label ep14_start: $ quit_screen_switch = True # Switch to using new quit screen #KoGa3 START# #"Begin of Mod EP14 / KoGa3" $ KoGa3GameProgress = "EP 14" $ KoGa3GameProgress2 = 14 $ KoGa3pts_auntStart = 1 # for old saves $ KoGa3pts_momStart = 1 # for old saves $ KoGa3pts_ydStart = 1 # for old saves $ KoGa3pts_odStart = 1 # for old saves $ KoGa3MusicModStart = 1 # check music mod done #show screen KoGa3ScreenStats #if KoGa3Music == 1: # stop music fadeout 2 #"Info KoGa3: EP14 music addon not done yet. \nBut I'm working on it as soon as possible!" #KoGa3 END# scene 14_00_006 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious7a if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 5.0 fadeout 0.5 loop #KoGa3 END# yd "{i}(I don't want [pl] to go. What if something bad happens to him?!){/i}" yd "{i}(I need to go get Mom and tell her what's happening.){/i}" scene 14_00_010 pl "[fbi], it's [pl]. Are you outside the house?" pl "You need to get in here immediately." scene 14_00_028 fbi "[pl], what's going on?" fbi "Is everything okay?" scene 14_00_030 pl "There's an intruder in the garden. I'm going to find out who it is." pl "[mom] and [yd] are unguarded. I need you to protect them for me." scene 14_00_032 play sound "audio/car_door_open_01.ogg" fbi "I'm coming. Wait for me to get there..." fbi "[pl]?" scene 14_00_033 fbi "{i}(Shit! What's he going to do now? I don't need any more dead bodies to deal with!){/i}" scene 14_00_034 yd "MOM!" yd "You need to come quickly!" scene 14_00_036 play sound "audio/door_knock_01.ogg" yd "Mom! Mom! You have to get out of the bath!" yd "There's someone in the garden!" scene 14_00_040 mom "What? Hang on, sweetheart. I'm coming." mom "{i}(Who would be in the garden at this time of night?){/i}" scene 14_00_042 play sound "audio/bath_get_out.ogg" mom "I'm coming, [yd]." yd "Hurry, Mom!" scene 14_00_044 play sound "audio/door_open.ogg" mom "Did I hear you right. Did you say there's someone in the garden?" mom "Who is it? Where's [pl]?" scene 14_00_046 yd "[pl]'s gone to see who it is. He told me to come and get you, so I did." yd "I'm scared, Mom! What if something happens to him? What if he gets hurt?" scene 14_00_048 mom "Don't worry about [pl], sweetheart. I'm sure he'll be fine. It's whoever's in the garden that I'm worried about!" mom "Come on. We'd better call [fbi] and let her know what's happening." scene 14_00_050 with fade pl "{i}(The camera's over here near the back of the house.){/i}" pl "{i}(Hopefully I can sneak up on whoever it is before they see me.){/i}" scene 14_00_054 pl "{i}(There they are! Looks like it's just one guy.){/i}" pl "{i}(And it doesn't seem like he heard me coming. I should be able to surprise him...){/i}" scene 14_00_060 pl "{i}(He's holding a camera. Must just be a photographer.){/i}" pl "{i}(Well, he's going to regret ever coming to [mom]'s house...){/i}" scene 14_00_064 "Intruder" "{i}(I've got a good view of her bedroom from here. Maybe I'll get lucky.){/i}" "Intruder" "{i}(Where are you, [mom], you hot slut?){/i}" play sound "audio/leaf_rustle.ogg" scene 14_00_066 with dissolve #KoGa3 START# if KoGa3Music == 1: stop music fadeout 0.5 #KoGa3 END# "Intruder" "Huh. What was that?" scene 14_00_070 play sound "audio/rugby_tackle.ogg" #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# pl "COME HERE!" "Intruder" "OOF!" scene 14_00_074 pl "YOU! YOU FUCKING CUNT!!" joh "GET OFF ME, YOU FAT BASTARD!" scene 14_00_082 pl "I told you what would happen if you bothered the Lloyds again!!" play sound "audio/punch_01.ogg" scene 14_00_094 with vpunch joh "ARGH!" scene 14_00_078 joh "Stop! I have some photos!!" scene 14_00_090 pl "I know! That's why I'm hitting you, you fucking twat!" pl "Here. Have some more!" play sound "audio/punch_02.ogg" scene 14_00_086 with vpunch joh "OW!" joh "No! I have photos of [mom]. I'll give them to you!!" joh "Just stop hitting me!" scene 14_00_082 pl "Are you fucking stupid? You're just trying to piss me off, aren't you!" joh "Not those kind of photos. Let me explain!" scene 14_00_100 pl "Stand up!" joh "Please, don't hurt me! They made me come here and spy on [mom]." scene 14_00_104 pl "You have five seconds to tell me what the fuck you're talking about." pl "Who made you come here?" scene 14_00_108 joh "That bent detective that works for [har]. He told me to spy on [mom]." joh "Look, you're gonna want these photos. They're worth a lot of money to the right people." scene 14_00_109 joh "I'll sell them to you..." scene 14_00_112 pl "I'M NOT FUCKING AROUND, YOU PIECE OF SHIT!" pl "YOUR FIVE SECONDS ARE UP!" play sound "audio/punch_03.ogg" scene 14_00_120 with vpunch joh "UGH!" joh "Wait! Wait!" scene 14_00_124 joh "Okay! I'm sorry!!" pl "The photos of [mom], what are they?" scene 14_00_126 joh "I'll tell you. But please stop hitting me!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 1.5 #KoGa3 END# show black with fade scene 14_00_192 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# yd "Here comes [pl]! I knew he'd be okay." yd "I bet he kicked their ass!" scene 14_00_200 fbi "[pl], what happened? Is everything okay?" fbi "Did you see anyone?" scene 14_00_202 pl "Yes, I saw someone. It was just a photographer." pl "Unfortunately, he got away." scene 14_00_204 fbi "Really? He just got away? From you?" pl "He was too quick for me. As you said, I'm not built for speed." scene 14_00_208 pl "It's fine. Nothing to worry about." pl "I'm sorry to have troubled you, [fbi]." scene 14_00_212 fbi "Well, who was it? Did you get a look at his face?" fbi "Could you identify him if you saw him again?" scene 14_00_216 pl "No. It was, err...too dark." pl "I scared him pretty good. He won't be coming back." scene 14_00_220 mom "{i}(Why is [pl] looking at me like that?){/i}" mom "{i}(I don't think he's being completely honest. Is he lying again like when the intruder came into the house?){/i}" mom "{i}(Maybe he doesn't want to scare [yd]?){/i}" scene 14_00_222 mom "Okay. Excitement's over, [yd]. It's time for bed." mom "Let's go back inside, sweetheart." scene 14_00_224 fbi "Listen, [pl], I think we need to talk. Can you meet me sometime. Maybe tomorrow?" fbi "It's important." scene 14_00_228 pl "Okay. I'll have to talk to [mom] and make sure she doesn't need me." pl "I'll give you a call in the morning after I've spoken to her." scene 14_00_250 with fade play sound "audio/patio_door_locked.ogg" yd "Are we going to watch the rest of the movie now, [pl]?" pl "I think we'd better leave the movie for another night, don't you, sweetheart." scene 14_00_258 pl "I'm sorry if I scared you, [yd]. Are you feeling okay?" yd "I'm okay. Thank you" scene 14_00_252 yd "But I was scared for you, [pl]!" yd "I was afraid something bad might happen to you." scene 14_00_266 pl "Don't worry, sweetheart. Nothing bad is going to happen to me." pl "And I'm not going to let anything bad happen to you or your mother." scene 14_00_274 yd "Thank you, [pl]. We're lucky to have you here to protect us." yd "But I wish you'd caught whoever it was and beaten them up!" scene 14_00_278 yd "[pl], I think I'm still feeling a little bit shaken. Can I sleep with you?" pl "Sweetheart, if you're scared, then I think you should sleep with your mother." scene 14_00_282 pl "She looked a little scared too. I bet she'd be glad to have you with her tonight." yd "Aw. Okay. I'll ask Mom." scene 14_01_036 with fade yd "Mom, that was kind of scary. I don't think I'm going to be able to get to sleep just yet." yd "Can we talk for a while, and maybe I can sleep with you tonight?" scene 14_01_040 mom "Of course, sweetheart. It's been another eventful evening, hasn't it." mom "Come on. Let's get into bed." scene 14_01_050 with fade mom "There's no need to be scared, [yd]." mom "It was just a silly photographer looking to take some pictures." scene 14_01_054 yd "I know, Mom. [pl] won't let anything bad happen to us, but I was worried about him." yd "I'd hate it if anything happened to him." scene 14_01_058 mom "So would I, [yd]. You're not the only one who's growing fond of him." mom "And don't worry. I won't let anything happen to him." scene 14_01_110 yd "Thanks, Mom." yd "It's so good having him living with us, isn't it?" scene 14_01_100 mom "Yes, it is. We're very lucky to have him here looking after us." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.0 #KoGa3 END# mom "But...I'm afraid we might be losing him soon." scene 14_01_102 yd "What?! Why? We can't lose him, Mom!!" scene 14_01_103 #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "Well, when your sister comes home and wants her room back..." mom "I think she might throw him out of the house!" scene 14_01_104 yd "Oh, Mom! I thought you were being serious." yd "Don't tickle me!" scene 14_01_106 yd "You're mean to me. I've had enough scares for one night!" mom "Haha. I'm sorry, sweetheart." scene 14_01_130 yd "But what IS going to happen when [od] comes home? Is she going to move back into her room?" mom "To be honest, I don't know. I haven't thought that far ahead with everything that's been happening." scene 14_01_100 mom "If [od] makes the national team..." scene 14_01_120 yd "She will! She's going to make the team and then win gold at the Olympics!!" yd "You should say WHEN she makes the team, Mom." scene 14_01_134 mom "I'm sorry, sweetheart. You're right. WHEN [od] makes the national team, she'll be leaving again to go to the training camp." mom "It doesn't seem fair to make [pl] move rooms. Hopefully your sister will see reason and accept the spare room." scene 14_01_108 mom "It is looking a little tired, though. Maybe we should decorate it for her so she won't make such a fuss about it." yd "Ooh, that's a good idea, and maybe we could decorate my room too. I want to change it." scene 14_01_134 mom "Of course we could, sweetheart. If that's what you want." mom "But I thought you liked your room. Why do you want to change it?" scene 14_01_130 yd "No reason. It's just..." yd "[ydfr] laughed when she saw it because it still looks like it did when we were growing up." scene 14_01_108 mom "[yd], you know what I've told you before. You shouldn't do things because you're worried what other people think of you." yd "I know, Mom, but I'm going to be nineteen in a couple of weeks. I'm not a little girl anymore." scene 14_01_106 mom "Of course, sweetheart. If you want to change your room, then we'll change it." yd "Thanks, Mom. I know exactly how I want it!" scene 14_01_114 mom "And have you decided what you want to do for your birthday?" mom "Do you want to go somewhere, or have a party? Maybe you could invite [ydfr] and some other people from college?" scene 14_01_118 yd "I don't think so, Mom. Not after what happened at [ydfr]'s party." yd "Maybe we could just have a small party here with family and [model]." scene 14_01_106 mom "That sounds good. And what about [pl]. Is he invited?" yd "Of course he is! He's part of our family now." scene 14_01_108 mom "He is? Oh. And have you told him it's your birthday soon?" yd "Ooh, no I haven't. I'd better tell him so he can buy me a present!" scene 14_01_100 mom "[yd], you shouldn't expect people to buy you presents." scene 14_01_110 yd "Sorry, Mom. I won't. But, it would be nice if he did. [pl] buys me the best presents!" scene 14_01_114 mom "Okay, I think it's time to try and get to sleep, sweetheart." mom "Unless there was anything else you wanted to talk about?" scene 14_01_130 yd "There was something else..." yd "Why are the FBI still sitting outside our house?" yd "Are you in danger? I know you have [pl] guarding you now, but I worry about you, Mom." scene 14_01_100 mom "Oh, sweetheart. I'm not in any danger, but some of the younger models are. So I have to help the FBI." mom "There's no need for you to worry. This will all be over soon." scene 14_01_102 yd "That's really good of you to help, Mom. I'm proud of you." yd "And I'm glad it will be over soon so I can have [pl] back!" scene 14_01_106 yd "Good night, Mom. I love you." mom "I love you too, [yd]. Sweet dreams." show black with fade ##################################################### # DAY 2 ##################################################### scene 14_02_036 with fade mom "{i}(I can't believe my baby is going to be nineteen soon. She's still so innocent.){/i}" mom "{i}(She's older than I was when I started modelling, and older than a lot of the other models are now.){/i}" scene 14_02_040 mom "{i}(Every one of those young girls is somebody else's baby.){/i}" mom "{i}(They're in so much danger, and have no one to protect them.){/i}" scene 14_02_038 mom "{i}(I have to do something. I have to help them.){/i}" mom "{i}(If [fbi] thinks offering [jas] a deal is the best way to stop the abuse, then I should trust her.){/i}" scene 14_02_044 mom "{i}(I'd better talk to [pl]. I know he isn't happy about it either.){/i}" mom "{i}(But I think it's for the best if we continue to help [fbi].){/i}" scene 14_02_048 mom "Time to wake up, sweetheart." mom "I'm just going to talk to [pl], and then I'll get breakfast ready. Okay?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.0 #KoGa3 END# scene 14_02_052 yd "Okay, Mom." yd "I'll just have another five minutes..." scene 14_02_080 with fade play sound "audio/door_knock_01.ogg" "*KNOCKING*" #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "[pl], can I come in? I need to talk to you." scene 14_02_088 pl "[mom]? I just stepped out of the shower. Can it wait?" mom "Not really, [pl]. I need to talk to you before [yd] gets up." pl "Okay. Just let me grab a towel..." play sound "audio/door_open.ogg" scene 14_02_100 mom "I'm sorry to bother you so early." mom "But [yd] slept with me last night and, well, we were talking and she made me think about things." scene 14_02_104 pl "No problem. Come in, [mom]." pl "There was actually something I needed to ask you as well." scene 14_02_110 mom "Thank you, [pl]." pl "So, what was it you wanted to talk about?" scene 14_02_140 mom "Before I get to that, I just wanted to thank you for chasing that photographer away last night." mom "When [yd] came to get me out of the bath, I feared it was going to be something more serious." scene 14_02_132 pl "I did too, but I don't want you to worry. I would have dealt with it no matter who it was." pl "And, there's no need to thank me. I merely fulfilled my assigned duties, duties for which you pay me well." scene 14_02_136 mom "Very funny! Is that your new way of saying \"I was just doing my job\"?" mom "I thought I told you to stop that." scene 14_02_144 mom "Sorry, but I just noticed the sticky note on the wall." mom "What's that there for? What does it say?" scene 14_02_152 mom "Urgent! Buy new mirror." pl "Oh. It's nothing. Just a reminder that I need to replace [od]'s mirror." pl "Sorry I haven't done it already. It's been difficult to find the time to hunt one down that looks the same." scene 14_02_148 mom "I told you not to worry about it, [pl]. But why is it suddenly urgent?" mom "Does the thought of [od] moving back home scare you?" scene 14_02_156 pl "I'm not ashamed to say yes. I'm worried she might break something of mine in revenge. Like an arm or a leg!" pl "Haha. But, seriously, I broke her mirror and I need to replace it." scene 14_02_160 mom "Well, I think I can remember where we bought it from. I'll just order a new one." mom "But, [pl], why did you really break it? I know it wasn't an accident." scene 14_02_164 pl "You're right, it wasn't. I'm sorry I lied to you, [mom]. I just...I lost my temper and didn't want to scare you." pl "I didn't want you to think that I was someone who couldn't control themselves. Someone who might lash out...at you." scene 14_02_168 mom "To be honest, when I came in to see what had happened, you did scare me." mom "The anger in your face...and the blood dripping from your hand... It brought back terrible memories for me." mom "But something must have made you do it. What was it?" scene 14_02_172 pl "That was the night I saw [jas] again for the first time since [yd]'s death." pl "But then [aunt] called me. She was angry with me for not being there for you. She gave me a real roasting!" scene 14_02_174 pl "And she told me...she told me that [jas] was the one that attacked you." pl "I've never felt that angry before, [mom]." scene 14_02_172 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "I blame myself for what happened to you. It was my fault." pl "If I'd just taken care of him when I had the chance..." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_02_176 mom "[pl], don't blame yourself for what happened to me." mom "It's not your fault. It had nothing to do with you." scene 14_02_180 pl "{i}(I can't believe how different [mom] is now compared to when we first met.){/i}" pl "{i}(She's become so warm and compassionate.){/i}" scene 14_02_176 mom "[pl], it's actually [jas] that I wanted to talk to you about." mom "Can we sit down?" else: scene 14_02_168 mom "It's not your fault, [pl]. Don't blame yourself for what happened to me." mom "Actually, it's him that I wanted to talk to you about. Can we sit down?" scene 14_02_214 mom "I realized something while talking to [yd] last night." mom "I'm ashamed to admit it, but I want to see [jas] suffer for what he did to me." scene 14_02_250 pl "[mom], he tried to kill you. It's perfectly natural and understandable. You shouldn't feel ashamed by it." pl "He's never faced justice for what he did to you, so you've had no closure and no chance to move on with your life." scene 14_02_224 mom "But my desire for revenge could end up hurting others. It's selfish." mom "I need to think of all the young girls who might fall prey to these monsters if somebody doesn't stop them." scene 14_02_230 mom "So, I've decided that if [fbi] thinks offering [jas] a deal is the best thing to do, then I'll accept that." mom "I'll continue to do whatever I can to help her and her investigation." scene 14_02_228 pl "[mom], are you sure about this? You're never going to feel safe while he's a free man." mom "No, I'm not sure. I'm terrified of meeting him every time I leave the house, even with you by my side." scene 14_02_220 mom "But I have to think about all of the young girls coming after me. We need to stop any more women becoming victims." mom "I'm about to retire, while they're all desperately seeking their big break. They're vulnerable and I need to protect them." scene 14_02_260 mom "It's not about me anymore, [pl]." mom "I've been through so much, and it's left scars that may never heal. But I can't ignore the bigger picture." scene 14_02_256 pl "That's incredibly selfless of you, [mom]." pl "I promise you that you won't have to do this on your own." scene 14_02_264 pl "I'm not going to allow him to continue to torment you and force you to live in fear." pl "The police have already failed in their duty to punish him. If the FBI fail too, then I will do whatever is necessary." scene 14_02_265 mom "{i}(What does he mean by that? Does he mean what I think he does?){/i}" mom "{i}(I want [jas] gone, but I don't know how I'd feel if [pl] did something to him.){/i}" scene 14_02_268 pl "Speaking of [fbi], she said that she wants to talk to me. Today if possible." mom "She did? What does she want to talk about?" scene 14_02_276 pl "I don't know, she didn't say. And I don't understand why she asked to talk to me alone." pl "I'm assuming it must be something to do with her investigation." scene 14_02_268 pl "Do you mind if I go and meet with her? I promise I won't keep anything from you, [mom]." mom "No, I don't mind. I think you should go and find out what she wants. It could be important." scene 14_02_266 mom "[pl], you lied to [fbi] last night, didn't you." mom "Why? Did you recognise the intruder? Was it someone you know?" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}recommended (Charlotte points){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "Tell [mom] the truth[KoGa3ChoiceView1]": scene 14_02_276 show screen screenPtsMomPlus $ pts_mom += 1 pl "I'm sorry, [mom]. I didn't want [fbi] involved in something." pl "I know the photographer. He's a scumbag, but I don't believe he's a danger to you." scene 14_02_264 mom "But why did you lie? Why didn't you just tell [fbi]?" pl "[mom], I'm sorry, but I can't tell you right now." scene 14_02_276 pl "He told me that he has something which could help us, but I need to check it out first." pl "I'm going to meet him and make sure he isn't lying. [mom], I need to ask you to trust me." scene 14_02_266 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "I do trust you, [pl]. I trust you more than I've ever trusted a man before." mom "Just...please don't make me regret it. I don't think I could ever trust another man if you betrayed me." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End "Lie to [mom]": scene 14_02_276 pl "I did lie, [mom]. I'm sorry, but I promise that it was just a photographer." pl "I've run into him before. He's a scumbag, but he isn't a danger to you." scene 14_02_264 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End pl "I caught him and roughed him up a bit. He won't be coming back." pl "I'm sorry. I shouldn't have lied, but I didn't want to worry you and [yd]." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious16 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 14_02_296 pl "Is everything okay, [mom]?" pl "Only you keep looking at my chest?" scene 14_02_314 mom "Sorry, what?" pl "I said you keep looking at my chest. Is everything okay?" scene 14_02_320 mom "Do I? I'm so sorry, [pl]!" pl "That's okay. I don't mind. I was just wondering what you were thinking." scene 14_02_296 mom "I was thinking about when I first saw your tattoo. I thought it was...well, I didn't like it." pl "I know. I remember the barely disguised look of disgust on your face!" scene 14_02_268 pl "And what about now?" mom "Now? It's taken on a different meaning for me now that I know you better." mom "It symbolizes the sacrifices you've made in order to protect others. It represents strength and protection." scene 14_02_280 mom "{i}(I guess...I guess I kind of like it now.){/i}" scene 14_02_304 with dissolve mom "{i}(But what about those scars. I never noticed those before.){/i}" mom "{i}(Are they bullet wounds? [ste] did say that [pl] was hit a couple of times.){/i}" scene 14_02_300 pl "{i}([mom]'s staring at my chest again.){/i}" pl "{i}(It seems only fair that I should get to look at hers too...){/i}" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}not essential, but more content{/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "Look at [mom]'s chest[KoGa3ChoiceView1]": scene 14_02_308 pl "{i}(Damn. Her chest is much more pleasing to look at than mine!){/i}" pl "{i}(But this was a mistake. I'm only wearing a towel!){/i}" "Don't look": pl "{i}(I'd better not risk it. I'm only wearing a towel.){/i}" pl "{i}(We don't want any surprise visitors!){/i}" scene 14_02_314 pl "[mom], I need to get dressed. Have you finished staring at my chest?" mom "What? I'm sorry, [pl]. Was I doing it again?" scene 14_02_320 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "I'd better go and prepare [yd]'s breakfast and leave you to finish getting ready." mom "I'll make you a coffee, so don't take too long. Thanks for the talk, [pl]." else: scene 14_02_314 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "Okay. I need to go and prepare [yd]'s breakfast. Thanks for the talk, [pl]." mom "I'll leave you to finish getting ready. I'll make you a coffee, so don't take too long." show black with fade scene 14_03_320 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "[pl]! Where are you going?" yd "You weren't leaving without saying goodbye, were you?" scene 14_03_324 pl "I was. Sorry, [yd]. I didn't want to wake you." pl "I have to go and meet someone." scene 14_03_328 yd "Well, I'm awake now!" yd "Can't you stay for just one minute?" scene 14_03_330 pl "Anything for you, sweetheart. But it can only be one minute." pl "How are feeling? Did you sleep okay after what happened last night?" scene 14_03_332 yd "Yes, thank you. I knew you wouldn't let anything happen to us, [pl]." pl "I'm glad to hear that. And you're right. I won't let anything bad happen to you." scene 14_03_338 yd "So, where are you going? Are you going to meet [fbi]?" yd "Are you going to talk about what happened last night?" scene 14_03_336 pl "To be honest, I'm not sure. She just said she needed to talk to me about something." pl "Sweetheart, I really have to leave now otherwise I'm going to be late." scene 14_03_340 pl "Look after your mother for me. I promise I'll spend time with you later." yd "Wait, [pl]..." scene 14_03_342 yd "I'm not letting you leave. Not until you give me a hug!" yd "You left without finishing the last one, remember." scene 14_03_346 pl "You're right. I did." pl "Okay. A quick hug and then I really really have to go." scene 14_03_348 yd "I'm going to miss you!" pl "Don't worry. I won't be gone long...but I'm going to miss you too." scene 14_03_350 yd "I'm missing you already, [pl]." scene 14_03_354 pl "{i}(I'm glad she woke up just in time to see me leaving.){/i}" pl "{i}(A hug from her is a great start to the day.){/i}" scene 14_03_380 with fade pl "{i}(She's already here. Time to find out why she wants to talk to me alone.){/i}" pl "{i}(I'm sure she knows I lied about the intruder. I hope she doesn't press me about that because I don't like lying to her.){/i}" scene 14_03_381 pl "{i}(But I think she underestimates what she's up against. She has too much faith in a system that is obviously corrupt.){/i}" pl "{i}(That's why I need to get those photos before somebody makes them disappear.){/i}" scene 14_03_382 pl "Good morning, [fbi]. I hope I haven't kept you waiting." fbi "You haven't. I'd only just sat down." scene 14_03_384 fbi "Thanks for meeting me, [pl]." fbi "There are a couple of things I wanted to discuss...away from [mom]." scene 14_03_386 pl "Okay, but I want something too. I want some answers and assurances." pl "I need to know what you're planning to do about [jas]. He has to pay for what he did to [mom]." scene 14_03_400 fbi "I understand your anger, [pl]. Believe me, I want justice for what happened just as much as you do." fbi "And I'm doing everything possible to secure it." scene 14_03_404 fbi "But he's not the one running things, and locking him up isn't going to stop this trafficking ring." fbi "[jas] is just one small piece of a much larger puzzle." scene 14_03_408 pl "I don't care about your puzzle! [mom] is my responsibility, and I'll do whatever it takes to keep her safe." pl "I won't stand by and watch if she's forced to live the rest of her life in fear of these people." scene 14_03_412 fbi "So what are you going to do?" fbi "Are you going to kill [jas] like you killed Carter?" scene 14_03_416 pl "If I have to." pl "If the law won't punish these people for their heinous crimes, then someone else will have to do it." scene 14_03_430 # close fox #KoGa3 fbi "[pl], we're attracting attention." fbi "Why don't we continue this in my car." scene 14_03_434 with fade fbi "[pl], I get it. You're a protector. It's in your nature. But right now, the best way you can protect [mom] is by letting us handle this." fbi "If you act recklessly, you risk not only your own life but also the progress we've made in bringing down the whole trafficking ring." scene 14_03_438 fbi "I'm not happy about offering anyone any deals, but we have to look at the bigger picture." fbi "Trust me, we're close. I'm confident that we can take down the entire operation." scene 14_03_448 pl "How close is \"close,\" [fbi]?" pl "I need more than promises." scene 14_03_452 fbi "I can't disclose all the details, but I can assure you that arrests will be made in the next couple of days." fbi "We have a plan in motion, and it's crucial that you don't interfere. I need you to have faith in the system." scene 14_03_456 pl "I don't have any faith in the system. It's rotten to the core. From top to bottom." pl "What if your system fails? What will you do then?" scene 14_03_460 fbi "I won't let that happen, [pl]. I'm here to ensure justice is served, not just for [mom], but for all of the victims." fbi "Let us finish this, and I promise you, justice will be served." scene 14_03_464 pl "Fine, [sel]. I'll trust you...for now. But I won't hesitate to do whatever is necessary to protect [mom] and her family if you fail." pl "And, despite her reservations, [mom] has also agreed to continue helping you in any way she can." scene 14_03_494 fbi " Thank you, [pl]. That's great news. Please thank [mom] for me." fbi "Together, we can bring these bastards down. All of them." scene 14_03_472 pl "Well, I'd better get back to the house. I don't like leaving [mom] and [yd]." pl "And I'd appreciate it if you could keep me informed on how things are going with your investigation." scene 14_03_452 fbi "Before you go, [pl], there's something else I wanted to discuss with you. Something personal..." fbi "I know you don't like what I'm planning on doing, but I hope you can understand why I have to do it." scene 14_03_444 pl "I do understand. I know you have to do things a certain way, and follow procedure." pl "I'm just in favour of more... direct action." scene 14_03_472 fbi "I'm glad you understand, because I wondered if we could explore the possibility of something more than just a professional relationship." pl "What did you have in mind?" scene 14_03_468 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\", \"aunt_choice_03\" or \"kay_choice_00\"\n- on \"kay_choice_00\"/Kaylah route choice for Agent Fox route available\n- if all variables are \"False\" (Emma route?) also choice for Agent Fox route available") #KoGa3End fbi "I don't know really. I just thought we could maybe go on a date sometime and see where things went." fbi "It's just, I tend to be obsessive and work too many hours. It's hard meeting guys who aren't crooks or other burnt out FBI agents." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: $ fox_relationship = False scene 14_03_490 pl "I'm sorry, [sel], but I'm kind of involved with someone else." pl "If I wasn't, then I definitely would've enjoyed exploring something more with you." scene 14_03_494 fbi "By the way that you look at her, I assume it's [mom]." fbi "I guess I can't feel too bad about losing out to the world's top supermodel." scene 14_03_498 pl "She needs me, [sel]. And we've developed some kind of bond. Maybe it's our similar experiences, I don't know." pl "But...I'm falling in love with her." scene 14_03_440 fbi "I get it, [pl]. You don't owe me an explanation." fbi "I hope the two of you can make things work. It must be hard amongst everything that is going on." scene 14_03_506 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "Thank you. I hope so too. She really is an amazing woman." pl "I just hope that I can be worthy of her." elif aunt_choice_03: $ fox_relationship = False scene 14_03_490 pl "I'm sorry, [sel], but I'm in a relationship with someone." pl "For what it's worth, I would have been interested in exploring something more with you." scene 14_03_494 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "Thanks, [pl]. I guessed you must be seeing someone, but wasn't sure." fbi "Maybe once this case is finally finished I'll have more luck finding someone." elif kay_choice_01: scene 14_03_510 pl "{i}(This is unexpected. And if I want to explore a relationship with [sel], then I need to end things with [model].){/i}" pl "{i}(I know our relationship isn't serious, but I'm not going to see both of them at the same time.){/i}" pl "{i}(What should I do?){/i}" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}(start Agent Fox route){/color}") $ KoGa3ChoiceText2 = _("\n{color=#008000}(continue Kaylah route){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 $ KoGa3ChoiceView2 = KoGa3ChoiceText2 #KoGa3 END# menu: "Choose [sel][KoGa3ChoiceView1]": $ fox_relationship = True scene 14_03_506 pl "Okay. That definitely interests me, [sel]." scene 14_03_494 fbi "Great. Well, I'll give you a call soon and we can arrange something." scene 14_03_490 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "I look forward to it." scene 14_03_510 pl "{i}(I have to tell [model].){/i}" "Choose [model][KoGa3ChoiceView2]": $ fox_relationship = False scene 14_03_490 pl "I'm sorry, [sel], but I'm already seeing someone." pl "If I weren't, then I definitely would have been interested." scene 14_03_494 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "Thanks, [pl]. I guessed you must be seeing someone, but wasn't sure." fbi "Maybe once this case is finally finished I'll have more luck finding someone." else: scene 14_03_510 pl "{i}(I wasn't expecting this. Do I even have time for a relationship right now?){/i}" pl "{i}(What should I do?){/i}" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}(start Agent Fox route){/color}") $ KoGa3ChoiceText2 = _("\n{color=#008000}(maybe needed for Emma route){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 $ KoGa3ChoiceView2 = KoGa3ChoiceText2 #KoGa3 END# menu: "Accept [sel]'s offer[KoGa3ChoiceView1]": $ fox_relationship = True scene 14_03_506 pl "Okay. That definitely interests me, [sel]." scene 14_03_494 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "Great. Well, I'll give you a call soon and we can arrange something." scene 14_03_490 pl "I look forward to it." "Decline [sel]'s offer[KoGa3ChoiceView2]": $ fox_relationship = False scene 14_03_490 pl "Sorry, [sel], but I'm focused on protecting [mom] right now and I don't have the time." pl "Maybe after the case is wrapped up we could explore this. If you're still interested that is." scene 14_03_494 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "Thanks, [pl]. I understand. It would have been difficult." fbi "I'll ask you again after the case is over." scene 14_03_560 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog if \"mom_choice_04\" is \"True\"") #KoGa3End mom "{i}(Why did she want to talk to [pl] alone? I'm sure it must be something to do with [jas].){/i}" mom "{i}(And [pl] promised not to keep anything from me. I trust that he'll tell me what she said.){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_03_564 with dissolve mom "{i}(But I didn't like the way she was acting when we bumped into her the other day.){/i}" mom "{i}(Is she interested in having a relationship with [pl]?){/i}" scene 14_03_568 mom "{i}(I'll only have myself to blame if she is. Why have I waited so long to share my feelings with him?){/i}" mom "{i}(I need to let him know how I feel, but I'm scared to tell him.){/i}" scene 14_03_600 mom "{i}(Okay, that's enough. I've done everything I can to look good for tomorrow's photoshoot.){/i}" mom "{i}(I'd better go and have a quick shower before [pl] returns...){/i}" scene 14_03_604 play sound "audio/door_knock_01.ogg" "*KNOCKING*" pl "[mom], can I come in?" scene 14_03_612 mom "Yes. Come in, [pl]. I want to hear what [fbi] had to say." pl "Hi. I thought you'd be impatient to find out..." pl "{i}(Wow! Does [mom] realize her top is wet through?){/i}" scene 14_03_616 mom "I appreciate you telling me what she said, even though she apparently didn't want me to know." mom "So, did she update you on the investigation?" scene 14_03_620 pl "She did, although she wouldn't tell me much, other than they're going to make arrests soon." pl "Oh, and she also wanted me to thank you for trusting her and agreeing to continue helping her." scene 14_03_628 mom "Well, making arrests has to be a positive sign. So that's good news." mom "I assume one of them would be [jas]?" scene 14_03_624 pl "Yes. he's going to be arrested. Unfortunately, [fbi] wouldn't tell me if they have any new evidence against him." pl "{i}(Damn. It's almost impossible not to look...should I tell her?){/i}" scene 14_03_632 mom "[pl], what's wrong? Why aren't you looking at me?" mom "Is there something more interesting to look at on the ceiling?" scene 14_03_650 pl "I'm sorry, [mom], but it's...it's your top. It's gone kind of see-through because of the sweat." pl "It's hard...shit, I meant...it's kind of difficult not to look..." scene 14_03_660 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog if \"mom_choice_04\" is \"True\"") #KoGa3End mom "What?" scene 14_03_664 mom "Oh! I'm sorry, [pl]. I had no idea." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_03_636 pl "{i}(They look great in that top. I can't believe how firm they are for someone of her age.){/i}" pl "{i}(And if her legs are insured for ten million, then how much are those insured for?!){/i}" scene 14_03_668 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "I'd better go and have a shower and put on some fresh clothes." mom "Thank you for sharing what [fbi] said with me, [pl]." show black with fade scene 14_04_090 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicEnergetic3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# od "Why did I let you drag me out tonight, [odfr]? We shouldn't be here." odfr "Oh, lighten up. Exams are over and everybody's celebrating. We can't miss out on the fun!" scene 14_04_092 od "They might be finished, but we're not. We have training tomorrow." od "We can't afford to relax now. We should have stayed in and got an early night." scene 14_04_094 odfr "Can't you let your hair down just once! It's only for a couple of hours." odfr "We're here now, so let's enjoy ourselves. Maybe we can at least find someone to make out with..." scene 14_04_120 od "You are the worst, [odfr]. You wouldn't know what to do with a man even if you found one." od "One hour, and then we're going home. And NO alcohol!" scene 14_04_116 odfr "Ugh! Why did I bring the team captain with me?" odfr "Worst wingman ever! I'm never going to get any action with you here, narc!" scene 14_04_100 odfr "Ooh. Maybe I spoke too soon. Looks like we might get some action after all." odfr "I know it's hard for you, [od], but try to be...not angry." scene 14_04_124 cre "Did I hear someone say they were looking for a good time? Well, tonight is your lucky night, princess." cre "You're the hottest girl here, and I'm the hottest guy. So, we're like, meant to be together." scene 14_04_130 od "In your dreams, loser! Amazing pickup line, by the way." od "Now leave us alone. We're not interested." scene 14_04_132 odfr "I'm interested!" odfr "I'm looking for a good time." scene 14_04_133 cre "Oh, playing hard to get. I like that." cre "GRRRR..." scene 14_04_134 od "Hard to get? Let's get one thing straight - I'm IMPOSSIBLE to get for a creep like you!" od "And I'm not playing. So take your fucking hands off me before I hurt you!" scene 14_04_138 odfr "Ah, shit! There goes my good time." odfr "I'd do what she says if I were you. You shouldn't make her angry. You wouldn't like her when she's angry!" scene 14_04_144 cre "Don't be like that, girl. I've got something I want to give you." cre "Damn. Your tits are fucking awesome. Like, the best I've ever seen." scene 14_04_146 od "Don't even think about it!" cre "Come on. Just let me have a quick feel..." od "I SAID..." play sound "audio/punch_01.ogg" scene 14_04_150 with vpunch od "{b}FUCK OFF!{/b}" cre "OOF!" play sound "audio/punch_02.ogg" scene 14_04_152 with vpunch cre "UGH!" scene 14_04_156 cre "MY FUCKING BALLS!" scene 14_04_160 cre "NNGH! THE PAIN!!" cre "I'M GOING TO PUKE!" scene 14_04_164 od "You might want to put some ice on those, princess." scene 14_04_168 cre "YOU CRAZY BITCH!" cre "WHY DID YOU DO THAT?!" scene 14_04_172 od "I told you not to touch me." od "You should try listening to what women say in the future." scene 14_04_174 cre "Stop! I said stop it!!" cre "I'm sorry, okay!" scene 14_04_178 od "When we say no, we mean NO!" od "{b}ASSHOLE!{/b}" scene 14_04_184 odfr "[od]! I told you to be nice. What are you doing?" od "I'm having fun. I thought that's what you wanted me to do." scene 14_04_192 odfr "Yeah, my bad. I forgot who I was talking to!" odfr "But how am I ever going to get laid if you beat up every guy that hits on us?" scene 14_04_188 od "It wasn't every guy. It was just one creep." od "Cheers." scene 14_04_200 odfr "Why did you have to hit him so hard, though?!" odfr "Now every other guy in here is going to be too scared to talk to us!" scene 14_04_204 od "I don't care. If hitting him keeps all of the other little boys away, then I see that as a positive." od "And if guys are too afraid to even talk to us, then they're not worth bothering with." scene 14_04_208 od "A real man wouldn't be scared. He'd welcome the challenge and be confident enough to come and talk to us." od "Can you imagine someone like [pl] being too afraid to come and talk to us?" scene 14_04_212 odfr "I was right. I knew it!" odfr "You want to fuck him, don't you. You want to fuck [pl]!" scene 14_04_216 od "What? No I don't! Where did that come from, [odfr]?!" od "I mean, maybe someone like him. Someone who's bigger and stronger than me." scene 14_04_220 od "I can't respect a guy if I can kick his ass." odfr "Interesting. So beating up every guy you meet is like some sort of mating ritual." od "No! You're being silly now, [odfr]. But you have to test them, right?" scene 14_04_212 odfr "Well, I think you should call him." odfr "Let him know that you're thinking about him and see how he responds." scene 14_04_218 od "I'm not going to call him. I mean...what would I even say?" od "No. That's a stupid idea and we should be getting home anyway. We have to be up early in the morning." scene 14_04_224 odfr "You go if you want, but I'm going to stay out a bit longer. I'm not ready to leave yet." od "[odfr], as team captain, I'm ordering you to come home right now!" scene 14_04_200 odfr "No. Look, I'm not going to drink or do anything stupid." odfr "We've been training so hard, [od]. I just need to unwind and have some fun before we all leave." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 14_04_230 od "Fine. Do what you want, you always do. But don't wake me up when you come home." od "And definitely DON'T bring anyone with you!" show black with fade scene 14_04_500 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSuzi1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# od "{i}(Damn it. I shouldn't have left [odfr] there on her own. I should've made her come home with me.){/i}" od "{i}(But what was I supposed to do? Drag her out? She never listens to me.){/i}" scene 14_04_508 od "{i}(I've done everything I can to try and help her.){/i}" od "{i}(But if the opportunity to compete at your home Olympics doesn't motivate her, then what can I do?){/i}" scene 14_04_520 od "{i}(It still feels like I've failed her, though.){/i}" od "{i}(She's not even going to make the team judging by her recent form.){/i}" scene 14_04_528 od "{i}(Look at the mess she's made.){/i}" od "{i}(She's so undisciplined!){/i}" scene 14_04_532 od "{i}(Well, there's nothing more I can do for her or the others now.){/i}" od "{i}(We're graduating and my responsibilities as team captain are over.){/i}" scene 14_04_524 od "{i}(I need to focus on myself and make sure that I get on the team.){/i}" od "{i}(I've worked too damn hard and made too many sacrifices to fail.){/i}" scene 14_04_540 od "{i}(I'll be glad to get home where I won't have any more of these distractions.){/i}" od "{i}(But what about [pl]? I hope there isn't going to be any more friction between us.){/i}" od "{i}(Maybe calling him isn't such a bad idea?){/i}" scene 14_04_560 with fade od "{i}(I will call him. But NOT because I want to fuck him!){/i}" od "{i}(I can't believe [odfr] sometimes!){/i}" od "{i}(But just to try and smooth things out between us so there isn't any more drama.){/i}" scene 14_04_564 od "{i}(Plus [yd] likes him. I don't want to upset her again by being a bitch towards [pl].){/i}" od "{i}(But what am I going to say to him? I don't want him to get the wrong idea...){/i}" scene 14_04_580 od "{i}(Maybe I could thank him for dealing with the intruder?){/i}" od "{i}(Yeah. I'll do that.){/i}" scene 14_04_570 od "Hi, [pl]. It's [od]. I'm...err, sorry to call so late. I hope I didn't wake you." od "[yd] told me about the intruder and how you chased him off. I just wanted to...to thank you." scene 14_04_574 pl "Oh. Hi, [od] and thanks. It's good of you to call. And it was just a photographer, so it wasn't a big deal." pl "How are things with you? What have you been up to?" scene 14_04_600 od "Oh, nothing much. Me and [odfr] went to a bar. She's still there, actually, so I'm on my own right now." od "Everyone else is out celebrating because the exams are over." scene 14_04_612 od "Ha. This one guy was trying to chat me up, but he was being a real creep." od "He put his hands on me and tried to feel my breasts. So I hit him!" scene 14_04_608 od "I smashed him right in the balls with my fist! He dropped straight to the ground." scene 14_04_604 pl "Damn. Good for you, [od]!" scene 14_04_606 pl "I wish your mother would let me do that to the guys that bother her." scene 14_04_608 od "Seriously? I thought you were going to tell me that I shouldn't hit people." od "Or give me another lecture about not losing my temper." scene 14_04_576 pl "Well, I do think you need to learn to control your anger, [od]." pl "But I respect the fact that you're not afraid to get physical when necessary." scene 14_04_578 pl "Guys are always touching your mother and it really pisses me off!" pl "But she's told me not to hit anyone and to let her handle it." scene 14_04_608 od "Thanks, [pl]. Mom always used to get angry with me whenever I had a fight with someone." od "She's always been against violence and never understood that some people deserve to be hit." scene 14_04_576 pl "Right. Violence often IS the answer!" pl "Some people don't just deserve to be hit, they need to be hit." scene 14_04_574 pl "Anyway, thanks for calling, [od], but I'd better go." pl "I have to escort your mother to a photoshoot in the morning and need to get some sleep." scene 14_04_612 od "Yeah. I have training in the morning so should get some sleep too." od "I just hope [odfr] doesn't wake me up when she comes home. See you soon." scene 14_04_620 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# od "{i}(Haha. I can't believe he was so cool about me hitting that guy.){/i}" od "{i}(Maybe he's not so bad after all...){/i}" ##################################################### # DAY 3 ##################################################### show black with fade scene 14_06_030 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicShooting1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pho "Have you double-checked everything? We can't afford any mistakes this morning." ass "Relax, [pho]. I've been doing this for a while now, you know." scene 14_06_032 pho "Yeah, but we're shooting [mom] Lloyd today. We can't just re-shoot if something goes wrong. She's far too busy." pho "And you haven't worked with anyone of her calibre yet. There are models, supermodels, and then there's [mom] Lloyd." scene 14_06_034 ass "Pfft. You're acting like I've never even seen a model." ass "I've worked with lots of models before." scene 14_06_038 pho "Not like her you haven't. I've worked with countless models, and I'm not exaggerating when I say she's in a league of her own." pho "She's at the top for a reason, so you need to be focused and don't let yourself be distracted by her...her beauty." scene 14_06_039 pho "All models are beautiful, but the very top models have a presence. An allure." pho "It's hard to describe. I've never met anyone else like her..." scene 14_06_040 ass "Nah, I don't believe you. I've been in situations like this before. I can handle it." ass "And isn't she like forty-years-old?" scene 14_06_042 pho "Trust me, when she's standing in front of you, you'll realize that you've NEVER been in a situation like that before." ass "So how many times have you worked with her?" scene 14_06_032 pho "Several times, actually. There's something about her that leaves everyone mesmerized." pho "She possesses something that transcends mere physical appearance." pho "She can make you lose your breath just by stepping into the room." scene 14_06_030 ass "Okay, [pho]. I hear you. I'll be more focused than ever." pho "That's what I want to hear. We're lucky to have been chosen for this job, so let's make sure we give it everything we've got." scene 14_06_050 with fade pl "What do you need me to do today, [mom]? Anything I should to be aware of?" mom "Nothing really. It's just...the two guys that have hired me were kind of creeps when we met before." scene 14_06_054 mom "Just keep an eye on them for me please, and make sure they don't try to disturb me while I'm getting changed." mom "But I'm sure everything will be fine, [pl]. It's probably going to be a very boring morning for you." scene 14_06_058 pl "Okay, [mom]. Sounds simple enough." pl "I'll keep a close eye on the creeps and if you do need anything else, just let me know." scene 14_06_060 pho "[mom], it's amazing to see you." pho "I'm so grateful to be working with you again." scene 14_06_064 mom "Hello, [pho]. And thank you." mom "It's good to work with you again too. Those last photos you took of me were fantastic." scene 14_06_068 pho "Thank you, but it's not difficult to make you look fantastic." pho "We're just finishing setting up and should be finished by the time [amy] has worked her magic with your make up." scene 14_06_070 mom "I guess I'd better go and find [amy], then. I hope you don't get too bored standing around, [pl]." mom "I'm booked here for three hours. Then we have to meet [aunt] for coffee." scene 14_06_072 "Guy 1" "[mom]! So glad you're here." "Guy 2" "Yes. We're really excited about today's photoshoot." scene 14_06_076 "Guy 1" "Absolutely. I can't wait to see you wearing our lingerie!" "Guy 2" "Neither can I. I've been thinking about you in our lingerie since our last meeting!" scene 14_06_074 mom "Good morning, gentlemen. I'm excited too, and very happy to be here to help you and your company." mom "Thank you again for choosing me to be your brand ambassador." scene 14_06_078 pl "I see what you mean about those guys. I won't let them disturb you, [mom]." mom "Thanks, [pl]. Try not to get too close to them. I don't want you getting drool on that leather jacket." scene 14_06_080 amy "[mom]! Hi. It's so good to see you again." amy "You're looking more beautiful than ever." scene 14_06_084 mom "[amy], it's so good to see you again too. It's been too long." mom "I was just coming to find you. How have you been? And how are the kids?" scene 14_06_088 amy "I've been great, thanks. And the kids are growing up so fast." mom "That's good. I want to hear all about them and what you've all been up to." scene 14_06_100 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End amy "Of course, and I want to hear all of the juicy new model gossip!" amy "But, don't keep me in the dark, [mom]. Who's this handsome fella you're with?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_06_092 mom "[amy], this is [pl]. He's my...my bodyguard." mom "[pl], this is [amy]. She's a good friend and also Hillside's best stylist." scene 14_06_104 pl "It's a pleasure to meet you, [amy]." amy "Likewise, [pl]." scene 14_06_108 amy "So, [pl], how are you enjoying guarding [mom]'s body?" pl "Err..." mom "I think we'd better go and start preparing for the shoot, [amy]." else: scene 14_06_096 mom "[amy], this is [pl]. He's my bodyguard." mom "[pl], this is [amy]. She's a good friend and also Hillside's best stylist." scene 14_06_104 pl "It's a pleasure to meet you, [amy]." amy "Likewise, [pl]." scene 14_06_110 pl "{i}(Look at that pair of horny assholes.){/i}" pl "{i}(They're not even trying to be subtle about it.){/i}" scene 14_06_114 pl "{i}(I think I need to discuss the terms of my employment with [mom].){/i}" pl "{i}(She needs to let me hit more people. Or maybe I should start bringing [od] with me and let her do it!){/i}" scene 14_06_120 "Guy 1" "I was surfing the web last night looking for old photos of her." "Guy 1" "Apparently she wasn't so shy about going topless when she was younger!" scene 14_06_124 "Guy 1" "I was up until 2am searching, and..." "Guy 1" "JACKPOT! I fucking found some." scene 14_06_128 "Guy 2" "No way! Seriously?" "Guy 2" "Show me! I want to see them!!" scene 14_06_160 with fade mom "I'm thrilled to be working with you again, [amy]. But I'm worried about what these creeps want me to wear today." amy "Well, they might be creeps, but their lingerie looks amazing. I can't wait to see you rocking it, [mom]!" scene 14_06_168 amy "So, what's the story with [pl]? Has he seen you wearing lingerie before?" amy "Or has he seen it all before? Tell me everything!" scene 14_06_164 mom "There's really nothing to tell, [amy]." mom "I've had a few concerns about my security lately so decided to hire someone to take care of me while I'm out." scene 14_06_200 with fade pl "{i}(Those two assholes have disappeared behind that screen. What are they up to?){/i}" pl "{i}(I need to get closer. I don't trust them...){/i}" scene 14_06_204 pl "{i}(They're giggling like a pair of teenagers. What are they up to?){/i}" pl "{i}(One of them just mentioned [mom]...){/i}" scene 14_06_208 "Guy 1" "Have you ever seen a better pair of tits?" "Guy 2" "I can't believe you found these! Are you sure they're not fakes?" scene 14_06_212 "Guy 1" "The photos are real, my friend. [mom] fucking Lloyd naked!" "Guy 1" "Man, the things I'd do to her. She wouldn't be able to sit down or walk straight for a week!" scene 14_06_216 "Guy 1" "Haha. Do you think she does anal? I would bang her in the ass so hard!" "Guy 2" "Send me those pictures, you legend. I need them!" scene 14_06_220 pl "{i}(What the fuck! [mom] was right about them, disgusting creeps!!){/i}" pl "{i}(I should fucking smash them in the face...){/i}" scene 14_06_224 pl "{i}(No! She wouldn't want me to do that.){/i}" pl "{i}(And she's right. I need to calm down.){/i}" scene 14_06_230 pl "{i}(I need to talk to [mom] and ask her what I should do.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.5 #KoGa3 END# pl "{i}(Maybe it's because of her history, but I've never felt this protective towards a client before.){/i}" pl "{i}(Anybody else and I would be able to ignore it...){/i}" scene 14_06_260 #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# amy "So, it was a pure accident that you chose the biggest most handsomest bodyguard you could find." amy "And what about when you're not out. What about when you're at home alone...with [pl]?" scene 14_06_261 amy "Does he look after you then too?" mom "[amy], don't be naughty! [pl] and I are friends, that's all." scene 14_06_262 mom "There's really nothing between us." scene 14_06_263 amy "Well, I definitely don't believe you! But I haven't seen you look this happy in a long time." amy "So, whatever [pl] is, I'm pleased for you, [mom]." scene 14_06_264 # 2shot amy "That's it. Hair and make up are done." mom "Thanks, [amy]. You've done an incredible job as always." scene 14_06_269 amy "Okay. Time to try and squeeze you into this lingerie." scene 14_06_270 amy "Ooh, looks like someone's been working out." amy "Maybe it won't be such a tight fit after all." #KoGa3 START# if KoGa3Music == 1: $ renpy.music.set_volume(0.3, 0.5, channel='music') pause 0.25 #KoGa3 END# play sound "audio/door_knock_01.ogg" scene 14_06_274 pl "[mom], I'm sorry to bother you. Can you spare a minute?" pl "I really need to talk to you." scene 14_06_278 mom "Yes. Just give me a second, [pl]." pl "{i}(I shouldn't be bothering [mom], but...those fucking guys!){/i}" #KoGa3 START# if KoGa3Music == 1: $ renpy.music.set_volume(1.0, 2, channel='music') #KoGa3 END# scene 14_06_304 mom "Okay, [pl]. You can come in now." scene 14_06_320 amy "I'll go and see if they're ready for you yet, [mom]. I'll be back in a minute." mom "Thanks, [amy]. We won't be long." scene 14_06_340 mom "[pl], you look angry. What's going on?" mom "Is everything okay?" scene 14_06_344 pl "I'm sorry to disturb you, [mom]. It's those assholes." pl "I had to walk away before I did something stupid. They were saying things about you." pl "I'm sorry. I'm overreacting. I've just never understood guys that talk about women like that." scene 14_06_348 mom "[pl], please try not to let it bother you." mom "I appreciate how protective you are of me, but you mustn't get so worked up about it." scene 14_06_356 mom "It used to bother me too, but I've long since stopped caring." mom "It's just immature guys talking, trying to impress one another." scene 14_06_352 pl "I know, it's just so disrespectful. I hate it." pl "I'm sorry to have bothered you." scene 14_06_400 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# amy "Okay, they're ready for you [mom]." amy "Let's get you into that lingerie..." scene 14_06_450 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicShooting2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "Sorry to keep you waiting, gentlemen." mom "I had a job squeezing myself into this outfit." scene 14_06_460 pho "No need to apologize, [mom]. It's your prerogative as a supermodel to keep everyone waiting." pho "And it was definitely worth it. You look incredible!" scene 14_06_464 mom "Thank you, [pho]." mom "I feel incredible wearing such beautiful lingerie." scene 14_06_472 mom "Where would you like me." mom "Is just here okay?" scene 14_06_500 pho "Oh yes. That is perfect." pho "Let's get started!" scene 14_06_512 pl "{i}(Wow. This is the first time I've seen her dressed like that.){/i}" pl "{i}([ste] is probably going to stop speaking to me after I tell him about this!){/i}" scene 14_06_516 ass "{i}(She's older than my mom, but fuuuck!){/i}" ass "{i}([pho] was right! I've never seen anyone half as hot as her before!!){/i}" scene 14_06_520 "Guy 1" "Oh, yeah! All night long!!" "Guy 2" "Fuck me. Look at that ass!" scene 14_06_468 pho "That's great, [mom]." pho "More of that..." scene 14_06_540 with fade pho "Beautiful. I love that!" play sound "audio/shutter.ogg" scene 14_06_000 with shutter scene 14_06_540 with shutter pho "Got it!" scene 14_06_544 pho "That bra looks amazing!" play sound "audio/shutter.ogg" scene 14_06_000 with shutter scene 14_06_544 with shutter pho "Great! Now let's see it from the back..." scene 14_06_548 play sound "audio/shutter.ogg" scene 14_06_000 with shutter scene 14_06_548 with shutter pho "Oh yeah! Unbelievable!!" play sound "audio/shutter.ogg" scene 14_06_000 with shutter scene 14_06_552 with shutter pho "Incredible!" scene 14_06_468 pho "Okay, [mom]. Just a few more and then I think we're done." scene 14_06_600 with fade amy "Hey. Can I talk to you for a minute, [pl]?" pl "Sure, [amy]. What's up?" scene 14_06_604 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End amy "I've got to say, it was a pleasant surprise to see [mom] walk in with a man earlier." amy "And I couldn't help noticing the way you look at her, [pl]. You have feelings for her, don't you." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_06_608 pl "Well, I care about her, of course. She's my client and I'm responsible for looking after her." pl "But it would be unprofessional to allow it develop into more than that." scene 14_06_614 amy "Maybe knowing what kind of person [mom] truly is might help change your view." pl "What do you mean?" else: scene 14_06_608 pl "Well, I care about her, of course. She's my client and I'm responsible for looking after her." pl "But there's no romantic attraction there, if that's what you're getting at." scene 14_06_614 amy "Maybe knowing what kind of person [mom] truly is might help change that." pl "What do you mean?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.5 #KoGa3 END# scene 14_06_632 amy "She doesn't like people knowing about this, but I think you deserve to know." amy "Let me tell you what kind of person [mom] is." scene 14_06_652 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# amy "A few years ago, my son was ill. Seriously ill." amy "His father had left me on my own and I was struggling. I couldn't afford the best healthcare." scene 14_06_656 pl "I'm sorry to hear that, [amy]." pl "It must have been tough dealing with that on your own." scene 14_06_644 amy "It was. It was a very difficult time for me." amy "I felt so guilty. All I wanted to do was give my son the best chance, but I didn't have the money for it. " scene 14_06_648 amy "Anyway, [mom]'s always been good to me. She always greets everyone and makes sure to thank them before leaving." amy "None of the other supermodels do that." amy "When she heard about my son's condition, she didn't hesitate for a moment. Not even a second." scene 14_06_652 amy "She immediately stepped in and paid for everything. He received the best healthcare available." amy "There was no discussion. She just did it." scene 14_06_656 pl "Wow. [mom] did that?" pl "That's incredible." scene 14_06_660 amy "Yes, and she didn't want anyone to know either." amy "She didn't seek recognition or praise. She did it because she genuinely cared." scene 14_06_664 pl "I can't believe she would do that. I mean, I can, but still." scene 14_06_668 amy "She sends him a card and gift every year on his birthday, and always asks how he's doing every time I see her." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog if \"mom_choice_04\" is \"True\"") #KoGa3End amy "She has such a good heart, [pl]. Don't believe what people say about her being icy and cold." amy "She's incredibly warm and selfless underneath that tough exterior." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_06_632 pl "Thank you for sharing that with me, [amy]. I had no idea." amy "I just wanted you to see what a special person [mom] is, [pl]." amy "She deserves someone who appreciates her for who she is, and not just for her beauty." scene 14_06_672 pl "{i}(That's amazing.){/i}" pl "{i}([mom] really is something special.){/i}" scene 14_06_658 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.5 #KoGa3 END# pl "Well, it looks like they've finished, [amy]. Time to earn my money and keep those creeps away from [mom]." pl "It was nice talking to you. No doubt I'll see you again soon." scene 14_06_700 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(Here they come again. I knew they'd try to bother her while she was getting changed.){/i}" pl "{i}(Do they really think the world's top supermodel is interested in having sex with them?){/i}" scene 14_06_704 pl "{i}(Why don't they just leave her alone!){/i}" pl "{i}(I need to get her away from here as quickly as possible.){/i}" scene 14_06_708 pl "I'm sorry, gentleman, but Miss Lloyd is getting changed and doesn't want to be disturbed." "Guy 1" "That's okay. We'll wait." scene 14_06_720 pl "Unfortunately, she isn't going to have time to talk to anyone." pl "She has another engagement and I have to make sure she gets there on time." pl "If there's something you need to discuss with her, then please contact her agent. Thank you." scene 14_06_724 mom "{i}(Thanks, [pl]. I really wasn't looking forward to talking to them again.){/i}" mom "{i}(I just want to get out of here.){/i}" scene 14_06_740 with fade mom "I'm glad that's over with. Thanks for getting me out of there quickly, [pl]." mom "It's tiring having to fend off guys like that all the time." scene 14_06_744 mom "[aunt] said she just had some work to finish before she meets us. She shouldn't be long." mom "Shall we sit here?" pl "Sure, if this is where you want to sit. Why don't you get in first." scene 14_06_748 mom "Oh. Are you sitting next to me?" mom "I thought you'd want to sit opposite." scene 14_06_752 pl "It's better if I'm next to you. It's easier for me to keep you safe that way." pl "Anybody that wants to get to you will have to get through me first." scene 14_06_760 "Waitress" "Good morning! What can I get for you today?" pl "Hi. Just two cappuccinos, please. Thank you." scene 14_06_762 pl "Oh, sorry, [mom]. I ordered for you without even asking you what you wanted!" mom "That's okay. I was going to order a cappuccino anyway. Thank you." scene 14_06_783 mom "{i}(I like how attentive [pl] is. He knows what I like and knew what I was going to order.){/i}" mom "{i}(It might only be a small thing, but it feels good to have someone around to do it for me.){/i}" scene 14_06_782 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End mom "So, how was the photoshoot for you?" mom "It must have been boring just standing around for so long." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_06_762 #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}recommended (Charlotte points){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "I enjoyed it[KoGa3ChoiceView1]": show screen screenPtsMomPlus $ pts_mom += 1 pl "It wasn't boring at all. In fact, I enjoyed it and am looking forward to the next one." mom "Really? That surprises me." scene 14_06_764 pl "What man wouldn't enjoy watching the world's most beautiful woman modelling lingerie?" mom "[pl]!" "It was boring": pl "It was kind of boring to be honest." pl "I spent most of my time keeping my eye on those creeps." else: scene 14_06_768 pl "Well, I don't really enjoy standing around doing nothing, but that's a large part of the job." pl "Those creeps, though...I'm sorry I got so angry." scene 14_06_784 mom "That's okay, [pl]. They make me mad, too." mom "Thank you for watching them. It made my job easier knowing you were there." scene 14_06_782 mom "So, what were you and [amy] talking about?" mom "That's right. I saw the two of you. You looked like you were conspiring together!" #KoGa3 START# $ KoGa3ChoiceText1 = _("\n{color=#008000}recommended (Charlotte points){/color}") if KoGa3ChoiceOption == 1: $ KoGa3ChoiceView1 = KoGa3ChoiceText1 #KoGa3 END# menu: "Tell [mom] the truth[KoGa3ChoiceView1]": show screen screenPtsMomPlus $ pts_mom += 1 scene 14_06_769 pl "Your friend [amy] wanted me to know what an incredible person you are." pl "She told me what you did for her son. How you paid his medical bills." scene 14_06_762 mom "Oh. Well, it's not a big deal. Anybody else would have done the same." pl "You're wrong, [mom]. Most people would definitely not have done the same!" scene 14_06_785 mom "I'm sure they would given the opportunity. I didn't do anything special." mom "I'm just lucky to be in a position where I could help a friend and her sick child. I just did what was right." "Don't tell her": scene 14_06_767 pl "Oh, nothing really. She was just trying to convince me that you were warm and kind." pl "I said that that didn't sound like the [mom] I know. The one that used to lock me in my room." scene 14_06_782 mom "Oh, stop it, [pl]! You know I feel bad about that." mom "How many times are you going to make me apologize?" scene 14_06_790 "Waitress" "Here we are. Two cappuccinos. Enjoy!" pl "Thank you. They look amazing. Just what we need." scene 14_06_801 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End aunt "{i}(Okay. Where are those two. I want to hear how [pl]'s first photoshoot went.){/i}" aunt "{i}(There they are.){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_03: scene 14_06_800 aunt "{i}(Wow. [mom] looks so happy.){/i}" scene 14_06_796 aunt "{i}(I've never seen her so relaxed with a man before.){/i}" aunt "{i}(They didn't even wait or order me a coffee. I knew this was going to happen!){/i}" aunt "{i}([pl]'s been staring at her in lingerie all morning. Of course he's going to fall in love with her!){/i}" scene 14_06_820 aunt "{i}(I have to get out of here. I'm going to start crying if I stay.){/i}" aunt "{i}(I can't compete with [mom].){/i}" elif mom_choice_04: scene 14_06_796 aunt "{i}(Wow. It looks like they're really enjoying each other's company.){/i}" aunt "{i}(Charlie looks so happy and relaxed...){/i}" scene 14_06_801 aunt "{i}(She really needs to tell him how she feels about him.){/i}" aunt "{i}(Maybe she will if I leave them alone to talk. I'll pretend I have too much work to do.){/i}" scene 14_06_822 aunt "{i}(She'd better tell him how she feels. I was really looking forward to that coffee!){/i}" else: scene 14_06_796 aunt "{i}(It looks like they're getting on well together.){/i}" aunt "{i}(Charlie looks so happy and relaxed...){/i}" scene 14_06_801 aunt "{i}(I wish she could find a guy to make her happy. [pl]'s a good guy. Why not him?){/i}" aunt "{i}(I'll pretend I have too much work to do and leave them alone to talk.){/i}" scene 14_06_822 aunt "{i}(She'd better tell him how she feels. I was really looking forward to that coffee!){/i}" play sound "audio/phone01.ogg" scene 14_06_830 mom "Sorry, [pl]. It's [aunt]." mom "She was supposed to be here by now. What's she doing?" scene 14_06_834 mom "[aunt], where are you? We're waiting for you." scene 14_06_836 aunt "Yeah, about that. I'm sorry, but this paperwork is taking me longer to finish than I expected." aunt "I'm going to stay here and get it done. How about we meet for coffee tomorrow?" scene 14_06_834 mom "Okay, [aunt]. I'll see you tomorrow." scene 14_06_770 pl "Rain check? Is [aunt] okay?" pl "She doesn't need any help, does she?" scene 14_06_782 mom "No. She's fine. Just too busy with paperwork to make it." mom "We're going to meet tomorrow instead." scene 14_06_826 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# pl "Okay. Will you want me to come with you?" mom "No. [aunt]'s going to pick me up in the morning. I'll ask whichever FBI agent is there to come with us." mom "Why don't you stay at home and keep [yd] company. I don't like leaving her all alone." scene 14_06_780 mom "Now, what were we talking about...?" scene 14_08_100 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious15 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# fbi2 "Are we really going to offer this sack of shit a deal?" fbi "Look, I don't like it any more than you do, but I think it's our only chance now." scene 14_08_130 fbi "Nobody's talking to us. The victims are too scared. Some of them have disappeared." fbi "Files are missing. Evidence lost. We need to pin something, anything, on someone and start them talking." scene 14_08_120 fbi2 "{i}(The Lloyds seem like good people. Making a deal with this bastard rubs me the wrong way.){/i}" fbi2 "{i}(But these assholes are protected from up on high. I guess we have to do what we have to do.){/i}" scene 14_08_150 fbi "To be honest, my main concern right now is the bodyguard. He's ready to take matters into his own hands." fbi "We need to get a result today, or things might get complicated." scene 14_08_140 fbi2 "Maybe we should just let him get on with it. These bastards seem to be untouchable." fbi2 "Months of investigation and we don't have anything on the ones who are really pulling the strings." scene 14_08_154 fbi "No! It's our job to bring these people to justice." fbi "I don't want to see a good man like [pl] go to jail because we failed." scene 14_08_190 with fade fbi "I'm sure this sack of shit will give the others up to save himself. We just need to put enough pressure on him." fbi "{i}(But this really is our last roll of the dice...){/i}" scene 14_08_200 fbi "Good day, ma'am. I'm [fbi] with the FBI, and this is [fbi2]." fbi "We're looking for [jas]. Is he home?" scene 14_08_210 gem "Uh, [jas]? No, he's not here right now. He's playing golf with his friend." gem "What's this about? Is everything okay?" scene 14_08_220 fbi "What happened to you? Let me guess, you had an accident." fbi "Did [jas] do this to you? You don't have to put up with it you know. We can help you." scene 14_08_230 gem "It's not like that. He didn't mean to hurt me." gem "It was my fault. I made him angry...I shouldn't have done that." scene 14_08_240 gem "I'm sorry, but you should leave. [jas] isn't here." gem "He wouldn't like me talking to you. Please go." scene 14_08_260 fbi "Listen to me. I can't let you stay here with him. Next time he might kill you." fbi "So, I need you to go and get dressed and come with us. We can protect you, if you help us." scene 14_08_380 with fade jas "I heard you bought another house. How many is that now?" "Frank" "Haha. This one is on the cliff tops. The views of the sunset over the ocean are unbelievable." scene 14_08_384 "Frank" "Got to keep the new mistress happy...and away from the wife!" "Frank" "Damn expensive, but she's worth it. Such a tight fucking ass." scene 14_08_388 jas "I will never understand why you wanted to get married." jas "You collect mistresses like I collect parking tickets, you horny bastard!" scene 14_08_396 fbi "Good morning, gentleman. Beautiful day isn't it." fbi "Hello, [jas]. I hate to interrupt your little game, but I'm afraid I'm going to have to ask you to come with us." scene 14_08_392 "Frank" "Shit! The FBI. How many parking tickets have you got?" jas "What the hell are they doing here?" scene 14_08_404 jas "Who do you think you are coming on to the golf course? This is a private club!" jas "Do you know who I am?" scene 14_08_400 fbi "Well, obviously I do and I know where you live too, [jas]." fbi "In fact, we've just been to your house and spoke to [gem]. She was very helpful." scene 14_08_408 jas "What?! What did that dumb slut say? She's a fucking liar!" fbi "She hasn't said anything...yet." scene 14_08_412 jas "And she won't say anything either. She knows what'll happen to her if she does!" jas "You don't talk to her without my lawyer being present!" scene 14_08_414 fbi "It's up to her whether she wants a lawyer present or not. Not you." fbi "I'm very interested to hear how she got all of those bruises." scene 14_08_416 fbi "Do you know how she came to be so badly bruised? Are you the kind of small dick bastard that beats women?!" fbi "You know, I heard a rumour that you tried to beat a woman to death in an alley a couple of years ago. Does that ring any bells?" scene 14_08_420 jas "Don't just stand there looking stupid, you asshole!" jas "Do something! Call someone!!" scene 14_08_424 "Frank" "Who? Who should I call?" "Frank" "What's your lawyer's number?" scene 14_08_428 jas "How the fuck should I know, you useless prick!" jas "Call [har] and tell him what's happening!!" scene 14_08_432 jas "My lawyer will be waiting for us and I'll be back here in an hour to finish my round." jas "While you'll be looking for a new job!" scene 14_08_440 fbi "You have a big mouth, don't you." fbi "I'm sure you'll be popular in prison, you cocksucker." scene 14_08_444 jas "You can't talk to me like that!" jas "Get your man hands off me, you fucking dyke bitch!" scene 14_08_448 fbi "Mind your head as you get into the car, sir." fbi "I wouldn't want you to hurt yourself..." scene 14_08_452 with vpunch play sound "audio/carhood_impact.ogg" jas "OW! YOU FUCKING DID THAT DELIBERATELY!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "I'm sorry, but I did warn you." scene 14_08_456 fbi "Now take a seat and shut up before you have another, far worse accident." jas "Argh!" show black with fade scene 14_10_090 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "[yd], your mother and I are back. I've come to see how your dress is going." pl "Have you been working hard while we were gone?" scene 14_10_100 yd "[pl]! I'm so glad you're home." yd "I have been working hard. Really hard. I get so much more done working here." scene 14_10_108 yd "Did you really come to see me, or did you come to see your girlfriend? You can say hello if you like. I won't get jealous!" pl "Hey! I thought you said you wouldn't tease me about that anymore." scene 14_10_112 yd "I'm sorry, [pl]. It's just so funny." yd "I promise I won't tease you anymore...about that." scene 14_10_116 pl "Good. I'd hate to have to teach you a lesson by tickling you again." pl "I know how much you hate it." scene 14_10_120 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"mom_choice_04\"") #KoGa3End yd "{i}(I wish I found it so easy to talk to boys my own age. I feel so comfortable around [pl].){/i}" yd "{i}(We get on so well together. It feels like I've known him my whole life.){/i}" scene 14_10_122 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: yd "{i}(I hope Mom falls in love with him like I have. I hope we can be a proper family.){/i}" else: yd "{i}(I want him to stay with us forever.){/i}" scene 14_10_124 yd "How was Mom's photoshoot, [pl]? Did you enjoy it?" yd "She was modelling lingerie, wasn't she?" scene 14_10_128 pl "Err, was she? I didn't notice." pl "I was too focused on my job to pay much attention to the lingerie your mother was wearing." scene 14_10_132 pl "Anyway, let's not talk about that. I want to hear about you." pl "Let's sit down and you can tell me how your work is going." scene 14_10_140 pl "So, have you decided on your dress design yet?" yd "Yes! I'm just about to cut the first fabric and start making it." scene 14_10_150 pl "That's great news, sweetheart. I'm looking forward to seeing it when it's finished." pl "And when's the fashion show? How long do you have to make it?" scene 14_10_154 yd "It's not long now. Actually, I wanted to ask you something, [pl]." yd "I need to find out all of the details for the show. Can you take me to college tomorrow?" scene 14_10_158 pl "Tomorrow? I think so. Your mother is going for coffee with your aunt, [aunt]." pl "I'll double-check with her, but she said she doesn't need me, so it should be okay." scene 14_10_160 yd "Thanks, [pl]. You're the best!" yd "Oh, there was something else I wanted to tell you. Did you know it's my birthday soon? I'm going to have a party." scene 14_10_164 pl "No, I didn't know that. Am I invited to your party?" yd "Of course you are, silly! You have to come." scene 14_10_168 pl "Well, thank you, sweetheart. But, I'm not sure if I'll have time to go shopping and buy you a present now." pl "Your mother's keeping me quite busy." scene 14_10_172 yd "Aw, that's okay. You don't have to buy me anything...not unless you really want to." yd "You couldn't buy me anything better than my necklace anyway. It means so much to me." scene 14_10_180 pl "Don't worry, I'll do my best to find something. I can't come to your party without a present for the birthday girl." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# yd "Thanks, [pl]! I can't wait to see what it is." scene 14_10_190 yd "But just having you here with us is the best present I could ever have." pl "Thank you, [yd]. It means so much to me to hear you say that." pl "I feel the same way about being here with you and your mother. It really feels like I belong here. Like this is my home..." scene 14_08_526 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious15 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# fbi2 "I hope you're going to interview that abusive asshole now. He hasn't stopped complaining loudly since he got here." fbi "Sorry, but he's going to have to wait a little longer. I want to let him stew for as long as possible." scene 14_08_530 fbi "The angrier he is the better. Then he's more likely to say something stupid and incriminating when we pressure him." fbi "I'm going to talk to the girlfriend first. If she'll press charges against him, then that will help a lot." scene 14_08_534 fbi2 "Good luck. But the poor girl's terrified of him, for obvious reasons." fbi2 "I doubt she's going to want to press charges and take another beating." scene 14_08_538 fbi "No doubt you're right. But I have to try." fbi2 "Okay. I'll go and continue interviewing the others while you do that." scene 14_08_542 fbi "Have any of the them talked yet?" fbi "We need something...anything!" scene 14_08_546 fbi2 "Nobody's said anything useful yet, but we've only just started." fbi2 "We'll get something. Stay optimistic." scene 14_08_550 fbi "Hello again, [gem]. Sorry to keep you waiting. Are you feeling okay?" gem "Not really. I just want to go home." scene 14_08_554 fbi "I understand, and I'm sorry. I'll be as quick as I can." fbi "I just wanted to have a little chat with you and see if there is anything I can do to help you." scene 14_08_558 gem "Did you find [jas]? Is he here? Does he know I'm here?" gem "He's going to be mad if he finds out that I talked to you. He's not nice when he gets mad." scene 14_08_562 fbi "Don't worry about [jas]. We can protect you from him, [gem]." fbi "But you have to help us first." scene 14_08_566 fbi "Why don't you start by telling me about your relationship with [jas]. Is he your boyfriend?" gem "Yes. Kind of..." scene 14_08_570 gem "When can I go home?" gem "I don't want to stay here." scene 14_08_574 fbi "[gem], the sooner you answer my questions the sooner you can leave." fbi "But I can't let you go back to [jas]. I'll find somewhere safe for you to stay." scene 14_08_582 gem "I don't mean back to [jas]. I want to leave Hillside and go back home." gem "I don't want to be an actress anymore and I don't want to stay here. Please just let me go." scene 14_08_578 fbi "I understand, and I know this is tough, but I really need your help." fbi "Please, just tell me who hurt you..." show black with fade scene 14_08_600 with fade fbi2 "Did you get anything from the girlfriend?" fbi "No. You were right. She's too scared of him and won't press charges." scene 14_08_604 fbi "I fucking hate this. I want to bury that piece of shit in the ground somewhere, but we need him to give us [har]." fbi "He's the linchpin. If we don't get [har] Wolff, then nothing is going to change in Hillside..." scene 14_08_608 pri "Listen to me. I don't think they have anything on you. They're fishing." pri "Just keep your mouth shut and let me do the talking. Don't give them anything!" scene 14_08_612 jas "I want this bitch ruined. I want her career destroyed!" jas "She hit my fucking head on the car! She can't do that to me!!" scene 14_08_620 fbi "Hello again, [jas]. I'm really very sorry to have kept you waiting for such a long time." fbi "Can I get you anything before we begin? Some Tylenol maybe?" scene 14_08_624 jas "Do you think that's funny, you ugly bitch!" jas "What the fuck am I doing here? And when can I leave? You've got nothing on me!" scene 14_08_628 fbi "You can leave when I tell you that you can leave, and not before." fbi "You have some serious questions to answer, so let's get started." scene 14_08_632 jas "I'm not answering anything! And I'll be out of here within the hour." jas "You obviously have no idea how things work around here. Why don't you call your boss and ask him." scene 14_08_608 pri "I thought I told you to keep your mouth shut!" pri "Don't say another word." scene 14_08_636 fbi "I'll be very interested to hear about how things work around here." fbi "Why don't you enlighten me." scene 14_08_640 pri "He's not going to enlighten you of anything. I have advised my client to exercise his right to remain silent." pri "Now, why don't you enlighten me as to why an important celebrity has had his busy day interrupted?" scene 14_08_650 fbi "Important celebrity. Isn't that an oxymoron?" pri "Maybe to you, but perhaps not to others in Hillside. Others in more powerful positions than yourself." scene 14_08_654 fbi "Your client is suspected of involvement in a number of very serious crimes, including murder and trafficking." fbi "Is that enlightening enough for you, [pri]!" scene 14_08_666 pri "[fbi], I thought the FBI dealt in facts, not fiction." pri "Who do you imagine my client murdered? And what evidence do you have to support these slanderous accusations?" scene 14_08_670 fbi "How about the young woman whose murder was recorded on video by [yd] Taylor, your client's ex-girlfriend." fbi "And we have plenty of evidence. We've been working closely with [mom] Lloyd and her bodyguard." fbi "I believe both of them are well-known to your important celebrity client." scene 14_08_674 jas "I FUCKING TOLD HARRY HE NEEDED TO GET RID OF THOSE TWO!" jas "[name_mom!u] LLOYD IS A LYING BITCH! SHE DESERVED EVERYTHING SHE GOT, AND EVERYTHING SHE'S GOING TO GET!!" scene 14_08_662 pri "Shut up, you fool! Can't you see she's baiting you!!" pri "I'm not going to be able to help you if you don't keep your big mouth closed!" scene 14_08_680 fbi2 "Sorry to interrupt, but I need to talk to you, [fbi]." fbi2 "It's important." scene 14_08_684 fbi "Damn it! Can't it wait?" fbi "I'm in the middle of the interview." scene 14_08_688 fbi2 "I have an urgent message from the boss." fbi2 "He said you need to end the interview...NOW." scene 14_08_692 fbi "What are you talking about? I'm not ending anything!" fbi "What exactly did he say?" scene 14_08_696 fbi2 "I'm sorry, but it's a direct order from the boss. You can't continue the interview with [jas]." fbi "Why the hell not?" scene 14_08_700 fbi "I just need a little more time. I was just starting to get somewhere!" fbi "This asshole can't keep his mouth shut. He's going to incriminate himself for sure." scene 14_08_704 fbi2 "[sel], the state attorney general called the boss personally!" fbi2 "This asshole is protected. We can't touch him. We can't touch any of them." scene 14_08_708 fbi "Bullshit! Nobody is untouchable!!" fbi "Fuck them! They can't stop us now, not when we're so close." scene 14_08_712 fbi2 "Disobeying a direct order will cost you your job. You have to let him go." fbi2 "It's over..." scene 14_08_716 fbi "No! There must be a way. There must be something we can do." fbi "Everybody is either too scared to speak out, or too corrupt!" scene 14_08_720 fbi "{i}([pl] was right. He was fucking right all along. This town is rotten to the core.){/i}" fbi "{i}(Now what do we do? Where do we go from here?){/i}" scene 14_08_724 jas "Oh dear. Sounds like you had some bad news!" jas "Have you been enlightened!" scene 14_08_728 fbi "You can leave. We don't have any further questions at this time." fbi "But don't leave town!" scene 14_08_732 jas "I told you I'd be out within an hour." jas "How about you driving me home? I'm really eager to talk to [gem]." scene 14_08_736 fbi "She won't be coming back to you. I'm going to make sure of that." fbi "And don't you dare go anywhere near [mom] Lloyd!" scene 14_08_744 jas "Ha. It's only a matter of time before [mom] and I bump into each other again." jas "I'm really going to enjoy getting reacquainted." scene 14_08_740 fbi "This isn't over. Not by a long shot!" fbi "I'll be seeing you again soon." scene 14_08_748 jas "No you won't. And you'll be hearing from my lawyer if you keep harassing me." jas "A word of advice. Learn to recognise when you've lost, bitch." scene 14_08_752 fbi "{i}(Fucking smug piece of shit! Who is protecting him?){/i}" fbi "{i}(How high does the corruption go? The SAG? The governor?!){/i}" scene 14_08_756 play sound "audio/door_close_02.ogg" fbi "{i}(Shit! How am I going to tell [mom]? And what is [pl] going to do now?){/i}" fbi "{i}(I promised them I was going to get all of these assholes and bring them to justice.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 1.5 #KoGa3 END# fbi "{i}(But instead I've put them in even more danger...){/i}" #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious6 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# scene 14_08_760 fbi "{b}FUCK!{/b}" fbi "{b}FUCK THOSE FUCKING BASTARDS!!!{/b}" scene 14_08_764 fbi "{b}ARGH!{/b}" fbi "{b}MONTHS OF WORK FOR NOTHING!{/b}" scene 14_08_768 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# fbi "{b}What the fuck am I going to do now?!{/b}" fbi "{b}I've done everything I can, but it isn't enough against this level of corruption!{/b}" show black with fade ##################################################### # DAY 4 ##################################################### scene 14_12_100 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "Thanks for driving me to college, [pl]. I shouldn't be long." yd "I just need to find out the final arrangements for the fashion show." yd "Oh, and I want to try and find [dav]. I owe him an apology." scene 14_12_104 yd "I'll try to be quick. I promise!" pl "Take your time, sweetheart. I'll be here waiting for you." play sound "audio/car_door_01.ogg" scene 14_12_120 pl "{i}(I have a horrible feeling in my stomach every time she leaves me.){/i}" pl "{i}(Especially here. It usually ends with her running back crying...){/i}" scene 14_12_124 yd "{i}(Coming back to college now feels so different. It feels like I've already left and moved on...which I have!){/i}" yd "{i}(Hopefully, this will be the last time I ever come back. I don't think I even want to come to graduation.){/i}" scene 14_12_140 with fade yd "{i}(That's that done. I have all the details for the show now.){/i}" yd "{i}(It's being held in the city. And it sounds like there will be some important people there to see our designs!){/i}" scene 14_12_142 yd "{i}(I'd better not think about it too much. It will only make me more nervous than I already am.){/i}" yd "{i}(Now I just need to find [dav]. I bet I know where he'll be...){/i}" scene 14_12_180 with fade yd "Hi, [dav]. I thought you'd be here. I'm so glad I found you." yd "I want to talk to you. Is it okay if I sit down?" scene 14_12_184 dav "[yd]! I didn't think I was going to see you again. I heard you'd left college." dav "Of course you can sit down. There's so many things I want to say to you!" scene 14_12_188 yd "Thank you. I was afraid you wouldn't want to talk to me." yd "Not after how I treated you before." scene 14_12_194 yd "I wanted to apologize for not listening to you when you tried to warn me about [zak]." yd "You were right about him. [dav], you're my friend and I should have trusted you." scene 14_12_198 dav "That's okay. He's gone now." dav "I'm just glad that you weren't hurt, [yd]." scene 14_12_220 dav "I went to the police to try and stop [zak]. Did you hear about that? " dav "But the policeman locked me in the trunk of his car! I couldn't believe it when I found out that he attacked you." scene 14_12_240 dav "I did it all for you, [yd]. And I'd do it again." dav "I'd do anything for you." scene 14_12_244 yd "Yes. It was so lucky that [pl] came to rescue me." yd "He's always there for me when I need him. I don't know what I'd do without him." scene 14_12_250 dav "But I was looking out for you too, [yd]!" dav "I even confronted [zak] and told him to stay away from you...and he beat me up." scene 14_12_260 yd "I mean, how was I supposed to know that [zak] didn't love me." yd "He wrote me a beautiful love letter. But he obviously didn't mean any of it." scene 14_12_270 dav "It was me! I wrote that beautiful letter!!" yd "You did? But why would you do that..." scene 14_12_280 dav "Because I love you, [yd]! I've always loved you!!" dav "I can't believe you thought that idiot [zak] wrote it! Is that why you went on a date with him?!" scene 14_12_284 yd "But I don't understand. We're just friends." yd "I don't love you, [dav]." scene 14_12_290 dav "Then why are you even talking to me, [yd]! I've done everything for you and you don't even care!" dav "Just go! Leave me alone! I never want to see you again!!" scene 14_12_320 yd "{i}(What just happened? Why is [dav] shouting at me?!){/i}" yd "{i}(How could I have known he was in love with me!){/i}" scene 14_12_380 with fade pl "Sweetheart, what's wrong? Did someone bully you again?" yd "No. It wasn't that. It was something different this time." scene 14_12_384 pl "It's okay, [yd]. Give me a hug." pl "Everything's going to be alright." scene 14_12_388 yd "I want you to take me away from this place, [pl]." yd "I'm never coming back here again!" scene 14_12_392 yd "{i}(Why are relationships with boys so difficult. They only seem to care about what they want.){/i}" yd "{i}(Why can't they be more like [pl]? He's always thinking about me and my feelings.){/i}" scene 14_12_400 pl "Let's go and sit in the car and you can tell me what happened." yd "Okay. I don't want people to see me crying...again." scene 14_12_410 pl "So, what's upset you? What happened?" yd "I apologized to [dav], but he got upset and then he got angry and he told me he never wanted to see me again." scene 14_12_450 yd "I...I just told him that I don't love him. He was hurt, and I hate hurting people, [pl]." yd "I don't know what to do. I don't like this feeling..." scene 14_12_440 pl "Oh, angel. Don't feel bad. You're not responsible for how this boy feels." pl "I know it's tough, sweetheart, but you did the right thing." scene 14_12_452 pl "It hurts me seeing you cry, sweetheart." pl "Hold still and let me wipe away your tears." scene 14_12_460 pl "Everything's going to be alright, [yd]. I'm here for you." pl "There's no need for any more tears." scene 14_12_462 pl "I want to see your beautiful smile again. What can I do to cheer you up?" pl "Would you like an ice cream at the beach? Or a milkshake at the fast food restaurant?" scene 14_12_480 yd "Just being with you cheers me up, [pl]. You always make me feel better." yd "But, maybe we could go to the park?" scene 14_12_464 pl "That sounds like a great idea. A walk in the park it is." pl "Just let me call your mother to let her know we'll be a little late." scene 14_12_500 pl "Hi, [mom]. Don't worry, everything's okay." pl "But [yd] wants to go for a walk in the park while we're here. Is that okay?" scene 14_16_090 mom "Yes, of course. [aunt] and I are still talking. We have a bit of catching up to do." mom "Is [yd] okay? Did she get what she needed from college?" scene 14_16_104 pl "Yes, [yd]'s fine. She has all of the details for her college fashion show." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "I'll let you get back to chatting with [aunt], then. Sorry to have disturbed you." scene 14_16_100 mom "Thanks, [pl]. And don't worry about us. We're fine." mom "I'll see you back at home." scene 14_14_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicEmma1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "Thanks for bringing me to the park again, [pl]. It looks so pretty now all of the flowers are out." pl "You're welcome, sweetheart. You know I'd do anything to put a smile on your face." scene 14_14_064 yd "Do you remember the last time we came here? I was upset then, too." yd "And you gave me a big hug to make me feel better. Do you remember that, [pl]?" scene 14_14_060 pl "Of course I do. How could I forget." pl "[yd], is this your way of telling me that you'd like a hug now?" scene 14_14_074 pl "Okay. Come here." yd "{i}(Mmm. That feels better.){/i}" scene 14_14_084 yd "Thank you, [pl]." yd "How did you know that's what I needed?" scene 14_14_088 pl "I don't know, sweetheart. I must be a mindreader." pl "{i}(She's so funny. If she wants a hug she only needs to ask.){/i}" scene 14_14_090 yd "Let's look at the flowers, [pl]. Which ones do you like best? I like the pink ones!" yd "And look at how many butterflies there are. I wish I knew what they were." scene 14_14_092 pl "I'm not an expert, but I think they're called Monarchs." yd "Wow. You know so much, [pl]. I love nature. It inspires me and I try to incorporate it into all my designs." scene 14_14_102 yd "Look at these, [pl]. Aren't they beautiful!" yd "When I'm a famous designer, I'm going to have my own range of perfumes." scene 14_14_096 yd "{i}(Wow! These smell amazing.){/i}" scene 14_14_098 pl "Shall we sit on one of the benches, [yd]? And maybe talk for a while." scene 14_14_102 yd "Okay! Let's sit on this one over here." yd "What shall we talk about, [pl]?" scene 14_14_120 pl "How about what happened at college. Do you want to talk about that?" pl "I'll understand if you don't want to talk to me about it, [yd]. I'd just like to know that you're okay." scene 14_14_136 yd "I'm okay. I'm feeling better now, but I still feel bad about hurting [dav]." yd "I've never had a boy fall in love with me before. Did I do something wrong, [pl]?" scene 14_14_140 pl "No, sweetheart. You didn't do anything wrong." pl "Sometimes, despite our best intentions, people get hurt and hearts get broken." scene 14_14_136 yd "But [dav] said he never wanted to see me again. I don't want to leave things like this." yd "How do I make things right? How can I make him feel better?" scene 14_14_140 pl "You can't, [yd], and if you try, you'll probably only end up hurting him more." pl "He needs to deal with the fact that you don't love him so he can move on and find someone else who does." scene 14_14_276 yd "Thanks, [pl]. I needed to hear that." yd "Can we talk about something else now? I want to ask you something." pl "Of course we can. What do you want to talk about?" scene 14_14_124 yd "I'm trying to decide if I should go to university, or whether I should work for [val]." yd "If I worked for [val], would you be able to drive me to work every day?" scene 14_14_140 pl "Every day? Um...I don't know, [yd]." pl "I'd have to ask your mother. It depends on whether she still needs me and if I'm still working for her then I guess." scene 14_14_254 yd "Of course you'll still be working for Mom! She's not going to let you leave." yd "But, it doesn't matter. I know what Mom will say. She'll say I have to drive myself." scene 14_14_128 pl "Why do you think she'll say that? Can you drive?" pl "I haven't seen you drive, so I assumed you hadn't learned yet." scene 14_14_136 yd "I can drive. I have my licence and everything. I just don't like to." yd "I'm not very confident, and I know Mom will say that the only way to become more confident at something is to do it more often." yd "It's okay. I have to win the college fashion show first anyway. So I might not even get the job. Forget I asked." scene 14_14_196 pl "{i}(I hope she does get the job. I don't want her to leave and go away to university.){/i}" pl "{i}(I'll just be worrying about her the whole time. And I'll miss her...){/i}" yd "[pl]! Look! Quick!" scene 14_14_200 pl "{i}(Oh, dear god!){/i}" yd "Haha. Does he think I'm a flower?" scene 14_14_204 pl "{i}(Why did she make me look!){/i}" yd "Quick, [pl]. Take a photo!" scene 14_14_208 yd "Hurry up, before he flies away!" yd "I need to show Mom otherwise she won't believe me." scene 14_14_212 pl "[yd], I can't do that!" pl "I can't show your mother a photograph of your breasts that I took!" scene 14_14_216 yd "Why not?" pl "Because...they're your breasts!" scene 14_14_224 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog if \"mom_choice_04\" is \"False\" (Emma route)") #KoGa3End yd "Oh! I didn't mean to make you look at my..." yd "I'm sorry, [pl]. This is so embarrassing!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if not mom_choice_04: scene 14_14_230 yd "{i}(I can't believe I made [pl] look at my boobs. He must be able to see right down my dress too.){/i}" yd "{i}(But he didn't look away...he kept looking. Did he enjoy it?){/i}" scene 14_14_258 pl "Sweetheart, there's no need to be embarrassed or apologize for being innocent." pl "It's one of your most endearing qualities." scene 14_14_270 pl "{i}(I can't believe I thought I was coming to Hillside to guard a spoilt rich girl.){/i}" pl "{i}(I also thought I'd only be here a couple of weeks...){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.0 #KoGa3 END# scene 14_14_276 yd "I love you, [pl]." pl "I love you too, [yd]." scene 14_16_150 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSpa2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# aunt "Sorry I couldn't join you for coffee yesterday. I just had too much work to get done." mom "I'm sorry too, [aunt]. I hope you're not working too hard." scene 14_16_170 aunt "I'm fine, but there are a couple of things I needed to mention to you." aunt "You've got the charity gala coming up soon. You need to ask [pl] if he's got an appropriate suit." scene 14_16_204 mom "Oh, yes. Good point. I'll make sure to ask him." mom "What was the other thing?" scene 14_16_174 aunt "What are you going to do when you go abroad now? Are you going to take [pl] with you?" aunt "I need to know for when I'm making travel arrangements and other things." scene 14_16_204 mom "Oh, err, I guess he'll travel with me. He probably doesn't need to, but...I'd like him to." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"aunt_choice_03\"") #KoGa3End mom "Why? I don't have any foreign trips coming up, do I?" scene 14_16_254 aunt "No. Not in the next few weeks." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if not aunt_choice_03: aunt "And will you want separate rooms?" scene 14_16_158 mom "[aunt]! Yes, we will want separate rooms." aunt "Okay. Just wanted to make sure." else: scene 14_16_250 aunt "{i}(I don't want [pl] to go away with [mom]. Is there any way I can stop him going?){/i}" aunt "{i}(But if anything happened to Charlie while he wasn't there, I'd never forgive myself.){/i}" scene 14_16_170 aunt "So how did the photoshoot go yesterday?" aunt "You were a bit apprehensive about having [pl] there. Was it okay?" scene 14_16_200 mom "It was fine. It felt a little awkward at first, but I quickly forgot he was there." mom "I thought he was going to hit those two creeps, though. He was ready to. I had to calm him down!" scene 14_16_150 aunt "Really? Why?" mom "I asked him to keep an eye on them, and apparently they were making lewd remarks about me. [pl] didn't like it." scene 14_16_158 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End aunt "Interesting. What kind of things were they saying?" mom "[aunt]!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_16_154 aunt "And how was your coffee together? Did you tell him how you feel about him?" mom "No. I didn't really get a chance to." scene 14_16_182 aunt "Oh, Charlie! I came to the cafe and saw how well you two were getting on." aunt "I left alone hoping that you would finally tell him!" scene 14_16_150 mom "I'm sorry, [aunt]. I'm going to talk to him tonight once [yd] has gone to bed. I'm going to tell him." aunt "Good. You need to tell him, [mom]. Tell him before somebody else gets their hooks into him." scene 14_16_240 mom "But I'm so nervous, [aunt]." mom "What if he's like all the others? I can't help worrying..." scene 14_16_258 aunt "Charlie, you know he's nothing like them. Hurting you is the last thing he would do." aunt "And, if he ever did, then he'd have to answer to [od], [yd], and me!" scene 14_16_254 aunt "Seriously, he's a good man. You know that. He could make you so so happy." aunt "Just tell him how you feel. Take a chance." scene 14_16_200 mom "I will, [aunt]. I'll tell him tonight." mom "Thank you for the encouragement. I just hope that he feels the same way about me." scene 14_16_150 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_03\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "Okay. I think we've chatted enough. We'd better get going." mom "[pl] will be worrying about me if we stay much longer." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End elif aunt_choice_03: scene 14_16_178 aunt "You two seem to be getting on well together. It sounds like he cares for you...a lot." aunt "Did you enjoy your coffee together?" scene 14_16_200 mom "Yes, actually. It was good. I feel really relaxed and comfortable with him now." mom " It's funny, I kind of wish I felt something for him. He's a good man." scene 14_16_182 aunt "You mean you don't feel anything for him?" scene 14_16_200 mom "Who? [pl]? No. It's just great to be friends with a man and not feel terrified." mom "He gives me hope that I might still be able to find someone." scene 14_16_150 mom "And what about you. How are things going with your boyfriend?" mom "Are you both still serious about your relationship?" scene 14_16_254 aunt "Yes. The more time we spend together, the stronger my feelings for him get." aunt "And I think he feels the same. At least, that's what he tells me!" scene 14_16_150 mom "Well, I think it's time I meet him, [aunt]." aunt "Maybe...maybe it is time that you met him." scene 14_16_200 mom "Definitely. Why don't you bring him to the house and I'll cook us a meal." mom "[yd] and I can give him the once over to make sure he's good enough for you." scene 14_16_250 aunt "{i}(Okay. I'm going to tell her.){/i}" aunt "{i}(I don't know how she's going to react, and I don't know if this is the right time, but...here goes.){/i}" scene 14_16_154 aunt "[mom], I need to tell you something, but I don't want you to get angry." mom "Angry? What do you want to tell me?" scene 14_16_182 aunt "It's [pl]. I'm seeing [pl]." aunt "But it's serious. I think we're in love." scene 14_16_244 mom "What?! You and [pl] are dating?" mom "For how long? When? How?" scene 14_16_262 aunt "I'm sorry, [mom]." aunt "Please don't be angry." scene 14_16_240 mom "[aunt]! What's wrong?" mom "Why are you crying?" scene 14_16_262 aunt "Because you told me not to date him, and I promised I wouldn't...but now I am." aunt "Aren't you angry with me?" scene 14_16_404 mom "Oh, [aunt], don't be silly." mom "I'm not mad. I didn't want you to just sleep with him, but this is different." scene 14_16_400 aunt "So you're okay with us seeing each other? You don't mind?" mom "No, of course not. If you really feel something for each other, then I'm happy for you. Happy for you both." mom "Stand up and give me a hug." scene 14_16_408 mom "I was actually thinking about suggesting you date [pl]." aunt "Really? Why?" scene 14_16_412 mom "Because he's proved himself to be a good man." mom "I thought he'd be good for you, [aunt]. And you'd be good for him." scene 14_16_200 mom "[aunt], I'm so sorry if I've caused you to worry about this." mom "To be honest, I thought you just ignored everything I say!" scene 14_16_158 aunt "I normally do! But I was afraid you were going to object to our relationship and try to stop it." aunt "I've never felt this way about anyone before, [mom]. I'm scared of losing him." scene 14_16_258 aunt "Can I ask a favour? We really want to go away somewhere together." aunt "With everything that's happened lately, it's been difficult for us to spend time together and really get to know each other." scene 14_16_154 aunt "Do you think you could give [pl] a day off sometime soon?" mom "Of course, [aunt]. I'll do anything I can to help, but I'll need to talk to [pl] about it and work something out." scene 14_16_150 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_03\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "Okay. I think we've chatted enough. We'd better get going." mom "[pl] will be worrying about me if we stay much longer." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End else: scene 14_16_200 mom "It felt good to have him there. It was very reassuring." mom "You should have made me hire a bodyguard years ago, [aunt]." scene 14_16_178 aunt "Or you could have just found yourself a man to look after you..." aunt "I'm sorry, Charlie. That was insensitive." scene 14_16_240 mom "It's okay. You're right." mom "I often wonder how things might have turned out if I'd met someone different." scene 14_16_254 aunt "Well, it's not too late. I found you a bodyguard. I can find you a boyfriend too." aunt "Just leave it to me!" scene 14_16_204 mom "Oh no you don't! You stay out of my love life and worry about your own." mom "It's about time you found someone and settled down." scene 14_16_150 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"aunt_choice_03\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "Okay. I think we've chatted enough. We'd better get going." mom "[pl] will be worrying about me if we stay much longer." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End # LUCY PATH - Lucy calls MC ################################################################### if aunt_choice_03: scene 14_34_060 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}([mom] said she needs to talk to me. I wonder what that's about?){/i}" pl "{i}(Maybe it's about [od] moving back into the house. Does she want me to switch rooms?){/i}" play sound "audio/phone01.ogg" scene 14_34_062 pl "{i}(Please don't be [aunt]. I was just about to call her.){/i}" scene 14_34_086 pl "{i}(Damn. It is [aunt]. She must have known I was thinking about her.){/i}" pl "{i}(I've got to start paying her more attention and call her more often.){/i}" scene 14_34_070 pl "Hi, [aunt]. I was just going to call you." pl "No, I'm not lying. Honestly, I had the phone in my hand." scene 14_34_100 aunt "Okay. I believe you." aunt "How are you, handsome? Have you had a good day?" scene 14_34_102 pl "I've had a great day, thank you." pl "I got to spend time with [yd] while you and [mom] were having coffee." scene 14_34_104 aunt "That's good, and hopefully I can make it even better for you because I have some exciting news." aunt "Are you ready? I told Charlie about us today!" scene 14_34_074 pl "You didn't! Did you?" pl "Well, don't keep me in suspense. What did she say? Was she angry?" scene 14_34_108 aunt "No. I thought she would be, but she wasn't. She was actually happy!" aunt "She even said that she'd been thinking about encouraging me to date you. I couldn't believe it." scene 14_34_110 aunt "And it gets better. I took the opportunity to ask her about giving you a day off so we could go on that camping trip." aunt "She said yes!" scene 14_34_074 pl "Seriously? That's great news, [aunt]. I really thought [mom] would be upset about our relationship." pl "Does this mean that we can be open about it now?" scene 14_34_078 aunt "No, not yet. I need to talk to [yd] first." aunt "To be honest, I'm a bit worried about how she's going to react." scene 14_34_074 pl "Why? What do you mean?" pl "Why would [yd] have a problem with us dating?" scene 14_34_116 aunt "Because I think she's become a little possessive of you, [pl]. She really loves you." aunt "And I think she really wanted you to be her daddy rather than her uncle." scene 14_34_118 aunt "But don't worry about it. I'll explain it to her and I'm sure she'll be fine." aunt "However, my older sister is going to want to talk to you about dating me. So prepare yourself!" scene 14_34_080 pl "It's funny you should say that. She's already asked to talk to me later." pl "I was wondering what she wanted to discuss. I guess now I know. What's she going to say to me?" scene 14_34_110 aunt "I don't know. She probably wants to know if your intentions towards me are honourable." aunt "So you need to lie to her. Haha!" scene 14_34_112 pl "I guess I'd better go and talk to her then and get it over with." scene 14_34_108 aunt "Wait. Do you want me to send you another photo before you go?" aunt "So you can dream about all the dishonourable things you're going to do to me when we're alone together." scene 14_34_070 pl "How can I refuse an offer like that." pl "What are you wearing tonight?" scene 14_34_082 pl "Wow. I like what you're wearing in this one much better than the last one. Thank you." pl "You're so beautiful, [aunt]. I can't wait until we're alone together under the stars." scene 14_34_114 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# aunt "Me too, [pl]. In fact, I think I'm going to give you a special treat." aunt "Try not to think about what it might be while talking to my sister. Sweet dreams." # EMMA SEXUAL DREAM ABOUT MC ##################################################### scene 14_30_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(I can't believe [dav] is in love with me. I had no idea he felt that way about me.){/i}" yd "{i}(But I don't feel anything for him. We're just friends, or we were.){/i}" scene 14_30_041 yd "{i}(Now he hates me!){/i}" yd "{i}(I feel bad about hurting him, but [pl]'s right. I can't help how [dav] feels.){/i}" scene 14_30_042 yd "{i}(I'm so lucky to have [pl] to talk to.){/i}" #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"\n(if \"False\" Emma dream)") #KoGa3End yd "{i}(He always knows what to say to make me feel better, and to help me understand things.){/i}" scene 14_30_043 yd "{i}(It doesn't matter what we're doing, he always makes me feel like the most important person in the world...){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if not mom_choice_04: #KoGa3 START# if KoGa3Music == 1: stop music fadeout 1.0 #KoGa3 END# show black with fade scene 14_30_044 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(I love you so much...){/i}" yd "{i}(...I don't care what they say...){/i}" scene 14_30_064 yd "{i}(I want you...){/i}" yd "{i}(Mmmm...that feels nice...){/i}" scene 14_30_100 yd "{i}(Yes...right there...){/i}" yd "{i}(Right there!){/i}" scene 14_30_110 yd "{i}(I love it...){/i}" scene 14_30_188 yd "Oh, [pl]..." yd "Don't stop!" scene 14_30_200 play sound "audio/door_knock_01.ogg" "*KNOCKING*" yd "{i}(What is that?!){/i}" pl "[yd], is everything okay?" scene 14_30_210 pl "I heard you call my name." pl "Do you need me, sweetheart?" scene 14_30_214 yd "No! Don't come in, [pl]!!" pl "{i}(What's up with her? She doesn't sound okay.){/i}" scene 14_30_220 yd "{i}(I can't believe the dream I was just having. What is wrong with me!){/i}" yd "{i}(Why [pl]? I love him so much...but not like that!){/i}" scene 14_30_300 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# yd "{i}(It's not fair! Why is this happening? ){/i}" yd "{i}(I finally found someone to be my dad and...I don't understand.){/i}" scene 14_30_310 yd "{i}(How can I even look at [pl] now after what we just did?){/i}" yd "{i}(I feel so ashamed...){/i}" #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# # BIG TALK #################################################### scene 14_50_100 with fade mom "Thank you for agreeing to talk with me, [pl]." pl "Of course, [mom]. What did you want to talk to me about?" scene 14_50_124 mom "Firstly, I wanted to thank you for looking after [yd] today. She told me what happened and how you took care of her." mom "She was so worried you wouldn't be spending time with her now, so you really cheered her up by taking her to the park." scene 14_50_144 pl "It was my pleasure. You know I love spending time with her." pl "And I hope I was able to help her. She was quite upset about hurting that boy's feelings." scene 14_50_108 mom "And I guess she took the opportunity to let you know that it's her birthday soon and that she'd like a present?" pl "Haha. Yes, she did. She also invited me to her party, and I don't think I can refuse!" scene 14_50_160 mom "Of course you can't refuse! I'll also be attending, so I need to have my bodyguard with me." scene 14_50_164 mom "But please don't feel that you have to buy her a present, [pl]." mom "I have a big surprise for her, so she won't be going without." scene 14_50_144 pl "And will [od] also be at the party?" pl "Should I wear my body armour?" scene 14_50_128 mom "Oh definitely. She wouldn't miss her sister's birthday." mom "How are you two getting on now? Have you talked to her at all?" scene 14_50_108 pl "Actually, yes. She called me the other night to thank me for dealing with the intruder." pl "I think we've called a truce!" mom "That's good to hear because you'll be seeing a lot more of each other when she moves back home." scene 14_50_164 mom "Also, I'm hoping that once the girls have graduated, we could all take a break and go back to the spa again." mom "I've been meaning to ask you about it. Do you think it would be safe for us to do so?" scene 14_50_180 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"mom_choice_04\"") #KoGa3End pl "I don't see why not. I can ask [fbi] next time we talk and see what she thinks." pl "Maybe we could even ask her to join us?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_50_116 mom "Absolutely not!" mom "I mean, the whole point of going there is to forget about our problems." scene 14_50_104 mom "We don't want to take them with us." pl "You're right. Stupid idea." else: scene 14_50_164 mom "I'd rather not, [pl]." mom "The whole point of going is to forget about our problems." scene 14_50_104 mom "We don't want to take them with us." pl "You're right. Stupid idea." scene 14_50_128 mom "Anyway, who knows. Maybe all of this will be over by then, and we won't have to worry about it." mom "I'm starting to feel much more optimistic about the future now that [jas] has been arrested." scene 14_50_190 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End pl "{i}(Unfortunately, I don't share [mom]'s optimism. I think this is far from over.){/i}" pl "{i}(What am I going to do if [fbi] fails? What am I prepared to do to keep [mom] safe?){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 14_50_144 pl "Well, it's getting late. I think it's time for me to go to bed." pl "Unless there was something else you wanted to talk about, [mom]?" scene 14_50_164 mom "No. There isn't, [pl]..." scene 14_50_168 mom "{i}(Why is this so hard? I need to tell him how I feel!){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "{i}(Why can't I just do it!){/i}" scene 14_50_220 mom "[pl], wait! There was something else." mom "Something I need to tell you..." scene 14_30_048 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(I haven't heard Mom and [pl] go to bed yet. I wonder what they're up to.){/i}" yd "{i}(Maybe they're talking? I hope so.){/i}" scene 14_30_050 yd "{i}(Maybe they're kissing!){/i}" yd "{i}(Oh, I wish I hadn't thought that. Now I'm not going to get to sleep until I know whether they're kissing.){/i}" scene 14_30_400 yd "{i}(I'll go and find out, but I have to be extra quiet.){/i}" yd "{i}(If Mom catches me spying on them, she'll tell me off again!){/i}" scene 14_50_230 with fade mom "Okay. This isn't easy for me, [pl]. So please bear with me." pl "Of course, [mom]. Just relax and take your time." scene 14_50_234 mom "When you first moved into the house, I was scared of you. I found it hard to even be in the same room as you." mom "But circumstances brought us together and forced me to spend time with you." mom "During that time, I slowly learned to trust you." scene 14_50_236 mom "And I've actually found myself wanting to be with you, even wanting to get closer to you." mom "I never imagined that that was possible." scene 14_50_234 mom "[pl], I think I'm falling in love with you." mom "I need to know how you feel about me. Do you feel anything for me?" scene 14_50_238 pl "Yes I do, [mom]. I'm already in love with you. You're the most incredible woman I've ever met." pl "You deserve someone who will love and protect you. I can be that person, if you'll let me." scene 14_50_390 pl "{i}(I didn't think she was ready for this kind of intimacy.){/i}" pl "{i}(Is she ready to kiss me?){/i}" scene 14_50_400 pl "{i}(Damn. She's so beautiful. We're so close that I can feel her breath on my face.){/i}" pl "{i}(I've never wanted to kiss anyone this much before, but I don't want to rush her.){/i}" scene 14_50_412 mom "{i}(I want him to kiss me, but I know him well enough by now to know that he doesn't want to push me.){/i}" mom "{i}(He's waiting for me to kiss him. But I don't think I can...){/i}" scene 14_50_424 mom "{i}(I have to do it!){/i}" mom "{i}(I have to take a chance!){/i}" scene 14_50_500 yd "{i}(I can't believe it!){/i}" yd "{i}(Mom and [pl] ARE kissing!){/i}" scene 14_50_244 mom "No. I'm sorry, [pl]. But I can't do this!" mom "I'm not ready. I'm never going to be ready!" scene 14_50_440 pl "[mom], it's okay. There's no need to get upset." pl "We can take things as slowly as you need. I'm not going to rush you." scene 14_50_444 pl "I just want to be close to you. Can I hold you? Would that be okay?" mom "Yes. I'd like that." scene 14_50_448 pl "You're such a special woman, [mom]." pl "I already can't imagine my life without you in it." pl "And I could never leave you and [yd] like her father did." scene 14_50_452 pl "I don't care how long I have to wait. I'll wait forever if I have to." pl "You're worth waiting for..." scene 14_50_504 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End yd "{i}(It's happening. Mom and [pl] are falling in love!){/i}" yd "{i}(I'm finally going to have a dad...){/i}" elif aunt_choice_03: scene 14_50_132 mom "I also wanted to talk to you about [aunt]." mom "She told me that the two of you are dating." scene 14_50_140 pl "That's right. [mom], I'm sorry we didn't tell you sooner, but you've had so much to deal with." pl "We didn't want to trouble you with it until we were both sure that it was serious." scene 14_50_100 mom "So, is it serious? I mean, you're not just fooling around?" pl "No. Absolutely not. We're serious." scene 14_50_184 pl "[aunt]'s incredible. She's everything I ever dreamt of finding in a woman." pl "She's obviously very beautiful, but she's also funny, down to earth, selfless, and..." pl "And I just love being with her. I've never felt this way about anyone before." scene 14_50_160 mom "Well, it makes me happy to hear that, [pl]." mom "She's had a... a number of boyfriends in the past. None of them were serious." mom "She's had a problem committing to a relationship, and I was worried this would be the same." scene 14_50_164 mom "When you first arrived, I told [aunt] that I didn't want her fooling around with you." mom "I expected it would be another short fling, and then that would make things difficult for all of us." scene 14_50_148 pl "I promise it isn't just a fling, [mom]." pl "And we won't let it negatively affect you or the job that I'm doing here." scene 14_50_124 mom "I believe you, [pl]. Now that I've gotten to know you, I've come to realize what a good man you are." mom "In fact, I was actually thinking about encouraging [aunt] to seek a relationship with you." scene 14_50_140 pl "You were? Why?" scene 14_50_128 mom "Because I know that you'd be good for her...will be good for her." mom "But, [aunt] is my little sister. My rock. I won't let anyone hurt her, [pl]." scene 14_50_180 pl "I appreciate that, [mom]. She's lucky to have you as her big sister." pl "But don't worry. I would never do anything to hurt her." scene 14_50_108 mom "Why are you smiling?" pl "[aunt] called me earlier to warn me that you were going to give me \"the talk\"." mom "Oh, she did, did she!" scene 14_50_180 pl "Yes, although you're not nearly as mean and scary as she said you would be." pl "But, seriously. She told me that you agreed to let us have a night away." pl "I wanted to thank you, and promise that I will make sure you and [yd] are kept safe while I'm gone." scene 14_50_104 mom "There's no need to thank me. I've given you so little time off, you deserve a break." mom "Just, please treat [aunt] right, [pl]. She deserves to be loved." pl "I promise I will, [mom]. I am fast falling in love with her." scene 14_50_128 mom "Well, it's getting late. I think we'd better go to bed." mom "Thank you for talking to me, [pl]." scene 14_50_180 pl "Of course. And thank you for everything, [mom]. Both [aunt] and I appreciate it." pl "Good night." scene 14_50_188 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "{i}(I'm so happy that we don't have to hide our relationship from [mom] any longer. It'll make it easier to be together.){/i}" pl "{i}(I can't wait to spend the night with [aunt] and wake up next to her.){/i}" else: scene 14_50_124 mom "Well, it's getting late. I think we'd better go to bed." mom "Thank you for talking to me, [pl]." scene 14_50_184 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "Of course, [mom]. It was my pleasure." pl "I'll see you in the morning." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End show black with fade jump ep15_start return