old saves $ KoGa3pts_ydStart = 1 # for old saves $ KoGa3pts_odStart = 1 # for old saves $ KoGa3MusicModStart = 1 # check music mod done #show screen KoGa3ScreenStats #if KoGa3Music == 1: # stop music fadeout 2 #"Info KoGa3: EP12 music addon not done yet. \nBut I'm working on it as soon as possible!" #KoGa3 END# scene 12_01_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# fbi "I've lost them!" fbi "I need you to get down here right now. I've got a bad feeling about this." scene 12_01_014 fbi2 "Okay. I'm on my way." fbi2 "But how did you manage to lose them?" scene 12_01_066 fbi "He was speeding and running red lights." fbi "I'm sure they're still close by, so just get here as fast as you can. Something's wrong." scene 12_01_030 with fade pl "[mom], are you both okay?" pl "He didn't hurt her, did he?" scene 12_01_034 mom "Don't touch her, [pl]. Stay away from us!" mom "What the hell have you done?!" scene 12_01_038 pl "I'm sorry. I just wanted to make sure you were okay, [mom]." pl "I was just doing my job." scene 12_01_042 mom "But you killed him!" mom "You killed him with your bare hands!" scene 12_01_046 pl "{i}(I was protecting [yd]...){/i}" pl "{i}(Did I do the right thing?){/i}" scene 12_01_050 mom "I've called the police. They'll be here soon." mom "What's going to happen when they get here? What's going to happen to you now?!" scene 12_01_054 pl "You called the police? [mom], I don't think that was a good idea." pl "I need my phone. Do you have it?" scene 12_01_058 mom "Here. Take it." mom "Who are you going to call?" scene 12_01_038 pl "Someone that might be able to help...hopefully." pl "Why don't you take [yd] and sit in the car." pl "{i}(I don't know if she can help, but there's nobody else I can call.){/i}" scene 12_01_062 pl "[fbi]? It's [pl]." pl "Listen, I'm in serious trouble. I need help." scene 12_01_018 fbi "[pl], where are you? Where the hell were you going in such a hurry?!" fbi "Never mind. Just tell me where you are. I'll get there as fast as I can." scene 12_01_070 with fade pl "{i}(The way [mom] looked at me...she looked scared of me. Was she scared of me?){/i}" pl "{i}(I hope she's just in shock.){/i}" scene 12_01_100 fbi "{i}(Why did they come down here? It's a dead end.){/i}" fbi "{i}(It has to be the daughter. She left the house earlier.){/i}" scene 12_01_104 play sound "audio/car_door_01.ogg" fbi "What's going on? Why were you in such a rush to get here of all places?" fbi "And why did you call me? What kind of trouble are you in?" scene 12_01_108 fbi "Who the hell is that lying over there? Is he dead?" fbi "Wait...is that [det]?" scene 12_01_116 pl "Yes. He attacked [yd]." pl "I...I killed him." scene 12_01_120 fbi "What?! You killed [det]?" fbi "You fucking idiot! Now I see why you called me!!" scene 12_01_122 fbi "You need me to protect you from the Hillside's finest before you have an unfortunate accident on some stairs!" fbi "Just keep your mouth shut and let me do the talking." scene 12_01_130 fbi "Officers, I'm [fbi] of the FBI. We'll be handling this investigation." fbi "If you could just cordon off the scene while I wait for my partner to get here. Thank you." scene 12_01_134 of1 "What's going on? Why are the FBI here?" of1 "We were told someone had been attacked." of2 "And how did you get here before us?" scene 12_01_136 of2 "Is that a body over there?" of2 "That looks like..." scene 12_01_137 of2 "[det]!" of1 "What the fuck!" scene 12_01_138 of1 "Is he responsible? Did you kill him?" of2 "You're under arrest, asshole!" of2 "We'll take this cop killing piece of shit to the station while YOU cordon off the crime scene!" scene 12_01_150 play sound "audio/carhood_impact.ogg" of1 "Oh, it seems like he's resisting arrest!" of2 "Good!" scene 12_01_154 of2 "Not so tough now are you, big man!" of1 "Just wait until we get you back to the station. There's going to be a lot of people wanting to talk to you." scene 12_01_158 fbi "I'll be following you there, so make sure he arrives safely!" fbi "{i}(SHIT!){/i}" scene 12_01_200 yd "Mom, what's going on? Where are the police taking [pl]?" yd "Why have they handcuffed him? He hasn't done anything wrong!" scene 12_01_204 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "[yd], that man he killed was a policeman. [pl]'s in a lot of trouble!" mom "You stay here and I'll try to find out what's happening." scene 12_01_212 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious15 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# fbi "Hello, [mom]. I'm [fbi], FBI." mom "The FBI? What's going on? What's going to happen to [pl]?" scene 12_01_216 fbi "[mom], listen to me. [pl]'s life could be in danger and we don't have much time." fbi "I have to talk to my director and try to get control of this situation. But until then we can't do anything." fbi "It's up to you to help [pl]." scene 12_01_220 mom "Me? What can I do?" mom "I don't understand." scene 12_01_218 fbi "I need you to go to the police station and find a way to stall the police. It doesn't matter how." fbi "Just obstruct them until I get there. Can you do that?" scene 12_01_224 mom "{i}(Stall the police...how am I supposed to do that?){/i}" mom "{i}(I'll find a way. [pl] needs me.){/i}" scene 12_01_220 mom "Okay! Can I borrow your phone?" scene 12_01_230 mom "[law], it's [mom] Lloyd." mom "I need you to meet me at the police station immediately!" scene 12_01_234 law "[mom]? This is a pleasant surprise." law "Can this wait until tomorrow? I'm holding a little soiree at the house." law "I thought about inviting you, but..." scene 12_01_238 mom "{i}(More police. And is that another FBI agent?){/i}" mom "{i}(Why does she think [pl]'s in danger? Maybe more of the police officers are corrupt?){/i}" scene 12_01_242 mom "What? No it can't wait! I need you now!!" mom "And for how much I pay you, you'd better be at the damn station waiting for me when I get there!" scene 12_01_246 mom "{i}(What am I doing? What am I getting myself into?){/i}" mom "{i}(I can't believe [pl] killed a policeman, but I have to help him if he's in danger.){/i}" scene 12_01_260 fbi "We were never going to have as much time as we wanted. Now our hand has been forced we've got to move fast." fbi "I need you to take [mom] to the police station. She's going to try and keep the police busy." fbi "I want you to look after the daughter until I get there." scene 12_01_264 fbi2 "No problem." fbi2 "What are you going to do?" scene 12_01_270 fbi "We have to launch our investigation now and stop them burying everything." fbi "If we don't, we'll lose our chance of getting these bastards." scene 12_01_280 fbi "[mom], this is [fbi2]. He'll take you and your daughter to the police station." fbi "I'll be there shortly." ## 02 POLICE STATION show black with fade scene 12_02_020 with fade fbi2 "Follow me, ladies. We'll find somewhere quiet to wait." fbi2 "Here. This room will do." scene 12_02_024 fbi2 "Sorry it isn't more comfortable. Help yourself to a coffee." fbi2 "Hopefully [fbi] won't take too long and then you'll be able to go home." scene 12_02_028 mom "Are you okay, [yd]?" mom "Do you want me to get you a drink?" scene 12_02_032 yd "Do we have to stay here, Mom? I want to go home." yd "And where's [pl]? I'm worried about him." scene 12_02_036 mom "I'm sorry, sweetheart, but we can't go home yet." mom "I don't know where [pl] is. I'm going to go and find him now." scene 12_02_044 mom "[yd], I want you to stay here with [fbi2] while I help [pl]." mom "Will you be okay if I leave you?" scene 12_02_048 yd "But I want to help [pl] too, Mom." yd "Can't I come with you?" scene 12_02_052 mom "No, [yd]. There's nothing you can do to help him." mom "I need you to stay with [fbi2]." scene 12_02_056 mom "Don't worry, sweetheart." mom "Everything's going to be alright." scene 12_02_100 law "[mom], I've found you at last!" law "I got here as fast as I could." scene 12_02_104 law "I apologize for being dismissive on the phone." law "What's going on? What kind of trouble are you in?" scene 12_02_108 mom "[yd], do you think you can give us a minute? I need to talk to [law], my lawyer." mom "Maybe [fbi2] could take you to find a vending machine to get a soda or something." yd "Okay, Mom. Just help [pl]!" scene 12_02_112 law "What's happened, [mom]? Is your daughter in trouble?" mom "I'm sorry, [law], but there isn't time to explain everything." scene 12_02_116 mom "It's my bodyguard. He killed a police detective." mom "The FBI are here, and...I don't really know what's going on, but we have to stall the police." scene 12_02_120 law "He killed a detective? And you want to obstruct the police? [mom], have you thought this through?" law "As your lawyer, my advice would be for you to distance yourself from this as quickly as possible." scene 12_02_124 mom "What?! I'm not going to do that!" mom "[pl] needs me!" scene 12_02_128 law "But you need to think about your career. The publicity could be terrible." law "And, frankly, this isn't the kind of thing I want to be involved in." scene 12_02_132 mom "I don't care about my fucking career, or yours! He risked his life to save my daughter!!" mom "And now his life might be in danger! I'm not going to abandon him!!" scene 12_02_136 mom "JUST FUCKING DO SOMETHING!" mom "GO AND HELP HIM!" scene 12_02_166 with fade cop "{i}(Shit. I need to call him.){/i}" cop "{i}(He's going to want to hear about this, but he's not going to like it.){/i}" scene 12_02_170 cop "Hello, Mr Wolff. We've got a problem." cop "Carter's dead. [mom] Lloyd's bodyguard killed him. They're both here at the station now." scene 12_02_174 har "What?! That incompetent bastard let himself be killed!" har "I want them both to disappear! Do you hear me?" scene 12_02_176 cop "Mr Wolff, that's not going to be possible. It's too risky." cop "The woman isn't under arrest and the FBI are here." cop "We might be able to get the bodyguard out of the station, but not both of them." scene 12_02_178 har "You useless cunt! Just get rid of him then." har "We'll take care of her later. She'll be more vulnerable with him out of the way." scene 12_02_200 with fade law "Hold on just a minute. Where do you think you're taking my client?" law "You can't take him anywhere until I've had a chance to speak with him." scene 12_02_204 law "And you'll have to leave us." law "I need to speak to him alone." scene 12_02_208 pl "{i}(What is [mom] up to?){/i}" pl "{i}(Is this guy her lawyer? He looks expensive.){/i}" scene 12_02_212 cop "This bastard just murdered a police detective. A friend of mine!" cop "You're just going to have to wait your turn if you want to talk to him. So get the fuck out of my way!" scene 12_02_216 mom "You're not taking him anywhere!" mom "Do you know who I am? One phone call and I can have the TV news here." scene 12_02_220 cop "I know who you are, Miss Lloyd. There's no need for you to call anyone." cop "We're just going to transfer him to a different station...for his own safety." scene 12_02_224 mom "What station? I'm not moving until you tell me where you're really taking him." mom "And don't even think about putting your hands on me unless you want to lose your job!" scene 12_02_240 with fade fbi "Are you sure you're the Chief of Police? I thought you'd be taller." chi "Fuck you, bitch!" scene 12_02_242 chi "You can't protect him forever. That bastard's going to pay for what he's done." chi "Carter was a personal friend of mine." scene 12_02_244 fbi "You should probably keep that kind of information to yourself." fbi "I know what a corrupt piece of shit [det] was." scene 12_02_250 mom "He was protecting my daughter. He's done nothing wrong!" mom "What are you charging him with?" fbi "It's okay, [mom]. I'll take it from here." scene 12_02_252 chi "Uncuff him, and everybody get out!" cop "What?! What's going on, Chief?" scene 12_02_254 chi "This has now become part of a wider FBI investigation. They're taking over." chi "We've been ordered to hand him over to them." scene 12_02_255 of1 "What?! This is bullshit! They can't do this, Chief!!" of2 "Fuck them! This bastard killed a cop!!" scene 12_02_256 chi "Look, I don't like this any more than you do, but we have our orders." chi "Now everybody get out!" scene 12_02_264 with fade fbi "[mom], thank you. I'm sorry I dropped that on you, but you've done an incredible job." fbi "You might have just saved [pl]'s life." scene 12_02_268 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "Go and look after your daughter. I just need to speak to [pl] for a minute." fbi "When I've finished I'll get [fbi2] to take you home." scene 12_02_258 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "[fbi], am I glad to see you. Thank you!" fbi "It's not me you should be thanking. It's [mom]. She really came through for you." scene 12_02_259 fbi "[pl], I have a lot to do, but I need to talk to you quickly. And I owe you an apology." fbi "Let's sit down for a minute." scene 12_02_320 with fade fbi "We've been quietly working on this case for months." fbi "Over the past couple of weeks I approached you and a few others to make my presence known." fbi "I was hoping that someone would panic and make a mistake, or try to make a deal with us." scene 12_02_334 fbi "I don't know why [det] attacked [mom]'s daughter tonight, but I feel it was the mistake I'd hoped for." fbi "[pl], I feel responsible for what happened." fbi "I'm sorry. I never imagined it would place someone in danger." scene 12_02_332 pl "There's no need to apologize. It's not your fault." pl "Actually, I'm glad that the threat to [yd] was finally revealed. It meant I could take care of it...decisively." scene 12_02_340 fbi "Unfortunately, I have a feeling [det] wasn't the only threat you have to worry about." fbi "I believe [mom] knows about the things that go on in Hillside and can assist me in my investigation." fbi "If she does know something, then she's in danger too. But I'll do what I can to protect her and her family." scene 12_02_348 fbi "And I have some news that I wanted to share with her, but I don't think now is a good time." fbi "Maybe you could tell her once you're all safely back at home?" scene 12_02_330 pl "Okay, but I'm not sure she wants to talk to me right now. She looked at me like I was a murderer." pl "What's the news?" scene 12_02_320 fbi "They found [zak] Prince's body near to his car. He'd been stabbed to death." scene 12_02_344 pl "Shit! [mom]'s definitely not going to react well to that news." scene 12_02_348 fbi "They also found a young man in the trunk of Carter's car. He was still alive, thankfully." scene 12_02_360 with dissolve fbi "From what he said, it sounds like he's friends with [yd] at college." pl "Really? When Carter called [mom], he told her that he'd arrested [yd]'s stalker." pl "He said it was a boy from college. Could it be him?" scene 12_02_340 with dissolve fbi "It sounds like it could be. We think Carter was planning to frame him for the death of [zak], and maybe [yd]." fbi "[pl], the death of [zak] Prince is going to be big news." scene 12_02_348 fbi "If the press find out he was on a date with [mom] Lloyd's daughter, then it gets bigger." fbi "If they find out that the killer was a corrupt police detective, then this becomes huge." fbi "Fortunately, everybody is keen to avoid that kind of negative publicity." scene 12_02_320 fbi "We can't hide Carter's identity forever, but we should be able to keep [yd]'s name out of it." pl "I hope so. She won't be able to deal with that kind of media attention." scene 12_02_380 fbi "Okay, [pl]. [fbi2] will take you all home." fbi "Tell [mom] I'll come to the house tomorrow. I need to interview her and her daughter about the attack." scene 12_02_384 pl "Thank you, [fbi]." fbi "And we're going to need to talk too. I want to know about Carter, and I'm also interested in one of your former clients." scene 12_02_380 pl "[jas]?" fbi "Good guess. You obviously know something about him then. I'll be interested to hear what it is." scene 12_02_400 with fade cop "What the hell's going on? Why did you just let that manly bitch take him like that?!" chi "There's nothing I can do. They've placed the whole station under investigation." scene 12_02_404 cop "But what are we going to do about that fucking bodyguard?" cop "That bastard killed Carter! Doesn't that mean anything to you?!" scene 12_02_408 chi "Fuck Carter! He stabbed a young actor to death for fuck's sake!!" chi "Just wait until the media start digging into this and find out that the FBI are investigating everyone." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_02_412 chi "You don't seem to understand. You need to forget about Carter and start worrying about yourself!" chi "They're coming for all of us now! We're all fucked!!" # 04 ARRIVE BACK HOME show black with fade scene 12_05_060 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "It feels good to be back home, doesn't it, sweetheart." mom "You're safe now, [yd]. Nobody can hurt you." scene 12_05_064 play sound "audio/door_lock_01.ogg" mom "Why don't you go and have a shower and change out of those clothes." mom "I'm sure you'll feel a lot better." scene 12_05_068 yd "I don't want to have a shower, Mom. I don't want to be alone." yd "I'll just go and get changed, then maybe we can cuddle on the sofa?" scene 12_05_069 mom "Of course, sweetheart. Whatever you want." scene 12_05_072 mom "{i}(My poor baby. How is this going to affect her?){/i}" pl "{i}(I saved [yd], but at what cost? [mom] is not happy with what I did...){/i}" scene 12_05_080 pl "Do you think [yd]'s going to be okay? She doesn't seem too traumatized by what happened." mom "Because I made sure she didn't watch you kill someone!" scene 12_05_088 pl "[mom], I'm sorry about what happened. I just did what I thought was right." pl "I did what I thought was best for [yd]." scene 12_05_084 mom "Killing a policeman is what you thought was best for [yd]?!" mom "Really?!" scene 12_05_092 mom "Go and change your shirt. You've got blood all over you." mom "And put a long-sleeved shirt on. I don't want [yd] to keep seeing that cut on your arm." scene 12_05_096 pl "Of course, [mom]." pl "{i}(Shit. She's really angry with me. What have I done?){/i}" scene 12_05_120 with fade mom "{i}(I can't believe this has happened. I can't believe I watched him kill someone.){/i}" mom "{i}(And it was so easy. It definitely wasn't the first time he's done that. How many other people has he killed?){/i}" scene 12_05_124 mom "{i}(This feels like when he first moved in, when I was afraid to be near him.){/i}" mom "{i}(I was starting to feel comfortable around him, but now...I don't know how I feel.){/i}" scene 12_05_140 pl "[mom], there's something I need to tell you. Something [fbi] told me." pl "Now probably isn't the right time, but..." scene 12_05_144 mom "I don't want to talk to you right now, [pl]." mom "It will have to wait." scene 12_05_148 pl "[mom], please. It's important." pl "We need to figure out how we're going to tell [yd]." scene 12_05_152 mom "I said not now." mom "Can't you just leave me alone?" scene 12_05_156 pl "[mom], they found [zak]'s body." pl "He'd been stabbed to death." scene 12_05_160 mom "What?!" scene 12_05_164 pl "And [det] had another of [yd]'s college friends locked in the trunk of his car." pl "If [yd] had stayed with [zak]...well, who knows what might've happened." scene 12_05_172 mom "I can't believe that this keeps getting worse! I didn't think he would have actually hurt [yd]..." mom "I feel sick. I can't handle this!" scene 12_05_168 pl "[mom], let me call [aunt]. You need her here." scene 12_05_172 mom "No! I don't want to wake her up and have her rush over here at this time of the morning." mom "I'll be fine. I just need a drink." scene 12_05_220 with fade mom "{i}([zak]'s dead. That could have been [yd]. I could've lost her!){/i}" mom "{i}(I can't even think about it...){/i}" scene 12_05_224 mom "{i}(What if [pl] hadn't gotten there in time?){/i}" mom "{i}(What would've happened if he hadn't killed [det]?){/i}" scene 12_05_228 mom "{i}(But he did kill him!){/i}" mom "{i}(How can I let him stay in the house now?){/i}" scene 12_05_232 mom "{i}(And what the hell was I doing confronting the police?!){/i}" mom "{i}(I can't believe I threatened them and shouted at them like that!){/i}" scene 12_05_236 mom "{i}(I need [yd]. I need to hold her.){/i}" mom "{i}(But what about [pl]? I don't want to be near him right now.){/i}" mom "{i}(I'll tell him to go to his room.){/i}" scene 12_05_300 with fade pl "{i}([mom] isn't going to like this.){/i}" pl "{i}(But what can I do? I can't tell [yd] to stop cuddling me.){/i}" scene 12_05_304 mom "Sweetheart, are you okay? Do you want to come and cuddle with me?" yd "I'm okay, Mom." scene 12_05_312 mom "Alright then." mom "Well...I'm here if you need me, sweetheart." scene 12_05_320 pl "I'm sorry, [mom]. She just came and sat next to me." pl "[yd], I think your mother needs a cuddle." scene 12_05_316 mom "It's okay. She can stay there if she wants..." scene 12_05_318 pl "{i}([mom] needs [yd], or she's going to empty that bottle!){/i}" pl "{i}(But what can I do? I feel stuck between them.){/i}" pl "[mom], maybe we should all just go to bed." scene 12_05_324 pl "I'm sure things will feel better in the morning." mom "What? Oh...you're probably right." mom "Sweetheart...are you ready for bed?" scene 12_05_338 mom "Come on...let's get you tucked in and try to get some sleep." mom "{i}(Sleep? How am I ever going to get any sleep tonight?!){/i}" scene 12_05_340 pl "{i}(I've really fucked things up with [mom]. She doesn't understand why I did what I did.){/i}" pl "{i}(But I can't believe how she fought for me at the police station. Why did she do that?){/i}" scene 12_05_344 pl "{i}(Without her and [fbi] I'd probably be laying next to Carter in the morgue right now.){/i}" pl "{i}(They really saved my ass.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_05_348 pl "{i}(It's lucky that [fbi] was close by tonight.){/i}" pl "{i}(I just hope I haven't fucked things up for her by killing Carter.){/i}" # 06 EMMA NIGHTMARE show black with fade scene 12_06_100 with fade play sound "audio/door_open.ogg" #KoGa3 START# $ KoGa3CurrentMusic=MusicHome2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "[pl]?" yd "[pl], please wake up. I think there's something wrong with Mom!" scene 12_06_102 pl "[yd]? What's wrong, sweetheart?" pl "Is everything okay?" scene 12_06_104 yd "I was having nightmares, so I went to sleep with Mom..." yd "But I can't wake her up!" pl "What? Okay. I'm coming." scene 12_06_110 with fade yd "Hurry, [pl]!" pl "I'm right behind you, sweetheart." scene 12_06_112 pl "Don't worry. I'm sure she's just had a little too much to drink." pl "{i}(I hope that's all it is!){/i}" scene 12_06_200 pl "{i}(Damn. I can't check her over like that. We need to cover her up.){/i}" pl "{i}(She's upset enough with me already.){/i}" scene 12_06_202 pl "[mom], wake up." pl "[mom], it's [pl]. Are you okay?" scene 12_06_203 pl "{i}(She had a few drinks, but I didn't think she'd had that many.){/i}" scene 12_06_204 pl "{i}(She looks okay, but I need to make sure.){/i}" pl "{i}(And we can't leave her lying in this position if she's drunk.){/i}" scene 12_06_206 pl "{i}(Wait. What are those?){/i}" yd "What's wrong with her, [pl]? Why won't she wake up?" scene 12_06_207 pl "{i}(Just sleeping tablets.){/i}" pl "{i}(The bottle is still full. She must have just taken a couple to help her sleep.){/i}" scene 12_06_210 yd "Is she going to be okay?" pl "She's going to be fine, sweetheart. Your mother's just taken some sedatives to help her sleep." scene 12_06_212 pl "But she shouldn't have taken them with alcohol. It can increase their effect, and that's why we can't wake her." pl "You need to help me roll her over onto her back so I can check that she's okay." scene 12_06_213 pl "Before we do that, though, you need to put a top on her for me." pl "Can you do that for me?" scene 12_06_210 yd "Yes. What kind of top?" pl "Anything, sweetheart. Just so she isn't exposed." pl "I'll wait outside. Shout me when you're done." scene 12_06_216 with fade pl "{i}(Sedatives. How long has [mom] been taking them?){/i}" pl "{i}(It's no surprise really. She's had a lot to deal with.){/i}" pl "{i}(Maybe things will get better for her now she doesn't have to worry about [yd].){/i}" yd "[pl]!" scene 12_06_220 yd "I put a top on Mom like you told me to." yd "Can we make sure she's okay now?" scene 12_06_240 pl "Yes, sweetheart." pl "Help me roll her onto her back so I can check that she's breathing okay." pl "Then we'll need to put her on her side in a recovery position so it's safe to leave her." scene 12_06_250 pl "Are you ready, [yd]?" yd "Yes." pl "Okay...roll." scene 12_06_260 pl "{i}(I should have told [yd] to put more clothes on [mom]!){/i}" yd "Now what do we do, [pl]?" yd "[pl]!" scene 12_06_266 pl "What? Sorry." pl "I'll just check her breathing..." scene 12_06_270 pl "She's breathing okay, [yd]. I think she's fine." pl "We'll put her on her side and leave her to sleep." scene 12_06_300 with fade yd "[pl], I don't want to be alone. I keep having a horrible nightmare." yd "That man is chasing me. I'm afraid he's going to catch me and hurt me!" scene 12_06_304 yd "I was going to sleep with Mom, but I can't now." yd "Can I sleep with you?" scene 12_06_308 pl "What?! No!" pl "[yd], it's not appropriate. I'm sorry, sweetheart." scene 12_06_316 yd "But, I keep seeing that man..." yd "It's so dark, and he's chasing me with his knife, [pl]!" scene 12_06_317 yd "I'm scared." yd "{i}(Why did Mom have to get so drunk. I need her!){/i}" scene 12_06_312 pl "Please don't cry, sweetheart." pl "{i}(What am I going to do? I can't bear to see her crying.){/i}" scene 12_06_320 yd "I'm sorry, [pl]. I was looking forward to tonight so much." yd "I can't believe how it turned out. It couldn't have gone any worse!" scene 12_06_326 pl "{i}(Poor [yd]. She's not even exaggerating. How could it have gone any worse for her?!){/i}" pl "{i}(But I can't let her sleep with me...can I?){/i}" scene 12_06_324 pl "I'm sorry, [yd], but I can't let you sleep with me." pl "What if I come and sit with you until you fall asleep. How about that?" scene 12_06_328 yd "But I'm going to have nightmares again, [pl]. I don't want to be alone." yd "Can't I sleep with you? Please, [pl]." scene 12_06_324 pl "Can you just try this for me, sweetheart?" pl "If you have another nightmare then you can come and sleep with me." scene 12_06_328 yd "Okay. I'll try." yd "Knowing that you're there protecting me might help." scene 12_06_330 with fade yd "Promise you won't leave me, [pl]?" pl "I promise that I'll stay here until you're asleep, sweetheart." scene 12_06_334 yd "Are you going to watch me fall asleep?" yd "It feels funny knowing you'll be there looking at me." scene 12_06_337 pl "Yes. I'm going to watch you, but only if you're actually going to go to sleep." pl "Otherwise there's no point in me staying, so close your eyes." scene 12_06_335 yd "Okay! I closed my eyes. I'm going to sleep now, [pl]." yd "Good night." scene 12_06_336 pl "Good night, [yd]." pl "Sweet dreams." show black with fade scene 12_06_338 with fade pl "{i}(I could sit and watch her all night.){/i}" pl "{i}(She's so pretty, and looks so peaceful.){/i}" scene 12_06_336 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "{i}(I really don't want to leave her in case she wakes up again, but I can't stay here all night.){/i}" pl "{i}(Maybe I should have just let her sleep with me.){/i}" show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious7a if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 5.0 fadeout 0.5 loop #KoGa3 END# scene 12_06_339 with fade yd "{i}(Someone's there...){/i}" yd "{i}(Who is he? Why is he following me?){/i}" scene 12_06_340 yd "[pl], I'm scared!" yd "He's right behind me!" scene 12_06_342 yd "I can't get out!" yd "Help me! I'm trapped!!" scene 12_06_344 yd "What do you want? I didn't do anything!" yd "Please don't hurt me!" scene 12_06_346 det "Oh, I'm going to hurt you, [yd]." det "I'm going to hurt you real bad..." scene 12_06_350 with vpunch yd "[name!u]!" yd "[pl]! He got me!!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_06_354 yd "{i}(Where's [pl]? He said he was going to stay with me!){/i}" yd "{i}(I don't want to sleep on my own. He has to let me sleep with him.){/i}" scene 12_06_358 play sound "audio/door_open.ogg" #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 5.0 fadeout 0.5 loop #KoGa3 END# yd "[pl], are you awake?" yd "I need you!" scene 12_06_366 pl "[yd]? Are you okay?" pl "Did you have another nightmare?" scene 12_06_362 yd "Yes! I had the same dream again. But this time..." yd "This time you didn't come to save me. He got me with his knife!" yd "I don't want to sleep alone, [pl]." scene 12_06_368 pl "{i}(She's shaking! I shouldn't have left her alone.){/i}" pl "{i}(This is all too much for her.){/i}" scene 12_06_370 pl "Okay, sweetheart. You can sleep with me tonight." pl "But you mustn't tell anyone. We have to keep it a secret." scene 12_06_374 yd "Thank you, [pl]. I promise I won't tell anyone." pl "Come on then. Let's try to get some sleep." scene 12_06_377 with fade yd "{i}(I don't want to go to sleep. I'll see that man again.){/i}" yd "{i}(I just want a cuddle.){/i}" scene 12_06_380 pl "{i}(Is this a good idea? What will [od] do to me if she ever discovers I slept with her sister in HER bed!){/i}" pl "{i}(I'd better pray she never finds out.){/i}" scene 12_06_379 yd "[pl], I don't feel sleepy. Can we talk for a while?" pl "Okay, sweetheart. But not for too long. You need to sleep." pl "What would you like to talk about?" scene 12_06_382 pl "{i}(When should I tell her about [zak]?){/i}" pl "{i}(It's too soon yet, but she needs to know before she finds out about it from somewhere else.){/i}" scene 12_06_386 yd "Why did Mom drink so much tonight? I need her." yd "I feel like she doesn't care about me." scene 12_06_384 pl "Sweetheart, please don't think bad of your mother." pl "Her worst nightmare came true tonight. She's traumatized by what happened to you." pl "And there are things you don't know. Things that make it worse for her." scene 12_06_386 yd "{i}(What is [pl] talking about? Did something happen to Mom?){/i}" yd "What things? What don't I know?" scene 12_06_384 pl "I'm sorry, [yd]. It's not for me to tell you." pl "We should try and get some sleep now, sweetheart." # SATURDAY ################################################################################ show black with fade scene 12_09_004 with fade pl "{i}(She didn't wake me up again, and I didn't hear her making any noise.){/i}" pl "{i}(I hope that means she didn't have any more nightmares.){/i}" scene 12_09_008 pl "Sweetheart. Are you awake?" pl "You need to go back to your own bed before your mother wakes up." scene 12_09_010 yd "Do I have to, [pl]? Your bed's so big and comfortable." yd "Just five more minutes..." scene 12_09_014 pl "Did you sleep okay?" pl "You didn't have any more nightmares, did you?" scene 12_09_016 yd "No. I slept really well. Thank you." yd "You make me feel safe, [pl]. I know nobody can hurt me when I'm with you." scene 12_09_014 pl "I'm happy you feel safe, [yd]." pl "Okay, your five minutes are up. You'd better go back to your bed and I'll go and see if your mother is awake." # MC CHECKS ON CHARLOTTE scene 12_09_028 with fade pl "{i}(I can't stop thinking about the fear in [mom]'s eyes when she looked at me last night.){/i}" pl "{i}(It's taken months just for her to trust me enough so that she can relax around me.){/i}" scene 12_09_032 pl "{i}(I'm not sure I'm ever going to be able to gain that back now.){/i}" pl "{i}(What kind of state is she going to be in this morning?){/i}" scene 12_09_036 pl "[mom], are you awake?" pl "{i}(Looks like she's still sleeping?){/i}" scene 12_09_040 pl "{i}(Did [yd] really have to choose such a tight top?){/i}" pl "{i}(I don't want to go near her when we're alone and she's dressed like this.){/i}" scene 12_09_044 pl "{i}(I'd better call [aunt] and let her know what's happened. She'll know what to do with [mom].){/i}" pl "{i}(And [mom] needs her, so does [yd]. In fact, I think we all need [aunt] right now.){/i}" # MC CALLS LUCY scene 12_09_090 play sound "audio/phone01.ogg" "*PHONE RINGING*" aunt "{i}(Ugh! What's that...is it time to get up already?){/i}" scene 12_09_092 aunt "{i}(Oh, it's my phone.){/i}" aunt "{i}(Who's calling this early in the morning?){/i}" scene 12_09_100 aunt "[pl]? Do you know what time it is!" aunt "Is everything okay?" scene 12_09_048 pl "I'm sorry to call so early, [aunt]. I hope I didn't wake you." pl "But, no. Everything isn't okay." scene 12_09_052 pl "[aunt], something's happened." pl "You need to get over here as soon as possible." scene 12_09_108 aunt "What?! Why? What's happened?" pl "I can't tell you over the phone, [aunt]. Everybody's okay, but we need you." scene 12_09_112 aunt "[pl], you're scaring me." aunt "Tell me what's going on!" scene 12_09_052 pl "Please just get here as soon as you can, [aunt]." pl "But drive safely." scene 12_09_056 pl "{i}(I'd better get out of here in case [mom] wakes up to find me standing over her.){/i}" pl "{i}(I'll go and wait for [aunt].){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 1.0 #KoGa3 END# scene 12_09_190 with fade play sound "audio/motorcycle_accelerate.ogg" aunt "{i}(How the hell does he expect me to drive safely?){/i}" #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 5.0 fadeout 0.5 loop #KoGa3 END# aunt "{i}(What's happened? So many awful possibilities going through my mind.){/i}" aunt "{i}(None of them good!){/i}" scene 12_09_200 with fade play sound "audio/motorcycle_off.ogg" pl "[aunt], I'm glad you're here." pl "I'm sorry for calling you like that. I hope I didn't scare you." scene 12_09_210 aunt "Of course you scared me, you big dope! What the hell's going on, [pl]?!" aunt "You'd better tell me right now, or I swear to God I'm going to punch you!" scene 12_09_214 pl "[aunt]..." pl "[yd] was attacked last night." scene 12_09_228 aunt "WHAT?!" aunt "Oh, God! Is she okay?" scene 12_09_220 pl "Yes, she's okay. She wasn't hurt, but it shook her up." pl "Thankfully, we got there in time to save her." scene 12_09_216 aunt "I can't believe this." aunt "What happened? Who attacked her? Is she hurt?" scene 12_09_230 # holds Lucy pl "[mom] will tell you everything, but I'm worried about her, [aunt]." pl "She took some sedatives last night and we couldn't wake her up. It scared [yd]." scene 12_09_228 aunt "She did what?!" scene 12_09_224 aunt "{i}(How could she do that? She knew [yd] needed her!){/i}" scene 12_09_228 aunt "Don't worry. I'll sort her out!" scene 12_09_234 pl "[aunt], don't be hard on her." pl "She was traumatized. It must have brought back memories of her own attack." aunt "Okay. I'll check on [yd] first. Then I'll go and get my sister out of bed." scene 12_09_300 aunt "[yd], are you awake?" aunt "It's Aunt [aunt]." scene 12_09_304 aunt "{i}(She's fast asleep. That has be a good sign.){/i}" aunt "{i}(She looks fine. I just hope it hasn't affected her too badly.){/i}" scene 12_09_306 aunt "Hey, sleepyhead. Time to wake up." aunt "I'll bet someone needs a cuddle." scene 12_09_308 yd "Aunt [aunt]?" scene 12_09_310 aunt "Are you okay, sweetie?" yd "{i}(It feels so good to see Aunt [aunt]. She always makes me feel better.){/i}" scene 12_09_312 yd "What are you doing here?" aunt "I had a vivid dream that you needed me, so I jumped out of bed and raced over here to see you!" scene 12_09_314 yd "Really? That's amazing!" scene 12_09_318 aunt "It would be if I wasn't joking, sweetie. I'm sorry." aunt "[pl] called me and told me you needed me. But I did race over here as fast as I could." scene 12_09_330 aunt "How are you feeling?" aunt "I hear you couldn't wake your mother last night?" scene 12_09_316 yd "No. She took some pills. It was scary, Aunt [aunt]!" yd "I was having nightmares and needed her. I wanted to sleep in her bed." scene 12_09_330 aunt "So what happened?" aunt "Did you sleep with your mother?" scene 12_09_316 yd "No. [pl] came and sat with me until I fell asleep, but I had more nightmares." yd "So I went and slept...err, I mean...I slept with Mr Snuggles." scene 12_09_318 aunt "Your teddy bear?" aunt "I didn't know you still had that old thing." scene 12_09_314 yd "Yes, that's right. My old teddy bear." yd "I slept with him." scene 12_09_332 aunt "{i}(I'd better go and make sure Charlie is okay, and find out what happened.){/i}" aunt "{i}(Why the hell didn't she call me?!){/i}" # LUCY SHOWERS WITH CHARLOTTE scene 12_09_500 with fade aunt "{i}([yd] seemed okay, but [pl]'s right to be worried about [mom].){/i}" aunt "{i}(She must have been in a bad way to not have been there for [yd].){/i}" scene 12_09_504 aunt "{i}(It's no wonder, though. If [yd] was attacked then she would have been traumatized.){/i}" aunt "{i}(I can't imagine what it must have been like for her.){/i}" scene 12_09_508 aunt "{i}(Why do these things keep happening to [mom]?){/i}" aunt "{i}(I wish I could lay with her and hold her...){/i}" scene 12_09_520 aunt "{i}(But I need to get her up and functioning.){/i}" aunt "{i}([yd] needs her mother.){/i}" scene 12_09_521 aunt "[mom], it's time to wake up." aunt "Come on. Get up!" scene 12_09_522 mom "Go away, [aunt]..." mom "I'm trying to sleep." scene 12_09_524 aunt "[mom] Lloyd, you need to wake up and tell me what happened last night!" aunt "And you need to do it right now, or you'll be sorry!" mom "Go away, [aunt]!" scene 12_09_530 aunt "You've got five seconds, [mom]. 5...4...3..." aunt "I'm not joking, Charlie!" scene 12_09_550 aunt "That's it. Time's up!" aunt "If you're not going to wake up by yourself then I'll have to wake you up." scene 12_09_554 aunt "A nice cold shower should do it." aunt "Nearly there, [mom]. Let me take your top off. We don't want it getting wet..." scene 12_09_556 mom "[aunt]? What are you doing here?" mom "Where are we going?" scene 12_09_558 aunt "Don't you remember? You said you wanted a shower and asked me to help you." aunt "Nice and cold you said. Just how you like it." # KITCHEN BREAKFAST scene 12_10_040 with fade pl "{i}(What happened last night? Why the hell did Carter attack [yd]?){/i}" pl "{i}(Doesn't matter right now. He's dead!){/i}" scene 12_10_042 pl "{i}(I need to take care of [mom] and [yd].){/i}" scene 12_10_043 mom "[name_aunt!u]!" pl "{i}(What is [aunt] doing to her?){/i}" pl "{i}(Whatever it is, [mom]'s awake so it seems to be working.){/i}" scene 12_10_044 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "{i}(All that shouting will wake [yd] up, so she'll be here soon.){/i}" pl "{i}(I'll get her breakfast ready and try to cheer her up.){/i}" scene 12_10_048 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "There you are, [pl]! I've been looking for you." yd "I wanted to give you a hug." scene 12_10_050 pl "A hug? What a great start to my day. Thank you, sweetheart." pl "How are you feeling?" scene 12_10_055 yd "Better now that I've found you." yd "Thank you for letting me sleep in your bed last night." scene 12_10_054 pl "Shhhh, sweetheart. Don't say that out loud." pl "Remember, we have to keep it a secret." scene 12_10_058 yd "Oh, right. I forgot." yd "Sorry, [pl]. I didn't mean to get you into trouble." scene 12_10_066 pl "It's alright, sweetheart, but we can't let your mother know." pl "She probably wouldn't be happy about it." scene 12_10_070 yd "Then she shouldn't have gotten drunk! Then I could have slept with her instead!" yd "How is Mom? Is she okay? I heard her shouting." scene 12_10_060 pl "She's fine. Or she was until your Aunt [aunt] arrived!" pl "Are you sure you're okay, [yd]? It was a traumatic night for all of us." scene 12_10_061 yd "I'm okay, but it was scary, [pl]." yd "I think another hug would help me cope." scene 12_10_062 pl "Well, I don't normally just give them away, but...anything for you." pl "Are you hungry? I was just getting your breakfast ready." scene 12_10_063 yd "Thank you, but I don't feel very hungry." yd "I'll try to eat something, though. Mom will tell me off if I don't." #LUCY AND MOM SHOWER CONTINUES scene 12_09_562 with fade play ambient "audio/shower_loop.ogg" mom "It's so cold! Turn it off! Turn it off! " mom "What the hell are you doing, [aunt]?!" scene 12_09_582 aunt "What the hell am I doing? What the hell are you doing?!" aunt "Why didn't you call me last night, [mom]? What happened?" scene 12_09_570 mom "Last night? What are you talking about?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 2.0 #KoGa3 END# mom "Why would I call you..." show black scene 12_09_563 with dissolve mom "Oh God!" mom "[yd]!" scene 12_09_564 with dissolve #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "[yd] was attacked..." mom "...her date was stabbed to death!" scene 12_09_566 mom "[pl]..." mom "[pl], killed him!" scene 12_09_574 aunt "What?! Who attacked [yd]?" aunt "Who was killed?" scene 12_09_578 mom "[aunt], [pl] killed someone!" mom "I watched him...I can't believe it..." scene 12_09_582 aunt "[mom], you need to tell me what happened." aunt "You need to tell me everything!" stop ambient scene 12_10_074 with fade yd "Are you going to be with me when I have to talk to the FBI, [pl]?" pl "I don't know, sweetheart. It's up to [fbi] and your mother." scene 12_10_080 mom "Good morning, sweetheart." mom "How are you feeling? Did you sleep okay?" scene 12_10_084 yd "I didn't sleep as well as you." yd "I had horrible nightmares, Mom." scene 12_10_088 mom "Oh, sweetheart. Were you okay? Why didn't you come and sleep with me if you were scared?" yd "I tried, Mom!" scene 12_10_090 yd "I'm going to talk to Aunt [aunt]." yd "Excuse me." scene 12_10_092 pl "{i}(This isn't good. [yd]'s upset with [mom].){/i}" pl "{i}(They need each other right now. I need to try and sort things out between them.){/i}" # MC TALKS TO CHARLOTTE scene 12_10_100 pl "How are you feeling this morning, [mom]." mom "[yd] seemed angry with me. Did something happen?" scene 12_10_116 pl "[mom], I'm sorry, but she's upset with you." scene 12_10_108 mom "With me?! Why?" mom "What did I do?" scene 12_10_105 pl "She was having nightmares last night and wanted to sleep with you." pl "But she couldn't wake you. It worried her." scene 12_10_112 mom "What? She couldn't wake me up?" mom "{i}(Oh no. I took a couple of pills to help me sleep. I never thought...){/i}" scene 12_10_100 pl "It's okay. She woke me and made me check on you to make sure you were okay." pl "Then I sat with her until she fell asleep." scene 12_10_105 pl "[mom], she doesn't know how traumatic last night was for you." pl "She doesn't understand why it affected you so much." scene 12_10_116 pl "She needed you, but you were unconscious. She felt hurt because you weren't there for her." scene 12_10_124 mom "Oh no. No wonder she's angry with me." scene 12_10_120 pl "I know you don't want to, but I think you should tell her about your attack." pl "She would understand and forgive you. I think it would bring you closer together." scene 12_10_113 mom "No! I can't tell her." mom "She was just attacked herself. It isn't the right time." scene 12_10_116 pl "There's no point trying to shelter her any longer, [mom]." pl "I think it's time for you to stop holding her so tightly." scene 12_10_108 mom "I know you're right, [pl], but I can't tell her." mom "And after last night, I want to hold her even more tightly." scene 12_10_106 pl "{i}(I can't push this now. [mom]'s in a fragile state and has too much to deal with.){/i}" pl "{i}(But she has to stop sheltering [yd] so much.){/i}" scene 12_10_114 mom "{i}(I need to talk to [fbi] about what happened and what he did.){/i}" mom "{i}(Was he justified in killing [det]?){/i}" scene 12_10_110 mom "[pl], I want you to take the morning off." mom "We don't need you here while we talk to [fbi]." scene 12_10_126 pl "It's okay, [mom]. I don't mind staying with you." mom "[pl], I don't want you here. Please, just go somewhere else." scene 12_10_106 pl "{i}(She doesn't want me here. What does that mean?){/i}" scene 12_10_105 pl "Okay. Well, I'll wait for [fbi] to arrive, then I'll make myself scarce." pl "if that's what you want..." # FBI ARRIVES scene 12_12_040 with fade pl "Good morning, [fbi]. It's good to see you." fbi "I wish I could say the same, but you look like shit!" fbi "I'm guessing you didn't get much sleep last night." scene 12_12_044 pl "No I didn't. I've killed men in combat before, but...this is different." pl "[fbi], am I going to be in trouble?" scene 12_12_048 fbi "Not legally. Not now we're in control of things and have the police department under investigation." fbi "Everybody has bigger things to worry about. They want the \"corrupt cop murders young actor\" story buried as fast as possible." scene 12_12_052 pl "That's good. I thought they might want revenge and come after me." pl "I was worried [mom] and [yd] might be left unguarded." scene 12_12_056 fbi "Well, don't let your guard down too quickly. I don't know what's going on yet, but it seems someone has it in for you." fbi "I don't know how high up the corruption reaches yet, but we're dealing with powerful and dangerous people. Be careful." scene 12_12_060 pl "I will. Thanks for the warning." pl "[mom] and [yd] are waiting for you in the lounge. Follow me." # FBI MEETS CHARLOTTE AND EMMA scene 12_12_062 pl "[mom], [fbi] is here." pl "{i}(I wish I could stay with [yd]. She was nervous about meeting the FBI.){/i}" scene 12_12_070 mom "Good morning, [fbi]. This is my daughter, [yd]." fbi "Hello, [yd]. It's a pleasure to meet you." fbi "I'm sorry about what happened to you last night. How are you feeling this morning?" scene 12_12_072 yd "Wow. You're so big. You're nearly as big as [pl]!" yd "And I'm feeling okay, thank you for asking." scene 12_12_076 mom "[pl], you can go." mom "We don't need you now." scene 12_12_074 pl "{i}(Well, that was pretty clear.){/i}" pl "{i}(When I first arrived she sent me to my room. Now she's sending me from the house.){/i}" scene 12_12_080 with fade fbi "And how are you feeling this morning, [mom]?" mom "I'm feeling okay too, but I think [yd] and I have both felt better." scene 12_12_090 mom "We're both a little nervous, and neither of us is looking forward to revisiting last night." mom "But we'll do our best." scene 12_12_094 fbi "I realize this is going to be difficult for you. I'll be as quick as I can." fbi "Why don't you start by describing to me the events of last night." scene 12_12_100 mom "Okay. Well, [yd] had arranged to go on a date with a boy named [zak] Prince." yd "It was my first date, so I was really nervous..." show black with fade # MC AND LUCY LEAVE ############################################################# scene 12_12_600 pl "{i}(I want to stay with them, but [mom] does not want me here. Where am I going to go?){/i}" #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"kay_choice_01\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "{i}(He'll make me regret it, but I need to talk to [ste]. Is it too early for a drink?){/i}" pl "{i}(And there's something I've been avoiding for a long time. I should go and do that now.){/i}" # PHONE KAYLAH #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# if kay_choice_01: scene 12_12_604 pl "{i}(But first, I should call [model] and see if she's free.){/i}" pl "{i}(She's understandably getting impatient with me.){/i}" scene 12_12_608 pl "Hi, [model]. I'm sorry to spring this on you, but I have some free time." pl "Are you busy? Can I come to see you?" scene 12_12_612 model "Well, this is a pleasant surprise. I was beginning to think that you didn't want to have sex with me!" model "Luckily, I am free, so why don't you come over. I promise I'll give you a warm welcome." scene 12_12_616 pl "Great. I have to stop somewhere first, but it won't take me long." pl "I'll see you soon!" else: scene 12_12_604 pl "{i}(But first, I should call [model]. I know [yd] would appreciate hearing from her.){/i}" pl "{i}(And she'd want to know about what happened.){/i}" scene 12_12_608 pl "Hi, [model]." pl "I hope I'm not disturbing you, but I have something important to tell you. It's about [yd]." scene 12_12_612 model "[pl], this is a pleasant surprise." model "But what about [yd]? Is everything okay?" scene 12_12_608 pl "[model], she was attacked last night while on her date." pl "But she's okay. She's fine. Just a little shaken up." scene 12_12_612 model "Oh my God! Seriously? I can't believe this." model "I'd better call her...is it okay if I give her a call?" scene 12_12_614 pl "I'm sure she'd love to hear from you, [model]." pl "But she's talking to someone at the minute, so maybe give it half an hour or so." model "Okay, [pl]. Thanks for letting me know. Bye." scene 12_12_620 aunt "Hey, handsome. Has she kicked you out too?" pl "Yes. She told me she doesn't want me here." scene 12_12_628 pl "[aunt], I'm worried. I don't think [mom] wants me here any longer." pl "And I don't mean just this morning. I think she wants me gone." scene 12_12_632 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"aunt_choice_01\"") #KoGa3End aunt "I don't think you need to worry, [pl]. She knows she needs you." aunt "I'll talk to her. I think she's just struggling to deal with everything that happened." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_01: scene 12_12_624 aunt "And how are you doing? Are you okay?" pl "I'm good. Just worried about where we all go from here." scene 12_12_632 aunt "Well, I was thinking. Seeing as you finally have some time off, maybe we could go to my place." aunt "What do you think, [pl]? Are you ready?" scene 12_12_628 pl "Okay, [aunt]. I think I've tested your patience long enough!" pl "It will be good." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_12_640 pl "I'll be there shortly, [aunt]. There's something I need to do first." aunt "Don't keep me waiting, [pl]. You've kept me waiting long enough already." else: scene 12_12_624 aunt "And how are you doing? Are you okay?" pl "I'm good, thanks, [aunt]. Just worried about where we all go from here." pl "Speaking of which, we'd better get going." scene 12_12_640 aunt "Bye, [pl]. Thanks for calling me, and don't worry about [mom]." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# aunt "She'll come around." pl "I hope so, [aunt]. I'll see you later." # MC VISITS EMMA'S GRAVE ###################################################### show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious16 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_13_040 with fade pl "{i}(Hi...I'm sorry I haven't been to see you before.){/i}" pl "{i}(I hate cemeteries. Too many friends buried before they'd had a chance to live.){/i}" scene 12_13_044 pl "{i}(And I'm sorry that I didn't come to the funeral.){/i}" pl "{i}(I blamed myself. I couldn't face seeing your family.){/i}" scene 12_13_048 pl "{i}(But now I know the truth...you were murdered!){/i}" pl "{i}(Why didn't you say something? Why didn't you tell me about the abuse?){/i}" scene 12_13_052 pl "{i}(Whenever I asked you about it, you always made excuses to protect him...){/i}" pl "{i}(I could've helped you. Why did you lie to me?){/i}" scene 12_13_058 pl "WHY?!" pl "Why would you do that?!" scene 12_13_059 pl "{i}(I don't understand. I was in love with you!){/i}" pl "{i}(You would have been safe with me. I could've taken you away.){/i}" scene 12_13_056 pl "{i}(One way or another, I'll make them pay for what they did to you.){/i}" pl "{i}(And to all the other women that these bastards have hurt, including [mom].){/i}" scene 12_13_060 pl "{i}(I don't care what it costs, or what they do to me.){/i}" scene 12_13_070 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"aunt_choice_01\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "{i}(Two years of my life wasted blaming myself, and feeling sorry for myself.){/i}" pl "{i}(No more. I'm not going to waste any more time...){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # LUCY RETURNS TO HER APARTMENT ########################################################### if aunt_choice_01: scene 12_16_100 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# aunt "{i}(I can't believe this is finally happening!){/i}" aunt "{i}(He's made me wait for this.){/i}" scene 12_16_104 aunt "{i}(I need to have a shower quickly before [pl] gets here.){/i}" aunt "{i}(And change into something sexier. He needs all the encouragement I can give him!){/i}" scene 12_16_108 aunt "{i}(But I need to ask him the question first.){/i}" aunt "{i}(What am I going to do if he changes his mind?){/i}" scene 12_16_114 aunt "{i}(He wouldn't do that. [pl] isn't like that...is he?){/i}" aunt "{i}(If he chooses her over me now, I don't know what I will do.){/i}" # MC VISITS KAYLAH - TELLS HER ABOUT EMMA ######################################################## if kay_choice_01: show black with fade scene 12_18_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(Next stop, [model]'s. I'm not sure how she's going to take the news about [yd].){/i}" pl "{i}(Maybe I should have told her about it on the phone?){/i}" scene 12_18_044 model "Well hello, [pl]. I've been waiting for you." pl "Good morning, [model]. You look...incredible." scene 12_18_048 model "Follow me, handsome." model "Let's not waste any more time." scene 12_18_054 pl "[model] there's something I need to tell you before we go any further." pl "Last night..." scene 12_18_060 model "Tell me later, [pl]. I've waited so long for this." model "I want you!" scene 12_18_064 pl "I'm sorry, [model], but it really can't wait." pl "I don't want to wait any longer either. Especially not with you dressed like that." scene 12_18_072 pl "You know that [yd] went on her big date last night." pl "[model], she was attacked." scene 12_18_078 model "What?! Oh my God. Is she okay?" model "Should I call her? I'll call her..." scene 12_18_076 pl "Don't worry. She wasn't hurt, but she's obviously shaken by what happened." pl "And I'm sure she'd love to hear from you." scene 12_18_080 model "[yd]? It's [model]. I just found out what happened." model "Are you alright?" #KoGa3 START# if not aunt_choice_01 and not kay_choice_01: $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# # FBI TALKS TO CHARLOTTE AND EMMA ####################################################### scene 12_12_140 yd "Hi, [model]." yd "I'm okay, thank you." scene 12_12_144 yd "Yes. I'm talking to the FBI!" scene 12_12_148 yd "It was horrible, but [pl] came to rescue me." scene 12_12_152 mom "Sweetheart, we mustn't keep [fbi] waiting." mom "She's a very busy lady." scene 12_12_154 yd "Sorry, [model]. I have to go." yd "Okay. Thank you for calling. I love you too." scene 12_12_092 yd "I'm sorry. That was my friend [model]." yd "She just found out about last night." scene 12_12_094 fbi "That's okay. It's good that you have people around you to talk to and support you." fbi "Now, I understand [pl] has been working for you for several months now." fbi "Was there a specific reason for hiring a bodyguard? Was someone threatening you, [mom]?" scene 12_12_100 mom "Oh. I...I wasn't expecting you to ask that." mom "I thought you just wanted to know about last night." scene 12_12_104 fbi "Last night is now part of a much wider investigation." fbi "I'm not sure how it all fits together yet, but we've had our sights on [det] for some time." scene 12_12_090 mom "I'm sorry, it's just that, well, I've tried to keep certain things hidden from my daughter." scene 12_12_200 yd "What things?" yd "I knew you were hiding something from me, Mom!" scene 12_12_204 mom "Sweetheart, I'm sorry. I didn't want you to worry. I was afraid it would affect your college work." mom "I guess it doesn't make a difference now." mom "But it's all over, [yd]. You don't have to worry about anything now." scene 12_12_197 mom "I hired [pl] to protect [yd] from a stalker." yd "What?!" scene 12_12_198 mom "Letters started arriving at the house. Sick letters addressed to my baby." mom "I knew and trusted [det], so I contacted him about it." scene 12_12_200 yd "I saw you with one of the letters!" yd "You tried to hide it from me in the kitchen, and then you spoke to a policeman on the phone." scene 12_12_080 fbi "You already knew [det]?" mom "Yes. He investigated...erm...something I was involved in." scene 12_12_094 fbi "Really? Because I've reviewed all of the cases he's been involved in over the last few years." fbi "None of them involved you, [mom]." scene 12_12_197 mom "I'm sorry, [fbi], but could we talk about this privately?" mom "[yd] doesn't need to know about this." scene 12_12_200 yd "No, Mom! Stop keeping secrets from me, and don't talk about me like I'm not here!" yd "I'm not a child any more. I want to know what happened!" yd "Please, Mom. I can handle it." scene 12_12_204 mom "Sweetheart, I wanted to tell you. But I was afraid of how it might affect you and your outlook on life." mom "Maybe you're old enough to know now...and the bubble I tried to keep you in has been burst." scene 12_12_210 mom "I was attacked in the street. A man tried to kill me." mom "I was badly injured, and...I nearly died, [yd]." scene 12_12_208 mom "I'm sorry, sweetheart. I didn't want you and [od] to know." mom "I didn't want you to see me laying in a hospital bed, broken and beaten." mom "If I died, I didn't want that to be your last memory of me." scene 12_12_212 yd "Oh, Mom!" mom "I'm sorry I lied to you, [yd]. I was just trying to protect you." scene 12_12_214 yd "It's okay, Mom. I understand." yd "{i}(This must be what [pl] was talking about when he said there were things I didn't know about!){/i}" scene 12_12_206 yd "When did this happen?" mom "About three years ago. Do you remember when I worked abroad for a couple of months?" yd "Yes. Aunt [aunt] came and stayed here to look after us because you were gone for so long." scene 12_12_210 mom "That's right, sweetheart. Well, it was a lie. I never left Hillside." mom "I was in hospital the whole time." scene 12_12_106 fbi "{i}(So [mom] was attacked and [det] investigated, but there's no record of it happening?){/i}" fbi "{i}(Who was the attacker? Someone who is protected, obviously.){/i}" fbi "{i}(I need to speak to her about this, but it can wait until another day.){/i}" scene 12_12_104 fbi "Okay, I think that's enough questions. Thank you." fbi "I'm sorry that we had to do this today." scene 12_12_197 mom "[fbi], before you leave, can I ask you something?" mom "Did [pl] do the right thing?" scene 12_12_198 yd "Mom! Why are you asking that?" yd "[pl] saved me! You don't think he did something wrong do you?" scene 12_12_108 fbi "That's not an easy question to answer, [mom]." fbi "My job has become more difficult now [det] is dead, so, from my perspective, it was the wrong thing to do." fbi "But, if I were you, I'd be happy that there is zero chance of him ever coming back to harm your daughter." scene 12_12_110 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"kay_choice_01\"\nif not \"kay_choice_01\" also soon a branching point for \"aunt_choice_01\"") #KoGa3End fbi "[det] was a corrupt piece of shit who we suspect was guilty of many serious crimes." fbi "And if I'd been in [pl]'s shoes last night, I probably would have done the same as he did." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # KAYLAH SEX ###################################################### if kay_choice_01: scene 12_18_084 with fade model "What happened, [pl]? She said you rescued her?" model "Was it her date that attacked her?" scene 12_18_090 pl "It's complicated. The man that attacked her was a police detective." pl "And he stabbed [yd]'s date to death before attacking her." scene 12_18_114 model "What?! Thank God you were able to get to her." model "It sounds like you had a big night too! Let's sit down for a minute." scene 12_18_120 with fade model "Do you think I should go and see [yd]?" model "And what about [mom]. How is she handling this? This must have been traumatizing for her." scene 12_18_128 # ots mc pl "[mom] is taking it worse than [yd]. She was traumatized seeing [yd] with a knife to her throat." pl "I think you should leave going to see them until tomorrow." scene 12_18_124 model "Okay. I'll wait and go to see them tomorrow then." model "Poor [yd]. How could something like this happen to her." scene 12_18_128 pl "[model], I know this is all pretty shocking." pl "If you're no longer in the mood..." scene 12_18_132 # ots k model "Oh no. You're not getting away from me that easily, [pl]." model "You've made me wait too long already, and I'm close to just looking elsewhere." scene 12_18_140 pl "I'm glad you feel that way, and I'm very lucky that you're so patient." pl "I would've kicked myself if I'd not taken my chance to be with someone as beautiful as you." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.5 #KoGa3 END# scene 12_18_180 pl "Okay. Well, I don't want to rush you, but I don't have long." pl "I don't like leaving [mom] and [yd] right now, so I have to get back to the house soon." scene 12_18_184 #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# model "We'd better get started then." model "I want to see what you've been hiding from me all this time..." scene 12_18_185 pl "{i}(She has beautiful breasts.){/i}" scene 12_18_186 model "Do you see something you like?" pl "I see a lot that I like." scene 12_18_190 model "You'd better come with me then." model "I'll let you have a much closer look when we get upstairs." scene 12_18_194 model "This way, [pl]..." scene 12_18_200 model "Welcome to my bedroom." model "Now let's see if it was worth the wait!" scene 12_18_202 model "{i}(Oh! He's certainly keen.){/i}" pl "I've been staring at that selfie you sent me for literally hours!" scene 12_18_204 pl "Trying to imagine what it felt like to have your beautiful breasts in my hands." model "And do they live up to expectations?" scene 12_18_206 pl "They're even better than I imagined." scene 12_18_208 model "I never expected you to be this passionate, [pl]." model "You're getting me all hot!" scene 12_18_302 model "I guess I'd better take this off..." scene 12_18_300 at Pan((0, 1080), (0, 0), 6.0) pl "{i}(Fuck! What a body [model] has.){/i}" scene 12_18_304 model "Let me just close the blinds..." scene 12_18_308 pl "Don't bother." model "What are you doing, [pl]? You really can't wait, can you!" scene 12_18_312 pl "No." pl "I want you!" scene 12_18_316 model "You're certainly not wasting any time!" model "I've been so horny lately. I need this." scene 12_18_318 pl "I love your toned stomach..." model "Keep going. There's something even better further down!" scene 12_18_322 model "Oh, [pl]...you're getting me so hot!" model "Take my panties off." scene 12_18_326 pl "{i}(Every inch of her body is perfection.){/i}" pl "{i}(I have to taste her...){/i}" scene 12_18_330 model "Oh my god!" model "That feels incredible..." scene 12_18_334 model "Keep going." scene 12_18_338 with fade model "Don't stop, [pl]. I'm coming!" model "Ah...yes..." model "YES!" scene 12_18_342 model "Thank you, [pl]. That was amazing." model "Now fuck me..." scene 12_18_346 pl "Okay. Stay right there." model "Are just going to do me here in the window where my neighbours can see us?" pl "Yes!" scene 12_18_350 pl "I don't care if they see us." model "Really? I didn't have you down as an exhibitionist." scene 12_18_352 "*KISS*" scene 12_18_354 model "I love the idea of being watched while I'm fucking, but I've never actually done it." model "Mmm...put it in, [pl]. I want to feel you inside me." scene 12_18_356 model "*GASP*" model "Oh yes...that's it..." scene 12_18_366 model "I want you to nail me to the fucking wall, [pl]!" scene 12_18_362 model "Fuck, [pl]!" model "Harder!" scene 12_18_374 pl "{i}(I'm not going to last much longer. Her body is so tight.){/i}" pl "{i}(It's a good job she's so horny, or this could have been very disappointing for her!){/i}" scene 12_18_370 model "Harder, [pl]...HARDER!" model "I'M COMING!" scene 12_18_378 model "Thank you, [pl]...that was just what I needed!" model "It's a shame you have to leave so soon, I'm just getting warmed up." scene 12_18_382 pl "{i}(That was amazing. I still can't believe she wants to keep our relationship casual.){/i}" pl "{i}(I need to find some more free time soon. There are so many things I want to do to her...){/i}" scene 12_18_400 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_01\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# model "Give me a call as soon as you're free again. I'm going to make you work harder to please me next time." model "I'll be waiting, [pl]..." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # LUCY SEX ####################################### # This will record whether you are still on Charlotte path after making choice below $ mom_choice_04 = mom_choice_03 if aunt_choice_01: scene 12_16_200 with fade aunt "{i}(Why am I nervous? I've been waiting for this. I should be excited!){/i}" scene 12_16_204 aunt "{i}([pl]'s amazing. He's easily the best guy that's ever been interested in me.){/i}" aunt "{i}(I can't believe he just dropped into my lap.){/i}" scene 12_16_200 aunt "{i}(But what if he isn't really interested in me?){/i}" aunt "{i}(I need to know. I have to ask him. I'm just afraid of what the answer might be.){/i}" scene 12_16_208 aunt "{i}(He's here!){/i}" aunt "{i}(I hope he isn't like the others. I hope he isn't just using me...){/i}" scene 12_16_220 aunt "Hi." aunt "Come in." scene 12_16_224 pl "Wow. You look amazing, [aunt]." pl "No prizes for guessing what you plan on us doing!" scene 12_16_228 aunt "I guess not." aunt "That's all I seem to think about, isn't it." scene 12_16_236 pl "[aunt], is something wrong? I thought you'd be excited for us to finally get some time together." pl "Where's bubbly, confident [aunt] gone?" scene 12_16_232 aunt "She got scared and ran off. She left the real [aunt] here." aunt "I'm sorry. You must be disappointed. You probably expected me to be giving you a blowjob by now." scene 12_16_240 pl "Hey. What's going on?" pl "You know I'm not interested in you just for sex." scene 12_16_242 aunt "I'm sorry, [pl]. This isn't how I wanted this to go." aunt "I need to talk to you. Let's go to my bedroom." scene 12_16_246 pl "[aunt], we don't have to do this now. It's okay if you're worried about [mom] and [yd]." aunt "It's not that, [pl]. I want to do it...I'm just scared." pl "{i}(Scared?){/i}" scene 12_16_250 aunt "Come and lie on the bed with me." aunt "I need to ask you something." scene 12_16_254 pl "Okay..." pl "Wow! Is that [od] smiling?" scene 12_16_258 pl "Sorry, [aunt]. I just love looking at Lloyd family photos. You're all so beautiful." pl "[yd] looks so cute with her pigtails. Is that [mom] with her?" scene 12_16_280 aunt "Are you trying to flatter me? Because if you are it's working." aunt "That's me. That was back when I had my hair longer." scene 12_16_286 pl "I should have known. I actually saw a photo of you with longer hair yesterday!" scene 12_16_290 aunt "You did? Where?" scene 12_16_286 pl "[mom] was showing me some old photos and there was one of you when you used to model." scene 12_16_288 aunt "Really? She's still got some of my modelling photos?" scene 12_16_286 pl "Yes. She was very proud of you, but didn't understand why you quit." pl "Why did you quit, [aunt]? You looked incredible." scene 12_16_290 aunt "No reason. I just...I just didn't like it." scene 12_16_284 pl "No reason?" scene 12_16_290 aunt "Fine! It's because I was always being compared to her." aunt "I wasn't [aunt] Lloyd. I was [mom] Lloyd's slightly shorter and fatter sister." scene 12_16_288 aunt "It doesn't matter any more, [pl]." aunt "Let's lie down." scene 12_16_301 with fade pl "What did you want to ask me, [aunt]?" pl "What's bothering you?" scene 12_16_300 aunt "[pl], if we do this, then you'll never get to be with [mom]." aunt "She won't trust you, and she needs to be able to trust a man if he's to have any chance of winning her over." scene 12_16_304 pl "[aunt], why are you telling me this?" pl "I want to be with you, not [mom]." scene 12_16_308 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_03\"") #KoGa3End aunt "Because every man that's ever shown an interest me has only done so to get closer to her." aunt "I want you to really think about it, [pl]. Do you want to be with me, or with [mom]?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # IF YOU HAVE FEELINGS FOR CHARLOTTE YOU MUST NOW CHOOSE BETWEEN HER AND LUCY if mom_choice_03: scene 12_16_314 pl "{i}(The more time I spend with [mom], the stronger my feelings for her become.){/i}" pl "{i}(But rejecting [aunt] in favour of [mom] would be a terrible thing to do.){/i}" pl "{i}(I have to choose between them...){/i}" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}(time to choose...){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "I only want [aunt][KoGa3ChoiceView1]": $ aunt_choice_03 = 1 $ mom_choice_04 = 0 "Reject [aunt][KoGa3ChoiceView1]": $ aunt_choice_03 = 0 $ mom_choice_04 = 1 scene 12_16_316 pl "I'm sorry, [aunt]. After spending time with [mom], I've started to develop feelings for her." aunt "I knew you would. Every man does!" scene 12_16_316 pl "{i}(What an asshole things to do!){/i}" pl "{i}([aunt]'s an incredible woman who is crazy about me, and I've gambled that away to chase her sister...){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# scene 12_16_380 with fade aunt "{i}(Why am I even shocked. He's just another guy, the same as the others.){/i}" aunt "{i}(But I really thought he was different. I'm never going to find a good man now...){/i}" jump exit_lucy_path else: $ aunt_choice_03 = 1 scene 12_16_316 pl "[aunt], I care about your sister. She's an incredible woman, and she's been through so much." pl "But I'm not attracted to her." scene 12_16_320 pl "I chose you, [aunt], and nothing has changed." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# pl "You're the only woman for me." scene 12_16_330 aunt "Do you really mean that, [pl]?" pl "Yes, [aunt]. I only want you." scene 12_16_400 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicEnergetic2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# aunt "Okay. Let's try this again!" aunt "I hope you're not going to tell me the same thing as you did at the spa." scene 12_16_404 pl "I'm not stupid enough to say no to you twice." pl "And things have changed. I'm feeling better about the past than I was at the spa." scene 12_16_412 aunt "Good. I'm happy you're better, [pl]." aunt "I hope you can start talking to me about things if we get to spend more time together now." scene 12_16_416 aunt "But enough talking." aunt "Time for you to finally take those pants off!" scene 12_16_430 pl "[aunt], I'm sorry I don't have more time to spend with you." scene 12_16_434 aunt "It's okay, [pl]. Here. Let me speed things up..." scene 12_16_438 aunt "Very nice. And I love the tattoo!" scene 12_16_442 aunt "I'm all yours, [pl]." aunt "Why don't you come and help me get ready..." scene 12_16_450 aunt "Mmm..." scene 12_16_452 aunt "Well? Are you going to help or just stand there watching?" scene 12_16_460 pl "Sorry. I was enjoying watching." scene 12_16_464 pl "Here. Let me help you." scene 12_16_465 aunt "Thank you." scene 12_16_466 aunt "Oh, [pl]..." scene 12_16_468 aunt "That's it...right there..." scene 12_16_472 aunt "Kiss me, [pl]." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# scene 12_16_480 aunt "I didn't say stop what you were doing. You can do two things at once can't you." aunt "Mmm. That feels good." scene 12_16_484 "*KISS*" #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_16_496 aunt "Okay. Lie back." aunt "I'm going to give you a special reward for saving my niece." scene 12_16_504 aunt "I can't believe we're finally going to do it." aunt "It seems so long since our first kiss in [mom]'s lounge." scene 12_16_508 aunt "I can't wait to feel you inside me." pl "Then why are you talking so much!" scene 12_16_512 aunt "Ha! Fair enough." aunt "Help me out here..." scene 12_16_520 aunt "Oh, yeah..." pl "{i}(Damn. It's been so long that I'd forgotten how good it feels to be with a woman.){/i}" scene 12_16_524 pl "[aunt], that feels incredible." aunt "Fuck, [pl]!" scene 12_16_530 aunt "Damn. That feels so good." aunt "I can't believe you've made me wait so long for this." scene 12_16_534 pl "Neither can I." pl "I'm an idiot!" scene 12_16_544 aunt "Do you want to see my breasts again, [pl]?" aunt "I didn't give you much of a chance to take a look last time." scene 12_16_546 aunt "But now they're yours." scene 12_16_548 aunt "What do you think, [pl]. Do you like them?" scene 12_16_552 pl "Yes." pl "Who doesn't like breasts!" scene 12_16_540 aunt "That's it, grab my ass while I ride your big, hard cock." scene 12_16_556 aunt "Give it to me, [pl]...I want it all!" aunt "HARDER!" scene 12_16_558 aunt "Oh, fuck! That's so deep!" scene 12_16_560 aunt "Spread my ass cheeks, [pl]..." aunt "Oh, yes!" scene 12_16_562 pl "I'm close, [aunt]...I can't hold on much longer!" aunt "Don't stop! Just a little longer!!" scene 12_16_564 #KoGa3Start if not persistent.unlock_mom_01: $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a game achievement available") #KoGa3End pl "{i}(Oh my god! That was incredible!){/i}" pl "{i}([aunt]'s fucking amazing!){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End scene 12_16_566 if not persistent.ach_list_lu[2]: $ persistent.ach_list_lu[2] = True $ achievementCountsUpdate() play sound "audio/award.ogg" show screen image_unlocked # UNARCHIVE HQ IMAGE if persistent.unlocked: $ unarchive("images/gallery/hq/hq_lucy_003.jpg", "HQ Images/hq_lucy_003.jpg") aunt "Fuck!" # END SEX ################################################# scene 12_16_580 with fade aunt "You were definitely worth waiting for." pl "That was amazing, [aunt]. You're incredible." scene 12_16_582 aunt "{i}(That seals it. He's not interested in [mom], and we're definitely compatible in the bedroom.){/i}" aunt "{i}(I'm not going to let him get away. He's the one!){/i}" scene 12_16_600 pl "Do you think we should tell [mom] now? I don't like sneaking around and hiding this from her." aunt "No, not yet. I honestly don't know how she's going to react to us, and she has enough to deal with right now." scene 12_16_612 aunt "We should wait a little longer." aunt "[pl], nothing is more important to me than [mom] and the girls." scene 12_16_604 aunt "I'm desperate for us to start spending more time together and deepen our relationship." aunt "But, if they need you, then I want you to be there for them." scene 12_16_616 pl "And that's why I'm so attracted to you, [aunt]. Well, one of the reasons." pl "I love how selfless you are. [mom]'s lucky to have you for a sister." scene 12_16_608 pl "But don't worry. I think they're going to fine and we'll be able to spend lots more time together." pl "I should be free to come over again soon." scene 12_16_612 aunt "I'm happy to hear that. But I think we should do something different next time." aunt "I want to go out on a date." scene 12_16_620 pl "A date? Like a proper, romantic date where we get dressed up?" aunt "Yes. You know...a date! Is that a problem?" scene 12_16_600 pl "No. That sounds great!" pl "I can't wait for us to go out in public as a couple. I'll be the proudest man alive with you next to me." aunt "Oh, you..." scene 12_16_616 pl "I'd better get going, [aunt]. Sorry I can't stop longer, but I need to see a friend before returning home." scene 12_16_630 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# pl "{i}(I really won the lottery with [aunt]. She's incredible!){/i}" pl "You're so beautiful." scene 12_16_632 aunt "Thanks, [pl]." aunt "Take care of [mom] and [yd] for me." # EXIT LUCY'S APARTMENT SCENE label exit_lucy_path: pass # STEVE'S BAR #KoGa3 START# if not aunt_choice_01 and not kay_choice_01: if KoGa3Music == 1: stop music fadeout 2.0 pause 1.0 #KoGa3 END# show black with fade scene 12_20_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious10 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# ste "Why are you dressed like that? Are you going to a funeral?" ste "And where's your little sidekick? No pranks this time?" scene 12_20_042 pl "No pranks today. I just came for a drink to drown my sorrows." pl "I did something stupid. Really stupid. I might have ruined everything." if not aunt_choice_03: pl "Two stupid things, actually. I just did something else!" scene 12_20_043 ste "What's new. You fuck everything up eventually!" ste "So what have you done this time?" scene 12_20_044 pl "I killed someone." pl "No. Not just someone, a policeman!" scene 12_20_047 ste "Well, shit! That beats all your other fuck ups by some distance." ste "Congratulations. I see why you need a drink now!" scene 12_20_050 ste "So what the hell happened?" pl "I don't know." scene 12_20_045 pl "The guy that was sending the letters to [yd] turned out to be a detective." pl "She went out on a date last night. This guy followed her, killed her date, and then attacked her!" scene 12_20_046 ste "Wait. Was she with that [zak] Prince kid? I heard he'd been stabbed to death." ste "Is she okay? He didn't hurt her did he?" scene 12_20_045 pl "She wasn't hurt. I managed to get there in time to save her, but..." pl "I killed him, [ste]. I didn't have to. But seeing him with a knife to her throat, I {i}wanted{/i} to." scene 12_20_067 ste "Brother, he'd already stabbed someone to death. You did the right thing." scene 12_20_063 ste "Fuck that guy!" scene 12_20_067 ste "I can't believe something like this happened to such a sweet girl." ste "I told you Hillside was a bad place." scene 12_20_064 ste "How's my girl taking all of this?" pl "She looks at me like I'm a murderer." scene 12_20_061 pl "It's like when I first moved into the house. She's uncomfortable whenever we're in the same room." pl "I'm afraid [mom]'s going to tell me to leave now that [yd]'s safe." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End pl "But I can't leave her now. She needs me..." scene 12_20_064 ste "I'm sure she's not going to let you go now. Not after what just happened." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 12_20_061 pl "And I was just starting to think that she might have felt something for me." pl "What was I thinking. As if a woman like her would be interested in me." scene 12_20_068 ste "Finally, we agree on something! There's no way you should be with a classy woman like [mom] Lloyd." ste "She's beautiful, elegant, and has a stunning body." scene 12_20_067 ste "While you're ugly, stupid, and, honestly, you're starting to look a little fat." scene 12_20_065 pl "Fuck you. Why do I keep coming here?!" pl "But one thing's for sure, if she did feel anything for me, she doesn't any longer." pl "And it's all my fault..." scene 12_20_067 ste "What the fuck is wrong with you? You have to snap out of this!" ste "This is [mom] Lloyd we're talking about. She's not just one in a million, or even once in a lifetime." scene 12_20_063 ste "Most guys will {b}NEVER{/b} get anywhere near a woman like her. She's a fucking dream!" ste "You don't realize how lucky you are. Do you know what I'd give just to meet her?" scene 12_20_067 ste "It's a lot!" scene 12_20_064 ste "If there is even the slightest chance that you could be with her, then you have to do everything you can to make it happen!" ste "If you pass up the opportunity to be with a woman like [mom], you will regret it every day for the rest of your life." ste "If you want her, you have to fight for her. She won't come easily." scene 12_20_070 pl "{i}(He's right. [mom] is something else. She isn't like any other woman I've ever known.){/i}" pl "{i}(I've tried to be professional, and think only of her as a client, but I can't pretend any longer.){/i}" pl "{i}(I want to be with her. I'll do anything, whatever it takes to be with her.){/i}" else: scene 12_20_061 pl "It's been so hard gaining her trust and now I've fucked it all up!" pl "I'm not sure she's going to get over the fact that I killed someone." scene 12_20_045 pl "I need a top up." scene 12_20_067 ste "No you don't. You're driving and I'm not letting you slip back into your old bad habits." scene 12_20_064 ste "Just give [mom] time to process what happened. It must have been especially traumatic for her as [yd]'s mother." scene 12_20_067 ste "Don't sabotage everything like you normally do. And stop being so hard on yourself!" scene 12_20_061 pl "You know, when you try really hard, you're actually an okay friend." scene 12_20_068 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# ste "Shit. Does that mean you're going to keep coming back here and stealing drinks?" pl "I think it does, brother." scene 12_20_072 play sound "audio/phone_vibrate_01.ogg" pl "{i}(It's a message from [fbi].){/i}" #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(I hope [mom] and [yd] weren't too upset by her questions.){/i}" scene 12_20_074 pl "There's an FBI agent at the house talking to [mom]. She's just letting me know that she's nearly finished." pl "I need to get back there. They might need me." scene 12_20_066 ste "The FBI? Sounds serious." ste "Well, you'd better get out of here, you bum. And try not to fuck anything else up!" scene 12_20_068 #KoGa3 ste "Oh, and could you do me a favour." ste "Give [yd] my best wishes will you, and tell her that I can't wait to see her again." scene 12_20_065 pl "What?" scene 12_20_068 ste "She'll understand." # MC RETURNS TO HOUSE scene 12_22_040 with fade play sound "audio/car_door_01.ogg" fbi "You got my message then." fbi "I'm just leaving. I've finished speaking to [mom] and [yd] for now." scene 12_22_044 pl "Yes, I got your message, [fbi]. Thank you." pl "Do you need to talk to me at all?" scene 12_22_048 fbi "Not today. I'll contact you about coming and talking to me regarding my wider investigation." fbi "In the meantime, I'm assigning someone to guard the house." scene 12_22_050 pl "That's great, thank you. That will make things a lot easier for me." pl "I'm sure it will give [mom] and [yd] some peace of mind too." scene 12_22_052 fbi "I'll be in touch, [pl]." fbi "I'm glad you aren't involved in the corruption." scene 12_22_076 with fade pl "{i}(What did she mean by that?){/i}" pl "{i}(No matter. Let's go and see how [yd] is. She was a little nervous about talking to the FBI.){/i}" scene 12_22_080 mom "Oh, [pl]. That's good timing." mom "Can you keep [yd] company while I go and get changed?" scene 12_22_084 pl "Of course, [mom]. I hope everything went okay with [fbi]." mom "It was difficult, but it's done now." mom "I won't be long. Thank you." scene 12_22_094 pl "Hi, sweetheart. Have you been okay while I was gone?" pl "Did you miss me? Because I've missed you." scene 12_22_100 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon some additional dialog for \"kay_choice_01\"") #KoGa3End yd "[pl]! Of course I missed you. " yd "I'm so glad you're back." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if kay_choice_01: scene 12_22_104 yd "You smell like [model]! That's the perfume she wears." yd "Why are you wearing it?" scene 12_22_116 pl "Er...we bumped into each other while I was out." pl "{i}(Quick. Change the subject!){/i}" scene 12_22_108 pl "I've just been to see my friend [ste]. You remember him, don't you?" pl "He sends his best wishes and told me to tell you that he's looking forward to seeing you again." scene 12_22_116 pl "What did he mean by that?" pl "Why is he looking forward to seeing you again?" scene 12_22_124 yd "Ha ha. I don't know." yd "You should've asked him." scene 12_22_120 pl "You know it's wrong to lie, [yd]." pl "You need to tell me what the two of you are up to, or I'm going to have to tickle you until you talk." scene 12_22_124 yd "I won't ever tell you, [pl]." yd "But don't tickle me!" scene 12_22_128 pl "You leave me no choice, [yd]!" yd "No, [pl]! Don't! Stop it!!" scene 12_22_132 pl "Are you going to tell me?" yd "No!" scene 12_22_140 yd "You're so mean, [pl]!" yd "But I love you anyway." scene 12_22_144 pl "I love you too, [yd]." pl "{i}(More than words can say.){/i}" scene 12_22_148 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End mom "{i}(Look at her. She's so happy in his arms. It's as if nothing has happened.){/i}" mom "{i}(He's doing a wonderful job of taking her mind off of things.){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: mom "{i}(I envy her. I wish someone would take my mind off of what happened.){/i}" scene 12_22_150 pl "You're safe while you're with me." pl "I won't ever let anyone hurt you, [mom]." scene 12_22_152 mom "What?! What did you just say?" mom "{i}(Did he just say...){/i}" scene 12_22_154 yd "Mom, look. [pl]'s back!" yd "Did you just say something?" scene 12_22_156 mom "Sorry, I thought [pl] said something else." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "And I know he's back, sweetheart. We've already spoken." else: scene 12_22_154 yd "Mom, look. [pl]'s back!" yd "But he's being mean and tickling me!" scene 12_22_164 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "I know he's back, sweetheart. We've already spoken." scene 12_22_160 # c looks to door play sound "audio/door_lock_01.ogg" mom "That will be your aunt. She's going to keep us company tonight and sleepover." mom "I also left a message for your sister. Hopefully she'll be here later to see you." # SUZI COMES HOME show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_26_002 with fade mom "There you are, sweetheart. We were just wondering where you'd got to." mom "Come and sit down." scene 12_26_004 aunt "Why don't you come and sit next to your Aunt [aunt]." aunt "I bet you'd like a cuddle wouldn't you." scene 12_26_006 yd "Thanks, Aunt [aunt]." yd "But I'm going to cuddle [pl]." scene 12_26_010 mom "Are you feeling okay, sweetheart?" aunt "Of course she is. She's got her big strong bodyguard to look after her." scene 12_26_012 aunt "{i}(It's so sweet the bond they've developed.){/i}" aunt "{i}(Looks like she finally found the father she's always so desperately wanted.){/i}" scene 12_26_014 mom "{i}(I'm worried about her and how clingy she's becoming.){/i}" mom "{i}(I hope she hasn't become too attached to [pl].){/i}" scene 12_26_018 pl "Are you okay, sweetheart?" pl "You know, it's not fair that I get all the cuddles. Your mom and aunt need them too." scene 12_26_026 mom "Sounds like [od]'s here." mom "I haven't told her what happened yet, so I'm just going to go and talk to her." scene 12_26_030 with fade od "What's going on? I got your message, but you weren't very clear." od "Has something happened to [yd]?" scene 12_26_032 mom "Hello, [od]. I'm glad you came." mom "Doesn't your mother even get a hug?" scene 12_26_034 od "Mom, I've been training all day and I'm tired." mom "You don't want to waste time. Fine. [od], your sister's okay..." mom "But she was attacked last night while on her date." scene 12_26_038 od "What?! What happened? Who did it?" od "Tell me! I will fucking kill them!!" scene 12_26_040 mom "There's no need for that, [od]. It's all been...taken care of." mom "Just come and see your sister." scene 12_26_050 od "What the fuck? What the hell is he doing with [yd]?!" mom "[od], just calm down. Let me tell you what happened last night..." scene 12_26_054 od "{i}(WHAT THE FUCK IS GOING ON?!){/i}" od "{i}(I CAN'T BELIEVE THEY'RE JUST LETTING THAT PERVERT PUT HIS HANDS ALL OVER HER!){/i}" scene 12_26_058 od "What kind of mother are you? Why are you allowing this?!" scene 12_26_062 mom "[od], that's enough!" mom "Your sister feels safe with him. She needs him right now." scene 12_26_066 od "She's just a child!" scene 12_26_072 od "You're her mother. Look at them! Are you blind?!" scene 12_26_075 mom "[od], what are you talking about?" mom "They're just cuddling on the sofa." scene 12_26_076 yd "{i}(Why is [od] always so angry? And why can't she think about us. We're the ones that went through an ordeal.){/i}" yd "{i}(She's acting like she was the one that was attacked!){/i}" scene 12_26_079 od "Cuddling! Seriously, Mom?!" od "Am I the only one that can see what he's really up to?" scene 12_26_080 with dissolve od "[yd] doesn't know any better, but I'm not sure what your excuse is!" od "You need to look after her." scene 12_26_084 yd "Stop treating me like a child, [od]!" yd "And leave [pl] alone!" scene 12_26_078 od "See! She's completely under his control!!" od "She shouldn't be spending so much time with him!" scene 12_26_090 yd "Just shut up, [od]!" yd "Why did you even bother coming to see us?!" scene 12_26_086 od "[yd]..." scene 12_26_112 od "This is all your fault. You're not looking after her!" scene 12_26_116 mom "[od], wait. Where are you going?" mom "Come back here!" scene 12_26_120 pl "Should I go after her and try to talk to her?" mom "You'd be wasting your time. She needs time to calm down first." mom "I think it's best if we all just go to bed..." #LUCY SLEEPS WITH CHARLOTTE show black with fade scene 12_30_101 with fade aunt "How are you feeling?" scene 12_30_102 mom "I've felt better." mom "I didn't expect [od] to react like that." scene 12_30_123 aunt "Really? Haven't you met your daughter before?" aunt "She's just being her usual overprotective self." aunt "Don't worry about it. I'll see if she's free in the week and try to talk to her." scene 12_30_112 mom "But do you think she's right? Do you think it's wrong the way [yd] cuddles [pl]?" mom "Should I try and stop her?" scene 12_30_121 aunt "Oh, good luck with that. She loves [pl], and he just saved her life!" aunt "I know she's clinging to [pl], but that's because she feels safe with him." scene 12_30_120 aunt "And she'd hate you for even trying to stop her right now." aunt "It's perfectly innocent, [mom]. And I think having [pl] there is really helping her." scene 12_30_100 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon some additional dialog for \"aunt_choice_01\"") #KoGa3End aunt "Considering what she's been through, she seems to be handling things well." mom "She is. She's definitely handling it a lot better than her mother is." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if not aunt_choice_01: scene 12_30_123 aunt "Maybe you should try cuddling [pl] on the sofa and see if that works for you too." aunt "Imagine putting your arms around that big muscular chest." scene 12_30_142 mom "[aunt]!" mom "That's not funny." scene 12_30_123 aunt "What? It was just a suggestion." scene 12_30_115 mom "I'm just worried that she's becoming too attached to him." mom "It could really affect her when [pl] leaves us." scene 12_30_120 aunt "When? Don't you mean if? Surely you're not thinking about letting him go now?!" aunt "I felt sure you'd ask him to become your bodyguard now that [yd]'s safe." scene 12_30_102 mom "I don't know, [aunt]. Everything has changed..." scene 12_30_101 aunt "Seriously? I can't believe you're even thinking about it!" scene 12_30_100 mom "[aunt], you weren't there. You didn't watch him kill someone with his bare hands!" aunt "Someone that was trying to kill him, and you and [yd]. Someone that had already murdered [yd]'s date!" scene 12_30_112 mom "But he didn't have to kill him!" mom "He should have restrained him, or something, and waited for the police." scene 12_30_121 aunt "[mom], he WAS the police!" scene 12_30_124 aunt "Okay. Let me ask you this, [mom]." aunt "When [jas] was trying to beat you to death in that alley..." scene 12_30_142 mom "[aunt]!" mom "Don't talk about that!" scene 12_30_148 aunt "When [jas] was trying to beat you to death in that alley..." aunt "Would you have liked [pl] to appear out of nowhere and kill him?!" scene 12_30_100 mom "[aunt], that's not fair!" aunt "Answer the question!" mom "Yes. Of course I would." scene 12_30_121 aunt "Right. Of course you would." aunt "Unfortunately, that didn't happen and you spent months in hospital." scene 12_30_120 aunt "But, because you hired [pl], it did happen for [yd] which is why she's safe in her bed without a scratch on her." aunt "And you've seen the way he cares for her. He's become more than a bodyguard to her." aunt "He loves her more than her own father ever did." scene 12_30_115 mom "Maybe you're right, [aunt]. I feel so confused. This whole thing has been a horrible nightmare." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_01\"") #KoGa3End mom "I still need him." mom "{i}(I'm just not sure how I feel about him any more...){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_01: scene 12_30_100 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_03\"") #KoGa3End mom "So, what about you. How are things with this amazing new boyfriend?" mom "Are you still seeing each other?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_03: scene 12_30_123 aunt "Yes. We're still together and things are getting more serious." aunt "He's the one, [mom]. I know he is." scene 12_30_122 aunt "{i}(I want to tell her who it is so badly!){/i}" aunt "{i}(But she's obviously feeling confused about [pl] at the minute. It's not the right time.){/i}" scene 12_30_114 mom "I'm so happy for you, [aunt]. You deserve to find someone special." mom "When can I meet him? I need to cast my critical eyes over him and make sure he's worthy of my little sister." scene 12_30_120 aunt "I don't know, Charlie. Soon...I hope." aunt "Maybe once all this drama has died down, and everything is back to normal." else: scene 12_30_121 aunt "No. It didn't work out." aunt "Turns out he was interested in somebody else." scene 12_30_113 mom "Oh, [aunt]. I'm sorry It sounded serious the way you talked about him before." mom "I was hoping you might have finally found someone to settle down with." scene 12_30_124 aunt "So was I. I really thought he was the one." aunt "I guess I'll just have to keep looking..." scene 12_30_102 mom "It's getting late, [aunt]. We should try to get some sleep." mom "Thank you for staying with me tonight. I'd be lost without you." scene 12_30_101 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# aunt "I love you, Charlie." aunt "Goodnight." # EMMA NIGHTMARE - SECOND NIGHT show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_56_050 with fade yd "{i}(I need Mom, but Aunt [aunt] is sleeping with her. It's not fair!){/i}" yd "{i}(I'm afraid to go to sleep alone. It's scary.){/i}" scene 12_56_054 yd "{i}(But I slept well in [pl]'s bed last night, and didn't have any more nightmares.){/i}" yd "{i}(I'll ask him if I can sleep with him again. I'm sure he'll let me.){/i}" scene 12_56_058 yd "[pl], are you awake?" pl "Huh?" scene 12_56_062 yd "Can I sleep with you again, [pl]?" yd "I don't want to sleep on my own." scene 12_56_066 pl "[yd]?" pl "Just a second..." scene 12_56_070 play sound "audio/light_switch.ogg" "*CLICK*" pl "There. That's better." scene 12_56_074 pl "What's wrong? Did you have another nightmare?" pl "You know, you should really go and sleep with your mother, [yd]." scene 12_56_078 yd "I can't, [pl]. Aunt [aunt]'s sleeping with Mom." yd "Please can I sleep with you again?" scene 12_56_076 pl "{i}(If she's having nightmares again, I can't really say no.){/i}" pl "Okay, sweetheart. Let me move over, and remember..." scene 12_56_086 yd "I know. I mustn't tell anyone." yd "Thanks, [pl]!" scene 12_56_104 pl "[yd], I know you probably don't want to talk about what happened, but it might help if you do." pl "You're lucky to have people like your mother and aunt to talk to." scene 12_56_106 yd "What about you, [pl]? Can't I talk to you?" yd "Don't you like talking to me?" scene 12_56_104 pl "Of course you can talk to me, sweetheart. And I love talking to you." pl "You can talk to me about anything. I just didn't think you'd want to." scene 12_56_108 yd "Well, there is something I wanted to ask you. Something that's worrying me..." yd "Are you going to be in trouble for killing that man?" scene 12_56_112 pl "I don't think so, sweetheart. [fbi] thinks I should be okay." pl "So don't worry about it. I'll be fine whatever happens." scene 12_56_110 yd "Good. I don't want to have to come and visit you in prison every day!" pl "Every day? Would you really come to see me that often?" scene 12_56_120 yd "Of course I would, [pl]!" pl "Well, thank you, but I'm not sure they'd let you visit me every day." scene 12_56_121 yd "Then I'd do something bad so they'd have to lock me up with you!" yd "They wouldn't be able to keep us apart." # SWITCH TO CUDDLING SHOTS scene 12_56_124 yd "There's something else I wanted to ask, [pl]." yd "Mom hired you to protect me, but now I'm safe." yd "You aren't going to leave us are you? Please say no!" scene 12_56_127 pl "I don't know, [yd]. Whether I stay or not is up to your mother." pl "I hope she wants me to stay. I don't want to leave you both." scene 12_56_125 yd "If you did leave, would you come and see me?" scene 12_56_127 pl "Of course I would, sweetheart." scene 12_56_126 pl "*KISS*" scene 12_56_127 pl "I wouldn't be able to stay away." scene 12_56_124 pl "{i}([yd] seems to want to talk. Is this a good time to tell her about [zak]?){/i}" pl "{i}(There will never be a good time to tell her...){/i}" scene 12_56_133 pl "Sweetheart, there's something I need to tell you. Something that might upset you." pl "It's about [zak]." scene 12_56_134 yd "Ugh! I don't want to talk about him, [pl]." yd "He upset me enough already. I just want to forget all about [zak]!" scene 12_56_133 pl "Sweetheart, I'm sorry, but you need to know." pl "[zak]'s dead." scene 12_56_122 yd "What? What do you mean he's dead?!" yd "How can he be dead?" scene 12_56_154 pl "The man that attacked you stabbed him, [yd]. I'm so sorry." pl "How do you feel? Are you okay?" scene 12_56_160 yd "I don't know. I don't know how I feel." yd "It doesn't seem real. I feel...kind of numb." scene 12_56_170 yd "I thought I loved [zak], but he wasn't who I thought he was." yd "He was horrible! I hate him...hated him. But I didn't want him to die." scene 12_56_160 yd "He touched me, [pl]. I told him not to do it, but he did it again." yd "I got so angry with him, angrier than I've ever been before. I didn't like feeling that way." scene 12_56_154 pl "Is that why he left you? Because you wouldn't let him touch you?" scene 12_56_160 yd "Yes. I told him he couldn't leave me there and that he had to take me home." yd "He pushed me to the ground and said some horrible things. So I ran away." scene 12_56_168 pl "{i}(It's a good job he's dead, or I would have murdered that little bastard!){/i}" pl "{i}(But he may have saved [yd]'s life, ironically.){/i}" scene 12_56_170 yd "[pl], how do you tell if someone is good or bad?" yd "Because I thought [zak] was good, but he wasn't." scene 12_56_164 pl "That's a tough question, [yd]. I guess it's something that can only come from experience." pl "But, I would say that you need to try to listen to your head and not just your heart." pl "It's not easy. We can get carried away by our emotions and fall in love with people we probably shouldn't." scene 12_56_150 yd "Has that ever happened to you?" scene 12_56_174 pl "Yes, sweetheart. I think it probably happens to everyone at least once." pl "Like I said, it comes from painful experience. We just have to try and learn not to make the same mistakes twice." scene 12_56_172 pl "{i}(Like I have. I can't believe how close I've gotten to [yd], and how close I came to losing her again.){/i}" scene 12_56_160 yd "I don't know how I'm ever going to choose a boyfriend now. What if I choose another boy like [zak]?" # EMMA SWITCHES BACK TO CUDDLING MC scene 12_56_120 yd "I wish all boys were like you, [pl]. I know that you're good." pl "Thank you, sweetheart. Do you think that's because you've taken the time to get to know me?" scene 12_56_130 pl "Maybe that's the key, to become friends first so that you get to know one another." pl "Then, maybe if you've met the right person, that friendship would grow into a romantic relationship." scene 12_56_128 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_03\" or \"kay_choice_01\"") #KoGa3End yd "Hmm. That sounds good. I'd be more confident dating someone I was already friends with." yd "Thanks, [pl]!" scene 12_56_136 yd "What about you, [pl]. Do you have a girlfriend?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_03: scene 12_56_130 pl "Yes. I do, actually." pl "But we've only recently started seeing each other." scene 12_56_134 yd "Oh." scene 12_56_133 pl "Oh? You sound disappointed." scene 12_56_134 yd "I just...I kind of hoped you and Mom would start dating." yd "Mom needs to find someone, and I think you'd be perfect for her." scene 12_56_130 pl "Well, I'm flattered you think so, [yd]. Your mother's an incredible woman." pl "But I don't think she likes me very much at the minute." scene 12_56_133 pl "{i}(And she might like me even less when she finds out that I'm seeing [aunt]!){/i}" elif kay_choice_01: scene 12_56_133 pl "Well, I'm kind of seeing someone." pl "But we're not really in a serious relationship. It's just...it's kind of..." scene 12_56_136 yd "Kind of what?" scene 12_56_130 pl "It's just a physical relationship." scene 12_56_136 yd "Oh. So you don't really like each other then. That's good." yd "In that case, I think you should dump her and go out with Mom instead." scene 12_56_133 pl "[yd], I don't think your mother likes me very much at the minute." scene 12_56_136 yd "She does, [pl]! She's never been this close to anyone before, except my dad." scene 12_56_128 yd "And I don't think they were close because he left her." yd "Don't worry, I'll put in a good word for you. Mom listens to me." scene 12_56_132 pl "Thank you, sweetheart. That's very kind of you." pl "{i}(It's so sweet the way she tries to play Cupid and find someone for [mom].){/i}" scene 12_56_133 pl "{i}(Damn. I hope that isn't what's going on with her and [ste]!){/i}" pl "{i}(I think his pants would explode if he ever actually met [mom].){/i}" else: scene 12_56_133 pl "No. I don't, unfortunately." pl "I haven't been in a relationship for a couple of years." scene 12_56_136 yd "Really? I can't believe you don't have a girlfriend." yd "That's sad. I think you should have one." scene 12_56_130 pl "Well, I'd like to find someone. Unfortunately, it's not been easy for me to find someone." scene 12_56_136 yd "But there's someone right here who would be perfect for you!" scene 12_56_130 pl "What?! Who? Who are you talking about, [yd]?" scene 12_56_136 yd "Mom! You and Mom are perfect for each other." scene 12_56_136 pl "{i}(Thank God! I thought she was volunteering out of pity!){/i}" scene 12_56_133 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon some additional dialog for \"mom_choice_04\"") #KoGa3End pl "[yd], I don't think your mother likes me very much at the minute." pl "Besides, we're from different worlds. I think we're just too different." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 12_56_133 pl "But, dating a woman like your mother would be a dream come true for any man. Me included." scene 12_56_128 yd "Well, I think you're wrong. You and Mom would be great together. I know you would." yd "{i}(I promised Mom I wouldn't interfere, but pushing [pl] isn't interfering. Not really...){/i}" scene 12_56_128 yd "[pl], can I ask you something?" scene 12_56_130 pl "Something else? You've got a lot of questions tonight." scene 12_56_128 yd "Sorry. I just...I don't feel like sleeping yet." scene 12_56_130 pl "Okay, sweetheart. One more question and then you really need to get some sleep." pl "What would you like to ask?" scene 12_56_132 yd "Where do you live? I mean, where did you live before you came to live with us." pl "In the city. I have a small apartment there. Why do you ask?" scene 12_56_136 yd "No reason. I'm just interested." yd "I'd like to see it. Could we go there sometime?" scene 12_56_130 pl "I guess so. But it's not much, and I should definitely give it a clean before I let you see it. I left it in a bit of a mess." pl "I haven't been back in a long time. I probably should go and check to make sure everything is okay." scene 12_56_136 yd "I think you should sell it." scene 12_56_130 pl "Sell it? Why do you think I should do that?" scene 12_56_128 yd "Because you're living with us now." yd "It's silly for you to keep paying bills and stuff." scene 12_56_136 yd "You should just stay here with me and Mom." yd "I can't imagine living here without you now, [pl]." pl "{i}(And I can't imagine leaving.){/i}" scene 12_56_128 yd "Anyway, I'm sorry for talking so much, [pl]." yd "I'll try and go to sleep now." scene 12_56_132 pl "Sweet dreams, [yd]." pl "See you in the morning..." # PUT EMMA BACK IN HER BED show black with fade scene 12_56_200 with fade pl "{i}(The sun's rising. [mom] and [aunt] will be up soon.){/i}" pl "{i}(I'd better get [yd] back to her own bed.){/i}" scene 12_56_208 pl "[yd], are you awake?" pl "Hey, lazybones. Time to wake up." scene 12_56_212 pl "Sweetheart, you need to go back to your room before your mother wakes up." pl "{i}(No. She's fast asleep.){/i}" scene 12_56_216 pl "{i}(What would [mom] think if she found her here?){/i}" pl "{i}(It's completely innocent, I love [yd] like my own daughter, but I know [mom] wouldn't see it that way.){/i}" scene 12_56_220 pl "{i}(I wish she could trust me like [yd] does.){/i}" pl "{i}(The Lloyd family has come to mean so much to me. I only want what is best for them...even [od]!){/i}" scene 12_56_218 pl "{i}(Okay. I'd better check that the coast is clear.){/i}" pl "{i}(I need to get her back without [mom] or [aunt] catching me.){/i}" scene 12_56_224 pl "Come on, sweetheart. Let's get you back to your own bed." pl "You can carry on sleeping there." scene 12_56_228 pl "{i}(I'm so proud of her for telling that creep to stop, especially seeing how in love with him she was.){/i}" pl "{i}(How many other girls just let him do what he wanted, only to regret it later?){/i}" scene 12_56_260 pl "{i}(But she escaped one creep only to fall victim to an even bigger, more dangerous one.){/i}" pl "{i}(I hope she isn't going to be too affected by this.){/i}" scene 12_56_264 pl "{i}(And I hope these nightmares stop soon. I hate seeing her upset.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# pl "{i}(And she can't keep sleeping with me...as much as I like holding her.){/i}" scene 12_56_270 pl "{i}(Mission successfully accomplished. Principal safely returned to her bed.){/i}" pl "{i}(Returning to base for a quick shower before breakfast.){/i}" # SUNDAY ################################################################################ # BREAKFAST #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_57_030 with fade mom "{i}([aunt]'s right. If [pl] had killed [jas] while I was being attacked, I would never have questioned his actions.){/i}" mom "{i}(He knows how corrupt this town is. What if [det] had gotten away with it?){/i}" scene 12_57_034 mom "{i}(He'd have been free to attack [yd] again, just like [jas]'s free now.){/i}" mom "{i}([pl] made sure [yd] isn't going to spend the rest of her life living in fear and looking over her shoulder.){/i}" scene 12_57_035 mom "{i}(I don't know whether he did the right thing or not. Maybe he didn't know either when he did it.){/i}" mom "{i}(But I do know that he did what he believed was right, and he did it for [yd].){/i}" scene 12_57_036 mom "{i}(So why does it bother me so much that he killed him?){/i}" mom "{i}([pl] risked everything for [yd]. I should be grateful!){/i}" scene 12_57_038 pl "{i}([mom] looks lost in thought. Probably thinking about me, and not in a good way.){/i}" pl "{i}(Maybe I shouldn't disturb her, but we can't go back to how things were between us.){/i}" pl "{i}(We need to talk, and I need to know what her plans are for me.){/i}" scene 12_57_042 mom "Good morning, [pl]." mom "Would you like to join me?" scene 12_57_046 pl "Thank you." mom "[pl], I'm sorry about [od]'s behaviour last night. I think she just got the wrong impression." pl "There's no need to apologize, [mom]. I'm getting used to her behaviour by now." mom "[aunt]'s going to talk to her. She's always been better at getting through to her than I have." scene 12_57_054 pl "That's good, but it's [yd] I'm concerned about." pl "[mom], I know you're not very happy with me at the minute..." scene 12_57_050 mom "That's not true! Not really." mom "{i}(Why am I lying? He's not stupid.){/i}" mom "{i}(What must he think of me? I've been angry with him for saving my daughter's life!){/i}" scene 12_57_054 pl "Anyway, I wanted to know if it would be okay for me to take [yd] for a run. If she wants to go that is." pl "I don't think it's good for her to spend too much time alone and indoors. She's just going to dwell on what happened." scene 12_57_050 mom "Oh. I think you're right, [pl]. That's very thoughtful of you." mom "And I don't have a problem with it." scene 12_57_051 mom "{i}(He really does care about her well-being, not just her safety. [aunt]'s right about that too.){/i}" scene 12_57_060 yd "{i}(It looks like Mom's talking to [pl] again.){/i}" yd "{i}(That's great! I hate it when she's upset with him.){/i}" scene 12_57_064 mom "Good morning, sweetheart. You look beautiful this morning." mom "How are you feeling?" scene 12_57_068 yd "I'm feeling okay, thank you." yd "How are you, Mom?" scene 12_57_077 mom "I'm feeling okay too. Thank you for asking." mom "How did you sleep last night? Did you sleep well?" scene 12_57_072 yd "Yes! I slept really well, Mom." scene 12_57_078 yd "I was hugging my teddy bear." scene 12_57_077 mom "Which one, Mr Snuggles?" scene 12_57_078 yd "No. Another one." scene 12_57_072 mom "That's good sweetheart. Give him a hug from me." scene 12_57_076 mom "[yd], [pl] wanted to ask you something." scene 12_57_080 pl "I wondered if you'd like to go for a run this morning." pl "We haven't been for a while and I promised I'd take you. How about we go to the hills?" scene 12_57_084 yd "Thank you, but I don't really feel like going anywhere today." yd "Can we leave it until next weekend?" scene 12_57_085 mom "Are you sure, sweetheart? [pl] could take you to the beach if you'd rather go there." mom "Maybe I could come too? How about we all go?" scene 12_57_076 yd "{i}(Hmm. Mom wants to go. I want her and [pl] to spend as much time together as possible.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_57_072 yd "Okay, Mom!" yd "We'll all go the beach. The three of us together. Like a family..." # GO FOR BEACH WALK show black with fade scene 12_57_100 with fade play sound "audio/car_door_01.ogg" #KoGa3 START# $ KoGa3CurrentMusic=MusicHome1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "I love it here. There's never any people here." yd "Just the sound of the ocean." scene 12_57_104 mom "But it's good to be around other people sometimes, [yd]. Isn't that right, [pl]." pl "Absolutely. It's not good to be alone all of the time." scene 12_57_108 yd "Now we're here, I feel like going for a run!" yd "How about it, [pl]? Can we go running?" scene 12_57_110 mom "Sweetheart, I don't feel like running today, and you're not dressed for it now." mom "Let's just go for a walk. How about we leave our shoes here and walk barefoot on the sand?" scene 12_57_108 yd "Okay, Mom. But if we're going to be lazy..." yd "[pl], can you lift me over the wall? Please!" scene 12_57_112 pl "Okay, sweetheart." pl "Put your arm around my neck and hold on tight." scene 12_57_120 yd "Thanks, [pl]. I should get you to carry me everywhere!" yd "Maybe you can lift Mom over next!" scene 12_57_124 yd "Your turn, Mom. Why don't you let [pl] lift you over too?" yd "Don't worry, he won't drop you. He's really strong!" scene 12_57_128 mom "I know he's strong, sweetheart. I'm not afraid of being dropped. " mom "I can just manage to get over the wall on my own. Thank you." scene 12_57_136 yd "Let me help you then, Mom." mom "Okay, sweetheart. Thank you." scene 12_57_180 play ambient "audio/waves_01.ogg" yd "Let's go to the sea. I want to go for a paddle and get my feet wet!" mom "Okay, sweetheart. But try not to get your jeans wet this time!" scene 12_57_200 with fade yd "{i}(Mom is the best mom in the world, but I've always missed having a dad...until now.){/i}" yd "{i}(I just wish it hadn't taken so long to find him.){/i}" yd "{i}(Now that I have, I don't want him to let go of my hand, EVER!){/i}" scene 12_57_212 yd "I've really missed running, [pl]." yd "Do you promise to take me next weekend?" scene 12_57_216 pl "I promise, sweetheart. If you want to go then we'll go." pl "{i}(Now that [yd] is safe, maybe we can relax a little on when and where she can go out.){/i}" scene 12_57_234 yd "And will you come with us, Mom?" yd "Only I thought you and [pl] were going to race again!" scene 12_57_220 mom "We'll have to see, sweetheart." mom "[pl] said he wanted to get in shape before our next race, but it looks like he still needs more time." scene 12_57_224 pl "Hey. I shouldn't have to listen to this kind of smack talk. There are laws against abuse in the workplace." pl "I will race you. Just name the time and the place!" scene 12_57_234 yd "See, Mom. You have to come running with us now!" yd "But I think we should try and find somewhere different to go. I want to go somewhere new." scene 12_57_220 mom "It doesn't look like I have a choice now, sweetheart." mom "Someone doesn't seem to realize when they're beat." scene 12_57_234 yd "Oh, Mom, I just remembered. [model] is coming to see us this morning." yd "She told me when we were talking to the FBI." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_57_230 mom "Really? We'd better go home then, sweetheart." mom "We don't want to miss her, do we." stop ambient # KAYLAH VISITS show black with fade scene 12_57_400 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicKaylah1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "[model], it's so good of you to come." mom "[yd]'s excited to see you." scene 12_57_404 model "Hello, [mom]. I'm glad to see you looking well." model "How are you? Are you okay?" scene 12_57_408 mom "Not really. I'm coping...just about." model "It must have been awful, [mom]. I'm so sorry." scene 12_57_412 mom "Thank you. It was traumatic, but we'll get through this." scene 12_57_414 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"kay_choice_01\"") #KoGa3End model "You're lucky to have [pl] here. Who knows what might have happened otherwise." model "That reminds me. I really need to talk to him about getting a bodyguard for myself." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if kay_choice_01: scene 12_57_420 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End model "We saw each other yesterday, but we had other things on our minds and I completely forget about it." model "Thank you for giving him the time off, [mom]. I think he needed it." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 12_57_428 mom "He came to see you?" mom "Yesterday?" scene 12_57_420 model "Yes. Sorry, didn't he tell you?" model "We had a great time together." scene 12_57_428 mom "No. He didn't tell me." mom "It's fine. I don't care. I guess I just would have liked to know..." scene 12_57_430 mom "{i}(I can't believe he went to have sex with her at a time like this!){/i}" mom "{i}(Does he care about us at all?){/i}" scene 12_57_434 mom "{i}(Or is it only sex he cares about?){/i}" mom "{i}(Have I misjudged him? Is he really any different from every other man?){/i}" else: scene 12_57_412 mom "Oh. He came to see you did he. He never told me." mom "Well, he should be able to have more time off now that [yd] is safe." scene 12_57_420 model "And how is [yd]? How is she handling this?" model "I can't imagine anyone wanting to hurt her." scene 12_57_416 mom "It was obviously a terrifying ordeal for her. She was so excited about her big date." mom "But I think she'll be okay, and seeing you will definitely cheer her up." scene 12_57_412 model "I hope so. I have a surprise for her which I'm sure will make her happy." model "I'd better go and see her then. Thanks, [mom]." #scene 12_57_592 with fade #yd "{i}(){/i}" #yd "{i}(){/i}" scene 12_57_596 with fade play sound "audio/door_knock_01.ogg" "*KNOCKING*" model "[yd]. Can I come in?" scene 12_57_598 yd "{i}(It's [model]!){/i}" yd "Yes! Just a second." scene 12_57_600 play sound "audio/door_open.ogg" yd "Hi, [model]. It's so good to see you!" yd "Thanks for coming." scene 12_57_604 model "It's good to see you too, [yd]." model "I couldn't believe it when [pl] told me what had happened." scene 12_57_608 model "I'm so glad you weren't hurt." model "It must have been scary. How are you feeling?" scene 12_57_612 yd "I'm feeling okay, I guess. But it WAS scary, [model]." yd "I thought...I thought I was going to die." scene 12_57_616 model "Oh, [yd], sweetheart." model "Give me a hug." scene 12_57_620 model "I'm sorry you went through such a terrible ordeal." yd "Thank you." scene 12_57_624 yd "I'm so lucky to have [pl] here to protect me." yd "He came and rescued me, like a knight in shining armour!" scene 12_57_628 yd "Have you seen what he bought me, [model]?" yd "Isn't it beautiful." scene 12_57_632 model "Wow! That is very beautiful, [yd]." model "You're very lucky to have a man buy you jewellery." scene 12_57_634 model "I have something to give you too. Can we sit down on your bed?" yd "Okay! What is it, [model]?" scene 12_57_640 model "Do you remember when I said that I'd take you somewhere to see someone?" yd "Yes!" model "Do you remember who it was?" scene 12_57_644 yd "Of course I do. You said you'd take me to meet my favourite designer, Valentini!" yd "You're not taking me to see Valentini, are you?" scene 12_57_646 model "That's right. He's not as busy now and we can go see him." model "If you still want to that is..." scene 12_57_648 yd "I do! Of course I do, [model]!!" yd "Wow! This is so exciting. When can we go?" scene 12_57_650 model "Soon. I'll speak to him and arrange it." model "He's taken a real interest in you, [yd]. He keeps asking about you." scene 12_57_640 yd "Really? Wow." model "I think he could really help kickstart your career." scene 12_57_646 model "[yd], I'm sorry, but I can't stay any longer. I just needed to come and see you." model "I'm happy you're okay. And if you need to talk to me, about anything, then you call me." scene 12_57_660 yd "I will, [model]. Thank you." yd "And thank you for taking me to meet Valentini!" scene 12_57_668 model "It's my pleasure. And I'm excited for you to meet him too." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# model "I'll call you as soon as I've spoken to him." scene 12_57_664 yd "Thanks, [model]. I can't wait." # JENNY CALLS EMMA IN BED show black with fade scene 12_58_452 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(It's so nice of [model] to take me to meet Valentini. I should do something nice for her.){/i}" yd "{i}(Maybe I could design another dress for her?){/i}" scene 12_58_456 play sound "audio/phone01.ogg" yd "{i}([ydfr]? Why is she calling me?){/i}" yd "{i}(We haven't spoken since her birthday party, and it's so late.){/i}" scene 12_58_460 yd "[ydfr]? Is that you?" scene 12_58_464 ydfr "[yd], have you heard the news?" ydfr "Everyone's talking about you. Were you really with him?!" scene 12_58_460 yd "What?! Why are people talking about me?" yd "What news?" scene 12_58_466 ydfr "[zak]'s dead, [yd]. Someone stabbed him!" ydfr "People are saying that you were with him when it happened. Is that true?" scene 12_58_470 yd "No! Well, kind of." yd "We went on a date...but I wasn't with him when it happened!" scene 12_58_469 yd "{i}(How did they find out? How do people know I was with [zak]?){/i}" scene 12_58_478 ydfr "Oh, [yd], I'm so happy you weren't there. That would have been awful." ydfr "I was worried you might have been hurt too." scene 12_58_480 ydfr "But I can't believe [zak]'s dead. Everyone at college is going to be talking about it tomorrow." ydfr "And the media will be there for sure!" scene 12_58_482 yd "What?! Do you think so?" yd "But, if they find out that I was with him then they'll all want to talk to me!" scene 12_58_464 yd "{i}(Oh no! I hadn't thought about that.){/i}" yd "{i}(What am I going to do?){/i}" scene 12_58_476 ydfr "What are you going to do, [yd]? Are you going to go to college tomorrow?" scene 12_58_480 ydfr "If you are then meet me and we'll talk. I've been wanting to talk to you anyway." scene 12_58_474 yd "Okay. I'll meet you at our bench before college starts." yd "Bye, [ydfr]." scene 12_58_500 yd "{i}([ydfr]'s right. [zak] was a huge star. Of course the news people will be there!){/i}" yd "{i}(I don't want to have to talk to them! I need to talk to Mom!!){/i}" # EMMA GOES TO SLEEP WITH CHARLOTTE AND TALK scene 12_58_508 with fade play sound "audio/door_knock_01.ogg" "*KNOCKING*" yd "Mom." scene 12_58_512 play sound "audio/door_open.ogg" mom "[yd]. Is everything alright, sweetheart?" mom "You're not having bad dreams again, are you?" scene 12_58_516 yd "No. I haven't been to sleep yet." yd "But I'm worried, Mom. Can I talk to you?" scene 12_58_512 mom "Of course you can, sweetheart." mom "You know you can always talk to me about anything." scene 12_58_520 mom "Come on. Let's get into my bed and you can tell me what's wrong." yd "Thanks, Mom." scene 12_58_530 with fade mom "So, what's got you worried?" scene 12_58_532 yd "[ydfr] just called. She said everyone knows about [zak]." yd "She said that people think I was with him when he was killed." scene 12_58_534 yd "And she said that the news reporters will be at the college tomorrow." yd "What if the news people ask me questions, Mom? What if they put me on the news!" scene 12_58_536 mom "{i}(I guess it was too much to hope that [yd]'s name could be kept out of this completely.){/i}" scene 12_58_538 mom "Sweetheart, the media don't bother me any more. Do you know why?" mom "Because they need a story. If you won't give it to them then they're just wasting their time." mom "So, if they do bother you, don't say anything to them. Don't answer their questions and don't respond to their provocations." mom "Just ignore them and they'll leave you alone and look elsewhere for their story." scene 12_58_542 mom "But, you don't have to rush back to college if you don't want to. Not after what happened." mom "If you're worried about going back, and need to take time off, then that's okay. The college will understand." scene 12_58_540 yd "I don't really want to go back to college, but we have the final year fashion show soon and I have to win it." yd "My design has to be the best!" scene 12_58_549 mom "It's good that you want to carry on and not let this affect you, [yd]. I'm very proud of you." mom "And you know that if there's anything I can do for you, anything you need, then I will give it to you." scene 12_58_550 yd "Thanks, Mom. You're the best." scene 12_58_554 mom "So, was that the only thing bothering you? Are you sure you don't need to talk to someone about what happened?" mom "It was a traumatic event, sweetheart. It's okay if you need to see a counsellor." scene 12_58_552 yd "I don't need a counsellor, Mom. I have you and Aunt [aunt] and [od] to talk to." yd "Plus I have [pl] to protect me. He promised that he'd never let anything bad happen to me." scene 12_58_536 mom "{i}(I wish she wasn't so attached to [pl].){/i}" mom "{i}(How will she react if I tell him I don't need his services any longer?){/i}" scene 12_58_540 yd "But..." scene 12_58_542 mom "But what, sweetheart?" scene 12_58_543 yd "There is something else, Mom." yd "I thought I was in love with [zak]. I was so sure of it." scene 12_58_540 yd "He seemed perfect. I dreamt that we'd get married and everything." yd "But he turned out to be the biggest creep in the world!" scene 12_58_543 yd "You tried to warn me and I didn't listen. Even seeing him and [ydfr] together didn't change the way I felt about him." yd "How could I be so blind, Mom? How can I tell who is a good man and who isn't?" scene 12_58_541 mom "Oh, sweetheart. You're asking the wrong person." mom "I told you that I thought your father was in love with me, but he wasn't." scene 12_58_544 mom "When he left us I felt the same as you do now. I didn't know how I could ever trust another man." mom "After misjudging your father so badly I didn't trust myself to discern who was a good man and who wasn't." mom "There are so many men that want to be with me for the wrong reasons." scene 12_58_540 yd "Is that why you haven't been close to anyone since?" scene 12_58_541 mom "Yes. I don't want to be hurt again. It's too painful." mom "But there are other reasons too." scene 12_58_543 yd "What other reasons are there?" scene 12_58_545 mom "Oh! I shouldn't have said that." mom "I'm sorry, [yd], but I don't want to talk about that with you." scene 12_58_546 yd "Mom! You said you'd start treating me like an adult." yd "I want to know. It's okay. You can tell me." scene 12_58_536 mom "{i}(Should I tell her? I promised I wouldn't keep secrets from her any more.){/i}" mom "{i}(She's going to be angry and upset if I don't. I might as well.){/i}" scene 12_58_542 mom "[yd], I've been attacked by other men. They didn't hurt me, not badly, but they tried to force themselves on me." scene 12_58_543 yd "You mean...they tried to rape you?" scene 12_58_541 mom "Yes, sweetheart." scene 12_58_547 yd "Oh, Mom. I'm sorry." yd "That must have been awful." scene 12_58_544 mom "I just don't think I can ever trust a man again, not enough to be intimate." mom "I've had too many bad experiences." scene 12_58_540 yd "But [pl]'s not like that. You can trust him." scene 12_58_541 mom "[yd], you don't know that, and that's the problem." scene 12_58_540 yd "Yes I do know that. When I asked him to come and help me wake you up, you weren't wearing a top." scene 12_58_545 mom "What?! I wasn't?" scene 12_58_546 yd "No. It's okay. You were lying face down, but we needed to roll you over." yd "[pl] made me put a top on you so he didn't see your boobs. He even left the room while I did it." scene 12_58_544 mom "Really?" scene 12_58_543 yd "Yes. So you can trust him, Mom." scene 12_58_540 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End yd "You're getting closer to him aren't you, Mom?" scene 12_58_545 mom "[yd]..." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: yd "But you are, Mom. I know you are." scene 12_58_540 yd "I see the way you look at him. You like him, don't you?" scene 12_58_542 mom "Maybe, sweetheart. I don't know." mom "With everything that's happened, it's hard to know what I'm feeling right now." scene 12_58_536 mom "{i}(That's a lie. There's no confusion. I do like him.){/i}" mom "{i}(But I misjudged [yd]'s father so badly, what if I get it wrong again?){/i}" scene 12_58_537 mom "{i}(What if [pl]'s not the man I think he is?){/i}" mom "{i}(And how can I not have doubts after watching him brutally kill someone?){/i}" mom "{i}([pl]'s so big and strong. If I couldn't fight [jas] off, what chance would I have against him?){/i}" scene 12_58_536 mom "{i}(But I KNOW he'd never hurt me. He isn't like that.){/i}" scene 12_58_539 mom "{i}([pl]'s a good man, and I've already gotten closer to him than I thought possible.){/i}" mom "{i}(And if he feels the same way as I do, then all I have to do is tell him how I feel.){/i}" scene 12_58_539 mom "{i}(I just tell him that I like him and we could be together.){/i}" mom "{i}(Is it really possible?){/i}" show white with dissolve scene 12_58_600 with dissolve mom "{i}(Or is it just a stupid dream...){/i}" scene 12_58_552 with dissolve yd "Mom!" scene 12_58_554 mom "Sorry, sweetheart. What did you say?" else: yd "Sorry." mom "I'm learning to trust him, so naturally we're getting closer." scene 12_58_542 mom "But just as friends, sweetheart. He's a good man and I like having him here." yd "Me too!" scene 12_58_552 yd "Mom, if [pl] was here to keep me safe, then what is he going to do now?" yd "You're not going to let him leave us are you, Mom?" scene 12_58_554 mom "No, sweetheart. He's not going to leave us. Not just yet." mom "At least, I hope he isn't. I need to discuss it with him." scene 12_58_540 yd "Okay, well, I think I should be there when you do." scene 12_58_542 mom "You do?" scene 12_58_540 yd "Yes, because it concerns me too. And I'm an adult now!" yd "I need him to stay, Mom. I feel safe when he's here." scene 12_58_544 mom "So do I, [yd]. I want him to stay too." mom "But, sweetheart, I need him to protect me now as he has protected you." scene 12_58_543 yd "Oh. So does that mean I wouldn't get to spend as much time with him?" scene 12_58_544 mom "I'm afraid it probably does, sweetheart. I'm sorry." scene 12_58_541 mom "At least he'd still be here living with us. That's good, isn't it?" scene 12_58_548 yd "{i}(But I don't want to spend less time with [pl]!){/i}" yd "{i}(I guess if he spends more time with Mom that increases the chance of them falling in love!){/i}" yd "{i}(And Mom needs him now. [pl] will stop any more bad men from attacking her.){/i}" scene 12_58_540 yd "Okay, Mom. You can have him." yd "I'll just have to spend more time with him in the evenings and at weekends." scene 12_58_542 mom "[yd], you make it sound like we're fighting for custody." mom "Don't worry. I'm sure [pl] will still want to spend lots of time with you..." scene 12_58_544 mom "IF he agrees to stay." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_58_549 mom "Okay. Time for you to go to sleep. You need to be up early if you want to go to college in the morning." mom "And try not to worry about it, sweetheart. [pl] will be there to look after you." # DRIVE TO COLLEGE show black with fade scene 12_60_086 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious9 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "You've been very quiet this morning, sweetheart. Is everything okay?" pl "What are you thinking about?" scene 12_60_084 yd "My friend [ydfr] called last night. She said everyone knows I was with [zak]." yd "And she said there would be a lot of journalists and news reporters at college today." scene 12_60_087 yd "Do you think she's right, [pl]? What if they know? What if they want to talk to me?" pl "I don't know, [yd]. But we're almost there, so we'll find out soon." pl "Try not to worry. I'm here with you." scene 12_60_088 yd "{i}(Maybe I should have stayed at home today, but it's not long until graduation.){/i}" yd "{i}(I just need to get my work for the fashion show finished, and then I won't have to come back to this horrible place ever again!){/i}" scene 12_60_090 pl "Unfortunately, it looks like your friend was right, [yd]." yd "Oh no!" scene 12_60_096 yd "Can we turn around and go home, [pl]? Please!" pl "You'll be okay, sweetheart. They aren't allowed into the college." scene 12_60_092 yd "Quick, [pl]. Can I borrow your sunglasses?" yd "I need them!" scene 12_60_094 pl "Of course you can. They're in the glove compartment." pl "But what do you want them for?" scene 12_60_100 yd "When Mom doesn't want people to recognize her she always wears her sunglasses!" pl "That's good thinking, [yd]. Just stay low and I'll get us into the college as quickly as possible." # CAR PARK scene 12_60_104 with fade pl "We made it, [yd]. Have a good day, and study hard!" pl "And don't worry about the news reporters. They'll have a new story to chase tomorrow." scene 12_60_108 yd "Wait. It's not quite time for me to go yet." yd "I still have a few minutes..." scene 12_60_112 yd "[pl], did you notice that I'm wearing the necklace you gave me?" pl "I did, sweetheart. It makes me happy to see you wearing it." pl "I'm not very good at buying presents, especially not for young ladies." scene 12_60_116 yd "Well I think you are. I love my necklace." yd "We'll have to fight more often so that you'll buy me more jewellery!" scene 12_60_117 pl "Okay. Well, you'd better get going before we have another argument then." pl "I can't afford to buy you another necklace so soon after the last one." scene 12_60_114 yd "But I don't want to go yet, [pl]." yd "Everyone's going to be talking about me. I don't want to have to face them." scene 12_60_115 pl "Unfortunately, you have to, [yd]. You have to face them sometime." pl "It's better to do it now and get it over with quickly, otherwise you'll just be worrying about it." scene 12_60_119 pl "You're going to be fine, sweetheart. You can do this. You can do anything." pl "And if you're not happy and want to leave, then I'll be right here. Okay?" scene 12_60_120 yd "Okay, but I wish I could just stay here with you, [pl]!" yd "Thank you." scene 12_60_124 pl "{i}(I wish she could stay here too. I don't like letting her out of my sight.){/i}" pl "{i}(I never have, but now...I just want to hold her tight and never let her go.){/i}" scene 12_60_128 yd "I guess I'd better go then. I have to meet my friend [ydfr]." yd "Goodbye, [pl]. See you later." scene 12_60_124 pl "Goodbye, [yd]." pl "Remember that I'm here if you need me." # TALK TO JENNY scene 12_60_200 with fade yd "{i}(Why am I nervous? [ydfr]'s my best friend, or at least she used to be.){/i}" yd "{i}(I guess I'm still mad with her about [zak], but that doesn't seem important now that he's dead.){/i}" scene 12_60_204 yd "{i}(Here she comes.){/i}" yd "{i}(She must have felt bad after [zak] used her like that.){/i}" scene 12_60_206 yd "{i}(I was lucky. He planned on using me too. I could have been hurt like [ydfr] was.){/i}" yd "{i}(Poor [ydfr]. I should put it all behind me and forgive her.){/i}" scene 12_60_208 yd "Hi, [ydfr]." ydfr "Hi. Thanks for meeting me, [yd]." ydfr "I was afraid you wouldn't want to talk to me." scene 12_60_210 ydfr "I really like your necklace. It's beautiful." ydfr "Where did you get it from?" scene 12_60_216 yd "[pl] bought it for me. We fell out and he gave it to me to say sorry." yd "He didn't need to buy me anything though because I can't stay mad at him." scene 12_60_211 ydfr "What?! Is [pl] that big guy I saw you with?" ydfr "And you fell out. Are you, like, seeing each other?" scene 12_60_212 yd "What? No, [ydfr]! It's not like that!!" yd "[pl] looks after me, that's all. He's like my dad." scene 12_60_213 ydfr "Well, you're lucky having him around, [yd]. He's really hunky." ydfr "Do you ever think about what it would be like being with a guy that big?" scene 12_60_217 yd "[ydfr]! Let's change the subject." yd "What did you want to talk to me about?" scene 12_60_210 ydfr "Sorry, [yd]. I'm just...I'm nervous." ydfr "Shall we sit down?" scene 12_60_218 ydfr "I was worried you'd still be mad at me after what happened at my birthday party." ydfr "So I wanted to apologize and say sorry for not being friends with you the last couple of years." scene 12_60_228 ydfr "I've missed you, [yd], but my mom told me I should hang out with [zak] and the others." ydfr "You know, people whose parents are connected in the movie industry because she wants me to be an actress." scene 12_60_224 yd "It's okay, [ydfr]." yd "I could've hung out with them too, but I didn't want to. I don't like parties and stuff." scene 12_60_236 ydfr "[yd], she encouraged me to sleep with [zak]. She said it would help my career because his dad's a producer." ydfr "She pushed me to do it and then he just used me. I hate her, [yd]!" scene 12_60_232 yd "That's awful, [ydfr]! I'm sorry." yd "I can't believe your mom would do that. My mom would never do something like that." scene 12_60_220 ydfr "I know, [yd]. You're so lucky having your mom. She was always more interested in me than my own parents!" ydfr "How is she? I'd love to see her again." scene 12_60_224 yd "She's okay, I guess. I'm sure she'd love to see you again too, [ydfr]." yd "You should come to the house. We could play in the pool like we used to!" scene 12_60_236 ydfr "That sounds great. I'd love that." ydfr "And maybe [pl] could join us. What do you think?" scene 12_60_237 yd "[ydfr]!" ydfr "I'm sorry, [yd]. I'm just teasing you." scene 12_60_240 # 2shot ydfr "[yd], I'm really sorry for hurting you." ydfr "Can we be friends again? I miss you." scene 12_60_244 # wide hug yd "I never stopped being your friend, [ydfr]." yd "I'd really like it if we could hang out again like we used to." scene 12_60_252 ydfr "Thank you, [yd]!" ydfr "I'll give you a call sometime and we can do something together." scene 12_60_248 yd "That sounds great." yd "We'd better go. We're going to be late for class." # EMMA COLLEGE scene 12_60_496 with fade yd "{i}(Everybody's staring at me.){/i}" yd "{i}(I hope nobody asks me about what happened.){/i}" scene 12_60_500 yd "{i}(I just want to forget all about it.){/i}" yd "{i}(Why won't they just mind their own business and leave me alone.){/i}" scene 12_60_504 g1 "I can't believe she was on a date with [zak]. She's just a child!" g2 "I know, right. Look at her clothes, and what's up with that stupid necklace she's wearing?!" scene 12_60_510 yd "{i}(Why do they say such mean things? Don't they know I can hear them.){/i}" yd "{i}(This was a mistake. I should have stayed at home. I should have stayed with [pl].){/i}" scene 12_60_520 yd "{i}(I wonder if [dav]'s here. Everything he said about [zak] was true.){/i}" yd "{i}(I should apologize to him for the nasty things I said.){/i}" scene 12_60_530 b3 "I really didn't think she'd show up today. Not after what she did." b2 "I know. I can't believe she's here." scene 12_60_532 yd "{i}(Oh no!){/i}" yd "{i}(One of [zak]'s friends is coming over.){/i}" scene 12_60_534 yd "{i}(What does he want?){/i}" b2 "Hey, you! Turn around and look at me!!" scene 12_60_540 play sound "audio/locker_slam.ogg" b2 "What the fuck are you doing here?" b2 "Are you happy [zak]'s dead?" scene 12_60_542 b2 "He's dead because of you, you little bitch!" b2 "Why did you come here today? Are you just trying to start trouble?!" scene 12_60_546 yd "What are you talking about? I wasn't with him!" yd "Just leave me alone! You don't know what happened!!" # EMMA RUNS OUT OF COLLEGE scene 12_60_700 #with fade pl "{i}(I hope [yd]'s going to be okay today.){/i}" pl "{i}(I know she's worried about her college work, but maybe she should have taken a couple of days off before returning...){/i}" scene 12_60_704 pl "{i}(Oh no. I spoke too soon.){/i}" pl "{i}(She looks upset.){/i}" scene 12_60_708 pl "[yd], is everything okay?" pl "What's wrong?" scene 12_60_710 yd "Everybody was staring at me, [pl]. Everyone knows I was with [zak]." yd "They were all whispering and talking about me. It was horrible!" scene 12_60_712 pl "I'm sorry, sweetheart. Give me a hug." pl "Everything's going to be okay. I'm here." scene 12_60_713 yd "{i}(Everything already is okay now I'm back with [pl].){/i}" scene 12_60_716 pl "So what happened? Was someone mean to you?" pl "Do I need to call your sister and get her to beat someone up?" scene 12_60_726 yd "[zak]'s friends think I'm responsible for what happened!" yd "They were angry with me. I thought one boy was going to hit me!" yd "I was scared, [pl]." scene 12_60_718 pl "{i}(Bastard! Kid or not, anybody that touches her will be sorry they did!){/i}" scene 12_60_724 yd "All I could think about was you and how safe you make me feel." yd "I'm so glad you're here, [pl]." scene 12_60_716 pl "Don't worry, [yd]. I won't let anyone hurt you." pl "You're safe now." scene 12_60_720 yd "[pl], I can't go back in there, not with everyone looking at me. I want to go home." yd "I don't ever want to go back there!" scene 12_60_730 pl "Okay, sweetheart. I'd better call your mother and let her know what's happening." pl "Why don't you sit in the car. I'll just be a minute." scene 12_60_732 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "{i}(She's only a couple of weeks away from graduating, but is she even going to make it?){/i}" pl "{i}(I hope [mom] isn't busy...){/i}" scene 12_60_733 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious10 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# "Guy 1" "We're very excited to have you endorse our new line of lingerie, [mom]." "Guy 2" "Absolutely. We can't wait to see you wearing it!" scene 12_60_734 "Guy 1" "Yes. We're really excited by the assets that you're bringing to the table." "Guy 2" "Right. Incredible assets!" scene 12_60_735 "Guy 1" "{i}(Damn. I don't think that button can hold on much longer!){/i}" "Guy 1" "{i}(I can't wait to see those breasts squeezed into one of our corsets.){/i}" scene 12_60_738 mom "Well, thank you for choosing me to model for you." mom "I'm grateful to have the opportunity to work with you and promote such beautiful designs." play sound "audio/phone01.ogg" scene 12_60_739 mom "{i}([pl]. What does he want?){/i}" mom "Sorry, but would you excuse me. I need to take this call." scene 12_60_740 "Guy 1" "God damn! The front's good, but the back is even better!" "Guy 1" "What a view." scene 12_60_742 "Guy 2" "Her legs are so long. I'd love to run my tongue up the inside of her thigh!" "Guy 1" "Imagine having those wrapped around your waist." "Guy 2" "I am imagining it, but they're wrapped around my head!" scene 12_60_744 "Guy 1" "We need to get this deal signed quickly so we can organize our first photoshoot with her." "Guy 2" "Right. How much extra would topless shots cost us? I need to see those tits!" scene 12_60_746 aunt "{i}(Look at them drooling over her like she's a piece of meat. Fucking assholes!){/i}" scene 12_60_748 with dissolve aunt "{i}(Well, while they're thinking with their dicks I'll be able to extort more money out of them.){/i}" scene 12_60_750 mom "[pl], is everything alright?" mom "Has something happened? Is [yd] safe?" scene 12_60_754 pl "Sorry to disturb you, [mom]. I hope I'm not disturbing you." pl "[yd]'s safe, but things didn't go well at college. She's upset and wants me to take her home." scene 12_60_752 mom "Why, what happened? Are the media there?" mom "She was worried they'd ask her questions and put her on the news." scene 12_60_754 pl "Yes, the media are here. It was hard to even get into the college." pl "But it was the other students that upset her." scene 12_60_755 pl "It sounds like they were all staring at her and gossiping, and one of them confronted her about [zak]." pl "[mom], she said she doesn't want to come back again." scene 12_60_750 mom "Really? Was it that bad?" mom "I'd better call the college and speak to them about it." scene 12_60_752 mom "She only has a few of weeks left before graduation. Maybe she could finish her studies at home." mom "What do you think, [pl]?" scene 12_60_754 pl "{i}([mom]'s asking me?){/i}" pl "Well, if the media find out she was with [zak] the night he died, then things will get a lot worse for her." scene 12_60_755 pl "If she can complete her work at home, away from all this drama, then I think that would be a good thing for her." pl "I'm sure she'd get more work done that way. It's just a question of if the college will allow it." scene 12_60_750 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End mom "I agree, [pl]. Thank you." mom "I'll talk to the college and see if it's possible for her to finish her course at home." scene 12_60_754 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}recommended (Charlotte points){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "Ask [mom] how her day is going[KoGa3ChoiceView1]": show screen screenPtsMomPlus $ pts_mom += 1 pl "Great. I'll try to find a way to cheer her up and take her mind off of things in the meantime." pl "How is your day going? Are you doing anything interesting?" scene 12_60_757 mom "My day? Oh, err, It's going well, thank you." mom "I'm in a meeting with a couple of creeps at the minute." scene 12_60_760 mom "But it's fine. [aunt]'s here with me." mom "I have a feeling she's about to metaphorically bend them over the table and screw them." scene 12_60_758 mom "[pl], I'm probably going to be working late, so please tell [yd] not to wait up for me." mom "And could you tell her that I love her." scene 12_60_754 pl "Of course I can. Consider it done." scene 12_60_756 mom "I'd better get back to them. Thank you for calling. " pl "Goodbye, [mom]." scene 12_60_755 mom "{i}(I'd feel better if you were here though.){/i}" mom "{i}(It feels good just hearing his voice.){/i}" "Say goodbye": scene 12_60_754 pl "Okay, [mom]. I'm sorry to have bothered you." pl "And don't worry about [yd]. I'll look after her and try to cheer her up." scene 12_60_756 mom "Thank you. And could you please tell her that I love her." mom "Oh, and I'm probably going to be working late, so tell [yd] not to wait up for me." mom "Goodbye, [pl]." else: scene 12_60_756 mom "Okay. Thank you for calling, [pl]. We can discuss it further tonight after I've spoken to the college." mom "Oh, and I'm probably going to be working late, so tell [yd] not to wait up for me." pl "Good bye, [mom]." # MC TAKES EMMA TO BEACH scene 12_60_800 play sound "audio/car_door_01.ogg" pl "I spoke to your mother. She told me to tell you that she loves you." pl "And she's going to call the college to discuss your situation." scene 12_60_802 pl "Don't worry, [yd]. Your mother will sort things out." scene 12_60_804 yd "I hope so. Everyone blames me for what happened to [zak]." yd "And I don't think even [od] can beat them all up!" scene 12_60_806 pl "Your mother wondered if you could complete your course at home." pl "What do you think? Would that be good?" scene 12_60_804 yd "That would be brilliant! Do you think I could? " yd "I hope I can because I don't have much left to do now. I just have to design my dress for the end of year show." scene 12_60_806 pl "{i}(It would make things easier for me if she could stay at home.){/i}" pl "{i}(But she is already so isolated. We can't let her become any more withdrawn...){/i}" scene 12_60_800 pl "Sweetheart, seeing as we have some free time, would you like to go somewhere?" pl "You said you missed going to the beach. Would you like to go again?" pl "Maybe we could go to the main beach this time." scene 12_60_804 yd "I don't know, [pl]. There are always lots of people there." yd "I think I'd rather just go home." scene 12_60_806 pl "How about if I promise to buy you an ice cream? Would you go then?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# scene 12_60_808 yd "Ice cream? Could I have chocolate flavour?" pl "You can have whatever flavour you like, sweetheart." yd "Okay!" show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicEmma1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 12_60_816 with fade yd "I haven't been to this beach in a long time, [pl]." yd "[od] used to work here as a lifeguard in the summer, so I used to come here quite a lot and hang out with her." scene 12_60_817 yd "So I know where the ice creams are! They're over there!!" pl "Okay. It sounds like you want to go and get those first, so lead the way." scene 12_60_818 with fade pl "How come your ice cream is twice as big as mine?" yd "Because I'm twice as special!" pl "Is that right?" scene 12_60_820 yd "Yes. The man said I was and he said that's why I deserved two scoops." yd "Do you think he recognised me?" scene 12_60_824 pl "No, [yd]. I think he was hitting on you." pl "I thought I was going to have to say something to him if he was any more forward." scene 12_60_826 yd "Oh, [pl]. He wasn't hitting on me." yd "You're so mean. You're always teasing me!" #scene 12_60_830 #pl "{i}(.){/i}" #pl "{i}(.){/i}" scene 12_60_840 with fade pl "Emma, how are you..." yd "You're not going to ask me how I'm feeling are you?" pl "Maybe. Don't you want me to ask you that?" scene 12_60_845 yd "No. Everyone keeps asking me, and it just makes me think about what happened." yd "I'd rather we just pretended it didn't happen." scene 12_60_843 pl "Okay, sweetheart. I understand." pl "So, your mother said you don't have much college work left to do now?" scene 12_60_844 yd "That's right. I finished all of my coursework and I only have to design my dress for the end of year show." yd "It has to be the best dress I've ever created because I'm going to win!" scene 12_60_840 pl "And do you think that will help you get a good place at university?" scene 12_60_841 yd "Yes! But..." pl "But what, sweetheart." yd "I'm just not sure I want to go to university now." scene 12_60_845 yd "I was excited about leaving home and going somewhere new..." yd "But now it seems scary. I'm not sure I want to go, and I hate college." yd "What if it's just the same and everyone there is horrible to me?" scene 12_60_843 pl "I don't know much about the fashion world, but university isn't everything." pl "You're very talented. I'm sure you could get a job without having a university degree." scene 12_60_842 pl "Of course, the best person to speak to would be your mother." pl "Or maybe a fashion designer if you know any. Your mother might be able to arrange for you to meet one to get some advice." scene 12_60_845 yd "{i}([pl]'s right. I should speak to someone who works as a fashion designer.){/i}" yd "{i}(I can ask Valentini if I should go to university when I meet him!){/i}" scene 12_60_844 yd "Thanks, [pl]!" scene 12_60_854 yd "[pl], my feet hurt. I wore the wrong shoes for walking in." yd "I'm not sure that I can make it much further." pl "Oh. Do you want to go back to the car?" scene 12_60_856 yd "No. I'm having a lot of fun. I don't want to go home yet." yd "But, maybe you could you carry me for a while until my feet feel better. I should be okay then." scene 12_60_854 pl "Carry you. You mean a piggyback like before?" yd "Not quite..." scene 12_60_858 with fade pl "What's it like up there?" yd "It's amazing, [pl]. I can see forever!" scene 12_60_860 pl "Hey! Who turned the lights out. I can't see where I'm going." pl "I might accidentally walk over to the sea and drop you in it." scene 12_60_864 yd "You wouldn't do that." pl "And what makes you so sure?" scene 12_60_868 yd "Because you love me too much, [pl]!" yd "I know you'd never do anything so mean to me." scene 12_60_870 pl "{i}(She's got that right.){/i}" pl "{i}(I'd do anything for her.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 12_60_872 pl "Come on. We'd better get you home." pl "You need to start on that college work." # SUZI MEETS LUCY scene 12_64_050 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# aunt "{i}(Why did she ask to meet here?){/i}" aunt "{i}(This is where I used to bring them as children.){/i}" scene 12_64_052 aunt "{i}(There she is...and she's eating a sundae!){/i}" aunt "{i}(Why is she eating ice cream?){/i}" scene 12_64_054 aunt "Hey, you." aunt "Why the long face?" scene 12_64_062 od "Aunt [aunt]. Thanks for meeting me." od "I was surprised when you called. I was actually going to call you to see if we could meet and chat." scene 12_64_064 aunt "And you know I'm always happy to spend time with my second favourite niece..." aunt "...unless my favourite niece needs me." scene 12_64_070 od "How is she? Is she okay? Is she still angry with me?" aunt "She's fine. She's getting lots of attention. It's you I'm worried about." scene 12_64_080 od "I'm such an idiot!" od "Why am I so hot-headed?!" scene 12_64_070 aunt "That's easy. You get that from your father." od "Bastard. I knew I hated that asshole!" scene 12_64_090 od "Why did I even order this? I can't eat it!" od "I'm so depressed and angry with myself. I can't even focus on training." scene 12_64_091 aunt "It's okay. Just calm down and we'll figure this out." aunt "Why don't we go and sit on the beach where it's quieter. Then we can talk." scene 12_64_100 with fade aunt "So, tell me what's wrong." od "You were there. You know what's wrong!" od "I upset [yd] and Mom when I should have been supporting them." scene 12_64_104 od "I should've been helping them, but instead I just made things worse. Like I always do." scene 12_64_106 od "They must hate me!" scene 12_64_108 aunt "They don't hate you, [od]. They love you." aunt "Sure, they're angry with you, but that can be put right with a simple apology and a hug." scene 12_64_108 aunt "What's the real problem? Why do you get so angry with [pl]?" scene 12_64_109 aunt "You know, he really cares about [yd]. He risked his life to save her." scene 12_64_112 od "Don't say that! You're just going to make me feel even worse." od "I don't know why I get so angry with him...I actually thought I was starting to like him." scene 12_64_106 aunt "Is it because he's in your room?" od "No. That doesn't bother me. I mean, I don't like that he's so close to Em..." scene 12_64_104 aunt "So it's because he's close to [yd]? Are you worried about her?" aunt "Or are you hurt that he's taken your place and looks after her?" scene 12_64_112 od "Yes to all of that, but none if it bothers me enough to act like this." od "I just...I just hate him!" scene 12_64_106 od "Or, maybe I just think I do." aunt "What's that supposed to mean? Do you feel something else for him?" scene 12_64_112 od "Maybe. I don't know." od "I need to figure it out quickly, though. I'll be moving back home soon." scene 12_64_110 aunt "Oh, that will be fun!" aunt "Can I come and watch you two fight to see who gets your room?" scene 12_64_116 od "You'd like that, wouldn't you!" od "I'm surprised you haven't slept with him yet." scene 12_64_107 aunt "Hey! Who says I haven't?" #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"aunt_choice_03\"") #KoGa3End od "You've not! Have you?" od "Please tell me you're joking!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # LUCY PATH if aunt_choice_03: scene 12_64_108 aunt "Don't tell your mother or sister, but we're kind of together." aunt "And before you say anything, he isn't like any of the other guys I've dated." scene 12_64_104 od "Oh great, so you're going to make that big asshole my uncle?" od "Fuck my life!" aunt "Hey! What have we been talking about?" scene 12_64_112 od "I'm sorry, Aunt [aunt]." od "I guess that just makes it more important for me to stop being so hostile towards him." else: scene 12_64_110 aunt "No, I haven't slept with him...yet." aunt "I just wanted to see what colour your face would go!" scene 12_64_108 aunt "Listen, I have to get back to work." aunt "Call your mother and your sister and apologize. Then put this behind you and stop beating yourself up about it." scene 12_64_110 aunt "And try to be nice to [pl] next time you see him, or at least don't try to start a fight with him." scene 12_64_101 od "I'll do the first two...and I promise to work on the other one." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# aunt "Take care. I love you." od "Thanks, Aunt [aunt]. I love you." # CHARLOTTE COMES HOME scene 12_79_100 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}([mom] said she'd be late, but I expected her to be home by now.){/i}" pl "{i}(I'm getting impatient. I need to know what she wants to talk to me about.){/i}" scene 12_79_104 pl "{i}(I'm sure she wants to discuss my future employment now that [yd]'s safe.){/i}" pl "{i}(She wanted me to become her bodyguard before, but does she still want that?){/i}" scene 12_79_108 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "{i}(Maybe she feels she doesn't need me now that the FBI are here.){/i}" pl "{i}(What am I going to do if she tells me to leave?){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 12_79_112 pl "{i}(No. She can't ask me to leave. Not now.){/i}" pl "{i}(I want to be her bodyguard, and I want to spend more time with her.){/i}" scene 12_79_116 pl "{i}(Here she is now.){/i}" pl "{i}(I hope she asks me to stay. She has to!){/i}" else: scene 12_79_116 pl "{i}(Looks like she's here.){/i}" pl "{i}(I hope she asks me to stay.){/i}" scene 12_79_120 mom "[pl], thank you. Sorry I'm so late." mom "Have you been waiting for me?" scene 12_79_124 pl "Yes, I have. I wanted to make sure that you got home safely." pl "It's been a long day for you. You must be tired." scene 12_79_128 mom "I am. My feet are killing me from wearing these uncomfortable shoes all day." mom "[aunt] and I have spent the whole day in meetings. It's been awful!" mom "Has [yd] gone to bed already?" scene 12_79_129 pl "Yes, I told her you didn't want her waiting up for you." pl "She argued with me for quite a while, but I won in the end!" scene 12_79_130 mom "Well, I'll go and see her. I'm sure she'll still be awake." mom "I've got to take these shoes off first, though. Could you just hold my hand for a minute." scene 12_79_132 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End mom "Thank you." mom "You'd have thought they could have made them comfortable given how much they cost!" scene 12_79_133 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: pl "{i}(She's so damn beautiful...){/i}" else: pl "{i}(I can't stand this waiting much longer. I need to know...){/i}" pl "{i}(Does she want me to stay?){/i}" scene 12_79_134 mom "That feels so much better!" scene 12_79_136 mom "Thank you for waiting up for me, [pl]. I hoped you would." mom "We have some things we need to discuss. Is it too late for us to talk?" scene 12_79_129 pl "No, [mom]! That's why I waited for you." pl "I'm nervous about what you want to discuss." scene 12_79_144 mom "Good. Just give me a minute to speak to [yd], and change into something more comfortable." mom "And don't worry, I promise I don't want to talk about anything bad." scene 12_79_200 with fade mom "[yd], are you still awake?" mom "I have something I want to tell you." scene 12_79_204 yd "Mom! I wanted to wait up for you, but [pl] was being mean and told me I had to go to bed." yd "Did you talk to the college? What did they say?" scene 12_79_208 mom "Yes, sweetheart. That's what I wanted to tell you." mom "I spoke to the college president. After explaining the situation to her she agreed with me." scene 12_79_212 yd "So what does that mean, Mom?" yd "Do I have to go back or not?" scene 12_79_214 mom "No, sweetheart. The college think it would be best for you to stay away." mom "They're happy for you to finish your work at home." scene 12_79_212 yd "Really?! That's awesome!" yd "Thanks, Mom. I'm so happy that I don't have to go back there. " scene 12_79_228 mom "But this is a special privilege you've been given, [yd]." mom "If you work from home then you have to work twice as hard as everybody else." scene 12_79_224 yd "I will, Mom. I promise!" yd "I want to be the best designer in the world. And that means I have to work harder than everybody else." yd "You taught me that." scene 12_79_220 mom "I'm so proud of you, [yd]. You've handled this awful situation so well." mom "Remember, you can't control what happens to you in life, but you can control how you react to it." scene 12_79_224 yd "I couldn't have done it without you and [pl], Mom." yd "I have the best family ever." scene 12_79_260 mom "Okay. Time to sleep, sweetheart." mom "Sweet dreams." # END TALK ############################################################ show black with fade scene 12_80_100 with fade mom "Thanks again for waiting up for me, [pl]. And thank you for taking care of [yd] today." mom "I expected her to be upset after what happened at college, but she seemed happy." scene 12_80_108 mom "And she was even happier after I told her that the college has agreed to let her finish her course at home." mom "That means that you won't have to drive her there again, or spend all day sitting in the car park." scene 12_80_104 mom "Which is kind of what I wanted to talk to you about..." mom "But first, I wanted to apologize for being angry with you after what you did for [yd]." scene 12_80_156 pl "There's no need for you to apologize, [mom]." scene 12_80_158 pl "Violence is never an easy thing to deal with, even if you're just a bystander. It's always traumatic." scene 12_80_104 mom "Well, I think I understand why you did what you did better after speaking to [fbi]." scene 12_80_108 mom "And after being spoken to by my opinionated sister!" scene 12_80_104 mom "[yd] will never have to worry about that man attacking her again." mom "And I know what kind of torment you might have saved her from there." scene 12_80_116 mom "I also appreciate that you risked a lot personally to spare her that." mom "Thank you, [pl]." scene 12_80_136 pl "I was only doing the job that you hired me to do, [mom]. I'm just glad I was able to do it successfully." pl "And I haven't thanked you for what you did for me at the police station." scene 12_80_100 mom "I still can't believe I did that. I don't know what I was thinking." pl "Well, I'm grateful that you did do it, [mom]. Thank you." scene 12_80_104 mom "I wasn't going to let them do anything to you. I still need you, [pl]." mom "Which brings me to what I wanted to talk to you about." mom "I hired you to protect [yd], and you've done that. She doesn't need you any longer." scene 12_80_116 mom "When I asked you before, you said that you couldn't be my bodyguard while also protecting [yd]." mom "Well, now [yd] is safe, I would like you to protect me, [pl]." mom "Will you be my bodyguard?" scene 12_80_130 pl "Yes! Of course I will, [mom]." scene 12_80_132 pl "I was hoping you were going to ask me, but I was afraid you'd change your mind after, you know...what I did." scene 12_80_108 mom "Thank you, [pl]. I'm so glad you said yes. I don't trust anyone else to protect me." mom "For the first time in a long time I'm really starting to feel optimistic about the future." mom "With [yd] working at home, the FBI guarding the house, and now you saying yes." mom "I'll feel truly safe for the first time in years." scene 12_80_116 mom "But I would like to ask an additional favour of you." mom "I'm sorry. I know it isn't fair to ask, you need your own time, but..." scene 12_80_136 pl "It's fine, [mom]. Ask away." pl "If I can do it, I will." scene 12_80_148 mom "It's [yd]. I'm worried she's going to become even more isolated than she already is." mom "With her not going to college, and if you aren't spending all day with her, she's going to be all alone." scene 12_80_146 mom "And she's going to miss being with you, [pl]. Could you still try and spend some time with her?" scene 12_80_156 pl "Of course, [mom]. You don't even have to ask." pl "I can't imagine not spending time with her, and I'll give her as much of my time as I can." scene 12_80_108 mom "Thank you. I really appreciate you doing that for her." mom "[pl], there's a lot more I think we need to talk about, but it's getting late." scene 12_80_104 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.0 #KoGa3 END# mom "There is one final thing I needed to say to you, however..." mom "If you're going to be my bodyguard, then we HAVE to do something about your clothes!" scene 12_80_158 #KoGa3 START# $ KoGa3CurrentMusic=MusicHome5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "My clothes? What's wrong with my clothes?" pl "I like my clothes." scene 12_80_106 mom "How can I put this? I guess the polite way to describe them would be \"practical\"." mom "I'm sorry, [pl], but we need to smarten you up a little so you don't look out of place when you're with me." scene 12_80_102 pl "Wow. You really know how to cut me deep, [mom]." mom "Oh, don't pout! I know you're not being serious." mom "Don't worry, you don't have to do anything. Just leave it to [yd] and I." scene 12_80_158 pl "{i}(Shit. I don't like the sound of this.){/i}" pl "{i}(They're going to take me clothes shopping aren't they!){/i}" scene 12_80_146 mom "In fact, I already have something for you." mom "Come with me." scene 12_80_500 with fade mom "Close the door behind you. We don't want to wake [yd]." pl "What do you have for me, [mom]?" scene 12_80_504 mom "You'll see. It's in the closet." mom "Stay right there. I'll just go and fetch it." scene 12_80_508 pl "{i}(Damn. I haven't seen the full me since I smashed [od]'s mirror. [mom]'s right about my clothes!){/i}" pl "{i}(But what does she expect me to wear? I don't want to end up looking like [ste].){/i}" scene 12_80_512 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "{i}(Who am I kidding. I'll wear anything she tells me to wear.){/i}" pl "{i}(I'm just glad things seem to be okay between us again. I really thought she was going to tell me to leave.){/i}" scene 12_80_516 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: mom "Here. I want you to look good when we're together..." scene 12_80_518 mom "I mean, I want you to look smart when you're escorting me...as my bodyguard." else: mom "Here. I want you to look smart if you're going to be my bodyguard." scene 12_80_518 mom "Not that you don't now! It's just..." scene 12_80_520 mom "Here." pl "[mom], you shouldn't have done that." pl "I know I haven't been dressing very well lately, but I could have bought my own clothes." scene 12_80_524 mom "It's nothing. Just a leather jacket. Please, just try it on for me." pl "You want me to try it on now?" scene 12_80_528 mom "Yes. I need to make sure it fits in case I have to return it." mom "And...I'd like to see you wearing it." scene 12_80_532 mom "Let me help you." pl "Thank you." scene 12_80_536 mom "It looks good. What do you think?" pl "[mom], you may have noticed already, but I'm not really good with clothes." pl "I'll trust you to decide whether it looks okay or not." scene 12_80_540 mom "You'd better turn around and let me look at you then." mom "I was worried it might be too small for your big chest." scene 12_80_544 mom "But it seems to fit you quite well." mom "Not too tight." scene 12_80_548 mom "And the leather is very good quality." mom "I like it!" scene 12_80_552 mom "There's no need to return it." pl "[mom]." scene 12_80_554 mom "What?" scene 12_80_556 mom "Oh!" mom "I'm sorry, [pl]. I got a little carried away." scene 12_80_564 mom "Err. Well, it's been a long day and I'm feeling tired." mom "I think it's time we both went to bed." scene 12_80_568 pl "Right. Well, thank you for the jacket." pl "Good night, [mom]. I'll see you in the morning." scene 12_80_572 mom "[pl], wait!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "There was something else..." show black with fade jump ep13_start return