label ep15_start: #KoGa3 START# #"Begin of Mod EP15 / KoGa3" $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" $ KoGa3GameProgress = "EP 15" $ KoGa3GameProgress2 = 15 $ KoGa3pts_auntStart = 1 # for old saves $ KoGa3pts_momStart = 1 # for old saves $ KoGa3pts_ydStart = 1 # for old saves $ KoGa3pts_odStart = 1 # for old saves $ KoGa3MusicModStart = 1 # check music mod done #show screen KoGa3ScreenStats #if KoGa3Music == 1: # stop music fadeout 2 #"Info KoGa3: EP15 music addon not done yet. \nBut I'm working on it as soon as possible!" #KoGa3 END# if mom_choice_04: scene 15_01_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(Mom and [pl] kissed? I can't believe it!){/i}" yd "{i}(This is the best thing that's ever happened! I'm so excited!!){/i}" scene 15_01_012 yd "{i}(There's no way I'm going to get to sleep. I can't wait until tomorrow...){/i}" yd "{i}(I have to go and talk to [pl] right now!){/i}" scene 15_01_016 play sound "audio/door_open.ogg" yd "{i}(I bet he never imagined falling in love with Mom when he started working for us.){/i}" yd "{i}(Maybe he did. Maybe it was love at first sight. Like a fairytale. That would be so romantic!){/i}" scene 15_01_018 yd "{i}(But it definitely wasn't like that for Mom. She was so mean to [pl] when he moved in!){/i}" yd "{i}(Ha ha. She used to tell him off like a naughty child. It's so funny to look back on that now.){/i}" scene 15_01_020 pl "{i}(Did that really just happen? I hope so. I hope I didn't dream it.){/i}" pl "{i}(No, it definitely happened. But I wish I could've held her for longer. I wish I was still with her now...){/i}" scene 15_01_022 play sound "audio/door_knock_01.ogg" "*KNOCKING*" pl "[mom]?" yd "[pl], it's me... [yd]. Can I come in?" yd "I really need to talk to you... Like, really, really need to talk to you!" scene 15_01_024 play sound "audio/door_open.ogg" pl "Sweetheart, you're going to get me into trouble if you keep coming and sleeping in my bed." pl "If your mother ever catches you, or, God forbid, your sister..." scene 15_01_028 yd "I saw you! I saw you and Mom kissing, [pl]!!" yd "I'm so happy right now! I'm so excited that I just had to come and tell you!!" scene 15_01_032 pl "You saw us? [yd], you really shouldn't have spied on us like that you know." pl "I think you'd better come in. We need to have a serious talk about this." scene 15_01_036 yd "I know. I'm sorry, [pl]. It's just... I couldn't resist!" scene 15_01_037 yd "This means everything to me. I want you and Mom to be together so much!" yd "Just imagine if you and Mom got married, then we'd be like a real family, and I'd finally have a dad." scene 15_01_038 pl "{i}(I can't be mad that she spied on us. This means so much to her, and we both want the same thing...){/i}" pl "{i}(But it isn't up to us. [mom] is the one who'll decide whether our future lies together, and she needs time.){/i}" scene 15_01_039 pl "{i}(I have to make [yd] realize that we need to be patient and give [mom] the space she needs.){/i}" pl "{i}(But I'm hopeful we can make this work. It just feels like it's meant to be. We all seem to need each other somehow.){/i}" scene 15_01_040 play sound "audio/door_close_02.ogg" yd "I couldn't believe it when Mom kissed you, [pl]. But then she turned away and I thought, \"Oh no. She didn't like it!\"" yd "And then you put your arms around her and held her, and it was so romantic, and it made me cry!" scene 15_01_044 mom "{i}(What was that noise? I thought I heard [yd]'s voice.){/i}" mom "{i}(Hmm, her door's open. What's she up to now? Was she talking to [pl]?){/i}" scene 15_01_046 with dissolve mom "{i}(She IS talking to [pl]. I can hear her in his room.){/i}" mom "{i}(Why have they closed the door? What's going on?!){/i}" scene 15_01_050 yd "I just had this feeling that you and Mom were going to kiss, [pl]." yd "It was like a pre... a prem... Um, what's that thing called when you see the future?" scene 15_01_056 pl "A premonition?" scene 15_01_050 yd "That's it! I had a premonition. I knew you were going to kiss and I wanted to see it, so I came downstairs." scene 15_01_060 yd "I'm sorry, [pl]. I know it was naughty spying on you and Mom, and I didn't mean to..." yd "Well, I kind of did, but seeing you and Mom together makes me feel so happy!" scene 15_01_048 mom "{i}(Oh, [yd]! I've told her a hundred times not to eavesdrop or spy on people.){/i}" mom "{i}(Where on Earth does she get such a bad habit from...){/i}" scene 15_01_072 pl "Sweetheart, you know I'd do anything to make you happy, but this is something that's out of my control." pl "Your mom's been through a lot, and if this is going to happen, then it'll be when she's ready, and not before." scene 15_01_064 pl "You saw how tough it was for her to even kiss me. She needs to take things slowly." pl "So we mustn't put ANY pressure on her, [yd]. None whatsoever. Do you understand?" scene 15_01_076 yd "I do... but Mom loves you, [pl], and you love Mom. So why do we have to wait?" yd "Why can't you and Mom just be together? It would be so good. I know you'd make each other happy." scene 15_01_049 mom "{i}(Oh, [yd]. I wish it was that easy. I want to get close to him, but when I try, I feel myself pulling away.){/i}" mom "{i}(Why can't I just leave the past behind and embrace what's in front of me? [pl]'s offering me everything I want...){/i}" scene 15_01_088 pl "When people get hurt, they build walls around themselves and shut themselves off, because they're scared of getting hurt again." yd "So they do it to protect themselves?" scene 15_01_096 pl "That's right. And breaking down those walls, earning their trust... it's not easy." pl "Your mother's been deeply hurt in the past..." scene 15_01_092 yd "You mean by my dad? He hurt Mom when he abandoned us." yd "I know she didn't want a boyfriend for a long time because of how he treated her." scene 15_01_096 pl "Yes, but not just your dad, by lots of other men too. So it's hard for her to trust people and let them get close to her." pl "And the closer you let someone in, the more vulnerable you feel because they can hurt you more." scene 15_01_047 mom "{i}([pl] understands me in ways I never thought a man could. It's as if he can see straight through me.){/i}" mom "{i}(He's so sensitive. He really empathizes with what I've been through. How? Is it because of his own experiences?){/i}" scene 15_01_096 pl "I have to prove myself to your mother. She needs to know that I'm not like all the other men she's met." pl "So that means both of us, you and me, have to be patient and give your mother the time she needs." scene 15_01_088 yd "But you've already shown Mom you're not like the other men. You've been amazing to both of us, [pl]. How long will it take?" pl "It means a lot to hear you say that, sweetheart. Thank you. But it's impossible to say how long." scene 15_01_096 pl "It'll take as long as it takes, and that's fine by me. Your mother's an incredibly special woman. She's worth waiting for." pl "I've never felt this way about anyone before, [yd]. She only has to smile at me to make me feel like the luckiest man alive." scene 15_01_100 pl "{i}(I never imagined that I'd find a love like this. Especially not with someone like [mom]...){/i}" pl "{i}(When we first met, she was so cold and distant. I really didn't like her. But now...){/i}" scene 15_01_088 yd "Well, I think you're wasting time and you should ask Mom to marry you as soon as possible!" pl "Ha ha. Really? You don't think that's rushing things just a little bit?!" scene 15_01_106 yd "Maybe a little, but you and Mom aren't getting any younger!" yd "And you were destined to be together. That's obviously why you came to work for us." scene 15_01_110 pl "That's a nice thought, sweetheart. Perhaps you're right. But I think that's enough talking for tonight!" pl "You'd better get back to your own room before your mother catches you here." scene 15_01_120 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# pl "Just please be patient, [yd], and keep your fingers crossed. I love you." yd "I will. I love you too, Dad!" show black with fade if mom_choice_04: scene 15_02_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(After everything I said to [yd] last night, should I really be bothering [mom] first thing in the morning?){/i}" pl "{i}(I don't want her to think I'm pressuring her, but I need to talk to her. I want to know how she feels about last night.){/i}" scene 15_02_020 mom "{i}(I can't believe I actually did it. I told [pl] how I feel... and I kissed him!){/i}" mom "{i}(Okay, it wasn't a great kiss, I was so scared, but the way he held me afterwards... He was so concerned and gentle...){/i}" scene 15_02_024 play sound "audio/door_knock_01.ogg" "*KNOCKING*" pl "[mom], it's me. I'm sorry to bother you, but is it okay if I come in and talk to you?" scene 15_02_030 mom "{i}([pl]! I can't believe how excited I am at the thought of seeing him.){/i}" mom "Yes. Come in, [pl]." scene 15_02_040 mom "Good morning. Is everything okay?" pl "Hi, [mom]. Everything's fine with me, thank you, but I wanted to make sure you're okay with what happened last night." scene 15_02_048 pl "[mom], I hope I didn't push things too far, or do anything that made you feel uncomfortable." pl "I just... I don't want to mess things up between us." scene 15_02_046 mom "Oh, you didn't. Not at all. I loved it when you held me, [pl]. I woke up thinking about it... It felt like a dream." mom "Come and sit down. Let's talk." scene 15_02_060 pl "[mom], I just don't want to rush you into anything you're not ready for." pl "I'm here for you. Whatever pace you want to take things, I'll respect that." scene 15_02_070 mom "Thanks, [pl]. I trust you." mom "And that means everything to me." scene 15_02_074 pl "It's not going to be easy for me though, [mom]. I really care about you. I want to hug you, hold your hand... I want to kiss you." pl "What I'm saying is, if I ever cross a line or make you uncomfortable, just tell me. Let me know where your boundaries are." scene 15_02_080 mom "I will, [pl]. Thank you. And, if I do pull away, or tell you to stop, then please don't be discouraged." mom "It's just going to take me some time." scene 15_02_084 pl "I understand, [mom]. So I was wondering..." pl "Would it be crossing any boundaries if I held your hand?" scene 15_02_080 mom "Hold my hand? How dare you be so forward. I should fire you immediately!" mom "Sorry, [pl]. That was a joke." scene 15_02_120 mom "I'd love for you to hold my hand." scene 15_02_124 with dissolve pl "{i}(Wow. How can I be so happy just touching her hand?){/i}" scene 15_02_128 with dissolve pl "It feels... wonderful." scene 15_02_132 mom "Yeah, it does." scene 15_02_140 pl "{i}(I wish I could tell her how I really feel, but I don't want to risk scaring her away.){/i}" pl "{i}(She's the most beautiful woman I've ever met. She's perfect. I love everything about her, even her flaws.){/i}" pl "{i}(I'll never find another woman like her. Never. She's the one...){/i}" scene 15_02_142 mom "{i}(What is he thinking about? I want to know.){/i}" mom "{i}(I want to know everything about him...){/i}" scene 15_02_144 pl "How long is it acceptable to sit here holding your hand?" pl "Because I feel like I want to stay here forever and not let you go." scene 15_02_148 mom "I don't know. You don't have to let go just yet. I'm enjoying the moment..." mom "But I guess we do have things to do." scene 15_02_160 pl "Yes we do. Okay, I've bothered you enough. I'll leave you to finish getting ready. I'm happy everything's okay, [mom]." mom "Thank you, [pl]. I'll be down for breakfast in a minute, and... I'm happy too." scene 15_02_164 mom "{i}(Okay? Everything's better than okay. We felt so connected then just staring into each other's eyes.){/i}" mom "{i}(No talking. No pressure or expectations. It felt so comfortable. So... right.){/i}" scene 15_02_170 mom "{i}(And then, here it comes... the gnawing doubt to ruin everything!){/i}" mom "{i}(I thought I was in love once before, and wasn't... but I was an inexperienced young girl then.){/i}" scene 15_02_174 mom "{i}(This is different. I'm different. And [pl]'s a real man. He's responsible and he genuinely cares about me...){/i}" mom "{i}(But what if I'm wrong again? What if he's just telling me what I want to hear?){/i}" scene 15_02_178 mom "{i}(I need someone to reassure me. To tell me I'm not making a huge mistake.){/i}" mom "{i}(Poor [aunt] must be fed up of acting as my emotional support all the time. I need to call someone else...){/i}" scene 15_02_248 with fade mom "{i}(But she's going to make this difficult... She always does.){/i}" mom "{i}(She won't understand, not without knowing everything that has happened...){/i}" scene 15_02_251 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# mom "{i}(If she only knew what I've been through, and am going through...){/i}" mom "{i}(Damn it! Why am I scared of calling my own mother? Why do I still feel the need for her approval?){/i}" scene 15_02_252 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "Hi, Mom. How are you? Good, I hope." scene 15_02_250 mom "{i}(I hate this. I hate putting on a front and acting like everything's okay.){/i}" scene 15_02_254 lau "[mom], is that you? This is an unexpected surprise. I thought you'd forgotten my number." lau "Where are you calling from? What exotic paradise are you in this week?" scene 15_02_252 mom "I'm at home, Mom! I'm not travelling for a couple of weeks." mom "Mom, I'm sorry I haven't called. It's just..." scene 15_02_254 mom "{i}(What can I tell her? I need my mother to tell me everything's going to be okay.){/i}" mom "{i}(But I don't want her worrying. Maybe when this is all over I can tell her...){/i}" scene 15_02_270 lau "Well, it's nice of you to call now. Although, it's a bit early for you, isn't it?" lau "I didn't think you supermodels got out of bed before noon." scene 15_02_260 mom "Really, Mom? You're still making the same jokes after twenty years!" mom "You know I work damn hard!" scene 15_02_270 lau "Who's joking? Anyway, someone has to keep your feet on the ground and stop your head from getting too big." lau "Who else is going to do it for you if not your mother?" scene 15_02_284 mom "[aunt]'s very good at keeping me grounded, Mother. Trust me!" mom "I don't need someone else giving me a hard time, so please stop. I really don't need it right now." scene 15_02_300 lau "Well, I just don't want you to forget who you are and where you came from. Roots are important." lau "I worry about you all, especially the girls. What folks do down there isn't normal." scene 15_02_300 lau "Anyway, why are you calling me now? Is everything okay?" lau "How are your sister and the girls? All okay?" scene 15_02_284 mom "Everybody's fine, Mom." mom "We're all... fine." scene 15_02_288 mom "I'm calling because..." mom "Mom, I'm calling because I've met someone." scene 15_02_300 lau "Someone? That's nice. I met someone too. It was in the store yesterday while I was picking up groceries." lau "What's so special about this someone that you have to bring it up after not calling for two weeks?" scene 15_02_294 mom "{i}(I knew it. I knew she was going to make this hard!){/i}" mom "{i}(Why can't she be more supportive when I need her?){/i}" scene 15_02_280 mom "It's a man, Mom. Okay. I've met a man." mom "We're... we're in a relationship." scene 15_02_304 lau "You have? Well, why didn't you say that, [mom]?" lau "It must be serious if you're bothering to tell your mother. Who is he? It's not one of those degenerate actors, is it?" scene 15_02_280 mom "No, Mom. It's not. He's... he's a bodyguard. It's actually the one that I hired." mom "He's been living in the house for a while now, and... well... we've slowly grown closer together." scene 15_02_294 lau "Oh, [mom]! The bodyguard? Seriously?" lau "Why not the gardener or the mailman!" scene 15_02_280 mom "I know what you're thinking, Mom, but it's not like that. He's not just some random guy I've jumped on." mom "He's a good man. He cares for me and [yd]. She adores him. He's become a real part of our family." scene 15_02_300 lau "Really? Then why do you sound so unsure?" lau "Are you positive he's not just after your money? Or your body? Do you trust him?" scene 15_02_306 mom "I trust him more than any other man..." scene 15_02_300 lau "[mom], you haven't been home in a long time. Why don't you and the girls come visit me." lau "You could bring this man with you and let me see if he's right for you." scene 15_02_280 mom "I'm sorry, Mom, but it's not possible at the minute. I'm very busy with... with work." mom "And [od]'s preparing for the national trials. It's just not a good time." scene 15_02_308 lau "Suit yourself, [mom]. You always have." lau "Let's just hope I'm still alive when you eventually get here. If you can even remember the way." scene 15_02_284 mom "Mother! Don't say things like that, and don't sulk." mom "We'll be able to come visit soon. I promise." scene 15_02_280 mom "Look, I'm sorry, but I've got to go, Mom. I love you." scene 15_02_284 lau "I love you too, dear. Give my love to your sister and the girls." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# lau "Oh, and let [yd] know that I invited you all to come see me, but you said no." scene 15_02_288 mom "Yes, Mom. Goodbye." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_03_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(I hope [pl] hasn't told Mom I spied on them last night. She doesn't understand like [pl] does.){/i}" yd "{i}(He knows I just want them to be happy. And I know he likes me helping him.){/i}" scene 15_03_044 yd "Good morning, Mom! Good morning, [pl]!" pl "Good morning, [yd]." scene 15_03_060 yd "I love you, Mom!" mom "Mmm. Good morning, sweetheart. You're in a good mood this morning." scene 15_03_064 pl "Good morning, [yd]." yd "I love you too, [pl]." scene 15_03_070 yd "So, did you and [pl] do anything good last night after I went to bed?" mom "No. Not really. We just talked a little and then went to bed ourselves." scene 15_03_090 yd "What did you talk about? Anything interesting? Anything I should know about?" mom "Hmm, I don't think so, sweetheart. We just... talked." scene 15_03_092 yd "Well, it's good to talk. I think and you and [pl] should do it more often." yd "And if you ever want to \"just talk\" again, let me know and I'll go to my room!" scene 15_03_098 pl "So, [yd], what are your plans for today? Apart from getting into more mischief!" pl "Are you still working on your dress?" scene 15_03_110 yd "Yes, but it's almost finished! I'm just putting the final touches on it." pl "Great. Well, maybe I'll come and check on progress later on." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 3.5 #KoGa3 END# scene 15_03_114 yd "Okay. I'll see you later." yd "You too, Mom." else: scene 15_03_040 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "{i}(How can I even look at [pl] after what we did in my dream last night? I must be blushing!){/i}" yd "{i}(Mom's going to know something's wrong. She always does. What am I going to say if she asks me?){/i}" scene 15_03_048 yd "{i}(I'll pretend I need to work on my dress and go back to my room.){/i}" yd "{i}(Just say hello, get my breakfast, and leave as quickly as I can.){/i}" scene 15_03_060 mom "Good morning, sweetheart. How did you sleep?" yd "Okay. Thanks, Mom." scene 15_03_074 yd "I've got lots of work to do on my dress, so I'm going to take my breakfast to my room." yd "Hi, [pl]. Got to go. Talk to you later." scene 15_03_078 pl "{i}(She barely even looked at me. And I didn't get my morning hug.){/i}" pl "{i}(Did I do something wrong?){/i}" # [CHARLOTTE CALLS MOTHER - OTHER PATHS] if not mom_choice_04: scene 15_02_324 mom "{i}(I need to talk to her, but she's going to make this difficult... She always does.){/i}" mom "{i}(She won't understand, not without knowing everything that has happened...){/i}" scene 15_02_326 mom "{i}(If she only knew what I've been through, and am going through... .){/i}" mom "{i}(Damn it! Why am I scared of calling my own mother? Why do I still feel the need for her approval?){/i}" scene 15_02_328 mom "Hi, Mom. How are you? Good, I hope." scene 15_02_330 mom "{i}(I hate this. I hate putting on a front and acting like everything's okay.){/i}" scene 15_02_322 lau "[mom], is that you? This is an unexpected surprise. I thought you'd forgotten my number." lau "Where are you calling from? What exotic paradise are you in this week?" scene 15_02_328 mom "I'm at home, Mom! I'm not travelling for a couple of weeks." mom "Mom, I'm sorry I haven't called. It's just..." scene 15_02_330 mom "{i}(What can I tell her? I need my mother to tell me everything's going to be okay.){/i}" mom "{i}(But I don't want her worrying. Maybe when this is all over I can tell her...){/i}" scene 15_02_270 lau "Well, it's nice of you to call now. Although, it's a bit early for you, isn't it?" lau "I didn't think you supermodels got out of bed before noon." scene 15_02_332 mom "Really, Mom? You're still making the same jokes after twenty years!" mom "You know I work damn hard!" scene 15_02_270 lau "Who's joking? Anyway, someone has to keep your feet on the ground and stop your head from getting too big." lau "Who else is going to do it for you if not your mother?" scene 15_02_340 mom "[aunt]'s very good at keeping me grounded, Mother. Trust me!" mom "I don't need someone else giving me a hard time, so please stop. I really don't need it right now." scene 15_02_300 lau "Well, I just don't want you to forget who you are and where you came from. Roots are important." lau "I worry about you all, especially the girls. What folks do down there isn't normal." lau "[mom], you haven't been home in a long time. Why don't you and the girls come visit me." scene 15_02_334 mom "I'm sorry, Mom, but it's not possible at the minute. I'm very busy with... with work." mom "And [od]'s preparing for the national trials. It's just not a good time." scene 15_02_308 lau "Suit yourself, [mom]. You always have." lau "Let's just hope I'm still alive when you eventually get here. If you can even remember the way." scene 15_02_340 mom "Mother! Don't say things like that, and don't sulk." mom "We'll be able to come visit soon. I promise." scene 15_02_334 mom "Look, I'm sorry, but I've got to go, Mom. I love you." scene 15_02_340 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# lau "I love you too, dear. Give my love to your sister and the girls." lau "Oh, and let [yd] know that I invited you all to come see me, but you said no." scene 15_02_342 mom "Yes, Mom. Goodbye." show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 15_05_020 with fade fbi "{i}(Why the hell did he want to meet here instead of his office? I can probably guess...){/i}" fbi "{i}(Perhaps he has a good explanation for his actions, but I highly doubt it!){/i}" scene 15_05_016 sac "{i}(She must be a good agent. You don't land a spot in a special unit without earning it.){/i}" sac "{i}(So I don't expect she's going to sit back and take this. But she needs to understand what's at stake here... for both of us.){/i}" scene 15_05_030 sac "Good morning, [fbi]. Thanks for—" fbi "Good morning my ass! What's going on? Why did you order me to stop the interview?" fbi "And why are we here? Is it your way of avoiding the prying eyes and ears back at the office?" scene 15_05_062 sac "Listen, [sel]. I know you're frustrated, but it's evident that your investigation has hit a dead end and is going nowhere." sac "There's no prospect of you securing any substantial convictions." scene 15_05_034 fbi "Save it! I didn't come here to listen to your lies. I have evidence. I still have leads to follow, good leads." fbi "You might be the special agent in charge, but you don't have the authority to shut down my investigation!" scene 15_05_038 sac "Evidence? What evidence do you have? Months of investigation for what?" sac "You've got nothing, [fbi]. Nothing. For the sake of your career, you should just drop the case!" scene 15_05_042 fbi "Bullshit! I had something. That's why you shut me down. I was getting close, wasn't I? Admit it!" fbi "If you try and obstruct my investigation, you'll be guilty of misconduct, and I WILL report you!!" scene 15_05_046 sac "[sel], don't do this to me! You're from out of town, you don't know how things work here." sac "I've got people pressuring me. Powerful people. You don't understand!" scene 15_05_050 sac "The state attorney general called me at home. On behalf of the governor, for fuck's sake!" sac "{i}(Why can't she just follow orders? I swear, I'm going to end up with an ulcer...){/i}" scene 15_05_054 fbi "So what! He doesn't have the authority to stop the investigation either. You know that." fbi "I'm not going to let these bastards get away with their crimes. I don't care who they are!" fbi "Nobody is above the law. That's still true, isn't it?" scene 15_05_056 sac "You're being naive, [sel]! These people are playing a whole different game, and the rules don't apply to them!" sac "If you keep pushing this, you'll be putting yourself in danger. Real danger!" scene 15_05_058 fbi "Are you threatening me, [sac]? Because that would be a mistake." fbi "I accepted the risks when I joined the FBI. I'm not going to stop." scene 15_05_059 fbi "How can you turn a blind eye to what's going on all around you? Don't you care about the victims?" fbi "You must know how deep the corruption runs in Hillside. Cops, and now politicians..." scene 15_05_058 fbi "They're all in on it, and you're shielding them!" scene 15_05_066 sac "[sel], I'm sorry, but I have a wife and children. It's not safe to go against these people." sac "I wish there was more I could do..." scene 15_05_068 sac "Maybe... maybe if you brought me something substantive, then I could help you." sac "Otherwise, you've got until the end of the week to file your report, and tidy up any loose ends before you leave." scene 15_05_060 fbi "I'll get you something. You just make sure you act on it!" fbi "Because, if you don't, I'll take you down with the rest of them!" scene 15_05_210 with fade fbi "{i}(This is worse than I thought. The governor? I never imagined it went that high.){/i}" fbi "{i}(Now what?! I have until the end of the week... where am I going to find new evidence before then?){/i}" scene 15_05_214 fbi "{i}(And who the hell can I trust? Not him, that's for damn sure!){/i}" fbi "{i}(Straight onto his phone, but who to?){/i}" scene 15_05_220 fbi "{i}(He said he might be able to help, but can he? Will he?){/i}" fbi "{i}(They obviously have some hold over him. I just hope he's not too deeply involved...){/i}" scene 15_05_224 play sound "audio/hit_steering_wheel.ogg" fbi "FUCK THIS TOWN!" fbi "I'm not going to let these evil bastards win!" scene 15_05_230 fbi "{i}(There must be something I can do. Something I've missed... but I've already done everything I can.){/i}" fbi "{i}(At least, everything legal. How much further am I prepared to go? What am I prepared to do to get justice?){/i}" scene 15_05_234 fbi "{i}(And how am I going to break this to [mom]?){/i}" fbi "{i}(I looked her in the eyes and promised I'd put these men away. Promised that she'd be safe.){/i}" scene 15_05_238 fbi "{i}(She's in even greater danger now because of my failure. All I've done is embolden these assholes even more!){/i}" fbi "{i}(They're going to think they're untouchable now... and it seems they are. I need to call her immediately.){/i}" scene 15_05_240 fbi "{i}(But maybe they're not as safe as they think they are. [pl]'s not going to accept this.){/i}" fbi "{i}(There's no doubt in my mind that he'll do whatever it takes to protect [mom]. No doubt at all.){/i}" scene 15_05_242 fbi "{i}(I need to talk to him urgently. I need to find out what he's going to do now.){/i}" fbi "{i}(And then I'm going to have to decide whether to help him or not. It could mean the end of my career... or worse.){/i}" scene 15_05_260 with fade pl "Yeah, she keeps subtly reminding me that it's her birthday soon." pl "I know you said not to worry about a present, but I have to buy her something..." play sound "audio/phone01.ogg" pl "Hi, [fbi]. I wasn't expecting to hear from you today. Is everything okay?" scene 15_05_244 fbi "Is [mom] there with you?" fbi "I need to talk to you both. It's urgent." scene 15_05_264 pl "Yes, she's here. She's sitting next to me." pl "[sel], is everything okay? You sound agitated." scene 15_05_268 mom "What does she want?" mom "Does she have some news? Is it about [jas]?" scene 15_05_272 pl "Yes, we'll both be here. We're not going anywhere." pl "Okay. We'll see you soon. Thank you." scene 15_05_276 pl "Yes, she has some news. But she insisted on giving it to us personally." mom "Well, did she say what it was about?" scene 15_05_280 pl "She didn't say, but she sounded angry. [mom], I think you need to prepare yourself for bad news." pl "The fact that she wants to tell us in person doesn't sound promising." scene 15_05_284 mom "But she arrested [jas]... I thought this was all over!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# mom "[pl], I don't think I can deal with this any longer. I just want it to end." scene 15_05_290 pl "Try not to worry, [mom]. Everything's going to be okay. I promise." pl "Let's just hear what she has to say and then we can deal with it from there." scene 15_07_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "You got here quickly, [fbi]. It's good to see you again." mom "Good morning, [fbi]." scene 15_07_014 fbi "Good morning to you both. Thanks for seeing me on such short notice." fbi "I'm sorry it's necessary, but I needed to speak with you both immediately and update you on what's been happening." scene 15_07_018 pl "From our brief conversation earlier, I'm guessing that you're not bringing good news?" fbi "No I'm not. I'm sorry." scene 15_07_024 with fade fbi "Okay. I won't waste any time... they're closing down my investigation. [jas] has been released without charge." pl "I guessed as much. These people are above the law." scene 15_07_028 fbi "[mom], I'm really sorry. My hands were tied. I was ordered to release him... there was nothing I could do." fbi "These people we're dealing with, they have connections higher than I ever imagined." scene 15_07_032 pl "So that bastard walks away scot-free again?" mom "What?! But where does that leave us? I thought you said we'd be safe. Are we?" scene 15_07_036 fbi "I'm sorry. I have until the end of the week. After that, the case is officially closed and I'll be reassigned." fbi "That means neither I or [fbi2] will be able to help protect you any longer." scene 15_07_040 mom "The end of the week?" pl "{i}(I expected this, but I was still hoping the FBI might have been able to surprise me.){/i}" scene 15_07_044 fbi "I'm not beaten yet, [mom]. I'm going to do everything in my power to bring these men to justice." fbi "Sorry, but I need to go. I have a lot to do and very little time to do it now. I'll be in touch again soon." scene 15_07_048 mom "Thank you." fbi "[pl], would you mind seeing me out..." scene 15_07_060 with fade mom "{i}(Maybe it's time to just leave Hillside. What reason is there to stay now?){/i}" mom "{i}(The girls are graduating and I'm set to retire. It's just not worth it anymore...){/i}" # 08 - MC AND CHARLOTTE TALK ################################################### scene 15_07_064 pl "How are you feeling, [mom]?" pl "I know that isn't the news we wanted, but it's what I was expecting, unfortunately." scene 15_07_068 mom "It wasn't what I was expecting! To be honest, I'm a little shaken by it." mom "What are we going to do, [pl]? I'm really worried." scene 15_07_072 pl "Try not to worry, [mom]. This hasn't really changed anything." pl "My job is to protect you, and that's what I'm going to do. Nobody is going to get through me." scene 15_07_076 pl "[fbi] hasn't had a chance to consider her next move yet. She's not given up." pl "This is just a setback. Not the end. We're going to sort something out." scene 15_07_080 pl "She asked me to meet her tomorrow so we can figure out what we're going to do next, but we can't rely on her anymore, [mom]." pl "I think it's time we bring someone else in to help keep you safe, just in case [fbi] does have to leave." scene 15_07_084 mom "Someone else? Do you think that's necessary?" mom "Are we still in that much danger? But I thought..." scene 15_07_082 pl "{i}(I think we're in more danger than ever, but I don't want to scare [mom]. She's worried enough already.){/i}" scene 15_07_080 pl "It's better to have too much security than too little, and if [fbi] does leave, then we'll need someone else to replace her." scene 15_07_078 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End mom "Do you have someone in mind? Are you thinking about another bodyguard?" pl "No, actually. I was thinking about my friend, [ste]. He's the only one I trust for this." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: mom "[ste]? I... I don't think I've heard you mention him before. He's your friend?" pl "Yeah. He's my best friend. Are you sure I haven't mentioned him, [mom]?" scene 15_07_088 mom "{i}(Should I tell him that I went to see [ste]? Would he be angry that I went behind his back?){/i}" mom "{i}(I think he'd understand. I only wanted to know more about him, but I don't want to take that chance right now.){/i}" scene 15_07_074 pl "It's okay, you don't have to pretend you don't know him. [yd] confessed everything." pl "I know she took you to [ste]'s bar to meet him." scene 15_07_078 mom "Really?! She told you? [pl], I'm so sorry. I'm sorry I lied..." pl "[mom], whatever you need to do to trust me, I'm fine with it." scene 15_07_072 pl "I'll call him and see if he's willing to help us. I know he will be." pl "But inviting him to dinner at your house is probably the price you'll have to pay for his help." else: mom "[pl], I'm not sure I'm comfortable with having another man around." pl "I understand, [mom]. But I wouldn't even suggest it if I didn't feel it was necessary." scene 15_07_084 mom "Well, I trust you, [pl]. I trust you to keep us safe." mom "If you need his help, then I agree, but I'd like to meet him before you leave us alone together." # 09 - MC CALLS STEVE TO ASK FOR HELP ############################################################# scene 15_09_020 with fade pl "{i}(Damn. I don't like keeping [mom] in the dark, but I don't want to worry her.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# pl "{i}([fbi] is the only thing keeping those corrupt cops away. What's going to happen if she leaves?){/i}" scene 15_09_030 pl "{i}(I don't know how much of a threat they consider [mom] to be or what they're prepared to do. This could get serious.){/i}" pl "{i}(Do I want to drag [ste] into this and potentially put him in danger? I don't really have a choice. I need help...){/i}" scene 15_09_040 #KoGa3 START# $ KoGa3CurrentMusic=MusicMC1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "Hey, good to hear your voice. How are you doing?" pl "And how are things at the bar? All good, I hope." scene 15_09_042 ste "What do you want?" scene 15_09_046 pl "That's no way to talk to your best buddy. How about a friendly \"Hello\", or \"How are you?\"" scene 15_09_042 ste "No. You don't deserve it. You only call me when you need something these days." ste "So what do you want this time?" scene 15_09_044 pl "Aw, are you missing me?" pl "But, you are sadly right, I do want something. I want you... to come and have dinner with [mom]." scene 15_09_042 ste "Okay. I'm waiting for the punchline..." scene 15_09_048 pl "There isn't one. I want you to meet [mom], so you need to come to the house and have dinner with us." pl "But only if you want to meet the world's hottest supermodel, of course..." scene 15_09_042 ste "You had better not be shitting me! Are you serious?" scene 15_09_048 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "Do you really think I would joke about this with you, you drooling pervert. I'm being serious." scene 15_09_042 ste "I take back all those things I said about you to everyone. I can't believe I get to meet [mom] Lloyd... at her house!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_09_046 pl "You asshole! Are you seriously going to pretend you haven't met her already? I know she came to the bar!" scene 15_09_042 ste "You know about that, huh. Who snitched?" scene 15_09_048 pl "Who do you think? Unlike you and her mother, [yd] has a conscience and can't lie to me." scene 15_09_042 ste "So are you just winding me up about coming to the house?" scene 15_09_052 pl "No. Unfortunately, I really do want you to come to the house. I need your help." pl "Things have just gotten more serious for us. A lot more serious." else: scene 15_09_050 ste "But why do you want me to come now? Has something happened?" scene 15_09_052 pl "Yeah. I need your help. Things have just gotten more serious, unfortunately." scene 15_09_050 ste "You know you can always count on me, brother." scene 15_09_052 pl "Thanks. I know it's short notice, but can you make it tonight?" scene 15_09_042 ste "Are you joking? I'd come now if I thought you'd let me through the door!" scene 15_09_048 pl "Thanks. And, I know it's asking a lot, but please be on your best behaviour. [mom] has a lot to deal with right now." scene 15_09_060 pl "{i}(Well, that takes a load off my shoulders.){/i}" pl "{i}(It should give me a chance to go do what I need to do.){/i}" scene 15_09_064 mom "[pl], can I come in?" mom "I was just wondering if you've had a chance to speak to your friend yet?" scene 15_09_068 pl "Of course you can come in, [mom]." pl "I've just spoken to [ste]. He's agreed to come for dinner tonight." scene 15_09_072 mom "Oh, that's good news." pl "Yeah... I wish it wasn't necessary, though. I don't like asking him to help us." scene 15_09_074 pl "[mom], I'm sorry, but there's something I've been meaning to ask you..." pl "Do you think [jas]'s going to be at the charity gala we're attending later this week?" mom "Oh, no! I hadn't even thought about that, [pl]. It's big event... he could well be there." scene 15_09_076 pl "Then maybe you shouldn't go, [mom]. I'm worried about you." pl "I can keep you safe physically, but I can't protect you from any further trauma." scene 15_09_078 mom "I don't want to cancel now, [pl]. The charity means a lot to me on a personal level, and it's an important event for them." mom "I'm sure I'll be fine if you're with me. I don't want to let that bastard ruin the rest of my life." scene 15_09_076 pl "Of course, [mom]. I'll do whatever is necessary to keep you and [yd] safe." scene 15_09_078 pl "{i}(I admire [mom]. She has so much will and determination.){/i}" scene 15_09_075 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# pl "Well, I'm going to go and check on [yd], and see if she'll show me her dress for the show." pl "Shout me if you need me." scene 15_09_080 mom "I will do. Thank you." scene 15_10_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# play sound "audio/door_knock_01.ogg" #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End "*KNOCKING*" pl "Sweetheart, can I come in? You said you'd show me your dress when it was finished." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_10_014 yd "No! You can't come in, [pl]. I've changed my mind." yd "I want it to be a big surprise when you see it at the show, so you can't see it now." scene 15_10_018 pl "Oh. Okay, sweetheart. If that's what you want." pl "But it's finished, right?" scene 15_10_044 yd "Yes. It's finished. I think you'll really like it, [pl]." yd "At least, I hope you will." scene 15_10_042 yd "{i}(But what if [pl] doesn't like it? What if nobody likes it? I'm just not sure any longer.){/i}" yd "{i}(I need to show it to Mom and see what she thinks. She'll tell me if it's good or not.){/i}" scene 15_10_018 pl "I know I'm going to love it, [yd]. I'm even more excited about seeing it now." pl "I'll leave you alone, then. Oh, I wanted to tell you that [ste] is having dinner with us tonight." scene 15_10_014 yd "Is he? Okay." yd "I'll see you later, [pl]." else: # EMMA PATH scene 15_10_014 yd "No! Don't come in, [pl]." yd "I...er...I want it to be a surprise when you see it at the show." scene 15_10_018 pl "Oh, okay. Well, can you at least tell me if the dress is finished?" pl "And are you happy with it? Is it how you imagined it?" scene 15_10_048 yd "Yes. It's finished." yd "And it looks how I wanted it to." scene 15_10_032 pl "Good. Well, I look forward to being both surprised and amazed by your incredible dress at the show." scene 15_10_034 pl "{i}(She's very quiet this morning...and she didn't want a hug at breakfast.){/i}" scene 15_10_030 pl "Well, I guess I'll see you later then, sweetheart." scene 15_10_034 yd "Okay." scene 15_10_030 pl "[yd], is something wrong?" pl "You can talk to me, no matter what it is." scene 15_10_034 yd "No. Nothing's wrong." scene 15_10_032 pl "Well, I'll leave you alone, then. Oh, I thought you might like to know that [ste]'s coming to dinner tonight." yd "Is he? Okay." scene 15_10_034 pl "{i}(Something's definitely wrong. She's not her usual happy talkative self.){/i}" pl "{i}(I guess it's the show. It's a big deal for her. She's must be nervous.){/i}" pl "{i}(I'll tell [mom]. She'll know what to say to help [yd] with her nerves.){/i}" scene 15_10_042 yd "{i}([pl]'s so kind and supportive. He's everything I wanted my dad to be, but...){/i}" yd "{i}(Why am I having these other feelings for him? It's not fair!){/i}" scene 15_10_050 yd "{i}(I'm so confused... I don't even want to see him right now. I hate that!){/i}" yd "{i}(I miss him and I missed hugging him this morning.){/i}" scene 15_10_052 yd "{i}(I can't stop thinking about the dream I had. It felt so wrong.){/i}" yd "{i}(And yet... I wake up disappointed that I didn't have another one!){/i}" scene 15_10_054 yd "{i}(What would he say if I told him about the dream I had?){/i}" yd "{i}(He'd probably laugh at me and call me silly. Maybe I am... maybe it doesn't mean anything...){/i}" scene 15_10_060 yd "{i}(What am I going to do? I want things to go back to how they were. I want to make these feelings go away.){/i}" yd "{i}(Maybe I should just try to pretend nothing has changed...){/i}" show black with fade scene 15_12_020 with fade pl "For the very first time in your life, you're early!" ste "Who are you, the butler? Can you please tell Miss [mom] her guest has arrived!" scene 15_12_024 pl "Very funny. Are the flowers for me? You shouldn't have bothered. I already know you love me." ste "You're not my type. These are for [mom]... Holy crap. I can't believe I'm actually in her house!" scene 15_12_028 pl "Jokes aside, she's going through a lot right now." pl "So don't be your usual dumb self, and absolutely no hitting on her!" scene 15_12_032 ste "No worries. I'll be on my absolutely best behaviour." ste "It's not every day you get to have dinner with the hottest woman in the world!" scene 15_12_036 pl "If the flowers are for [mom], then who's the cola for?" pl "Is it for [yd] again? What's the deal with that? What's going on with you two?" scene 15_12_040 ste "It's a bribe. I give her free soda, and she puts in a good word for me with her mom. Smart, huh?" ste "Come on, are you going to let me in, or what? I didn't come here to chat with you!" scene 15_12_100 with fade #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "Ladies, our guest is here, unfortunately." pl "Despite my best efforts to convince him not to, he came anyway!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_12_104 pl "[mom], you already know him, but this is my best friend, [ste]." pl "It feels strange knowing that you two have already met without me being there." scene 15_12_108 mom "Hi, [ste]. It's good to see you again. Thank you for coming tonight." mom "[pl] didn't tell me what you liked to eat, so we're just having chicken. I hope that's okay?" scene 15_12_112 ste "Thank you for inviting me, [mom]. And I'll eat anything you put in front of me if it's been touched by you." ste "Also, don't listen to the big man. I'm not his best friend. I'm his ONLY friend. Nobody else will put up with him!" scene 15_12_120 ste "I bought these for you, [mom]. They're not much, but..." mom "Oh, thank you, [ste]. They're beautiful." scene 15_12_130 yd "Did you bring anything for me, [ste]?" yd "I like presents too. Flowers, chocolates, soda..." scene 15_12_134 ste "Of course. You don't think I'd forget you do you, princess?" ste "I brought you some more cola. Best deal I've ever made!" else: scene 15_12_104 pl "[mom], I'd like to introduce my friend [ste]." pl "[ste], this is [mom] and her youngest daughter, [yd]." scene 15_12_108 mom "It's a pleasure to meet you, [ste]. Welcome to my home." mom "[pl] hasn't told me much about you. All I know is that you were in the military together and now you own a bar?" scene 15_12_112 ste "Wow! This is such an exciting moment for me, [mom]. I've been a fan of your work for years!" ste "It's an honour to finally meet you. Thank you for inviting me to have dinner with you." scene 15_12_120 ste "I... I bought these are for you. They're not much, but..." mom "Oh, [ste], they're beautiful! Thank you." scene 15_12_130 yd "Is that cola for Mom too, or for someone else?" yd "Because I really like cola, not that you'd know that because we've never met before..." scene 15_12_134 ste "What... this cola right here? I brought this for you, [yd]." ste "Because someone once told me that you really like cola." scene 15_12_150 mom "Okay, you two sit down. [yd] and I will bring the food over. It's all ready." mom "I'll just find a vase to put these beautiful flowers in first." scene 15_12_190 with fade mom "So, [ste], tell me more about yourself. What's it like owning a bar?" ste "Well, it's not exactly how I imagined it." scene 15_12_220 ste "I used to dream of owning a fancy nightclub in Hillside, where I could rub shoulders with people like you." ste "Unfortunately, the military didn't pay me enough for that, so I had to settle for a spot in a more budget-friendly part of town." scene 15_12_224 ste "But I haven't given up on the dream! I'll get my celeb hotspot, then maybe [pl] will come back and work for me again." scene 15_12_240 mom "What do you mean? Did [pl] used to work at the bar with you?" mom "I can't imagine him serving drinks and washing glasses." scene 15_12_204 ste "Didn't he tell you that he used to work for me? I guess that's something we share in common... poor hiring practices!" mom "No, he didn't tell me that. But he doesn't talk about himself much at all." scene 15_12_220 ste "Yeah, he was always hanging around the bar, so I figured he might as well make himself useful and had him watching the doors." ste "That's how he stumbled into other security work and ended up becoming a bodyguard. So his success is all down to me." scene 15_12_268 mom "Really? He never mentioned that to me either." mom "I wonder what else he's keeping quiet about?" scene 15_12_228 ste "Okay. That's enough talk about me and ugly. I'd love to hear some of your stories. You must have plenty to tell." ste "What's it like being a supermodel? Travelling the world and all that?" scene 15_12_244 mom "I guess it's like anything else, really. It has its ups and downs. I mean, the places I've seen, the people I've met..." mom "I'm extremely lucky, but it can be exhausting. Plus, you hardly ever get to really enjoy the places you visit." scene 15_12_308 ste "I bet. Must be crazy, hopping from one country to another." mom "Absolutely. People only see the glitz and glamour, but there's a lot a lot of hard work behind the scenes." scene 15_12_232 ste "Yeah. I'd love to see what goes on behind the scenes..." ste "Anyway, what are your favourite places out of everywhere you've visited?" scene 15_12_244 mom "Oh, that's a tough question. I've been fortunate to visit so many amazing places." mom "I love the pristine beaches of Turks and Caicos, Thailand is wonderfully exotic, the European cities are all amazing..." mom "But, if I absolutely had to choose, I'd say my favourite place is the Amalfi coast in Italy." scene 15_12_312 yd "You promised you'd take me there one day, Mom. Remember?" mom "That's right. I did, sweetheart. You'd love it there." scene 15_12_316 mom "It's magical. The culture, the history, the scenery... The colourful cliffside villages, the sparkling blue sea..." mom "And the food! You wouldn't believe the ice creams they have over there, sweetheart." scene 15_12_264 yd "It sounds amazing! And we'd need to take our bodyguard with us too. Right, [pl]?" pl "Oh, definitely, sweetheart. He likes ice creams too!" scene 15_12_308 mom "Speaking of desserts, can I get you something, [ste]?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# ste "Oh, no thank you, [mom]. Unlike the big man over there, I try to look after myself and watch my weight." scene 15_12_304 mom "How about a coffee then?" ste "No, thank you. Actually, I think it's time for me to be going." # 14 - BREAKFAST 2 ################################################### show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 15_14_050 with fade # wide mc talk pl "Good morning, [mom]. The weather's great, as usual." pl "I'm sorry to disturb your breakfast but, can we talk before [yd] gets up?" scene 15_14_054 mom "Yes, of course. Come and sit down." mom "I was hoping you'd join me, actually. I wanted to talk to you too." scene 15_14_058 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"mom_choice_04\"") #KoGa3End pl "Do you want to go first?" mom "No. It's fine. What did you want to talk about?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_14_066 pl "I wanted to ask you about [ste] now you've had chance to get to know him better." pl "Will you be comfortable having him in the house, and guarding you if necessary?" else: scene 15_14_066 pl "I wanted to ask you what you thought about [ste] now you've met him?" pl "Would you be comfortable having him in the house, and guarding you if necessary?" scene 15_14_062 mom "Yes. I think so. Knowing that he's your best friend, and that you trust him, makes it easier for me." mom "But... I don't want to spend the rest of my life living in fear surrounded by bodyguards, [pl]." mom "What are we going to do about [jas] now he's been released?" scene 15_14_066 pl "I will take care of [jas]. Don't worry about him." pl "With [ste] available to guard you, I'll be able to go and do what needs to be done." scene 15_14_070 mom "But what is that? What can you do? If the FBI can't get them, then who can?" scene 15_14_074 pl "[fbi] isn't done yet. She's determined to get these guys, and I wouldn't bet against her finding a way to do it." pl "If you're happy having [ste] look after you, then I'll meet her tonight and figure out what we're going to do." scene 15_15_010 with fade yd "{i}(Wow! Mom looks incredible in this new photo shoot. Why is she thinking about retiring?){/i}" yd "{i}(I really hope she changes her mind. It would be so awesome for her to model my designs for me!){/i}" scene 15_15_020 mom "[yd], can I come in? [pl] told me that you'd finished your dress. Are you going to show it to me?" yd "Yes. You can come in, Mom." scene 15_15_032 yd "I wouldn't let [pl] see the dress, but I want to know what you think, Mom. And I want you to be honest!" mom "Okay, I'll do my best. But what's that you're looking at?" scene 15_15_042 yd "This? It's a magazine Aunt [aunt] gave me. It's got one of your new photo shoots in it, and you look amazing, Mom!" yd "I don't think you should retire. Not when you still look so good." scene 15_15_046 mom "Well, it's better to leave at the top and be remembered as you were in your prime. But thank you, sweetheart." mom "Now, what about this dress that you've been working so hard on. I'm excited to finally see it." scene 15_15_048 yd "What do you think? Do you like it?" mom "Wow, [yd]! I'm glad I'm not the one that has to model it for you." scene 15_15_049 yd "What? You don't you like it. It's bad, isn't it. I knew it!" yd "I felt really confident when I was designing it. What am I going to do?" scene 15_15_050 mom "No, sweetheart! I love it. It's just... well, it's very revealing." yd "Is it too much? I still have time to change it... do you think I should, Mom?" scene 15_15_054 mom "[yd], nobody ever reached the top by playing it safe. You can't be the best by doing the same as everybody else." mom "If you want to stand out and grab people's attention, then you have to be bold, and that means taking risks." scene 15_15_056 mom "That's dangerous because you might fail, no, you WILL fail, but that's okay. That's how you learn and improve." mom "So don't worry about getting it wrong, or making a mistake, or about what other people think. Be confident and believe in yourself." scene 15_15_057 yd "But that's so hard to do, Mom. Do you believe in me?" mom "Always, [yd]. I believe in you and your incredible talent. And I know your dress is going to wow everyone at the show!" scene 15_15_058 yd "Thanks for always supporting me and knowing what to say, Mom. I love you!" mom "I love you too, sweetheart. More than you can imagine." scene 15_15_060 yd "Really? Does that mean you love me more than [od]?" yd "You can tell me. I promise I won't let her know." scene 15_15_062 mom "[yd], don't be naughty! I love you both equally. You know that." mom "I'm so proud of my two girls. You're both destined for great things." scene 15_15_068 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon 3 times a different dialog for \"mom_choice_04\"") #KoGa3End mom "Now you've finished, [pl] can get in here and paint the room ready for when [od] comes home." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# mom "Are you ready to start painting your room? Do you want me to ask him to come and help you paint your room?" scene 15_15_066 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: yd "Yes please, Mom. [pl]'s super tall. He can paint all the bits I can't reach!" else: yd "I guess so... if he wants to help. Thanks, Mom." yd "{i}(I feel so awkward around [pl] now. I've got to forget about those stupid dreams. I'm sure they didn't mean anything...){/i}" # 18 - MC AND EMMA PAINT HER BEDROOM ############################################ scene 15_18_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicEmma1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "Hey, [yd]. I've come to help you paint the walls." pl "If you still want my help. I don't want to intrude if you don't need me." if mom_choice_04: scene 15_18_024 yd "[pl]! Perfect timing. I was just about to start painting." yd "Come and help me. You don't spend enough time with me these days!" scene 15_18_028 pl "Great. I'll help you first, then paint the spare room for [od], and hope it buys me some brownie points with her." yd "That's good. I want you to be friends. And I know she'll appreciate it, even if she doesn't show it!" else: scene 15_18_025 yd "Erm, I... I can probably manage on my own. Thanks." yd "You don't have to help me, [pl]." scene 15_18_028 pl "But I want to help you, sweetheart." yd "Okay." scene 15_18_032 pl "So, are you excited about having a new room? It's going to be a big change." pl "You must have a lot of happy memories in this room." if mom_choice_04: scene 15_18_038 yd "I do! But I'm ready for a change to start a new chapter in my life." yd "I can't wait for you to see it once it's finished, [pl]." else: scene 15_18_035 yd "{i}(This is silly. I just had a stupid dream. Nothing has changed between me and [pl].){/i}" yd "{i}(I need to act normal or else he's going to notice. Then he'll be worried and start asking me what's wrong!){/i}" scene 15_18_036 yd "I guess so... and some things I'd rather forget." yd "But I'm excited to have a change. The room is too childish for me now." scene 15_18_064 yd "Mom gave me this old shirt so I don't get paint on any of my clothes." yd "But it's so big! Does it look okay?" scene 15_18_066 yd "And Mom only has expensive designer clothes. I bet this cost more than all of my other clothes together!" yd "Except my [val] sweater, of course. But I'd never wear that to paint in." scene 15_18_068 pl "It looks fine, sweetheart. I don't have any old clothes to wear, but it won't matter if I get paint on this t-shirt." pl "Probably counts as old now anyway since you and your mom have taken charge of my wardrobe and buy my clothes for me!" scene 15_18_084 yd "Ha ha. That's right. We'll have to go shopping again and buy you a nice new pink t-shirt to replace it!" pl "Absolutely not! I'm not going shopping with you again. I learned my lesson the last time." scene 15_18_076 pl "I'm just joking, sweetheart. I'd love to go shopping with you again." pl "Just no pink clothes, and no bossing me about!" scene 15_18_080 yd "You know I can't promise either of those things, [pl]. Especially the one about bossing you around!" yd "And I really think pink might be your colour. You should at least try it." scene 15_18_090 pl "No men wear pink clothes, [yd]." pl "Anyway, these walls aren't going to paint themselves. We'd better make a start." scene 15_18_100 yd "Okay. I'm using the roller, so you can use the paintbrush and we'll have a competition to see who paints the most. Go!" pl "Wait. That's not fair, cheater!" scene 15_18_150 with fade yd "I'm winning, [pl]! I've definitely painted more of the wall than you." pl "Yes you have, sweetheart. Well done. So what's it going to look like when it's finished?" scene 15_18_154 yd "I'm not telling you! It's going to be a surprise." yd "But it's going to be very different. I can't wait for you to see it!" scene 15_18_158 pl "Okay, well, I look forward to you showing it to me once it's finished. And what about the spare room?" pl "I hear you chose the colour for your sister. Are you excited that she's coming home?" scene 15_18_162 yd "Yeah! I'm super excited. I can't wait. It's going to be such a great summer this year." yd "I'll have left college, [od] is back at home, and it will be the first summer with you here." scene 15_18_166 pl "I'm looking forward to it too, sweetheart." pl "Hopefully we'll get to spend more time together. I've been missing you since I started looking after your mother." scene 15_18_170 yd "I hope so, [pl]. I've missed you too. Like, a lot!" yd "[pl], can you move the ladder over here for me so I can finish painting the top of the wall?" scene 15_18_174 pl "Of course I can." pl "Just a second... let me put my brush down." scene 15_18_180 pl "There we are. Is it okay just here?" yd "Perfect! Thanks, [pl]." scene 15_18_182 yd "[pl], can you hold me while I'm up the ladder? It's just... I'm scared I'll fall." yd "Ever since we went on the big Ferris wheel at the beach, I don't like heights. I hate them!" scene 15_18_184 pl "It's really not that high, sweetheart.... but okay. Anything for you." pl "I'd never forgive myself if you fell off and hurt yourself now." scene 15_18_192 yd "Wow. You said it wasn't that high, but I'm taller than you now, [pl]!" yd "Hold me tight!" scene 15_18_200 pl "I've got you, sweetheart. Don't worry. I'm not letting go." pl "You're doing really well for someone who says she's scared, [yd]." scene 15_18_204 yd "Thanks, [pl]. You're the best! I know you won't let anything bad happen to me." yd "I love having you here to help me. It would've taken me ages to do this on my own." scene 15_18_240 yd "I just hope I don't splash any paint on you..." yd "Oh. Oops. I'm sorry, [pl], but it looks like I got some on your face." scene 15_18_242 pl "Does it? Well, don't worry about it. Accidents happen." pl "I'd better get it off before it dries. Whereabouts is it?" scene 15_18_244 yd "Right there!" yd "Ha ha. You should be more careful!" scene 15_18_246 pl "Hey! I come to help you and this is how you repay my kindness?" pl "I won't stand for this!" scene 15_18_248 yd "[pl], I'm sorry... I don't know why I did that!" yd "I didn't mean to. A little voice told me to do it!!" scene 15_18_252 yd "Let's just get back to painting the wall! We've nearly finished..." pl "Oh no. You're not getting off that easily!" scene 15_18_254 pl "You deserve a harsh punishment for that, you troublemaker!" pl "Come down off that ladder so I can tickle you!" scene 15_18_256 yd "No, [pl], don't! I'm sorry! Don't tickle me!!" yd "I won't do it again, I promise!" scene 15_18_264 pl "It's too late, [yd]. Let go of the ladder! You're only making it worse for yourself!!" yd "No, [pl]! This isn't fair. You're so strong." scene 15_18_268 pl "Ha ha. I've got you! You're mine now!!" pl "Prepare yourself!" scene 15_18_270 yd "Don't drop me, [pl]!" yd "What are you going to do to me?" scene 15_18_272 pl "I'm going to teach you a lesson! Where are you most ticklish? Just here?" yd "Yes! Stop it, [pl]. Stop it. You're so mean!" scene 15_18_276 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"\n(if False some more content on the Emma route)") #KoGa3End pl "I'm mean? You started it!" pl "You're lucky I'm just tickling you. Maybe I should paint your nose instead?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_18_280 pl "Okay. Have you learned your lesson? Or do I need to look for a more ticklish spot?" yd "No! I learned my lesson. I won't paint you anymore... today. Ha ha." scene 15_18_282 yd "{i}(I love [pl] so much. The thought of him and Mom being together is making me so happy.){/i}" yd "{i}(I hope they kiss again soon.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_18_284 pl "I don't believe you, but I think you've had enough tickling for one day." pl "Let's get this painting finished. I have to go out later, and I've still got the spare room to paint." else: #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy4 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 2.5 loop #KoGa3 END# scene 15_18_288 yd "{i}(Oh no... I'm getting those same feelings I got when I was dreaming... when [pl] was holding me...){/i}" yd "{i}(And touching me... and I could feel his warm breath on my neck... just like now!){/i}" scene 15_18_290 yd "Let me go, [pl]! I don't like this!!" yd "Let me go! Let me go!" scene 15_18_292 pl "[yd], what's wrong? I thought you liked it when I tickled you?" yd "Sorry... I... I need to use the bathroom!" scene 15_18_294 pl "{i}(What happened? What was that about? Did I do something wrong?){/i}" pl "{i}(She's been acting strangely the last couple of days... I think I need to tell [mom] about this.){/i}" scene 15_18_298 yd "{i}(What have I done! [pl]'s going to know something is wrong now for sure!!){/i}" yd "{i}(How am I going to explain it to him? I can't. I'll be so embarrassed!){/i}" scene 15_18_300 with fade play sound "audio/door_knock_01.ogg" pl "[mom], are you there? Can I come in?" mom "Yes, [pl]. Come in." scene 15_18_304 mom "Hi. Is everything okay?" mom "How's the painting going?" scene 15_18_308 pl "It's going okay, or it was... I'm not sure what happened." pl "It's [yd]. I think I might've upset her. We were joking around and then she ran off to the bathroom." scene 15_18_312 mom "She ran off? What did you do?" mom "I'd better go and talk to her and see what's wrong." scene 15_18_330 with fade play sound "audio/door_knock_01.ogg" mom "[yd], are you there? Is everything okay?" yd "Mom? Yes, I'm fine. Everything's okay." mom "I'm coming in [yd]..." scene 15_18_334 mom "What's wrong? [pl] said you ran off. He's worried about you, sweetheart." mom "Did... did [pl] do something to upset you, [yd]?" scene 15_18_338 yd "Nothing's wrong, Mom. It's silly." yd "You didn't need to come and check on me. I'm okay." scene 15_18_342 mom "Something must be wrong. Why don't you tell me what happened." mom "[yd], I'm not leaving until you do." scene 15_18_346 yd "We were just fooling around and having fun. I painted [pl]'s nose and he started tickling me." yd "And then... I just got upset and ran away." scene 15_18_350 mom "Why? Why did you get upset, sweetheart?" mom "Did [pl] do something? Something you didn't like?" scene 15_18_354 yd "What?! No, Mom! We were having fun. I love [pl] so much!" yd "I think... I think I just got sad because I thought about how much I'd miss him if he left us." scene 15_18_358 mom "Oh, sweetheart. Why did you upset yourself like that?" mom "[pl] isn't leaving us. There's no need to cry... so cheer up!" scene 15_18_370 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# yd "Mom, don't! You're mean just like [pl]!!" mom "So whereabouts was he tickling you... was it here?" show black with fade scene 15_20_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "Hey, brother. Thanks for coming. Come in." pl "You're looking unusually smart. This isn't a date you know!" scene 15_20_024 ste "Have you told [mom] that, because I'm pretty sure she likes me." ste "Ha ha. Sorry I'm late. The traffic was horrendous. You'd better get going or you'll be late too." scene 15_20_028 pl "No worries, and thanks." pl "So, did you bring your gun?" scene 15_20_032 ste "Are you serious? I don't go anywhere without it these days. The city's way too dangerous!" ste "But is it really necessary? Do you think [mom]'s in that much danger?" scene 15_20_036 pl "I don't know. Probably not, but I don't want to take any chances." pl "Just don't let her see it. This is her home. I want her to feel safe here." scene 15_20_040 yd "[ste]! You're here. We've been waiting for you." yd "Did you bring some more free cola with you? And popcorn?" scene 15_20_044 ste "Hey, [yd]. I'm sorry, but I was running late and forgot to grab the soda on my way out." ste "I hope you can forgive me?" scene 15_20_048 yd "Aw, I don't know... Ha ha, I'm joking. Mom's told me I shouldn't drink so much anyway." yd "You can make it up to me by watching a movie with me. [pl] always watches them with me, don't you, [pl]?" scene 15_20_052 pl "Yes, sweetheart. Do you have any romantic comedies? They're [ste]'s favourite. Aren't they, buddy!" ste "Er, yeah. My favourite. I love them..." scene 15_20_056 pl "Are you sure you're going to be okay, [mom]? I shouldn't be long, and [ste] will stay with you until I get back." mom "I'll be okay, but please be quick, [pl]. It's not that I don't trust [ste], I just... I don't feel safe without you here." scene 15_20_060 pl "I'll be as quick as I can. I promise." pl "And try not to worry. [fbi] and I are going to work things out and keep you safe." scene 15_20_064 mom "Thank you, [pl]. I know you'll do your best. I'm just worried it isn't going to be enough." mom "I hope the two of you can find a solution." scene 15_20_068 mom "Say hello to [fbi] for me, and take care." pl "I will, [mom]. I won't be long." show black with fade scene 15_22_040 with fade #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"fox_relationship\"") #KoGa3End sel "Hey, there. I was starting to worry that you'd stood me up." sel "Or maybe gotten yourself into more trouble and would be calling for my help... again." scene 15_22_044 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if fox_relationship: pl "[sel]. I almost didn't recognize you out of uniform. You look incredible." else: pl "[sel]. I almost didn't recognize you out of uniform. You look... better." sel "Thanks, [pl]. It feels good to wear something attractive for a change. I'm glad you approve." scene 15_22_048 pl "Not that I'm complaining, but why are you looking so glamorous?" pl "And why did you want to meet here, in a hotel bar?" scene 15_22_050 sel "Let's go and find a seat in the corner where we can talk in private, [pl]." sel "There are a number of different things I want to discuss with you..." scene 15_22_060 sel "So, why meet here? Because it's convenient, this is my hotel." pl "Wait. Your hotel? You mean you're staying here?" scene 15_22_068 sel "That's right. I'm staying here while I'm in town." sel "It's not exactly ideal, but it has its perks, I guess." scene 15_22_064 pl "Oh. I just assumed you were a local, had your own place here or something." pl "So what's the story? Have the FBI put you up here?" scene 15_22_080 sel "Yes. They're paying the bills. But they won't stretch to drinks at the bar, so you'll have to buy your own!" sel "I'm actually based on the other side of the country. My investigation led me here, all the way to Hillside." scene 15_22_079 sel "I'm part of a special human trafficking unit. The local FBI office are supposed to be supporting me while I'm here." sel "But now it seems I've outstayed my welcome. I'm making all the wrong people nervous and they obviously want me gone." scene 15_22_078 sel "To be honest, I'm feeling pretty fucking disillusioned and angry right now." sel "This has shaken me to my core. I mean, these are people I work with, people that I trust... with my life if necessary." scene 15_22_076 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# sel "So anyway, that's why I'm dressed up in a bar. I need to unwind with a drink, and maybe find a little action..." sel "But business before pleasure. I need to know what you're planning on doing now, [pl]." scene 15_22_074 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "I already told you what I was going to do. The only reason I haven't done it yet is because I wanted to give you a chance." pl "You said you were confident, that you had a plan, and that you wouldn't let the justice system fail." scene 15_22_062 pl "But here we are, [fbi]. So, the question is, what are you going to do now?" sel "{i}(Asshole. He's put it right back on me. But he's right... guess that's why it hurts... I've failed.){/i}" scene 15_22_070 sel "I don't know, [pl]. What else can I do? I was getting close, but now they're shutting me down!" sel "I'm used to fighting bad guys, but here I'm fighting the \"good guys\" too. I can't fight everyone!" scene 15_22_066 pl "Listen, I might have something on [jas]. Something that could help with your investigation." pl "But... it could turn out to be nothing. The person I'm dealing with is unreliable, so I'll let you know if anything comes of it." scene 15_22_090 sel "Really? Well, just keep me informed." sel "And let me know the minute you have something, [pl]. Time is against us!" scene 15_22_064 pl "I will, [sel]. I promise. I'll let you know in a couple of days." pl "Okay, I hate to rush off, but I've got to get back to the house. I promised [mom] I wouldn't be gone long." scene 15_22_096 sel "Come on, just one drink. Don't you want to stay and unwind with me?" pl "I wish I could, but duty calls. I'm sorry, [sel]. Goodnight." scene 15_22_084 sel "Well, then. I guess this is goodbye for now." #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 2.5 loop #KoGa3 END# sel "Take care of yourself, [pl]. I'll be waiting to hear from you." scene 15_20_100 with fade pl "Hey, brother. Sorry I've been so long." ste "Well, well, well, look who finally decided to return. What time do you call this?" scene 15_20_104 pl "Yeah. Yeah. Has everything been okay while I was gone? Any problems?" ste "Problems? You mean apart from enduring a romantic movie double bill with [yd]?" scene 15_20_118 ste "Ha ha. No. Everything's been quiet. " ste "And having to sit through a few movies is a small price to pay to spend the night with [mom]." scene 15_20_126 pl "Good. And you're lucky it was just one evening of [yd]'s movies. I have to suffer through those regularly!" pl "At least the quality has gone up since she no longer watches those awful [zak] Prince movies." scene 15_20_112 ste "So how did your meeting with the FBI woman go? Did you come up with anything?" ste "You're wasting your time, if you ask me. Some people are just above the law." scene 15_20_108 pl "Yeah, I know you're right. She's still clinging to the idea that she can do things \"the right way\"." pl "But I gave her a chance, and she failed. There's no way I can leave this in her hands any longer." scene 15_20_116 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End ste "Well, if you need my help, then call me. And call me if you need me to watch [mom] again too." ste "You know, I really think I'm starting to get somewhere with [mom]." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_20_124 pl "You'd better leave [mom] alone. I heard her bodyguard isn't too friendly with guys who bother her." pl "Come on. It's late. Time for you to go home." scene 15_20_130 ste "Well, what about her sister? Is she hot? You said you'd introduce me to her." pl "Get out! I'm not risking having you as my brother-in-law!" scene 15_20_134 ste "Is this the thanks I get? Just give me her phone number..." pl "Don't wake the neighbours as you're leaving!" else: scene 15_20_130 pl "If nowhere is somewhere, then I agree. You're definitely getting there!" pl "Come on. Its time for you to go home." scene 15_20_134 ste "I'll be back. You can't stop true love!" pl "Don't wake the neighbours as you're leaving!" show black with fade scene 15_24_010 with fade yd "Come on, [pl]. I've got to show you my new room now it's finished! So, what do you think? Do you like it?" yd "I do. I'm really happy with how it looks. It's exactly like I wanted it." scene 15_24_014 pl "Wow. It's not what I was expecting, sweetheart. I thought it would be a lot pinker!" yd "Is that a good thing, or a bad thing? Because I really wanted it to look more grown up." scene 15_24_016 pl "Well, I think it does look more grown up. It's still pink, but now it's more elegant and stylish." pl "And I see you've gotten rid of those wardrobes. That's made it look a lot bigger." scene 15_24_018 yd "It does, doesn't it. I had to get rid of them because I... I wanted a larger bed." yd "And I'm glad you think it's more grown up, [pl]. It was a bit childish before, but... I'm not a child anymore." scene 15_24_032 yd "Let me show you this. This is my new dressing table. It's much better than the old one." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon 3 times a different dialog for \"mom_choice_04\"") #KoGa3End yd "And check these out, I've got bedside tables with lamps. One either side of my bed." scene 15_24_036 yd "Also, did you notice the fragrance when you came in? I've got some new essential oils to make the room smell nice." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: yd "This one's rose. It's supposed to create a feminine and soothing atmosphere." else: yd "This one's called ylang ylang. I read that it's supposed to create a sensual and romantic atmosphere." scene 15_24_040 yd "Ooh, you're going to like these, [pl]. I printed some new photos to hang on my wall." yd "Look. What do you think? Do you like them?" scene 15_24_044 pl "I do. Three beautiful photos of three very beautiful women, but they're ruined by having that ugly guy on the end." pl "Who's he? Surely he doesn't belong there!" scene 15_24_048 yd "Oh, [pl], don't be silly! It's you, and you're not that ugly." yd "Ha ha. I'm just joking. You're not ugly at all." if mom_choice_04: scene 15_24_052 yd "Supermodels don't fall in love with ugly guys." yd "And Mom loves you, so you must be handsome!" else: scene 15_24_050 yd "I think... I think you're really handsome." yd "I like having your picture on my wall and being able to look at it whenever I want." scene 15_24_054 yd "Besides, you're part of our family now, so you have to be there along with everyone else." yd "But that's not the only photo I have of you, [pl]. Come and look at this one..." scene 15_24_080 yd "See. I have another one next to my bed, and it's a special one because it's us together." yd "I wanted it here so that you can watch over me when I'm sleeping." scene 15_24_084 yd "I guess it probably sounds silly, but it makes me feel safe having you here next to me." yd "And it's also the first thing I see when I wake up in the morning, which makes me happy!" scene 15_24_100 pl "Aw, that's so touching, [yd]. Thank you." pl "Give me a hug, sweetheart." scene 15_24_102 if mom_choice_04: yd "I don't ever want you to leave us, [pl]." else: yd "I don't ever want you to leave me, [pl]." scene 15_24_100 pl "And I don't want to leave you either, [yd]." pl "So I think you're stuck with me now. Ha ha." scene 15_24_104 pl "You've grown up so much in the brief time I've known you, and I think your new room reflects that." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# pl "I love it, even the flowery smell! Thank you for showing it to me." scene 15_24_112 yd "I'm so glad you like it, [pl]. I love you." pl "I love you too." show black with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# scene 15_26_020 with fade mom "[aunt], how are things going with [yd]'s birthday present? Any news?" aunt "It's all in hand, don't worry. Your amazing sister said she'd take care of it, and she has." scene 15_26_024 aunt "Everything's been arranged. It'll be here on her birthday, like you asked." aunt "We just need to think about her party now and organize that." scene 15_26_028 mom "Thanks, [aunt]. That's one less thing for me to worry about." mom "I was concerned they wouldn't be able to deliver it in time. I just hope she likes it." scene 15_26_032 aunt "Stop worrying. She's going to love it." aunt "Now go and get ready! You don't want to be late. And call me if you have any problems." scene 15_26_036 mom "Okay, I'll see you tomorrow. And thanks again for looking after [yd] tonight." mom "You two have fun, but don't let her eat too much pizza!" scene 15_26_040 aunt "Speak of the devil! Are you ready to go, sweetie?" yd "Yes, Aunt [aunt]. Sorry to keep you waiting. I forgot my toothbrush!" scene 15_26_044 mom "You behave yourself and don't let your aunt lead you astray! I'll see you in the morning, sweetheart. I love you." yd "Love you too, Mom. I hope you and [pl] have a good evening together." scene 15_26_100 with fade aunt "Pepperoni pizza? Check. Adorable niece? Check. So now we just need to decide what movie we're going to watch." aunt "Why don't you go and change into your comfy clothes while I get the pizza ready, sweetie." scene 15_26_108 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End yd "Okay, Aunt [aunt]. I won't be long." yd "Don't eat all of the pizza before I get back, or drink all of your wine!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_26_132 with fade aunt "I hope you're hungry, [yd]. The pizza I bought is way too big... again." yd "I am, but there's something I need to share with you first. It's really important!" scene 15_26_134 aunt "Something more important than pepperoni pizza? What could it be?" aunt "Am I going to be shocked? Do I need to sit down before you tell me?" scene 15_26_140 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End yd "Yes! It's really exciting news, Aunt [aunt]. I've been dying to tell someone." yd "I was going to tell [od], but I don't think she would be as happy about it as me. Ha ha." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End else: scene 15_26_130 with fade aunt "I hope you're hungry. The pizza I bought is way too big... again." yd "I'm... I'm not actually that hungry right now, Aunt [aunt]." scene 15_26_142 aunt "Not hungry for pepperoni pizza?" aunt "Are you okay, sweetie? Is something bothering you?" scene 15_26_146 yd "There's something I need to tell you. But... I'm kind of worried." yd "Can we sit down for a while and maybe talk?" scene 15_26_150 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\" or \"aunt_choice_03\"\n(when both are False some more content for Emma route)") #KoGa3End aunt "Of course we can, [yd]. Your well-being is more important than pizza." yd "Thanks, Aunt [aunt]." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_26_312 with fade aunt "Okay, so what's this big news you want to share? Spill it. Don't keep me waiting!" yd "Try and guess! No. Forget that. I can't wait. I saw them kissing!" scene 15_26_304 aunt "Who? Who have you been spying on this time?" scene 15_26_312 yd "Mom and [pl]! And it wasn't just a kiss on the cheek. Mom kissed [pl] on the lips!" scene 15_26_304 aunt "Really? And your mother never told me?!" yd "Yeah. And after they kissed, [pl] put his arms around Mom, and held her, and they both looked really happy!" scene 15_26_316 aunt "Hmm. I'm surprised she hasn't said anything. That IS big news!" yd "Maybe Mom's not ready to tell anyone yet. She didn't exactly tell me. I... I accidentally saw them." scene 15_26_328 aunt "Oh, I see. You \"accidentally\" saw them." aunt "Are you sure you weren't spying on them?" scene 15_26_332 yd "No! I just happened to be nearby and kept quiet so I didn't disturb them." yd "Aunt [aunt], do you think they'll get married?" scene 15_26_320 aunt "I think it's far too soon to be thinking about that, [yd]." aunt "Give them a chance to at least get to know each other first!" scene 15_26_324 aunt "But, when your mother and I were little, she always dreamed of getting married and having a big wedding." aunt "I don't know how she feels about it now, though. Her experiences since then may have soured that particular dream." scene 15_26_336 yd "Well, I think Mom should get married. She'd look amazing in a wedding dress, and I could design it for her!" yd "It would be simple and elegant, not too fussy. Mom has beautiful shoulders... it would be strapless, I think." scene 15_26_328 aunt "Ha ha. It sounds like you've got it all planned out! Do you have the church booked already?" aunt "And what about the honeymoon? Where do you think they should go?" scene 15_26_340 yd "Somewhere beautiful and romantic. Maybe the Italian coast. Mom always says how much she loves it there." yd "Either that or a deserted tropical island where they could be alone and walk along the beach together at sunset." scene 15_26_316 aunt "That's a beautiful dream, [yd], but I think it's going to take your mother a long time before she's ready for that." yd "I know, I know. You don't have to say it. I have to be patient and I mustn't rush them!" scene 15_26_324 aunt "That's right. They'll get there eventually. We just need to give them time and not interfere." aunt "So that means you mustn't poke your nosey little nose in too much, sweetie." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_26_362 aunt "Okay. Let's eat the pizza before it gets cold. Stay here and I'll go fetch it." aunt "Your job is to sit right there and find us a movie to watch!" elif aunt_choice_03: scene 15_26_158 with fade yd "{i}(This is hard. I don't want to tell Aunt [aunt], but I need someone to tell me what it means.){/i}" aunt "{i}(Hmmm. Looks like she's struggling to get it out, whatever it is.){/i}" scene 15_26_160 aunt "[yd], there's something I need to share with you too. Do you want me to go first?" scene 15_26_164 aunt "I'm sorry, but I've already told your sister and your mother..." scene 15_26_180 yd "You have? So I'm the last one to know? Why am I the last?" scene 15_26_330 aunt "You're my special niece. Out of everybody in the whole world, you're the one I want to hurt the least." scene 15_26_358 yd "So... I'm not going to like what you want to tell me?" aunt "I don't know, [yd]. Maybe. It concerns [pl], and I know how much you love him." scene 15_26_304 yd "Is this about you two having fun together? Because if it is, then I already know." aunt "You do? How? Did [pl] tell you already?" scene 15_26_316 yd "No. I heard you sneak into his room when you stayed at our house the other night." aunt "Really? Oh. I'm sorry, [yd]. I tried to be as quiet as possible. I didn't think anyone heard me." scene 15_26_354 yd "It's okay. At first I wondered what you were doing, but then I guessed you were going to... fool around." yd "So I didn't listen anymore." scene 15_26_330 aunt "[yd], [pl] and I aren't just \"fooling around\". We like each other... a lot." aunt "That's what I wanted to tell you. We're kind of together." scene 15_26_358 yd "Really? So you're dating?" aunt "Yes. I wanted to know how you feel about that, about us dating?" scene 15_26_350 yd "I guess... I guess I'm a little disappointed, but only because I wanted Mom and [pl] to fall in love." yd "I'm sorry, Aunt [aunt]. I want you to be happy, but I wanted [pl] to be my dad." scene 15_26_320 aunt "It's okay, [yd]. I understand. But having [pl] as an uncle would be good too, wouldn't it?" aunt "You'd still get to see him all the time, and we could do things together as a big family." scene 15_26_332 yd "I guess. I just want Mom to find someone and be happy, and I thought [pl] would be perfect for her." yd "But, the most important thing is for [pl] to be a part of our family. I don't want to lose him." scene 15_26_362 yd "So, if he stays and becomes my uncle, then I guess that will be okay." aunt "Thank you, [yd]. I'm glad you're not too upset about it." scene 15_26_336 yd "I was hoping I'd get a new sister or brother, though. But I guess a baby cousin would be okay!" yd "I think it would be nice to have a boy in the family. What would you prefer, Aunt [aunt]? A boy or girl? " scene 15_26_328 aunt "Neither! Ha ha. At least not right now, [yd]." aunt "There's a long way to go in our relationship before [pl] and I start thinking about things like that." scene 15_26_366 aunt "Anyway, I'm sorry, sweetie. That's my news. What was it you wanted to talk about?" yd "Oh... nothing. It doesn't matter now. It wasn't important." scene 15_26_370 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# yd "{i}(How can I tell Aunt [aunt] about my dream now? It would be so awkward!){/i}" yd "{i}(And really embarrassing if [pl] actually becomes my uncle. No. It was just a silly dream...){/i}" else: scene 15_26_160 with fade aunt "So, what's troubling you, sweetie? What's wrong?" aunt "Is it boys again? Have you met someone new? Need some advice?" scene 15_26_180 yd "No... not exactly. Something happened. Something kind of bad." yd "Oh, Aunt [aunt]. Everything's messed up! I don't know what to do..." scene 15_26_164 aunt "Whatever it is, we can figure it out together, [yd]. I promise it isn't as bad as you think it is." aunt "Just take a deep breath and tell Aunt [aunt] what's wrong." scene 15_26_184 yd "I had a dream, but... I've never had a dream like this before. I was... I was with a man." yd "Aunt [aunt], it was [pl]! He was holding me... and then kissing me." scene 15_26_164 aunt "Oh, sweetheart. I have those kind of dreams too. Everybody does. It's nothing to feel bad about." aunt "And I've seen you kiss [pl]. It's just your everyday life carrying over into your dreams." scene 15_26_200 yd "No! This was different. He... he put his tongue in my mouth!" yd "But then... then I had another dream. Only this time, [pl] was... he was making love to me." scene 15_26_208 aunt "Oh, sweetheart. No wonder you're upset." yd "It was so disgusting! Why would I dream about that?" scene 15_26_378 aunt "Try not to take it too seriously, [yd]. It was only a dream." aunt "And dreams don't always reflect our real desires. It doesn't mean you want to sleep with [pl]..." scene 15_26_374 yd "But now everything's changed between us, and I don't want them to. I'm embarrassed when I see him!" yd "What if he finds out that I dreamed about him? What if he already knows? Do you think he'd be angry with me?" scene 15_26_378 aunt "Okay. First of all, there is no way [pl] would be angry over this, so don't even think about that." aunt "Every man in the world would love to have a beautiful young woman like you dreaming about them." scene 15_26_208 yd "Really? Do you think so?" aunt "Absolutely. But, trust me, [pl] has no idea about any of this." yd "How can you be so sure? He must know. He must be able to tell." scene 15_26_378 aunt "Sweetie, I love [pl], but he's typically clueless when it comes to knowing what us girls are thinking and feeling." aunt "He's a man, and, how can I put this, they're not really in touch with their own feelings, let alone ours." scene 15_26_208 yd "Really?" aunt "Trust me. He has no idea about your dream, or your feeling of embarrassment. So don't worry." scene 15_26_378 aunt "Just try to act normally around him while you work this out." aunt "I bet you won't have anymore dreams, and in a couple of weeks, you'll have forgotten all about this." scene 15_26_228 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# yd "Thanks, Aunt [aunt]. I hope you're right. I don't want anything to change between me and [pl]." aunt "Glad to help, sweetie. Now, how about we eat that pizza!" scene 15_29_010 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicHome4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "{i}(Why is [pl] taking so long? He'll make us late for the gala.){/i}" mom "{i}(I need him with me tonight. But even with him there, I don't know how I'd handle seeing [jas] again...){/i}" scene 15_29_014 mom "[pl], let's go! The car's here." mom "We're going to be late if you don't hurry up!" scene 15_29_020 pl "I'm coming, [mom]. Sorry for the delay." pl "It's been ages since I wore one of these damn things. I can't seem to remember how to tie it." scene 15_29_030 pl "Right over left... then.... Ah, come on! Thought I had it." mom "We don't have time for this. We're already behind schedule." scene 15_29_034 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End mom "I assumed you'd know how to tie a tie having been in the military!" mom "Here, let me do it for you..." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_29_038 pl "Hey, I can tie a tie, but we didn't used to wear bow ties very often. And I hate the stupid things!" pl "I got this, [mom]. It's right over left, then up through the loop... I think." scene 15_29_042 mom "You clearly don't got this. Just let me do it." pl "No. I can remember now. Move your hands out of the way." scene 15_29_046 mom "No. You move YOUR hands out of the way!" mom "Stop being so damn stubborn and let me help you!" scene 15_29_050 mom "Do I need to remind you who's in charge?!" mom "Just do as you're told and move your damn hands when I tell you to!" scene 15_29_054 pl "Ouch! That hurt... a lot." pl "Ooh. That's going to bruise for sure." scene 15_29_058 mom "Oh, stop it, you big faker! I barely touched you." mom "With those big muscles, I doubt you even felt it. It probably hurt me more than it hurt you." scene 15_29_062 pl "I'll do whatever you say, boss. Just don't hit me again." pl "I promise to be a good boy from now on and do as I'm told." scene 15_29_066 mom "Don't, [pl]. I know you're just trying to make me feel bad." mom "I... I don't know why I did that. I'm sorry. I guess I'm just nervous." scene 15_29_080 mom "For future reference, your life will be much easier if you just do what a woman tells you to do." mom "And, by woman, I mean me!" scene 15_29_090 pl "{i}([mom]'s right. I should've just let her do it to begin with... while I stand here and watch...){/i}" pl "{i}(Damn. I love it when she gets dressed up. But I wish this was a date and not work... Damn. I need to focus...){/i}" scene 15_29_100 mom "There. Do you see how easy things are when you just follow orders?" mom "[pl]! You're doing it again. You're not listening to me!" scene 15_29_104 pl "Huh? Sorry, [mom]. I was listening to you. I was just, er, distracted." pl "Thank you. You've made a much better job of it than I could've done." scene 15_29_126 mom "Okay. Now, follow me. Let's get moving." pl "I'm right behind you, boss!" scene 15_29_130 pl "{i}(It kind of turns me on when she takes charge and orders me around like a Sergeant Major... is that weird?){/i}" pl "{i}(Yeah. Maybe a little.){/i}" pl "{i}(But I love how her personality is slowly revealing itself as she becomes more relaxed around me. She's a lot of fun to be with.){/i}" scene 15_29_140 pl "{i}(Every moment I spend with her feels magical... just like her ass.){/i}" pl "{i}(That thing's magical too. It has the power to make thongs disappear!){/i}" scene 15_29_150 mom "Are you admiring my dress again, [pl]?" mom "Or were you looking at something else?" scene 15_29_154 pl "Just doing my job and keeping my eyes on you. You look beautiful tonight, [mom]." pl "And yeah, I was admiring your dress. It fits you perfectly." else: scene 15_29_080 pl "I would have remembered eventually." mom "Well, unfortunately we can't wait that long!" scene 15_29_100 mom "There. Do you see how easy that was?" mom "If you ever need my help again, don't be too proud to ask." scene 15_29_104 pl "Thank you, [mom]. And I'm sorry for keeping you waiting." pl "Now, if you've finished embarrassing me, I guess we'd better get going." #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious10 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 2.0 fadeout 1.5 loop #KoGa3 END# scene 15_30_040 with fade pl "How are you feeling now we're here, [mom]? Okay?" pl "You look great, by the way. Have I told you that?" scene 15_30_044 mom "Yes you have, but thanks, [pl]. I'm feeling more nervous now we're here, but happy that you're by my side." mom "At least I won't have guys trying to feel my ass all night if you're next to me." scene 15_30_048 pl "Any guy that tries to feel your ass is going head first into the punch bowl!" pl "Only if you give me the nod first, of course. I know you don't want me beating up every guy that looks at you." scene 15_30_056 mom "Right. At least there's one good thing about you making us late by fumbling with your bow tie." mom "We've missed the whole red carpet circus. So, well done!" scene 15_30_052 pl "I wouldn't have taken so long if someone else hadn't been trying to tie it for me." pl "Some people just can't keep their hands to themselves!" scene 15_30_060 mom "[pl]... I'm scared. What if he's here? What if he tries to get to me?" mom "You won't leave me will you? Not even for a second?" scene 15_30_064 pl "[mom], I promise I won't leave your side. I'm not going to let you out of my sight." pl "I'll be by your side the entire time, so don't worry." scene 15_30_068 pl "Why don't we just find our table and sit down?" pl "If you don't feel comfortable, then tell me. We'll just leave, and I'll take you home." scene 15_30_100 with fade pl "Here we are, [mom]. This is our table. Allow me to get that for you." mom "Thank you, [pl]." scene 15_30_104 # 2shot pl "We'll be fine here, [mom]. These are good seats. We have our backs to the wall and we can see everyone else from here." mom "I'll take your word for it, Mr Bodyguard. Thanks for trying to reassure me, [pl]." scene 15_30_108 pl "That's what I'm here for. I'm not just here to be your arm candy!" pl "But, seriously. I can see everyone that approaches. Nobody's getting close to you, so try to relax and enjoy yourself..." show black with fade scene 15_30_130 with fade pl "[mom], is everything alright?" pl "[mom]! You've hardly touched your food. Are you feeling okay?" scene 15_30_134 mom "Sorry. What did you say?" pl "I asked if you were feeling okay. You look nervous." scene 15_30_136 mom "I'm just worried. I was looking to see if I could see him." mom "I can't. Can you? But it's dark in here... and there are a lot of people." scene 15_30_134 pl "No, I can't seen him, [mom]. I don't think he's here... but I am." mom "Thanks, [pl]. As always, having you with me makes me feel better." scene 15_30_138 with fade pl "Everyone's finished their meal, [mom]. If you want to leave now, then nobody will mind." mom "No, I'm okay, [pl]. We'll stay." scene 15_30_142 # close c mom "I'm just not looking forward to what comes next." mom "It's the part of the evening I hate the most... the dancing." scene 15_30_146 pl "Wait. Dancing? [mom], you're not expecting me to dance, are you?" pl "I can't dance! I'll just stand and watch you, and keep my eyes out for you know who." scene 15_30_154 mom "Oh no you won't! You have to dance with me. " mom "You'll be fine. I'm a good dancer. Just follow my lead... and do what I tell you to do!" scene 15_30_166 mom "If you don't, then every guy in here is going to ask me to dance just so they can touch my ass!" mom "You HAVE to dance with me! That's an order!!" scene 15_30_170 pl "Okay. Well, I guess I can't disobey a direct order." pl "But if people start laughing and pointing at me then I'm leaving!" scene 15_30_200 with fade mom "See? It's not that bad. Like I told you earlier. Follow my lead and everything will be fine." mom "But seriously, [pl], you're doing great. And I'd much rather dance with you than a bunch of random creeps." scene 15_30_204 pl "Well, that's not exactly a ringing endorsement... but I'll take it! Thanks." pl "I'm feeling pretty self-conscious, though. Everyone else seems to know what they're doing." scene 15_30_208 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon some more dialog for \"mom_choice_04\"") #KoGa3End mom "Relax and stop worrying, otherwise you're going to tense up." mom "Dancing's supposed to be fun, [pl]. Just listen to the music and let me guide you..." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_30_212 mom "Maybe I should give you some private lessons at home so you'll be better prepared next time?" mom "Then you could be my go-to dance partner for all our future events. Does that sound good?" scene 15_30_216 pl "Dance lessons? I think I'd enjoy that, [mom]." pl "But I'm a really terrible dancer. I might need a lot of lessons..." #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious11 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 1.5 fadeout 1.5 loop #KoGa3 END# scene 15_30_300 jas "I can't believe that bitch is here! She's even brought her boyfriend bodyguard with her!" jas "They must be screwing. She's done it just to taunt us!" scene 15_30_304 har "Keep your voice down, you idiot." har "She was bound to be here tonight. Don't make any trouble. Just ignore them." scene 15_30_308 jas "Oh, I'm going to make trouble alright. Trouble for her!" jas "Now that butch FBI lesbian has gone..." scene 15_30_312 har "She's not gone! Not yet, anyway." har "She's still hanging around, getting in the way. She's making me nervous!" scene 15_30_316 jas "What?! That bitch has it in for me. You've to get rid of her!" jas "I thought you said it was handled? That she'd been shut down?" scene 15_30_320 har "She has been shut down, but she's still hanging around and making a fucking nuisance of herself." har "The end of the week, and then she's gone. We just have to be patient." scene 15_30_384 jas "Patient! That fucking bitch ruined my life!" jas "Once the lesbian's gone, the only thing in my way will be that big asshole. But I'm going to get [mom] one way or another!" scene 15_30_320 har "I told you to shut your big fucking mouth!" har "We're not safe yet. I had someone watching them, but he's disappeared." scene 15_30_380 har "I don't like it. Something's going on. We have to be careful." har "So, I'm telling you again, leave [mom] to me. Stay away from her!" scene 15_30_384 jas "Yeah, you'd like that, wouldn't you. Leave her all to you!" jas "You're still dreaming about getting your dick into her. Well forget it. It's never going to happen!" scene 15_30_388 har "{i}(As if I needed another fucking problem!){/i}" har "{i}(This dumb asshole is becoming a dangerous liability. Maybe he needs to disappear again... permanently.){/i}" scene 15_30_330 mom "[pl], he's here!" mom "Look. He's over there... he's staring right at us!!" scene 15_30_348 pl "{i}(I see him... I should go and take care of him right now, that fucking bastard!){/i}" pl "{i}(No. Got to stay calm and think of [mom]...){/i}" scene 15_30_356 pl "[mom], are you okay? Do you want to leave?" pl "[mom], look at me!" scene 15_30_366 pl "Don't worry. He can't hurt you. You're safe." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# pl "Do you want to go? Nobody will notice if we just slip out." scene 15_30_370 mom "Yes. Please get me out of here, [pl]." pl "Okay. Follow me..." scene 15_30_700 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious3 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(Damn it. Everything was going so well. Why did he have to show up?){/i}" pl "{i}([mom] looks really shaken. I hate seeing her like this. I just want her to feel safe.){/i}" scene 15_30_704 pl "[mom], step over here for a minute and take a breath." mom "Thank you, but... are we safe?" scene 15_30_712 pl "It's okay. You're safe with me. I won't let anything happen to you." pl "Just take some deep breaths, calm down, and then we'll head home, okay?" scene 15_30_716 mom "Thank you, [pl]. I actually feel okay. It was just a shock to see him staring at me like that." mom "I thought I was going to have a panic attack, but... I don't get so scared when you're with me." scene 15_30_720 pl "That couldn't have happened at a worse time. I was really getting the hang of that dancing stuff." pl "Would you like me to give you a hug? Would it help?" scene 15_30_724 mom "{i}(Yes it would.){/i}" mom "{i}(I'm so lucky to have him with me.){/i}" scene 15_30_728 mom "Thanks, [pl]. And you were not getting the hang of it." mom "But maybe with a few more lessons you wouldn't embarrass me on the dance floor next time." scene 15_30_732 ele "[pl], is that you?" mom "{i}(Who's she? How does she know [pl]?){/i}" scene 15_30_740 pl "[ele]? Of all the people I didn't expect to see tonight." pl "What are you doing here?" scene 15_30_744 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon different dialog for \"mom_choice_04\"") #KoGa3End ele "I'm working. I thought it was you, but almost didn't recognize you." ele "So, what's the deal? Why are you here with a date?" scene 15_30_748 #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: pl "I'm... uh... I'm working too. This isn't a date." else: pl "I'm working too. I just needed to stay extra close to my client this evening." pl "[ele], you look great. Really great." scene 15_30_752 ele "You look... older. And from what I've been hearing, that's not surprising." ele "I heard about what happened with the detective. You holding up alright?" scene 15_30_756 pl "Not my finest moment. But I did what needed to be done." pl "How did you find out it, though? You stalking me?" scene 15_30_760 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a few times different dialog for \"mom_choice_04\"") #KoGa3End ele "Don't flatter yourself! You have to keep tabs on what's happening, don't you." ele "I couldn't believe it when I heard you were back, but what the hell have you gotten yourself into this time, [pl]?" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_30_766 mom "{i}(It's like he's forgotten I'm even here! How much longer is he going to talk to her before he bothers to introduces us?){/i}" mom "{i}(Who is she? And why is she apparently more important than me?!){/i}" scene 15_30_770 mom "{i}(She's obviously someone from his past.){/i}" mom "{i}(Doesn't seem to care that I'm here either. They only have eyes for each other...){/i}" else: scene 15_30_770 mom "{i}(She's obviously someone from his past.){/i}" mom "{i}(Doesn't seem to care that I'm here either. They only have eyes for each other...){/i}" scene 15_30_764 mom "[pl], have you forgotten I'm here?" mom "Aren't you going to introduce me to your... friend?" scene 15_30_772 pl "Oh. I'm sorry, [mom]. Where are my manners?" pl "[mom], this is [ele]. [ele], this is [mom] Lloyd. She's my client." scene 15_30_776 ele "Of course it is. I know who the world's top supermodel is. Pleasure to meet you, [mom]." mom "It's a pleasure to meet you too, [ele]." scene 15_30_780 mom "{i}(Back to ignoring me! Maybe I should cut them some slack.){/i}" mom "{i}(It seems like they haven't seen each other for a long time, but I want to go home.){/i}" scene 15_30_782 pl "[ele], I'm really sorry, but I have to get [mom] out of here." pl "We should meet and catch up sometime. Maybe you could come to the house and we could talk..." if mom_choice_04: scene 15_30_786 mom "{i}(What the hell! Get your hands off of him.){/i}" mom "{i}(And what's [pl] doing? Inviting her to MY house and now kissing her in front of me?!){/i}" scene 15_30_788 ele "Listen, I know you're not big on asking for help. But if you ever need it, just give me a call." ele "Take care of yourself, [pl], and don't ever leave without saying goodbye again!" if mom_choice_04: scene 15_30_794 pl "{i}(What are the chances of running into [ele] tonight?){/i}" pl "{i}(Maybe our luck's improving. Having her on our side could really make a difference.){/i}" else: scene 15_30_792 pl "{i}(What are the chances of running into [ele] tonight?){/i}" pl "{i}(Maybe our luck's changing. Having her on our side could really make a difference.){/i}" scene 15_30_796 pl "Okay, [mom]. Let's go." mom "{i}(Oh. Now he's ready to go. Well, it's about time!){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_30_800 mom "{i}(We just ran into [jas], but his mind is elsewhere! Why is he so caught up with her?){/i}" mom "{i}(Maybe I'm overreacting. He's here, right by my side. I just wish all his attention was on me... and not her!){/i}" scene 15_32_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious7 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# har "{i}(Another evening of entertainment ruined by that ungrateful bitch. I can't relax knowing that she's out there.){/i}" har "{i}(Her and that fucking bodyguard are going to give me an ulcer. She brought him with her just to piss me off.){/i}" scene 15_32_030 har "{i}(What do they know? If they had something then the FBI would have used it, but they didn't.){/i}" har "{i}(They tried to get [jas] to talk, and he might have done if I hadn't gotten him out...){/i}" scene 15_32_032 har "{i}(He's always been a liability, but now he's become a threat. He knows too much, and he's too volatile.){/i}" har "{i}(Maybe it's time for him to retire...){/i}" play sound "audio/phone01.ogg" "*PHONE RINGING*" scene 15_32_034 har "It's you. Listen, I...I was just about to call you." har "We have problems. You need to do something. You need to help me." scene 15_32_038 "The Boss" "No. We do not have problems. YOU have problems. And fixing YOUR problems is not a part of our deal." "The Boss" "We take care of our problems and you take care of your problems. That is how it works." scene 15_32_040 "The Boss" "If you make your problems into our problems, then you become a problem. And we take care of our problems." "The Boss" "Do you understand?" scene 15_32_042 har "Y-yes. Don't worry. I'll take care of my problems." har "There's no need for you to get involved!" scene 15_32_046 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End har "Everything's going to be okay. The FBI will finally be leaving at the end of the week." har "Once I've taken care of a few loose ends, things will go back to normal. You have my word." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# if mom_choice_04: scene 15_34_004 with fade pl "[mom], I'm sorry about that interruption. It caught me off guard." scene 15_34_006 pl "How are you feeling now? Are you okay? Is there anything I can do for you?" scene 15_34_010 mom "That woman, the redhead. Who was she?" mom "It looked like the two of you pretty friendly." scene 15_34_016 pl "[ele]? Yeah, we are friendly, or we were. She's an old friend, but I haven't seen her for..." pl "Well, it's been a long time since we even spoke, so I was surprised to see her again." scene 15_34_020 mom "{i}(They were obviously more than just friends. His face lit up like a damn Christmas tree when he saw her!){/i}" mom "{i}(Why did she have to reappear now? Why tonight when I needed him the most?){/i}" scene 15_34_021 mom "{i}(I've finally found someone that I feel I can trust... I'm not going to let some other woman take him from me!){/i}" mom "{i}(But... I need to take things slowly. I don't want to mess this up and end up pushing him away.){/i}" scene 15_34_022 mom "{i}([pl]'s a good man, I know that, but he's still a man. He still has the same desires... the same needs.){/i}" mom "{i}(I can't help feeling that, despite what he says, he'll want more than I can give him right now.){/i}" scene 15_34_023 mom "{i}(Will he really wait for me? He said he will, but for how long? How long is he prepared to stick around?){/i}" mom "{i}(It already feels like things are moving too fast for me, but he needs to feel that this is going somewhere...){/i}" scene 15_34_024 pl "{i}(Seeing [jas] again has really shaken [mom]. I just want to put my arm around her and make her feel protected and safe.){/i}" pl "{i}(But she seems a little put out by [ele]'s appearance...){/i}" scene 15_34_028 mom "How do you know her? Is she someone you guarded before?" mom "It looked like the two of you were close. I got the impression you were more than friends." scene 15_34_030 pl "[ele] and I were close at one time. But that was before... before I ran away." pl "When I turned my back on Hillside, I turned it on her too. I never even called to say I was leaving, or tell her where I was going." scene 15_34_032 pl "I should have let her know and kept in touch. She deserved better than that from me..." pl "To be honest, I thought she'd hurt me if I ever saw her again! So I was surprised she came and talked to me." scene 15_34_036 mom "You still haven't told me who she is. Are you trying to avoid telling me?" pl "What? No. I'm sorry, [mom]. It's just that seeing her again has brought up a lot of memories and emotions." scene 15_34_033 pl "Remember when I first came to talk to you about taking the job, and I suggested you might prefer a female bodyguard?" pl "Well, [ele]'s the one I would've recommended to you." scene 15_34_034 mom "So, she's a bodyguard?" scene 15_34_035 mom "{i}(I've seen a few female bodyguards working in Hillside, but never one as beautiful as her.){/i}" mom "{i}(No wonder he's attracted to her!){/i}" scene 15_34_032 pl "[ele] and I started bodyguarding around the same time. We ended up working in a team together while we learned the ropes." pl "We went our separate ways eventually, but we stayed in touch and became good friends." scene 15_34_036 pl "I'm sorry she distracted me just when you needed me, [mom], but bumping into her tonight was a lucky break." mom "If you say so..." scene 15_34_032 pl "She's saved me from some tight spots in the past, and she's damn good at her job. So I'm glad she offered to help." pl "I have a feeling we might need her before this is all over." scene 15_34_044 pl "[mom], I know things look bad now, with the FBI failing us, but everything's going to be okay. I promise." pl "I've got a plan and this is all going to be over soon. I'm feeling much more optimistic now." scene 15_34_048 mom "Really? Because I'm not! But I trust you, [pl]." mom "If you tell me everything's going to be okay, then I'll believe you." scene 15_34_076 pl "You don't have to worry about anyone hurting you ever again, [mom]." pl "I wasn't going to let that happen before, but now... I'll do absolutely anything to protect you." scene 15_34_080 mom "Thank you. It's comforting to hear you say that." mom "But I'm worried about you, [pl]. I don't want you getting hurt. What are you planning on doing?" scene 15_34_090 pl "I'm sorry, but I can't tell you now, [mom]. There are still things that I need to sort out first." pl "I promise that once this is all over, I'll tell you everything." scene 15_34_150 pl "I know it's difficult, but please just trust me. I'll take care of you." mom "I do trust you, [pl]. I just don't want anything to happen to you." scene 15_34_160 pl "Nothing's going to happen to me. Soon, this will all be over, and you won't have to live in fear any longer." pl "I just hope you'll still want me around when you're safe and don't need me anymore." scene 15_34_170 mom "You've become more than just a bodyguard to me." mom "I don't think I could be truly happy without you by my side..." else: scene 15_34_004 with fade pl "Sorry about that interruption, [mom]. It caught me off guard." scene 15_34_006 pl "How are you feeling now? Are you okay? Is there anything I can do for you?" scene 15_34_010 mom "It looked like you and [ele] were pretty friendly." mom "How do you know her? Who is she?" scene 15_34_016 pl "[ele]? Yeah, we are friendly, or we were. She's an old friend, but I haven't seen her for..." pl "Well, it's been a long time since we even spoke, so I was surprised to see her again." scene 15_34_020 mom "{i}(They were obviously more than just friends. ){/i}" mom "{i}(I'm not happy about how distracted he was by her. I need him.){/i}" scene 15_34_033 pl "Remember when I first came to talk to you about taking the job, and I suggested you might prefer a female bodyguard?" pl "Well, [ele]'s the one I would've recommended to you." scene 15_34_034 mom "So, she's a bodyguard?" scene 15_34_032 pl "Yes. [ele] and I started bodyguarding around the same time. We ended up working in a team together while we learned the ropes." pl "We went our separate ways eventually, but we stayed in touch and became good friends." scene 15_34_036 pl "I'm sorry she distracted me just when you needed me, [mom], but bumping into her tonight was a lucky break." mom "If you say so..." scene 15_34_032 pl "She's saved me from some tight spots in the past, and she's damn good at her job. So I'm glad she offered to help us." pl "I have a feeling we might need her before this is all over." scene 15_34_044 pl "[mom], I know things look bad now, with the FBI failing us, but everything's going to be okay. I promise." pl "I've got a plan and this is all going to be over soon. I'm feeling much more optimistic now." scene 15_34_048 mom "Really? Because I'm not, but I trust you, [pl]." mom "If you tell me everything's going to be okay, then I believe you." scene 15_36_010 with fade pl "It's good to be home. Are you feeling better now, [mom]?" mom "Yes. I'm glad to be home. I'm feeling much more relaxed now." scene 15_36_014 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\"") #KoGa3End pl "I see you've taken your shoes off. Are your feet hurting?" mom "Yes. These heels were definitely not made for dancing. My feet are killing me!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_36_024 mom "Maybe I should soak them in the bath for a while? They're really sore." mom "Unless there's anything else you can suggest that might help, [pl]?" scene 15_36_054 pl "Well, how about a foot rub? That made them feel better last time, didn't it?" pl "I could massage them again for you if you'd like me to?" scene 15_36_050 mom "Oh, that's a great idea. I'd really appreciate that, [pl]." mom "I'll go and change into some more comfortable clothes." scene 15_36_054 pl "Alright. I'll go and get out of this monkey suit and wait for you in my room." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon an additional scene for \"mom_choice_04\"") #KoGa3End pl "Come in whenever you're ready, and I'll work my magic on those sore feet." scene 15_36_058 mom "Thanks, [pl]. I'll see you in a minute or two." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End else: scene 15_36_024 mom "I think I might have a soak in the bath before going to bed." mom "Hopefully, it'll soothe my sore feet." scene 15_36_040 pl "Oh, I meant to tell you that I'm going to meet someone in the morning, so I might miss breakfast." pl "I've already sorted everything out with [fbi]. She'll be watching the house while I'm gone." scene 15_36_028 mom "You're going to meet someone? Is there anything I should know?" mom "Does this have anything to do with [fbi]'s investigation?" scene 15_36_040 pl "[mom], I don't want you to get your hopes up, but I'm meeting someone that may be able to help us." pl "I don't want to say any more in case it turns out to be nothing." scene 15_36_028 mom "Oh, okay. But you'll tell me if it does turn out to be something, won't you?" mom "I want to know. I need to know, [pl]. I can't stand running into [jas] again... I just can't!" scene 15_36_054 pl "Of course, [mom]. I'll keep you informed of what's going on." pl "And I promise, you won't have to worry about [jas] for much longer." scene 15_36_058 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon an additional scene for \"mom_choice_04\"") #KoGa3End mom "I hope you're right, [pl]. I just want this to be over." mom "Thanks, and goodnight." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy3 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 2.0 loop #KoGa3 END# scene 15_36_098 with fade mom "{i}(Why am I going to his bedroom at night dressed like this?!){/i}" mom "{i}(Why not? It's just a foot massage, it's innocent... isn't it? What kind of message does it send?){/i}" scene 15_36_100 mom "[pl], I'm here... I'm ready..." mom "Are you ready for me? I mean... are you ready to give me that foot rub?" scene 15_36_104 pl "Yeah, I'm ready. Come in. Are you alright? You still look tense." pl "{i}(Damn. It doesn't matter what [mom] wears, she always looks amazing!){/i}" scene 15_36_108 mom "I'm... I'm a little nervous, I guess. Where would you like me to sit?" pl "Why don't you come and sit over here on the bed." scene 15_36_120 mom "Thanks for offering to rub my feet, [pl]. They really feel like they need it right now." pl "It's my pleasure. Thanks for trusting me to do this. I know it means a lot, [mom]." scene 15_36_128 pl "And remember what I said. It's okay if you change your mind or start feeling uncomfortable" pl "Just tell me, and we can stop." scene 15_36_124 mom "Thank you. I appreciate it. And sorry if I seem a bit nervous." mom "I'm just not really used to... you know, this." scene 15_36_136 pl "I know. But it's just a foot rub, [mom]. No need to overthink it." pl "I just want to ease those sore feet of yours." scene 15_36_132 mom "You're right, [pl]. It's just... this feels kind of intimate." mom "Thanks for being so understanding." scene 15_36_150 pl "Anytime. Now, try to relax and let me take care of these sore feet for you." pl "It's just like the last time I gave you a foot rub. Nothing to be nervous about." scene 15_36_158 pl "How does that feel. That's not too hard is it?" pl "I don’t want to make things worse, so just let me know if I hurt you." scene 15_36_164 mom "No, no, that's perfect. It feels amazing, actually." mom "My feet already feel better, [pl]. Thank you." scene 15_36_170 mom "{i}(It feels so good, oh my God... I could let him do this for hours...){/i}" scene 15_36_174 mom "{i}(But I'm worried about where it might lead... I'm just not ready for more, not yet.){/i}" mom "{i}(I want it so badly, though... I need it!){/i}" scene 15_36_198 pl "I'm glad you're enjoying it, [mom]. You deserve to be pampered occasionally. You work so hard." pl "And if there's ever anything else I can do for you, just let me know." scene 15_36_208 mom "That's kind of you to offer, [pl], but you should be careful." mom "You never know what I might ask you to do for me!" scene 15_36_198 pl "I bet dancing in those shoes hurts your legs too, doesn't it?" pl "Would you like me to give your legs a little rub while we're here?" scene 15_36_212 mom "{i}(Rub my legs? I want him to do it... I want it so much... But I'm scared to let him.){/i}" mom "I don't know, [pl]. They are aching a little. Alright... just the calves, though." scene 15_36_190 mom "{i}(Oh, that feels fantastic. I can feel my tension melting away.){/i}" mom "{i}(He's really good at this... maybe I should ask him to do my shoulders next time they're hurting me...){/i}" scene 15_36_216 pl "{i}([mom]'s got the most incredible legs... I mean, they're perfect... and she's letting me massage them.){/i}" pl "{i}(Definitely worth more than she has them insured for.){/i}" scene 15_36_220 mom "{i}(I can't believe I'm allowing him to do this.){/i}" mom "{i}(What if he tries to go higher... Will I stop him?){/i}" scene 15_36_194 pl "{i}(Is she okay with this? I'm kind of surprised she hasn't stopped me yet...){/i}" pl "{i}(I'm getting aroused... I can't stop myself from imagining massaging the rest of her body...){/i}" scene 15_36_222 mom "{i}(Mmm. His big warm hands feel amazing rubbing and massaging my legs.){/i}" mom "{i}(I just wish... I wish he'd move them a little higher...){/i}" scene 15_36_230 pl "{i}(Her thighs look so firm... I want to squeeze them, and run my hand ALL the way up her leg...){/i}" mom "[pl]... that's far enough! I think... I think that's a boundary." scene 15_36_198 pl "What? Oh... of course." pl "I'm sorry if I went a little too far, [mom]. I kind of got a little lost there." scene 15_36_250 mom "Thanks for everything you've done for me tonight, [pl]." mom "But I think it's time we went to bed. It's been a long night." scene 15_36_260 pl "It was my pleasure, [mom], and thanks for the dance lesson. I hope we'll find time for another one soon." pl "Goodnight, [mom]. Sweet dreams." scene 15_36_128 pl "Oh, I meant to tell you that I'm going to meet someone in the morning, so I might miss breakfast." pl "I've already sorted everything out with [fbi]. She'll be watching the house while I'm gone." scene 15_36_254 mom "You're going to meet someone? Is there anything I should know?" mom "Does this have anything to do with [fbi]'s investigation?" scene 15_36_128 pl "[mom], I don't want you to get your hopes up, but I'm meeting someone that may be able to help us." pl "I don't want to say any more in case it turns out to be nothing." scene 15_36_254 mom "Oh, okay. But you'll tell me if it does turn out to be something, won't you?" mom "I want to know. I need to know, [pl]. I can't stand running into [jas] again... I just can't!" scene 15_36_136 pl "Of course, [mom]. I'll keep you informed of what's going on." pl "And I promise, you won't have to worry about [jas] for much longer." #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious15 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 2.5 loop #KoGa3 END# show black with fade scene 15_40_012 with fade pl "{i}(There he is, the obnoxious prick! I was half expecting him not to show up.){/i}" pl "{i}(He'd better not be lying to me about these photos, or I'm going to be pissed!){/i}" scene 15_40_010 pl "{i}(I kind of wish he was, though. I really don't want to see them, but we need them.){/i}" pl "{i}(Without them, I don't know what we're going to do, or how I'm going to keep [mom] safe.){/i}" scene 15_40_014 pl "You're here. I didn't think you were going to come and that I was going to have to come look for you." pl "Why did you want to meet here? Don't tell me it was just because you like chocolate milkshake." scene 15_40_018 joh "Because every time we meet you beat me up, you big asshole!" joh "So I wanted to meet somewhere with loads of people. Now you can't touch me, dumbass!" scene 15_40_022 pl "Is that what you think?" pl "Okay. No more games. I've fucking had it with your bullshit!" scene 15_40_030 joh "Hey! What are you doing? Get off me!" pl "I've already given you a couple of chances. I'm not giving you a third!" scene 15_40_034 pl "I told you I'd kill you if you ever bothered [mom] or her family again. Yet you came to her fucking house!" pl "The only reason you're still breathing is because you claim to have something I want. But are these photos even real?" scene 15_40_040 joh "They are! I swear. I've got them with me, but what are you going to do with them?" joh "These people are dangerous. You don't know what you're getting yourself into!" scene 15_40_044 pl "You let me worry about that. Now stop stalling!" pl "GIVE ME THE FUCKING PHOTOS, OR I {b}WILL{/b} KILL YOU!" scene 15_40_048 joh "Okay, man. Just calm down." joh "Here. Take them." scene 15_40_060 pl "What's this?" joh "It's the photos. All of them. Now let me go. I've given you what you wanted!" scene 15_40_072 joh "I've done everything you told me to. I stopped spying on [mom], and haven't been back to the house." joh "And that's put me in the shit with [har]. It's only a matter of time before one of his goons catches me." scene 15_40_074 pl "I don't give a fuck about [har]. I told you I wanted to see the photos." pl "I'm not letting you leave without knowing that they're real. I don't trust you!" scene 15_40_080 joh "Okay. Okay. I brought some prints. I just didn't want to show them to you because..." joh "Just don't hit me again! I only took the photos, man. I didn't hurt her." scene 15_40_084 pl "{i}(I can't believe it. He really did see it and photograph it...){/i}" pl "{i}(I thought he might've been lying just to stop me from beating the shit out of him.){/i}" scene 15_40_088 pl "{i}(How the hell could you do that to a woman? She's absolutely terrified, and defenceless.){/i}" pl "{i}(I'll be seeing these photos in my nightmares. I don't want to look at any more...){/i}" scene 15_40_092 pl "{i}(Oh, [mom]. I've seen the scars on her face, so I knew the attack was bad.){/i}" pl "{i}(But I didn't imagine it was this brutal. How did she survive this?){/i}" scene 15_40_096 pl "{i}([mom] is never going to move on from this while there is a chance she might run into him again.){/i}" pl "{i}(If [fbi] can't get him even with these photos, then there'll only be one choice left.){/i}" scene 15_40_100 pl "{i}(Fuck it! I'm not going to let this bastard get away that easily!!){/i}" pl "{i}(They all need to suffer for hurting [mom] and other women, starting with this bastard!){/i}" scene 15_40_044 pl "YOU DIDN'T EVEN TRY TO HELP HER!!" scene 15_40_050 joh "Wait! Don't hit me! Let me explain..." play sound "audio/punch_01.ogg" scene 15_40_110 with vpunch joh "OOF!" pl "FUCK YOU!" scene 15_40_120 "*MOANING*" joh "I can't fucking breathe!" scene 15_40_124 "Guy" "Er...sorry." "Guy" "I'll come back when you've finished." scene 15_40_132 joh "Please don't hit me again. You've busted my fucking rib!" joh "Listen... please... I know I'm a piece of shit, but I was the one that called the cops. I saved her life!" scene 15_40_136 pl "You've got some nerve saying that, you worthless coward!" pl "Get the fuck up!" scene 15_40_140 joh "What are you going to do to me? Please don't kill me!" pl "How well do you know that piece of shit? Would he agree to meet you if you called him?" scene 15_40_144 joh "What? [jas]? No! We're not friends or anything." joh "But... I did blackmail him before. If I tell him I have photos of the attack, and want money, then he might meet me." scene 15_40_146 joh "But only to fucking kill me!" joh "Seriously. If he knows I have them then he'll kill me for sure! That's why I never told anyone I had them." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_40_148 pl "Then I guess you need to decide who you're more afraid of." pl "Him... or me!" show black with fade scene 15_44_006 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# ste "I knew this was going to happen. Once we'd met, it was inevitable that [mom] would fall in love with me." ste "And now she's sent her little errand boy to invite me, no, beg me to come to dinner again. I accept!" scene 15_44_010 pl "Not in your wildest dreams, you clown! I'm here because this is the only bar in town that serves me free drinks." pl "And I fucking need one after what I've just seen. I feel sick." scene 15_44_014 ste "Was it your face? I thought I told you not to go near mirrors." ste "I'm afraid no amount of alcohol is going to help with that, you ugly bastard!" scene 15_44_090 pl "You're an asshole. As bad as my face is, this was much worse." ste "Worse than that? Are you sure?" scene 15_44_020 pl "Can you believe someone photographed [mom] being attacked?" pl "I've just gotten hold of the photos. I'm never going to be able to unsee them..." scene 15_44_082 ste "Wait... what?! Someone stood there taking photos rather than helping her?" ste "What kind of low-life scumbag would do that?" scene 15_44_030 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon some more dialog for \"mom_choice_04\"") #KoGa3End pl "Some piece of shit paparazzi. He saw the whole thing." pl "I mean, it's a good thing that the photos exist and that we have them, but I wish I'd never seen them." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: pl "We saw some terrible things in the military, but this... this was different." pl "Seeing [mom] being beaten like that... the look of terror on her face as she no doubt thought her life was ending..." scene 15_44_040 ste "Jeez. Now I understand why you need a drink..." pl "Thanks." scene 15_44_044 pl "{i}(It's easy to understand why [mom] drinks. Physically her wounds healed, but mentally... ){/i}" pl "{i}(She's obviously still traumatized by it, and it's no surprise when she knows that [jas] is still out there.){/i}" scene 15_44_050 pl "{i}(Well, she won't have to live in fear for much longer. Not now I have the photos.){/i}" pl "{i}([jas]'s going to pay for what he did to her, and to [yd]... I need to find out exactly what he did to [yd] first.){/i}" scene 15_44_060 ste "So what now? That bastard nearly killed [mom]. Tell me you're not just going to hand him over to the police." ste "Because I think that'd be a mistake. Guys like him don't change. But, whatever you do, I've got your back if you need me." scene 15_44_022 pl "Thanks, brother. I think [mom] needs to see him brought to justice. I think she needs that in order to heal and move on." pl "So yeah, I'm going to hand him over to the FBI, but AFTER I've had a talk with him." pl "Would you mind looking after [mom] again later this week?" scene 15_44_080 ste "Spend more time with [mom], the love of my life? Are you kidding? Just tell me when and I'll be there." ste "Hey, here's an idea. Why don't I move into the house with you so I can be there whenever you need me?" scene 15_44_070 pl "You know, that sounds like a really great idea. You could move into the spare bedroom..." pl "Oh, wait. [od]'s moving back in there later this week. Damn. What a shame." # show screen message_save_now #KoGa3 scene 15_44_074 pl "Listen, I'd love to stop longer and listen to more of your stupid ideas, but I have to get back to the house." pl "Thanks for the drink, and I'll let you know as soon as I can about watching [mom] again." scene 15_44_080 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\" or \"aunt_choice_03\" or \"kay_choice_01\"") #KoGa3End ste "Okay, buddy. Be good and don't do anything I wouldn't do." ste "Oh, and tell [mom] I miss her and I'm looking forward to seeing her again soon!" #hide screen message_save_now #show black with fade #scene endsplash_01 with fade #pause show black with fade jump ep151_start return