label ep151_start: #KoGa3 START# #"Begin of Mod EP15.1 / KoGa3" $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" $ KoGa3GameProgress = "EP 15" $ KoGa3GameProgress2 = 15 $ KoGa3pts_auntStart = 1 # for old saves $ KoGa3pts_momStart = 1 # for old saves $ KoGa3pts_ydStart = 1 # for old saves $ KoGa3pts_odStart = 1 # for old saves $ KoGa3MusicModStart = 1 # check music mod done #show screen KoGa3ScreenStats #if KoGa3Music == 1: # stop music fadeout 2 #"Info KoGa3: EP15 music addon not done yet. \nBut I'm working on it as soon as possible!" #KoGa3 END# #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# if aunt_choice_03: # MC LEAVES HOUSE TO GO TO LUCY'S ############################################### scene 15_49_010 with fade pl "Just wanted to let you know that I'm about to leave, [mom]." mom "Okay, [pl]. Thanks for telling me." scene 15_49_014 pl "Are you sure you're going to be okay? [fbi] is outside, and you have [ste]'s number, don't you?" mom "[pl], I'll be fine. Don't worry about me. Go and enjoy your night off and relax. You need a break occasionally." scene 15_49_022 pl "Thanks, but I'm not sure I'm going to be able to do that, relax I mean. [aunt]'s taking us on her motorcycle." pl "I'm really not looking forward to the journey, to be honest. But don't tell her I said that." scene 15_49_018 mom "Her motorcycle? Well, you tell my little sister to ride carefully. No speeding or showing off!" mom "Just try to enjoy yourselves, and make sure you both come back in one piece." scene 15_49_030 pl "We will, [mom]. We're both grateful for having this time alone together. Thank you." pl "We'll be back early in the morning. See you then." scene 15_49_026 mom "Goodbye, [pl]. Safe travels." mom "And don't worry about [yd]. I'll give her a hug for you before she goes to bed." # LUCY CAMPING TRIP ###################################### scene 15_50_036 with fade aunt "{i}(This is exactly what I wanted. I get to share my passion for riding with [pl], while he gets to take me camping, something he enjoys doing.){/i}" aunt "{i}(I can't wait to spend some quality time together and see what we discover about each other. It's going to be amazing!){/i}" scene 15_50_040 pl "{i}([aunt]'s a great rider, but I'm not used to being a passenger. I hate the feeling of not being in control. But I think I need to get used to it with her!){/i}" pl "{i}(It's our first trip away together, and I don't want her feeling like she has to prove anything to me.){/i}" scene 15_50_044 aunt "{i}(Poor [pl], he's holding on so tight. Am I scaring him? Maybe I should go faster and give him a real scare!){/i}" aunt "{i}(No! Don't do anything stupid, like you normally do! No crazy stunts, no showing off. Just a nice, smooth ride along the coast.){/i}" scene 15_50_048 pl "{i}(She's so fearless, the way she leans into those curves... I need to loosen up and just go with it, appreciate the view and the sunset over the ocean.){/i}" pl "{i}(This trip's about more than the ride. It's a chance to really connect with her, away from everything else.){/i}" scene 15_50_052 pl "{i}(No distractions, no responsibilities... except [mom]. I know she'll be okay, but I can't help worrying about her.){/i}" pl "{i}(It's hard to let go, even when I know how important this trip is to [aunt], and to our relationship.){/i}" scene 15_50_100 with fade play ambient "audio/ambience_insects.ogg" aunt "Are we there yet? Feels like we've been walking for miles!" aunt "And are you sure my bike's going to be safe in that parking area overnight? I don't want it getting stolen or stripped for parts!" scene 15_50_104 pl "You know, you're so infatuated with that damn bike, I'm beginning to think you love it more than you love me." pl "Should I be worried? Do I have competition?" scene 15_50_108 aunt "Hmmm... which one of you do I enjoy riding the most? Which one gives me the biggest thrill? Yeah, sorry, but the bike wins hands down!" pl "Ouch! Well, unlike my feelings, your bike will be fine. And anyway, why are you worried? You're rich. You can just buy yourself a new one." scene 15_50_110 aunt "Hey! I'm not rich... at least not by Hillside standards." aunt "Besides, that's not the point! My feet are hurting enough already, I don't want to have to walk all the way home in the morning." aunt "So be warned. If anything happens to my favourite ride, I'll hold you responsible, Number Two!" scene 15_50_112 pl "Alright, I guess this will have to do then. Nice open spot, far enough from civilization for some privacy, and enough space for a fire." pl "And look! There's even a comfy log for my beautiful, exhausted girlfriend to sit on and rest her weary feet." scene 15_50_116 aunt "Aw, thanks. When you said camping, I didn't realize it would include a three mile march through the wilderness!" pl "Sorry, [aunt]. Just wanted to make sure we're not going to be disturbed by anyone." aunt "Oh, really? Why's that? What kind of \"camping\" do you think we're going to be doing out here?" scene 15_50_122 pl "Don't play coy with me. You know exactly what kind." pl "I've been looking forward to getting you out here all alone." scene 15_50_124 aunt "Okay, but a serious question first. Are we safe out here?" aunt "I mean, no bears, no snakes, no serial killers to worry about, right?" scene 15_50_130 pl "You're safe from everything... everything except me, that is." aunt "Ooh. So what exactly are you planning on doing to me, Mr Bodyguard? I hope it's naughty." pl "Let me show you..." scene 15_50_134 pl "{i}(She feels so perfect in my arms. I've waited my whole life to find someone like [aunt]... I'd almost given up hope.){/i}" aunt "{i}(It feels incredible being here, just the two of us. No other man has made me feel the way he does. I'm never letting him go.){/i}" scene 15_50_138 pl "Hold on, [aunt]. Before you get me too excited, I have work to do." aunt "Well, don't keep me waiting too long, handsome. I'm ready to have some fun." scene 15_50_142 aunt "Is there anything I can do to help to speed things along?" pl "No, you deserve a rest. Take a seat and relax. I just need to gather some wood and get a fire started. I'll be quick, I promise." aunt "Mmmm, feels like you've already got some wood..." scene 15_50_200 with fade stop ambient play ambient "audio/ambience_insects_fire.ogg" fadein 0.5 aunt "It's funny how something as simple as a fire can make you feel so much safer. It really lifts your spirits." aunt "But it's still a little unsettling, not having any walls... not being able to see what's out there, watching us." scene 15_50_180 pl "You'll get used to it after a while." pl "But trust me, you've got nothing to fear. Not while I'm here. You're safe with me." scene 15_50_210 aunt "I know. No matter what bad intentions you might have towards me and my body, I feel safe with you, [pl]." aunt "You're my big, strong soldier. I know you'll protect me." scene 15_50_186 pl "I love this. The quiet, the open sky, being exposed to the elements. It reminds me of simpler times in my life." pl "I've been stuck in the city for far too long. I miss this feeling of being connected to the real world." scene 15_50_188 aunt "Well your skills don't seem too rusty. I'm impressed by how quickly you got the fire started." aunt "But I'm disappointed you cheated and used that sparky thing. Aren't you supposed to rub sticks together, or something?" scene 15_50_204 pl "It's called a ferro rod, thank you very much. And after many freezing nights in the middle of nowhere, you get pretty good at lighting fires quickly." pl "You also learn not to make things harder than they need to be." pl "And speaking of making things hard..." scene 15_50_208 aunt "Oh, very subtle. But I need to ask you something first, before all the blood leaves your brain!" aunt "I want you to be honest with me, [pl]. Is [mom] okay? I mean, is she going to be safe? What about [jas]?" aunt "She doesn't like to tell me anything she thinks will worry me, but I can tell when thing's are getting to her." scene 15_50_204 pl "She's safe, [aunt]. She's protected at all times. I'm not going to let anything happen to her, I promise." pl "And I'm working on taking care of [jas]. She needs to be free of him, so he's my priority now." scene 15_50_210 aunt "Thanks, [pl]. I appreciate how much you're doing to help Charlie. She means everything to me." aunt "If you need anything from me, or I can help in any way, then just let me know and I'll do it." scene 15_50_212 pl "Thanks. She really doesn't realize how lucky she is to have two such amazing people so devoted to her." aunt "I know, right. That's what I keep telling her!" scene 15_50_214 pl "So... wanna have some fun with me?" aunt "I dunno. I mean, I guess so. It's not like there's anything else to do out here. That's probably why you brought me here.." scene 15_50_208 aunt "But there's one other thing I wanted to say first, and I don't want you to take it the wrong way. It's not a criticism." aunt "It's just that, when we made love before... you seemed kind of reserved. Like you were holding back." scene 15_50_216 aunt "I know you hadn't been with anyone in a while, and you've been hurt in the past, with previous girlfriends cheating on you." aunt "But, what I wanted to say was, you don't have to hold back with me. I'm crazy about you, [pl]." aunt "We're out here in the middle of nowhere with nobody else around. I just want you to let go. I want you to enjoy yourself." scene 15_50_220 pl "So let me get this straight. You're telling me that not only do you expect me to have sex with you, but I have to enjoy it too?" pl "[aunt], this is intolerable. I don't think things are going to work out between us. You're way too demanding!" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_50_214 aunt "Sorry, it's one of my many flaws." scene 15_50_230 pl "If you have any flaws, then I haven't found them yet." pl "You're perfect to me..." scene 15_50_234 #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy7 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# vo "Lucy leaned forward and kissed him tenderly, her tongue slipped into his mouth." scene 15_50_238 vo "She moaned softly as their tongues touched, while his pulse raced as he began to feel an aching tightness in his jeans." vo "[aunt] placed her hand on his chest and could feel his heart beating." scene 15_50_250 vo "Trailing his hand down her neck and shoulder, he began to caress her breast. He brushed her nipple with his thumb, making her gasp, then pulled her top down to reveal her perfectly shaped breasts." vo "He cupped her breast and squeezed gently. Lucy closed her eyes and let out another soft moan. Her hand moved slowly downwards and stroked his erection through his jeans." scene 15_50_254 vo "He took her breast in his hand and began playing with the piercing, enjoying the reaction he got from her. He pinched her nipple lightly between his fingers, watching her face as she moaned." pl "Why don't we lie on the blanket?" vo "Standing up, he took her hand and led her to the large thick blanket spread out near the campfire. They lay down together on the soft woollen fabric, kissing passionately." scene 15_50_296 vo "He lowered himself on top of her, supporting his weight with his huge arms. He began kissing her and grinding his hips against hers, causing her to moan with pleasure." vo "Their tongues intertwined, and their breathing became heavier. As they kissed, [aunt]'s hands explored his muscular body. The passion between them was intense." scene 15_50_304 vo "He kissed her neck and began working his way down her body, leaving a trail of kisses across her soft, tanned skin." vo "[aunt] gasped as he gently bit her nipple. His touch was so gentle yet firm." scene 15_50_308 vo "When he reached her pants, he unbuttoned them and eased them down her legs. She was wearing black panties, and her arousal was evident." scene 15_50_316 pl "You're already wet." scene 15_50_326 aunt "And whose fault is that, handsome? I'm wet for you." scene 15_50_312 vo "[pl] slid her damp panties down, revealing her neatly shaved pussy. It was glistening in the moonlight. He gently stroked her lips, sending shivers up her spine." scene 15_50_320 vo "[aunt] moaned softly, enjoying the sensation as he lowered his head and began teasing her clit with his tongue. Her moans grew louder, filling the night air." vo "He swirled his tongue around her clit and then plunged his tongue into her pussy, causing her to cry out in pleasure. Her breathing was ragged and her body began shaking with desire." vo "[pl] inserted a finger and began pumping it in and out. [aunt] looked up at the starry sky and closed her eyes, allowing herself to submit to the pleasure he was giving her." scene 15_50_322 aunt "Oh fuck... please don't stop. That feels incredible..." vo "He continued pleasuring her, licking her slowly and gently before sucking her clit into his mouth and flicking his tongue over it rapidly. She moaned loudly and writhed beneath him." scene 15_50_324 vo "Slipping two fingers inside her pussy, he curled them upwards and began stroking her G-spot as he sucked and licked her sensitive little nub." vo "[aunt]'s breathing quickened as her whole body tensed up. [pl] could feel her muscles contracting around his fingers and knew she was about to climax." scene 15_50_336 aunt "I'm coming!" vo "She screamed and arched her back, her whole body shaking uncontrollably as the orgasm swept through her. She gasped and writhed, clawing at the blanket." vo "Finally, her trembling stopped and her body went limp. She lay panting on the blanket with a look of pure bliss on her face." scene 15_50_338 vo "[pl] lifted his head and looked at her. She was covered in a sheen of sweat and breathing heavily, her chest heaving." aunt "Fuck, [pl]... where did you learn how to do that? That was amazing..." scene 15_50_339 pl "Don't thank me yet. We're not finished..." vo "He got up on his knees and eagerly unbuckled his pants, releasing his growing erection." scene 15_50_330 vo "Positioning himself between her legs, he held his throbbing cock in his hand. [aunt] looked up at him, her eyes wide with anticipation." vo "Remembering the last time they had sex and how good it felt, she was eager to feel his thick shaft inside her again." aunt "Fuck me, [pl]... I need you inside me!" scene 15_50_334 vo "Kneeling between her soft thighs, he grabbed her waist and lifted her lower half off the ground. His huge erection was throbbing with need, ready to penetrate her hot, wet pussy." vo "Pulling her towards him, until the tip of his cock was pressed against her waiting lips. He eased himself into her, penetrating her slowly and gently. [aunt] gasped as his thick shaft stretched her wide." aunt "Oh fuck!" scene 15_50_340 vo "He gripped her hips firmly, holding her steady as he began thrusting his hips. He started slow, but his thrusts soon became more urgent and powerful, fucking her with long, deep strokes." aunt "Yes! Fuck me harder!" vo "With each stroke, his heavy balls slapped against her ass. She moaned and wrapped her legs around his waist, trying to pull him even deeper inside her." scene 15_50_342 vo "Grabbing his shoulders, she pulled him down onto her causing the weight of his huge body to pin her to the ground. Her breasts squashed against his chest as it rubbed against her hard nipples." vo "As he began pounding her harder, it felt like she was being impaled on his cock. She writhed beneath him, her body twisting in pleasure as she bucked her hips and met his every thrust." scene 15_50_346 aunt "Fuuuuck!" vo "She screamed loudly, her head thrown back and her eyes squeezed shut as he thrust into her harder and deeper." scene 15_50_348 vo "She ran her hands over his muscular back, it was slick with sweat. Gripping his buttocks as he thrust into her, she dug her nails into his flesh trying to urge him on." vo "[aunt]'s pussy was tight and warm, and his cock felt like it was in heaven. As his thrusts grew more forceful, [aunt] felt another orgasm building inside her." scene 15_50_354 aunt "Don't stop! Fuck me! I want to come." pl "Cum for me, [aunt]. I want to hear you scream!" scene 15_50_342 vo "Holding her tightly, he relentlessly pumped his rigid cock into her. With a loud scream, her entire body convulsed, her cunt squeezing him tightly as she came hard." vo "It was almost too much for him. He wanted nothing more than to shoot his load into her, but he fought the urge. He continued fucking her as she came, and when her orgasm subsided, he stopped thrusting." scene 15_50_358 aunt "That was amazing. I've never come like that before." pl "We're not finished yet." aunt "Oh yeah? What do you have in mind?" pl "Turn over." scene 15_50_360 vo "She obediently rolled over onto her stomach and he grabbed her slim waist, pulling her up onto her knees. [aunt] gasped and turned her head to look at him. He saw a flash of surprise cross her face." vo "She felt his rough hands roaming over her ass, before spreading her cheeks apart to expose her wet pussy. It was pink and swollen from the the pounding he'd just given it." vo "She was so turned on by the way he had taken control and loved being dominated. Doggy style was her favourite position. She loved how it made her feel helpless and submissive." scene 15_50_380 aunt "Please, [pl]. Fuck me. Fuck me with your big, thick cock." pl "Do you want this?" aunt "Don't tease me, [pl]. Just give it to me!" scene 15_50_546 vo "His large hands grabbed hold of her hips and he lined his cock up with her entrance. He pushed himself into her slowly, sliding deep into her pussy until his balls pressed against her." vo "It was a relief when he finally stopped plumbing her depths. She'd never had a man so deep inside her before." scene 15_50_400 vo "She whimpered, and clenched around him. His thickness felt wonderful inside her and she couldn't believe how full she felt." aunt "Yes, oh, yes. It feels so good." vo "But as he pulled back, and thrust into her again, he forcefully pulled her onto his swollen cock, driving it even deeper inside her." scene 15_50_538 aunt "Fuck!" vo "She screamed, her eyes widening in shock as her body was rocked by the force of the blow." scene 15_50_534 vo "He didn't give her time to recover, pulling out and plunging into her again. She squealed as he slammed into her." vo "He gripped her hips tightly, his fingers pressing into her soft flesh as he continued to pound her, causing her to scream louder." vo "Pulling her body backwards onto his bulging cock, he fucked her mercilessly. There was nothing she could do except submit to his will." scene 15_50_538 pl "You like that? You like my cock in your pussy?" aunt "Yes, yes. It feels so good. Give it to me harder. Make me come again." scene 15_50_530 vo "He grabbed her breast, squeezing it and pulling her nipple. She moaned and arched her back, pushing her ass into him." vo "He needed to cum, but wanted her to cum again first. He slid his hand under her, finding her clit. He began to rub it, as he continued to thrust into her." scene 15_50_440 vo "They were both breathing heavily and covered in sweat. Their bodies glistened in the orange light. Her moans were loud, almost like screams while his grunts were guttural and animalistic." scene 15_50_512 vo "He fucked her with everything he had, as he did so his heavy balls slapped against her clit, sending shockwaves of pleasure through her body." vo "She pushed back against him, meeting his every thrust and taking his cock deep. The wetness making loud, sloppy noises." scene 15_50_590 vo "Placing his hand on the ground, he leaned forward, bending over her body and pressing his chest against her back. He began fucking her harder, his hips smacking against her ass." vo "With their faces side by side, they kissed deeply. His cock was throbbing inside her, and she could feel his body tensing up. He was getting close." pl "Fuck, [aunt]. You're so hot. I'm gonna cum!" aunt "Cum inside me. Fill me up!" vo "Her words pushed him over the edge, and with a loud groan, he exploded. His cock pulsed and throbbed, shooting his hot cum deep inside her." vo "She came with a scream. Her body spasmed uncontrollably as her orgasm tore through her and her inner walls contracted, milking his cock." scene 15_50_600 vo "He continued fucking her, and she could feel him still cumming inside her until his cock finally stopped twitching. He collapsed on top of her, gasping for breath." vo "They lay there for a while, breathing heavily and enjoying the moment. His cock was still buried inside her." scene 15_50_604 vo "Finally, he pulled out and his cum leaked out of her gaping hole." aunt "Oh my god. That was amazing." pl "Yeah, it was." scene 15_50_602 aunt "When I said I wanted you to fuck me, I didn't expect that! Thank you." pl "I'm the one that should be thanking you, [aunt]. That was... something else." scene 15_50_700 with fade vo "They lay beside the campfire, looking up at the stars and listening to the crackling of the flames." aunt "It's so peaceful out here. I feel like I could lay here with you forever." pl "I feel the same, [aunt]. There's nowhere else I'd rather be right now than here with you in my arms." scene 15_50_704 aunt "I feel so close to you, [pl]. Closer than I've ever felt to anyone before. It's a pity we can't stay longer than just one night." aunt "We should try to get away for longer next time. What do you think? Maybe we could go away somewhere for a whole weekend?" scene 15_50_708 pl "I'd love that, [aunt]. The more time I get to spend with you the better." pl "Every time we're together I learn something new about you and fall in love with you a little more." #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy5 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.5 fadeout 3.5 loop #KoGa3 END# scene 15_50_714 aunt "Really? [pl], can I ask you something?" pl "Of course you can. You can ask me anything you like. What do you want to know?" scene 15_50_732 aunt "Well, you already know a lot about me, and you've met most of my family, but I don't really know much about you." aunt "I realize we haven't had a chance to spend much time together, but... I guess I'm worried you're keeping me at arm's length." scene 15_50_736 aunt "And you said some of your other girlfriends cheated on you. So I thought it might be because of that, like you don't trust me?" aunt "Is that why you don't want to be open with me? Do you think I'm going to cheat on you? Because I wouldn't ever do that, [pl]." scene 15_50_760 pl "No, [aunt]. It's nothing like that, I promise. I trust you. You're nothing like any of my old girlfriends." pl "To be honest, after meeting you, I have no idea why I was ever with them. It's like you're the one I was always looking for." scene 15_50_720 aunt "Aw, [pl]. You're going to make me cry. Do you really mean that?" pl "Absolutely. We feel so compatible. I love how up front and down to earth you are. Everything's easy with you and there's no drama." scene 15_50_728 pl "Also... you let me put my thing inside you!" aunt "Hey! We're having a moment here. Keep your hands to yourself. I wasn't finished listening to you tell me how amazing I am!" scene 15_50_708 pl "But seriously, I'm sorry I haven't been more open, [aunt]. I guess I've never been very comfortable talking about myself." pl "It's a guy thing, I think. And being in the military just made it worse. But, if there's anything you want to know, then I'll tell you." scene 15_50_704 aunt "Okay, well, what about the army. Why did you join? And what made you leave after, what was it, fifteen years? That's a long time." aunt "Did something happen, or did you just want a new challenge?" scene 15_50_744 pl "Hey, are you trying to trick me! How many questions was that? Like five or six?" pl "Okay. Yes, I enjoyed it. I mean, it was good to feel like I belonged somewhere and had people looking out for me. Like I had a family." pl "I got to travel the world and, it sounds cliched, but I felt like I was doing some good. I had a sense of purpose, which I was lacking." scene 15_50_716 aunt "Sounds like it gave you a lot of what you needed, so why did you leave if you enjoyed it that much?" pl "Well... something happened... things changed and nothing was the same after that. It was just time to leave." scene 15_50_740 aunt "{i}(Hmm, his mood darkened when he said that, like a cloud came over him. Maybe I'd better drop the army and ask about something else.){/i}" scene 15_50_732 aunt "So you said it felt like you had a family. Why do you say that? Didn't you have a family before? What about your childhood, what was that like?" scene 15_50_716 pl "I did, but... [aunt], my childhood... it wasn't a happy one." pl "It's something I've put behind me and tried my best to forget." aunt "Oh. I'm sorry, [pl]. I didn't mean to bring up painful memories. Forget I asked." scene 15_50_760 pl "It's okay, really. It's just... this is our first real quality time together alone and I don't want to ruin it by being miserable." pl "I just want to enjoy being here with you and maybe think about the future. Our future." scene 15_50_712 aunt "I understand. That's what I want too. I just want to know more about you, [pl]. I want to know everything, even the bad stuff." pl "I know, and I don't mind telling you about it... just not tonight." scene 15_50_720 aunt "Okay, forget the past. What about the future? Do you see me in your future?" pl "Yes! Of course I do. I definitely want you in my future, [aunt]. I mean, I know it's still early days for us, but... I love you." scene 15_50_712 pl "What about you? Do you want me in your future?" aunt "Yeah, of course. Unless... the thing is, I saw this other bike I really like. I'm not sure I have room in my life for three of you." scene 15_50_728 pl "Very funny! What happened to us having a moment?" aunt "Ha ha. I'm sorry. I absolutely want you in my future, [pl]. So, where do you see us in five years time?" scene 15_50_744 pl "Five years? I don't know, [aunt]. Life's so unpredictable, I wouldn't like to guess where we'll be." pl "All I know is that if I'm with you, then I'll be happy. I'll follow you wherever you want to go." scene 15_50_732 aunt "You have no idea how much that means to me. Knowing that just being with me is enough to make you happy..." aunt "[pl], can I ask you... why did you choose me over [mom]?" scene 15_50_720 pl "I didn't choose you. I mean, you don't choose who you fall in love with, do you?" pl "I like [mom], she'll make a great sister-in-law, but I'm just not attracted to her. I've never felt any kind of spark between us." aunt "But you did with me? Feel a spark I mean." scene 15_50_714 pl "Yeah. Not at first. To be honest, I thought you were kind of annoying when we first met. Flashing me your breasts and stuff." aunt "You did? Shit, [pl], I'm sorry. I know I can be a bit much sometimes." scene 15_50_728 pl "Don't apologize. I've grown to like that side of your personality. Just... don't flash any other guys, okay?" aunt "Ha. Okay. So what changed your mind about me?" scene 15_50_760 pl "It was the night when we first kissed. The night [jas] hit you. You were shaken and vulnerable, and something between us just clicked." pl "I've always had a thing for damsels in distress, I guess." pl "But the fact that you stood up to protect [mom], even knowing how dangerous he was... I saw something different in you." scene 15_50_744 pl "I realized how selfless you are and just how much you've sacrificed for your sister and nieces." pl "It's like I saw the real you for the first time. I saw what an extraordinary woman you really are." scene 15_50_748 pl "And now I know you better, I can't imagine ever wanting to be with anyone else." pl "Hey. You're not crying, are you?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 8.0 #KoGa3 END# scene 15_50_720 aunt "I'm so happy I found you, [pl]. I love you." pl "I love you too, [aunt]." scene 15_50_756 pl "{i}(She's absolutely captivating. I love the contrasts in her personality.){/i}" pl "{i}(The way she's so fun and confident,yet when we're close, she lets me see a deeper, more vulnerable side.){/i}" stop ambient # EMMA AND CHARLOTTE AT HOME ################################ scene 15_55_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "Are you going to keep me company and watch a movie, sweetheart? I'll let you pick whatever you like." yd "Is that what you're planning to do tonight, Mom? Just stay here on the sofa and watch a movie?" scene 15_55_024 mom "I think so. With [pl] being out, I'm at a bit of a loose end. I thought you'd want to join me." mom "Unless there's something else you'd rather do?" scene 15_55_028 yd "Oh, no! I'm feeling tired, actually. I think I'm just going to have an early night and go to bed." yd "Stay here and watch a movie, Mom. Good night." scene 15_55_032 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End mom "Okay, sweetheart. I love you. Sleep tight." yd "I love you too, Mom." # KAYLAH DATE ############################################################ elif kay_choice_01: scene 15_49_010 with fade pl "Just wanted to let you know that I'm about to leave, [mom]." mom "Okay, [pl]. Thanks for telling me." scene 15_49_014 pl "Are you sure you're going to be okay? [fbi] is outside, and you have [ste]'s number, don't you?" mom "[pl], I'll be fine. Don't worry about me. Go and enjoy your night off and try to relax. You need a break occasionally." scene 15_49_022 pl "Thanks, [mom]. I just don't like leaving you, so call if you need me." pl "Anyway, I'm not sure [model]'s going to let me relax. It depends what she has planned for us." scene 15_49_018 mom "Well, knowing [model], I'm sure we can all guess what she has planned for you!" mom "Nevertheless, I hope the two of you enjoy yourselves and have a good time." scene 15_49_030 pl "We will, [mom]. And we're both grateful for this time alone together. Thank you." pl "I should only be a few hours, so I'll be back later tonight. See you then." scene 15_49_026 mom "Okay, [pl]. Give my regards to [model]." mom "And don't worry about [yd]. If you're not back in time, I'll give her a hug for you before she goes to bed." scene 15_52_020 with fade model "Hey, handsome. I'm glad you could make it. I really need your particular services right now." model "I have a problem and I think you're the only man who can solve it for me." scene 15_52_026 pl "Well, I hate to see a lady in distress. I'll do what I can to help, of course." pl "It's great to see you again, [model]. Thanks for inviting me over." scene 15_52_032 model "My pleasure. And sorry I'm not ready for you yet, [pl]. I've had a busy day and only just got home myself." pl "No problem. You look great, by the way. Good enough to eat..." scene 15_52_036 model "Oh, really? Well thanks, but I've had no time to get changed, or anything." model "I was planning on wearing something a little more fun for you. You don't mind waiting while I go upstairs and change, do you?" scene 15_52_040 pl "No. Take your time. Anything I can do for you while I wait?" model "Well, you could kiss me." scene 15_52_046 model "{i}(It's such a relief to have a real man like [pl] on call. Someone who knows how to satisfy my needs.){/i}" scene 15_52_032 model "I thought we could have some fun in the hot tub. It might help us unwind. What do you think? Or would you rather just fuck me on the couch?" pl "No, the hot tub sounds great, but I didn't bring anything to wear with me." scene 15_52_036 model "What makes you think you'll be needing any clothes to wear? I'd only have to waste time taking them off again." model "Why don't you go and jump in and I'll join you in a minute once I've gotten changed." scene 15_52_032 pl "Okay. But please don't take too long. I can't wait to..." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_52_034 model "Shhh. You're so impatient. All in good time." model "Don't worry, I won't keep you waiting long, big boy. I've been looking forward to this all day..." scene 15_52_090 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy7 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# vo "As the minutes ticked by, he began to grow impatient. What was taking her so long? The thought of her stripping off her clothes upstairs was turning him on, making him hard." vo "Then, he heard a sound from the doorway..." scene 15_52_092 vo "[model] appeared, draped in a flowing robe over a sleek bikini. The robe fell open, revealing her long, slender legs and flat stomach. Her tanned skin glowed, highlighting every curve of her body." vo "As she moved slowly toward him, his gaze was fixed on her, captivated by every step. She paused at the edge of the hot tub, a slight smile playing on her lips as she basked in his admiration." scene 15_52_094 vo "He couldn't wait to get his hands on her, but [model] was in no hurry. She clearly relished his impatient discomfort." pl "You look stunning, but I thought we were going to have some fun. How about joining me?" scene 15_52_102 model "Oh, I am having fun, [pl]. Patience makes it all the sweeter... don't you think?" vo "Changing pose, she leaned forward and arched her back, pushing her breasts out. Her nipples were hard and visible through the thin fabric of the bikini. [pl] watched, mesmerised." vo "[model] placed her hand on her toned stomach and stroked it gently, before slowly sliding her hand down towards her bikini bottom." vo "She could see the desire in [pl]'s eyes and wondered how long he would allow her to tease him." scene 15_52_104 pl "Come on, [model], haven't you teased me enough?" vo "[pl] was getting frustrated. [model] was one of the world's most beautiful supermodels. She knew that he wanted her, was desperate for her, and was playing with him." scene 15_52_120 model "Do you like my bikini, [pl]? Does it look good on me?" pl "No, it looks horrible. You should take it off." scene 15_52_124 vo "She smiled seductively and untied the strings holding her bikini top together. Sliding both hands inside, she cupped her breasts and massaged them gently." pl "You're killing me here, [model]. I want you!" scene 15_52_130 vo "[model] removed her bikini top and dropped it to the ground. She moaned softly as she continued to massage her breasts, rolling her nipples between her fingers." vo "Teasing him was fun, but it had made her aroused. She laughed and dropped her hands to her sides, exposing her naked breasts to him. [pl]'s eyes widened." scene 15_52_134 vo "[model]'s slender fingers slid down inside her bikini and began to stroke her pussy." model "Mmm, that feels so good." vo "She allowed the flimsy robe to slip from her shoulders and fall to the ground." scene 15_52_150 vo "Finally, she stepped into the steamy water of the hot tub and joined [pl]. She slowly approached him, her eyes locked on his. She smiled seductively." model "Is this seat taken?" pl "No, it's free. I've been saving it just for you." scene 15_52_170 vo "[model] straddled him and sat on his lap, her hands resting on his broad shoulders. Grabbing her hips, he pulled her closer and looked into her eyes." vo "She leaned in and kissed him on the lips, her tongue slipping into his mouth." scene 15_52_172 vo "They kissed passionately as she wrapped her arms around his neck, thrusting her tongue deep into his mouth." vo "They could feel a growing hunger within themselves, a desire that demanded satisfaction. [model] pulled back slightly, her hands gripping [pl]'s firm biceps tightly." vo "As the warm water swirled around their bodies, she leaned back, presenting her firm breasts to him." scene 15_52_190 model "Touch me." vo "He did as she commanded and cupped her pert breasts in his hands, caressing them, massaging them and teasing her hard nipples with his thumbs." vo "She put her hands behind his head, pulling him close, pushing his face against her tits. He began kissing them gently before latching his mouth onto one of her hard nipples and sucking it gently." pl "You like that?" model "Oh, yes. [pl], I need you so badly." scene 15_52_174 vo "[model]'s voice trembled, her breath hot against his ear. She arched her back, enjoying the sensation of [pl]'s rough tongue circling her nipples." vo "Her soft hands slid down his chest, feeling the rippling muscles beneath his skin. She could sense the tension within him, and her own excitement grew as she imagined what lay ahead." model "I love a man with a big strong body like yours. It turns me on feeling your hard muscles, and makes me wet thinking about how powerful you are." scene 15_52_224 vo "He ran his hands down her slim body, past her tiny waist until they reached her toned thighs. He slowly slid his hand up the inside of her leg until it found her pussy." vo "[model] shuddered and moaned, grinding herself against his hand. As she writhed on his lap, she could feel his hardness beneath her, and she was ready for it." model "Do you want to fuck me?" pl "Yes." model "Then take me, [pl]. I've been looking forward to this all day." scene 15_52_210 vo "He needed no further invitation and eagerly pulled her bikini bottom down from her slender hips, revealing her perfect pussy." vo "Unable to control himself any longer, he grabbed her ass cheeks and lifted her into position over his waiting cock. He held her there with the head pressed against her opening." scene 15_52_216 vo "Slowly, he tried to ease himself into her tight pussy. [model] bit her lip as his hard cock stretched her tight pussy, but it was too big to enter her." pl "Shit, [model]. You're so tight." vo "He tried again, guiding her body and easing her down onto his thick shaft. This time, she was able to relax her pussy muscles and he successfully pushed the tip of his cock inside her." scene 15_52_220 vo "She gasped as he entered her, stretching her wide. She looked at him, her eyes burning with lust." model "Oh fuck." vo "She pushed herself down, moaning loudly as she took more of his hard cock inside her. He squeezed her firm ass as he felt her warmth surround him." vo "Her hands gripped his shoulders as he slowly began thrusting in and out of her, each time penetrating her a little deeper as she began to ride him." scene 15_52_194 vo "She started moving her hips, bouncing up and down on his cock as her pussy stretched around his girth. He watched her breasts as they jiggled in front of his face." vo "[model]'s pussy clenched around his cock. He felt it quiver as she threw her head back and cried out in pleasure." model "Fuck yeah. It's so deep. I love it." pl "I love your pussy. It's so hot and tight." vo "The sight of [model], a world-famous supermodel, losing control, moaning and shuddering as she fucked herself on his cock, was a powerful aphrodisiac." scene 15_52_236 vo "He grabbed her tiny waist and pulled her down onto his cock, driving it deep inside her. She closed her eyes and let the pleasure wash over her." vo "[model]'s body was burning with lust as he slammed into her, causing the warm water to slosh around them. She could feel her pussy stretching trying to accommodate his thick shaft." scene 15_52_230 model "God, your cock feels so good. It's stretching me so much." vo "[pl] moaned as he thrust upwards, slamming his cock into her warm depths causing [model] to dig her nails into his shoulders." scene 15_52_232 vo "She rocked her hips, taking him deeper inside her. Lost in her own world, moaning and whimpering, her body trembling with pleasure as her orgasm began to build." scene 15_52_230 model "Fuck yes! I'm cumming! Don't stop!" scene 15_52_232 vo "[model] cried out. [pl] felt her pussy clench around him, her body shaking as she climaxed." model "Holy shit. That felt amazing." scene 15_52_300 vo "Before she'd had a chance to catch her breath, he placed his hands under her ass and stood up. Lifting her out of the water, he carried her to the side of the hot tub." vo "[model] loved the feeling of being manhandled by a big strong man. She wrapped her arms and legs around him, pressing her naked body against his." model "You're so strong. I want you inside me, [pl]." pl "Not yet." model "Please, [pl]. I need it." scene 15_52_324 vo "[pl] set her down and pushed her against the edge of the hot tub. She turned and looked at him, her eyes full of lust, excited by his forcefulness." model "What do you want me to do?" pl "Show me that beautiful supermodel ass." scene 15_52_318 model "Like this?" vo "She proudly presented her toned ass to him, allowing him to admire its perfect shape." pl "Just like that." scene 15_52_332 vo "He bent over and began licking her slit from base to tip, tasting her sweet juices. She gasped and her body writhed as he plunged his tongue deep inside her pussy." vo "[model] groaned as he swirled his tongue around her hole causing her body to tremble." scene 15_52_328 pl "So fucking beautiful... you taste amazing. I could spend hours just eating you out." model "Yes, yes. Ahhh, oh my god, it's so good." scene 15_52_344 vo "She bit her lip and moaned softly as he slowly pushed his finger into her glistening wet pussy. His cock throbbed as he watched his finger slide in and out." vo "He began fingering her faster, pressing his fingers hard against her g-spot, and as her moaning got louder, so did his arousal." scene 15_52_340 model "Fuck, I'm going to cum again." vo "He could feel her muscles contracting around his fingers as her juices soaking his hand. He knew she was close." scene 15_52_336 vo "Kaylah's legs shook as she came, her pussy contracting around his fingers. Her body tensed and she let out a loud groan as she came hard." model "Aaaaaaaaahhhh, yessssss." scene 15_52_360 vo "[pl] pulled his fingers out and stood up. Taking his hard cock in his hand, he rubbed it against [model]'s pussy. She shuddered and moaned." vo "He continued stroking his cock against her pussy, coating it in her juices. [model]'s hands clenched as she struggled to maintain her composure." vo "Closing her eyes, she took a deep breath as she braced herself for what was to come. [pl]'s cock throbbed with anticipation, eager to claim her once more." scene 15_52_376 vo "He carefully manoeuvred his massive erection between her firm, round cheeks, positioning the head of his cock at her entrance. His erection throbbed as he pressed the tip of his cock into her." vo "She tensed momentarily, aware of the size of his member and the delicious challenge it presented. He slowly pushed himself into her tight pussy, inch by inch." scene 15_52_380 vo "He gripped her slender hips tighter, pulling her body closer to his. Each thrust filled [model] with a new wave of pleasure, her body arching upwards with each brutal stroke." scene 15_52_376 vo "As he slid his cock slowly inside her, she moaned loudly as her body shuddered with pleasure. He pushed deeper, until his balls were pressed against her ass. He couldn't believe how good she felt." scene 15_52_380 vo "She gripped the sides of the hot tub, her knuckles white as his hard cock filled her tight pussy." scene 15_52_364 vo "The sensation of his thick cock filling her pussy was indescribable. She had never had a man that was this big, and he knew exactly how to please her." vo "He fucked her harder, driving his cock deep inside her. The feeling was amazing, but he didn't want it to end too soon. [pl] slowly pulled out." scene 15_52_390 model "No. Don't stop!" model "Please, [pl]... fuck me." scene 15_52_376 vo "Pressing his cock against her wet entrance, he thrust it back in, making her gasp. He continued his slow pace sliding in and out of her, enjoying the feeling of her pussy gripping his cock." vo "[pl] looked down at her wet body, watching his thick shaft sliding in and out of her, glistening with her juices. With every thrust, her toned ass bounced and her cheeks rippled." vo "His balls ached for release, but he was determined to make her cum again first." scene 15_52_380 vo "Quickening his pace, he began thrusting harder and deeper, pounding her with his full length. [model] groaned, her body tensing." vo "[pl] ran his right hand up her spine, then grabbed a fistful of her hair and pulled her head back. He grunted as he slammed into her, causing her to cry out." scene 15_52_472 model "Yes, oh, yes. I'm cumming! Please, [pl], cum inside me." vo "He felt her tight pussy contract around his cock. It was too much for him and with one final powerful thrust, he exploded deep inside her." scene 15_52_476 pl "Oh, fuck! I'm coming, too!" vo "[model] screamed in ecstasy as she felt his hot cum flooding her womb, her pussy convulsing around his cock as she received his load." scene 15_52_480 vo "She collapsed onto the side of the hot tub, her arms barely able to support her weight, his cock still buried inside her." model "Holy shit. I can't feel my legs." vo "[pl] laughed and leaned forward to kiss her shoulder. He slid his hands underneath her and grabbed her tits. She moaned softly as he massaged them." scene 15_52_490 vo "They finally stood up with their bodies pressed tightly together, sharing the intense aftermath of their passionate encounter." pl "You're spectacular." scene 15_52_500 vo "[pl] sat down and pulled her into his lap. She lay against his chest, her eyes closed, her breathing ragged." model "So are you." scene 15_52_500 vo "They held each other for a moment, their bodies pressed close together, still basking in the afterglow of their lovemaking." vo "[model] shifted uncomfortably as she thought about what had just happened between them. Her relationship with [pl] was just about sex, wasn't it?" scene 15_52_512 vo "But the more time they spent together, the more she started to realize that there was something deeper between them." vo "It wasn't just physical attraction anymore. They were developing an emotional connection that went beyond mere lust." scene 15_52_504 model "You should go, [pl]. It's getting late." model "I'll give you a call sometime." scene 15_52_508 pl "You're trying to get rid of me already? After what we just did?" pl "Is everything okay, [model]?" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 8.0 #KoGa3 END# scene 15_52_516 model "Sorry. I didn't mean to be rude, it's just... you must want to get back to [mom]." model "I don't want you to think you have to stay for my sake." vo "[model] was right, he did want to get back to [mom]. He hated leaving her side for even one minute, but his lover's sudden coldness confused him." scene 15_52_520 pl "Thank you, [model]. That really was amazing. I hope we can meet again soon to repeat it." model "Me too, [pl]." # EMMA AND CHARLOTTE AT HOME ################################ scene 15_55_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "Are you going to keep me company and watch a movie, sweetheart? I'll let you pick whatever you like." yd "Is that what you're planning to do tonight, Mom? Just stay here on the sofa and watch a movie?" scene 15_55_024 mom "I think so. With [pl] being out, I'm at a bit of a loose end. I thought you might want to join me." mom "Unless there's something else you'd rather do?" scene 15_55_028 yd "Oh, no! I'm feeling tired, actually. I think I'm just going to have an early night and go to bed." yd "Stay here and watch a movie, Mom. Good night." scene 15_55_032 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End mom "Okay, sweetheart. I love you. Sleep tight." yd "I love you too, Mom." # MC AND CHARLOTTE SPEND NIGHT TOGETHER ############################################################## elif mom_choice_04: scene 15_55_020 with fade yd "Are we going to watch a movie, Mom? Let's pick something romantic and make [pl] watch it with us!" mom "Actually, sweetheart, would you mind if we saved the movie for another night?" scene 15_55_024 mom "I was hoping [pl] and I could have a little time to ourselves... just to talk." mom "Do you think you could find something else to do this evening?" scene 15_55_028 yd "Really? You want to be alone with [pl]? Does that mean you're going to kiss him again?" yd "Oh wait, sorry. I promised I wouldn't ask stuff like that. But I'll go to my room if you want to be alone with [pl]." scene 15_55_030 yd "Ooh, I think I can hear him coming now." yd "{i}(I'll make myself scarce so they can have time together... and maybe even kiss!){/i}" scene 15_55_040 pl "Whoah, slow down, turbo! Where are you off to in such a hurry?" yd "Sorry, [pl]. I just remembered I have something important to do... uh, somewhere else. Bye!" scene 15_55_043 pl "What could be more important than torturing me with another one of her movies? I know she enjoys watching me suffer." mom "[yd], uh, had something to do. So it looks like it's just the two of us. I hope you don't mind?" scene 15_55_062 pl "No, of course not. I've been hoping we might get a chance to spend more time together." scene 15_55_066 pl "{i}(Did she tell [yd] to leave? I love [yd], but she makes it difficult to get any one-on-one time with [mom] outside of work.){/i}" pl "{i}(So that means [mom] wanted us to spend the evening alone... That feels like a step forward for us.){/i}" scene 15_55_053 mom "I'm really glad you feel that way, because I've been hoping we could talk. Is that okay?" mom "I know hardly anything about you, [pl]. You’re always so guarded, and you don't really talk about yourself." scene 15_55_064 pl "Sorry, I've never really enjoyed talking about myself. And I guess keeping my distance is part of the job." pl "Getting too close to the people you're protecting isn't exactly a good idea. It's unprofessional." scene 15_55_046 mom "And yet, here we are. Maybe I should find myself a new bodyguard." pl "Ha ha. Well, that's your fault, isn't it? How could I not want to get close to you?" mom "What do you mean my fault? How is it my fault?" scene 15_55_072 pl "I don't know, [mom]. Seeing you it... it brightens my day. I just... I want to be close to you, you know?" pl "When I'm around you, it's like I've found something I didn't even know I was searching for. With you, everything just feels... right." scene 15_55_056 mom "{i}(Wow. That wasn't the answer I expected... I didn't realize he felt this way. I thought his interest was mostly physical.){/i}" mom "{i}(But he's not like the others. I know he's being genuine.){/i}" scene 15_55_055 mom "{i}(It’s been so long since I’ve felt this relaxed with a man, letting myself enjoy his company... and his attention.){/i}" mom "{i}(I love how it feels...){/i}" scene 15_55_057 mom "{i}(But it’s terrifying at the same time. The walls I’ve built over the years are beginning to fall apart... leaving me exposed and vulnerable.){/i}" scene 15_55_062 pl "Honestly, though, I don't think I'm all that interesting. There's nothing about me that's worth sharing and talking about." pl "Compared to the glamorous lifestyle of a jet-setting supermodel like you, my life's been very mundane." scene 15_55_054 mom "Maybe it isn't glamorous, but I know your life's been interesting. [ste] shared some stories about you and the things you've done." mom "But that's not why I'm asking. I don't care whether it's interesting or not. I just want to get to know you... I {i}need{/i} to get to know you, [pl]." scene 15_55_062 pl "Okay. I'm sorry for being so closed off. I want us to get to know each other better too, [mom]." pl "So what exactly did that knucklehead [ste] say about me? I bet it was all bad, wasn't it?" scene 15_55_045 mom "Not all of it. But the first thing he mentioned was... well, he said you were impotent!" pl "Ha ha! Of course he did. That's exactly what I expected him to say. Sorry I don't have better friends for you to talk to." scene 15_55_053 mom "There's no need to apologize. [ste]'s quite the character, isn't he?" mom "At first, I thought he was just another creep, but after making it clear I wasn't interested, he became more serious." scene 15_55_045 pl "Serious? [ste]? That's a first." mom "Yeah, beneath all that machismo, I can tell he's actually a decent guy. I don't think you'd be friends with him if he wasn't." scene 15_55_064 pl "So, what else did he say once he quit being a jerk?" pl "Wait, he didn't tell you about the time a snake crawled into my sleeping bag, did he?" scene 15_55_053 mom "No, but now I definitely need to ask him about that next time we talk." mom "He just told about me about how you two met, the places you've been, and some of your experiences in the army together." scene 15_55_047 mom "To be honest, I had a hard time believing everything he told me about you." pl "Really? Why's that? You think he was making stuff up?" scene 15_55_054 mom "No, not making things up. It's just... it's complicated. You're complicated, at least to me you are." mom "I mean, you've been so kind and compassionate, especially towards [yd]. You've really gone out of your way to care for her, and she loves you." #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious16 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.5 fadeout 3.5 loop #KoGa3 END# scene 15_55_052 mom "But then... what you did to [det]... I know you did it to save [yd], I understand that, but it scared me." mom "And hearing about the things you did as a soldier, it makes it hard to put the pieces together. I don't know how to reconcile those parts of you." mom "It leaves me wondering... who are you, really?" scene 15_55_058 mom "I'm sorry, [pl]. I know deep down you'd never hurt me, but after everything I've been through, it's hard for me to trust men." mom "They'll say anything just to get close to me, but it's all lies. Men have only ever wanted one thing from me, and when they don't get it..." scene 15_55_070 pl "{i}(It kills me to think she might be afraid of me or question my intentions. All I want is to make her feel safe and happy.){/i}" pl "{i}(I need to help her move past this, but how can I when she feels this way? I feel like I'm part of the problem.){/i}" scene 15_55_080 mom "[pl], it’s been years, but I still have nightmares... they feel so real. Those memories don’t fade." mom "I thought I was strong. I thought that I could bury it all. But some nights... it’s like I’m right back in that alley, waking up drenched in sweat." mom "Do you ever experience anything like that... from the things you've been through? Any nightmares or flashbacks?" scene 15_55_064 pl "Yeah... I know what that’s like. It doesn’t leave you. The things you’ve seen and felt stay with you." pl "You try to push it down, but sometimes it hits you when you least expect it." scene 15_55_070 pl "{i}(I hate seeing her so anguished. I just want to put my arm around her and comfort her... will she let me?){/i}" scene 15_55_074 pl "[mom]..." scene 15_55_130 pl "It's okay. I understand how overwhelming it can be. But I promise you, you're safe now." pl "I'm here to protect you, and I won't let anything hurt you. You're not alone anymore." scene 15_55_100 mom "{i}(I haven't wanted anyone to touch me in so long, but [pl]'s changed that. I love feeling the warmth of his skin against mine.){/i}" mom "{i}(Maybe because he understands me in a way no one else ever has. There’s something about him that makes it easier to let my guard down.){/i}" scene 15_55_102 mom "{i}(Then why do I feel like running away whenever he touches me?){/i}" scene 15_55_118 mom "The thing is... the last time I had that nightmare, it was different from before." mom "[pl], it wasn't [jas] attacking me... it was you. You were the one hurting me." scene 15_55_104 pl "Me? [mom], I'd never hurt you. You know that, right?" mom "Yes, of course I do. But... a part of me clearly doesn't. I'm sorry." scene 15_55_218 mom "[pl], what if I can't get past this? What if I never feel truly safe with you?" mom "I'm afraid that I'll end up pushing you away, or that you'll lose patience and just leave me." scene 15_55_164 pl "That's not going to happen, [mom]. You'll get over this. You've already come so far." pl "Remember when we first met and you couldn't stand being in the same room as me? Look at us now. We'll work through this together." scene 15_55_212 mom "I guess you're right. I could never have imagined sitting here with you back then." mom "You're unlike any other man I've met. You're so patient and understanding. If anyone can help me, it's you. Thank you." scene 15_55_168 pl "{i}([mom] has to believe she can overcome this, but I'm not sure she can, at least not while [jas] is still out there.){/i}" pl "{i}(If I truly want to be with her, I need to take care of him. She needs to know that he can never hurt her again...){/i}" scene 15_55_217 mom "You look troubled, [pl]. I'm really sorry. I didn't mean to upset you. I know my dream was just a reflection of my fears." mom "That's not how I see you at all. You're the first man who has made me feel safe, who sees me as more than just an object of desire." mom "We should probably talk about something else. I didn’t mean to make things so heavy." scene 15_55_212 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious14 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.5 fadeout 3.5 loop #KoGa3 END# mom "There's something [ste] mentioned that I wanted to ask you about." mom "He told me about what happened on your last mission and how you both decided to leave the military." scene 15_55_160 pl "He did? That figures. He's always had a big mouth." pl "Do you have any idea how many fights he's gotten me into because he can't keep that thing shut?" scene 15_55_126 mom "No, how many?" pl "I've lost count, but trust me, it's a lot!" scene 15_55_212 mom "[ste] said that you blamed yourself for what happened, even though it wasn't your fault." mom "I'd like to hear what happened. Do you want to tell me about it?" scene 15_55_104 pl "No." mom "No? Oh, okay. I guess I was hoping for a different answer." scene 15_55_164 pl "I'm sorry, [mom]. I just don't want to drag all that up right now." pl "We have enough to deal with as it is, and I need to stay focused to keep you safe." pl "When this is all over, I'll tell you anything you want to know. I promise." scene 15_55_212 mom "Of course, [pl]. I understand." mom "So what initially motivated you to join the army? Do you come from a military family?" scene 15_55_180 pl "No, I don't. I guess I didn't have many options at the time, and all of the others were worse than being shot at." pl "My childhood wasn't exactly happy. As soon as I could, I left home and eventually ended up in the army." scene 15_55_108 mom "Why wasn't it happy? Where did you grow up?" pl "[mom], I really don't want to talk about this either. I'm sorry." scene 15_55_216 mom "{i}(Damn it. Why did I have to bring up his past? I must have touched on some painful memories.){/i}" mom "{i}(Now I've upset him and probably ruined our evening together.){/i}" scene 15_55_220 mom "{i}(I can tell he wants to be open with me, but he's clearly not ready to share everything yet.){/i}" mom "{i}(That's understandable. There are things I'm not ready to discuss with him either. I just need to be patient.){/i}" scene 15_55_172 pl "{i}(Why did she have to ask about that? We could've talked about anything else.){/i}" pl "{i}(I want to get closer to her, but she won't let me if she doesn't trust me. I need to be open with her. I should share something...){/i}" scene 15_55_120 pl "I grew up in a tough neighbourhood in the city. I never knew my father." pl "My stepfather... well, he wasn't a good man. He used to beat my mom and us kids. It was pretty rough." scene 15_55_138 mom "Oh, [pl], that's awful. I'm so sorry." mom "I had no idea. I would never have asked if I'd known." scene 15_55_140 pl "It's okay. You couldn't have known." pl "My two older brothers ran away, leaving me behind to face it all alone..." scene 15_55_180 pl "As soon as I could, I ran away and tried to find them, but they were gone." pl "I ended up joining the army to escape the streets and get as far away as possible." scene 15_55_176 pl "[mom], I don't want you to think that I'm hiding anything from you or that I don't want to be open with you. I do." pl "It's just... this doesn't feel like the right time to share all of this." scene 15_55_212 mom "Of course, [pl]. I'm sorry if I brought up any painful memories. I really appreciate you sharing that with me tonight." mom "Whenever you're ready to talk again, I'll be here. I want to know everything about you... the good and the bad." scene 15_55_216 mom "{i}(So, he has older brothers. I've never heard him mention them before. I wonder if he's even in contact with them?){/i}" mom "{i}(Maybe not if they ran away from home and left him. They might have lost touch, or he might still be angry with them. That's so sad.){/i}" scene 15_55_116 #KoGa3 START# $ KoGa3CurrentMusic=MusicMC5 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.5 fadeout 3.5 loop #KoGa3 END# mom "Maybe, when things settle down and it's safer, we could go somewhere... a walk on the beach or something. Just the two of us." mom "It would give us a chance to talk more and get to know each other better. What do you think, [pl]?" scene 15_55_160 pl "I'd love that, [mom]. We should definitely do that." pl "But it might be tough to escape [yd]. She hates being left out, especially when it comes to going to the beach." scene 15_55_110 mom "Oh, don't I know it! But she'll understand if she knows we want some time alone together." pl "So, about the walk you suggested... do you think that I might be allowed to hold your hand again?" scene 15_55_116 mom "Hmm, I don't know. Holding hands? That's a big step. We'll have to wait and see." mom "Maybe if you behave yourself. I don't let just anyone hold my hand you know." scene 15_55_110 pl "Got it. Best behaviour from now on." mom "[pl]... you can hold my hand now, if you like?" scene 15_55_250 pl "Thank you. I like this." mom "So do I." scene 15_55_258 pl "And what about those dance lessons you mentioned?" pl "Were you serious about that, or were you just mocking me because my dancing was so bad?" scene 15_55_254 mom "Hey, I wasn't mocking you. I was serious. You'll know if I ever decide to mock you." mom "I think it makes sense in case I need you to dance with me again sometime. Don't you?" scene 15_55_270 pl "Definitely. But you saw how bad I was. I'll probably need a lot of lessons." pl "Therefore, I think we should probably get started as soon as possible." scene 15_55_250 mom "Is that right? Well, I thought you danced pretty well for someone who claimed he couldn't dance." pl "Thanks. But it was all down to you. I would've been completely lost if you hadn't taken the lead and told me what to do." scene 15_55_262 mom "Isn't that what I said?" mom "Your life will be so much easier if you just do what I say." scene 15_55_270 pl "I don't doubt that, [mom]. I don't doubt it at all." pl "If there's ever anything else you think I should be doing, or want me to do, then don't hesitate to tell me to do it for you... or to you." scene 15_55_266 mom "{i}(Are we flirting? How is it so easy to talk to him? It just feels so natural.){/i}" mom "{i}(How have I never noticed his smile before? Or the way he looks at me with such tenderness...){/i}" scene 15_55_254 mom "[pl], thank you for being open with me tonight. I know sharing those painful memories couldn't have been easy." mom "And I'm sorry if I upset you by bringing up the past or if I pushed too hard." scene 15_55_274 pl "There's no need to apologize. I need pushing sometimes, and honestly, I feel better after sharing that with you." pl "Hopefully we'll be able to talk more deeply soon if things go our way." scene 15_55_258 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End pl "I want to get closer to you, [mom], but I know I need to earn your trust first." pl "I'm going to do whatever it takes to do that because I'll never be lucky enough to meet another woman like you." # IF NOT WITH LUCY, NOT WITH KAYLAH, NOT SPENDING NIGHT WITH CHARLOTTE... ############################################################################## else: scene 15_55_020 with fade yd "Are you planning on watching a movie with [pl], Mom?" mom "Yes, sweetheart. I thought we could all watch one together. " scene 15_55_024 mom "I'll let you pick one if you want." mom "Unless you have other things to do. Don't you want to join us?" scene 15_55_028 yd "Maybe... but actually, I'm feeling kind of tired. I might just go to bed early." yd "You and [pl] enjoy the movie. Good night, Mom." scene 15_55_041 pl "Are you not going to watch a movie?" yd "No. I'm feeling really sleepy." scene 15_55_043 pl "She must be really tired if she can't even stay awake to torture me with another one of her movies. I know she enjoys seeing me suffer." mom "You're not off the hook yet. Maybe I'll make you watch a slushy romance!" scene 15_55_062 pl "Oh, no! I didn't realize this was going to be part of my job when I agreed to work for you." pl "Ha ha. I'm joking. I'll watch whatever you like." scene 15_55_053 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End mom "It's too late. We have a contract, so you're just going to have to sit here and watch a movie with me." mom "Who knows, you might enjoy it." # EMMA SNOOPING ########################################################################## scene 15_58_020 with fade #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: yd "{i}(I know I shouldn’t be doing this, but if I can help Mom and [pl] fall in love, then it’s okay, right?){/i}" yd "{i}(I just want us to be a real family and for [pl] to stay with us forever. I need to know more about him.){/i}" yd "{i}(It’s like, the more I know, the better I can make sure everything works out. But he never talks about himself.){/i}" scene 15_58_024 yd "{i}(There has to be something in his room that’ll help. I’ll just have a quick peek. It’s not like I’m snooping, really.){/i}" yd "{i}(Anyway, [pl] doesn't mind me being in his room, and technically, it’s still [od]’s room.){/i}" scene 15_58_028 yd "{i}(But… what if he thinks I’m spying? I don't want that, so I've got to be quick and get out before he comes back.){/i}" yd "{i}(Just a little look, and then I’ll know something that can bring him and Mom closer together.){/i}" elif aunt_choice_03: yd "{i}(I know I shouldn’t be doing this, but [pl] could be my uncle and then he'll be part of our family.){/i}" yd "{i}(I want to know more about him, but he never talks about himself, so I don't have a choice, really.){/i}" scene 15_58_024 yd "{i}(There has to be something in his room that’ll help. I’ll just have a quick peek. It’s not like I’m snooping.){/i}" yd "{i}(Anyway, [pl] doesn't mind me being in his room, and technically, it’s still [od]’s room.){/i}" scene 15_58_028 yd "{i}(But… what if he thinks I’m spying? I don't want that, so I've got to be quick and get out before he comes back.){/i}" yd "{i}(Just a little look, and then I’ll know if [pl] and Aunt [aunt] should really be together.){/i}" # OTHER(incl. KAYLAH and FOX paths) - EMMA is falling in love with MC else: yd "{i}(I know I shouldn’t be doing this, but I want to know more about [pl]... I want to know everything about him.){/i}" yd "{i}(He never talks about himself, though, so I don't have a choice. I have to do this.){/i}" scene 15_58_024 yd "{i}(There must be something in his room that’ll help. I’ll just have a quick peek. It’s not like I’m snooping, really.){/i}" yd "{i}(Anyway, [pl] doesn't mind me being in his room, and technically, it’s still [od]’s room.){/i}" scene 15_58_028 yd "{i}(But… what if he thinks I’m spying? I don't want that, so I've got to be quick and get out before he comes back.){/i}" yd "{i}(Just a little look, and then I'll know more about him...){/i}" scene 15_58_032 play sound "audio/light_switch.ogg" yd "{i}([pl] didn't bring much with him when he moved in, but there must be something that'll tell me more about him.){/i}" yd "{i}(Like the first time I came in and saw his sneakers, and that's how I knew he liked running.){/i}" scene 15_58_036 yd "{i}(Ha ha. This is so exciting. I feel like I'm on a secret mission, like a spy or something.){/i}" yd "{i}(Ooh, has [pl] left his gun here? I've never held a real gun before. I wonder what it feels like.){/i}" scene 15_58_040 yd "{i}(Hmmm, nothing very interesting here. But what are those keys for? His apartment, maybe?){/i}" yd "{i}(He promised he'd take me to see it, but he's always with Mom now. I'll have to remind him and get him to take me.){/i}" scene 15_58_044 yd "{i}(I love his sunglasses. They're my favourite. Would he let me keep them?){/i}" yd "{i}(I bet he would. He's already let me borrow them a couple of times when we've been out doing stuff.){/i}" scene 15_58_048 yd "{i}(Like when we went for ice cream at the beach, and that time I hid from the news reporters.){/i}" yd "{i}(It's crazy to think [pl]'s only been here a couple of months. I already have so many special memories of being with him.){/i}" scene 15_58_052 yd "{i}(Do I look like cool when I put them on, like [pl] does?){/i}" yd "{i}(He looks so tough when he wears them, and scary, but not to me. Only to other people.){/i}" scene 15_58_054 yd "{i}(Back away! You're not important enough to talk to [yd]!){/i}" yd "{i}(You mess with her, you mess with me. I will kick your ass. Ha ha!){/i}" scene 15_58_060 yd "{i}(Alright, where should I start looking? Where would I hide something if I didn't want anyone to find it?){/i}" yd "{i}(Think, [yd]. On top of the wardrobe? Maybe. I can't even reach up there. How about under the bed?){/i}" scene 15_58_064 yd "{i}(I'll check both those places in a minute, but I think I should check his other bedside table first.){/i}" yd "{i}(That's where I'd keep my important stuff if I was [pl]. Things like my gun in case I needed it quickly!){/i}" scene 15_58_068 yd "{i}(Oh, there's something... just some boring books.){/i}" yd "{i}(But what [pl] reads might tell me something about him. I should probably look at them...){/i}" scene 15_58_072 yd "{i}(Hmm, they're notebooks. Does [pl] keep a journal? Maybe I shouldn't look... I'd hate it if someone read my journal.){/i}" yd "{i}(I think I can see some photos, though. Would it be okay to look at those?){/i}" scene 15_58_080 yd "{i}(Yeah. I'm sure [pl] would show them to me if I asked him to. And I am trying to find out more about him...){/i}" yd "{i}(Alright, I won't read anything... just a quick look at his photos!){/i}" scene 15_58_092 yd "{i}(He'd better have at least one photo of me, otherwise I'm not going to be his friend anymore!){/i}" yd "{i}(Ha ha, I'm just kidding. We'll always be friends. I'll just have to give him some photos of me if he doesn't have any!){/i}" scene 15_58_100 yd "{i}(Yes! I'm first. I'm number one. We're still friends.){/i}" yd "{i}(Aw, that was when I was mad at him. [pl] gave me my pendant and a big hug, and we kissed and made up.){/i}" if mom_choice_04: yd "{i}(It was a really special moment. It's so sweet that [pl] has that photo of me.)" else: yd "{i}(It was a really special moment. But I didn't realize you could see down my top like that!)" scene 15_58_108 with dissolve yd "{i}(Here's another one of me! That makes two, only this one was soon after [pl] came to live with us.){/i}" yd "{i}(I was still kind of shy around him then, not like now. He's really helped me with my confidence.){/i}" scene 15_58_104 yd "{i}([pl]'s so important to me now. It's funny, but I had no idea how close we'd become back then.){/i}" yd "{i}(I can't even imagine my life without him, and I don't want to. He's always going to be here.){/i}" scene 15_58_116 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\"") #KoGa3End yd "{i}(Wow! Who's she? She's so beautiful. She must be a model, or maybe an actress.){/i}" yd "{i}(Why does [pl] have her photo? Did he know her? Was he her bodyguard?){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_58_120 yd "{i}(Should he have photos of other women? Mom's supposed to be his girlfriend. He should have photos of her instead.){/i}" yd "{i}(Maybe I could give him some if he doesn't have any. Or I could tell Mom and she could give him some.){/i}" elif aunt_choice_03: scene 15_58_120 yd "{i}(But why doesn't he have any pictures of Aunt [aunt]? If they're dating, then he should have some, right?){/i}" yd "{i}(I guess they've only just started seeing each other... or maybe he keeps them on his phone?){/i}" else: scene 15_58_120 yd "{i}(What if she's one of his girlfriends? Does [pl] only date beautiful women? I guess so.){/i}" yd "{i}(He's kind and funny... tall, strong, and he's really good-looking. Every woman would want him.){/i}" scene 15_58_124 yd "{i}(That's the same woman again, I think. Her stomach's so flat... she has to be a model.){/i}" yd "{i}(Did [pl] take this photo? They must have been friends because she looks like she's having a lot of fun.){/i}" scene 15_58_128 yd "{i}(Is that the beach where [pl] took me? Did he take her there too? Does he take every girl there?){/i}" yd "{i}(Whatever. I bet he didn't buy her a chocolate ice cream, or let her sit on his shoulders.){/i}" scene 15_58_132 yd "{i}(No way! That's [pl] with long hair. It makes him look so much younger, and more handsome. He should let it grow again.){/i}" yd "{i}(But why's he letting that girl kiss him. That's three photos of her, and only two of me. She must be someone special... more special than me?){/i}" scene 15_58_150 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"mom_choice_04\" or \"aunt_choice_03\" or \"kay_choice_01\"") #KoGa3End yd "{i}(Wait! Is she the one [pl] dreams about? The one who has the same name as me?){/i}" yd "{i}(He has bad dreams about her and was saying her name. Why? Did they break up? Or did something bad happen to her...){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_58_154 yd "{i}(Oh, fudge! Sounds like someone's coming!!){/i}" yd "{i}(I shouldn't be here. I'm going to be in big trouble!!){/i}" scene 15_58_172 yd "{i}(I'd better get out of here before they catch me!){/i}" yd "{i}(But this is so exciting! Like something out of an action movie.){/i}" scene 15_58_200 yd "{i}(I think I made it. I got out just in time!){/i}" yd "{i}(Mission successful.){/i}" scene 15_58_205 play sound "audio/door_close_02.ogg" yd "{i}(Wow! My heart's beating so fast. That was too close. I only just made it.){/i}" yd "{i}(I wish I'd found more than those photos, but I should ask Mom if she knows who that girl is.){/i}" yd "{i}(And I need to tell her to give [pl] some of her photos to keep so he can look at them whenever he wants.){/i}" scene 15_58_218 elif aunt_choice_03: scene 15_58_154 yd "{i}(Oh, fudge! Sounds like Mom's coming!!){/i}" yd "{i}(I shouldn't be snooping around [pl]'s room. I'm going to be in big trouble!){/i}" scene 15_58_170 yd "{i}(I'd better get out of here before she catches me!){/i}" yd "{i}(But this is so exciting! Like something out of an action movie!){/i}" scene 15_58_204 play sound "audio/door_close_02.ogg" yd "{i}(Wow! My heart's beating so fast. That was close. I only just made it.){/i}" yd "{i}(Pity I didn't find more than those photos, but I should ask Mom if she knows who that girl is.){/i}" scene 15_58_210 yd "{i}(Oh no! I forgot to take [pl]'s sunglasses off. I'm still wearing them!){/i}" yd "{i}(Will he miss them? I hope not. I want to keep them.){/i}" scene 15_58_214 elif kay_choice_01: scene 15_58_154 yd "{i}(That sounded like the front door... Fudge! [pl]'s back!!){/i}" yd "{i}(I shouldn't be here. I'm going to be in big trouble!){/i}" scene 15_58_170 yd "{i}(I have to get out before he catches me!){/i}" yd "{i}(But this is so exciting! Like something out of an action movie!){/i}" scene 15_58_204 play sound "audio/door_close_02.ogg" yd "{i}(Wow! My heart's beating so fast. That was close. I only just made it.){/i}" yd "{i}(I wish I'd found more than those photos, but I should ask Mom if she knows who that girl is.){/i}" scene 15_58_210 yd "{i}(Oh no! I forgot to take [pl]'s sunglasses off. I'm still wearing them!){/i}" yd "{i}(Will he miss them? I hope not. I want to keep them.){/i}" scene 15_58_214 else: scene 15_58_154 yd "{i}(Fudge, someone's coming!){/i}" yd "{i}(I shouldn't be here! I'm going to be in big trouble!!){/i}" scene 15_58_170 yd "{i}(I'd better get out of here before they catch me!){/i}" yd "{i}(But this is so exciting! Like something out of an action movie!){/i}" scene 15_58_204 play sound "audio/door_close_02.ogg" yd "{i}(Wow! My heart's beating so fast. That was close. I only just made it.){/i}" yd "{i}(I wish I'd found more than those photos, but I should ask Mom if she knows who that girl is.){/i}" scene 15_58_210 yd "{i}(Oh no! I forgot to take [pl]'s sunglasses off. I'm still wearing them!){/i}" yd "{i}(Will he miss them? I hope not. I want to keep them.){/i}" scene 15_58_214 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for or \"aunt_choice_03\" (sex scene with Lucy)") #KoGa3End #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# yd "{i}(Well, that's enough excitement for one night. I'd better go to bed and try to get some sleep. I've got a big day tomorrow.){/i}" yd "{i}([od]'s coming home, which is going to be awesome, and then it's the fashion show. I just hope nothing goes wrong...){/i}" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End show black with fade if aunt_choice_03: # MORNING - BLOW JOB #################################################### scene 15_50_800 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pl "{i}(I’m so lucky. I can’t believe how incredible last night was. I thought maybe she’d hate camping in the middle of nowhere, but she loved it.){/i}" pl "{i}(She’s smart, funny, beautiful... really beautiful. And I love the way she looks at me, like I'm the only man on Earth. I don’t deserve her.){/i}" scene 15_50_810 pl "{i}(Her lips are so soft, her big brown eyes are so captivating, she has a cute little nose... I could look at her for hours and never get bored.){/i}" pl "{i}(And she's sexy as hell. It's making me hard imagining all the things I'd like to do to her. But we don't have time for any of that this morning...){/i}" scene 15_50_812 aunt "Hey! I could feel you looking at me. Are you staring at me while I'm sleeping, weirdo?" scene 15_50_814 aunt "Probably imagining all the naughty things you'd like to do to me, am I right?" pl "{i}(Caught in the act. She knows me too well!){/i}" scene 15_50_824 aunt "Morning, handsome. I slept so well after that workout you gave me last night. I've never felt so satisfied." aunt "Are you going to give me a kiss?" scene 15_50_830 pl "Good morning, beautiful. Sorry if I was being creepy, but it's hard not to admire you." "*KISS*" scene 15_50_834 pl "{i}(We really need to start packing up and get back to [mom]'s, but we get so little time together.){/i}" pl "{i}(I want to make love to her again. To feel my cock sliding in and out of her warm pussy....){/i}" scene 15_50_840 aunt "Ooh, someone's feeling frisky this morning. I obviously didn't make you work hard enough last night." aunt "I'll make sure not to let you off so easily next time!" scene 15_50_844 aunt "But for now, I need you to stand up. There's something I want to give you." pl "There is? What is it? What are you planning?" aunt "Just do what you're told, or I won't give it to you and then you'll never find out." scene 15_50_850 pl "Alright... I’m up. What now? What do you want to give me?" vo "[aunt]'s playful expression changed. She was hungry, and eager to taste him." scene 15_50_860 aunt "Hmmm, you’ve been a good boy lately. I think you deserve something... a reward for being such an amazing boyfriend." aunt "Do you remember a while ago I promised you a special treat? Something just for you?" scene 15_50_864 pl "Yeah, I remember you mentioning something about that. What exactly did you have in mind?" pl "Am I going to like it?" scene 15_50_868 aunt "Yes. I think you're going to like it. Can you guess what it is yet?" vo "[aunt] lowered herself to her knees so that her mouth was level with his groin. She smiled, her eyes sparkling with excitement." vo "He looked down at her, his mouth hanging open, unable to speak." aunt "Ha ha. Your face is priceless." scene 15_50_872 vo "[aunt] gently tugged his boxers down. His cock sprang free, standing proudly to attention. She smiled lustfully, remembering how good it felt to have him inside her last night." vo "She took a moment to admire his erection. It was long and thick, his balls heavy and full. Her pussy tingled at the sight of him." scene 15_50_876 aunt "Mmm. You have a gorgeous cock, [pl]. I can't wait to taste it. Are you ready?" vo "[aunt] grinned, her eyes twinkling with anticipation." scene 15_50_878 vo "She looked again at his large cock, wondering if she could fit all of it into her mouth. Wrapping her hand around his shaft, she slowly began stroking it, teasing him." vo "[pl] was breathing heavily, enjoying the touch of [aunt]'s soft hands." scene 15_50_880 pl "Ready when you are, [aunt]!" vo "His heart raced, his pulse pounding in his ears. The thought of [aunt]'s large, warm lips wrapped around his cock sent a wave of desire coursing through his veins." scene 15_50_890 aunt "{i}(I've never wanted to please a man like I want to please [pl]. I want to give him pleasure like he's never felt before.){/i}" vo "[aunt] teased the tip of his cock with her tongue, causing him to groan. Then she used her thumb to massage the underside of his cock while looking up at him, making sure he was watching her." scene 15_50_894 aunt "Do you like that?" aunt "How does it feel when I do this? Does it feel good?" scene 15_50_896 pl "Fuck yes, [aunt]. It feels incredible!" vo "Her tongue licked her lips, moistening them before she leaned forward and placed them gently on the head of his cock." vo "She wrapped her mouth around his tip and sucked lightly. Her tongue flicked over the tip of his cock, teasing him." scene 15_50_899 pl "{i}(Holy shit. [aunt] really knows what she's doing.){/i}" pl "{i}(I love the way she's teasing the tip of my cock... it feels amazing.){/i}" scene 15_50_901 vo "She began bobbing her head up and down, taking more of him into her mouth with each movement. She felt his hands on her head, guiding her movements." vo "But when [aunt] tried taking him deep into her throat, she gagged on his bulging cock and had to pull back." aunt "{i}(It's so thick. I'm not sure if I can even get my mouth around it.){/i}" scene 15_50_904 aunt "{i}(I love [pl]'s cock. It's so hard and thick... and it's all mine.){/i}" vo "She was getting turned on by the thought of taking his thick cock inside her again. It had felt so good, filling her completely as if he were meant for her." scene 15_50_908 vo "She took a moment to catch her breath before trying again, this time successfully taking him into her throat. She moaned, her mouth stretched wide around his girth." vo "[aunt] relaxed her jaw and pushed herself down until his entire length was buried in her throat. She paused for a moment to get used to the sensation." vo "Her hands roamed over his thighs and firm buttocks, feeling the hard muscle beneath the surface." scene 15_50_910 pl "Oh yeah, [aunt]... I can't tell you how good that feels..." pl "I don't think I'm going to last very long. It feels too good!" scene 15_50_916 vo "The sound of her sucking and slurping filled the quiet morning air. He felt his orgasm building quickly." vo "[aunt] smiled, her eyes sparkling with mischief. [pl] groaned, his cock throbbing with anticipation." scene 15_50_920 vo "She sucked on his cock while gently massaging his balls. He could hear her making soft moans while her warm, wet mouth moved slowly up and down his length." vo "She continued to suck and lick at his cock, swirling her tongue around the sensitive underside and teasing the tip with her teeth. [pl] moaned, his hands balling into fists as he struggled to maintain control." pl "Suck me harder, [aunt]. That feels incredible." vo "[aunt] obeyed, her mouth moving faster and harder. The sensation of her hot, wet mouth enveloping his cock was overwhelming." pl "Oh, god. I'm about to cum. Get ready," scene 15_50_924 vo "She looked up at him, and then began sucking harder. Placing both hands on his muscular ass cheeks, she pulled him deeper into her mouth." vo "[pl] could feel his orgasm approaching, he was trying desperately to hold off, but [aunt] was too good." pl "Oh, fuck!" vo "He placed a hand on the back of her head and thrust his hips forward, pushing his length deep into her throat. [aunt] gagged but didn't stop, continuing to suck on him, her tongue teasing the underside of his shaft." scene 15_50_930 pl "Yes... fuck! Ohhhh!" pl "[aunt], I can't hold on any longer... I'm gonna cum!" scene 15_50_934 vo "The sensation of his huge cock fucking her throat was intense. She struggled to breathe, gasping for air between thrusts." vo "She could tell he was trying to hold back. He wanted her to swallow his load, but he also wanted to keep enjoying the feeling of her mouth." scene 15_50_950 vo "She sucked his cock harder, taking him deeper into her mouth. She could feel his length growing and his cock throbbing in her mouth as he approached his climax." pl "I'm cumming!" scene 15_50_954 vo "With a final thrust, he buried his throbbing member deep into [aunt]'s throat. He groaned as he erupted in her mouth, spurting thick jets of cum down her throat." pl "OH YES!" vo "[aunt] swallowed eagerly, her throat constricting around his pulsating shaft. She revelled in the sensation of his cum filling her mouth, the salty taste of it mixing with her saliva, dripping down her chin and onto her chest." scene 15_50_956 vo "With a soft pop, [aunt] released him from her mouth and gasped for air. She held his dripping cock in her hand and wiped his cum from her lips." vo "[aunt] breathed heavily as she stared at [pl]'s huge, softening cock, admiring it." scene 15_50_960 with fade vo "[aunt] stood up, and they both faced the rising sun, basking in its warmth. [pl] wrapped his muscular arms around her and pulled her close, kissing her." pl "That was amazing, [aunt]. Thank you. One of those every morning would really start my day off right..." scene 15_50_968 aunt "Very funny. That was a special treat. You're too big for me to do that every morning. I nearly choked!" pl "I'm sorry, [aunt]." scene 15_50_962 pl "{i}(I wish we had time to fuck again, or at least for me to return the favour and go down on her. She deserves it after that.){/i}" pl "{i}(How long are we going to have to wait before we can be alone like this again? However long it is, it will be too long.){/i}" scene 15_50_966 pl "[aunt], have I told you that you're the best girlfriend in the world?" pl "I mean it. The more I get to know you, the more perfect I find out you are." scene 15_50_964 aunt "Yes you have told me, but I enjoy hearing you say it again." aunt "I'm glad you enjoyed your special treat." scene 15_50_960 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# aunt "I could stay here forever with you, [pl]." pl "Yeah, but as much as I’d love to stay like this... we should probably start packing up. We’ve got to get back home." aunt "I know... but it’s so beautiful here. Thank you for bringing me camping. It's been an amazing experience." # DAY 5 ########################################################## # 60 - MC RETURNS show black with fade scene 15_60_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSuzi1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "[pl]! You're home!!" pl "Hi, sweetheart. Have you been waiting for me?" scene 15_60_024 yd "Yes. I know you were only gone for one night, but I really missed you!" yd "Did you and Aunt [aunt] have a good time? I want to hear all about everything you did." scene 15_60_028 pl "Yeah, we had an amazing time, [yd]. Thank you." pl "But I'd wait until after I've showered to give me a hug. I must smell awful after a night in the wild." scene 15_60_032 yd "You do smell. You smell all smoky, but I don't care. I've missed you so much. I need a hug and I can't wait!" yd "I guess you had a campfire. Did you roast marshmallows? I love marshmallows." scene 15_60_036 pl "Yes, we had a fire, sweetheart. We needed it to keep all of the wild animals away." pl "But I stupidly forgot to pack the marshmallows. I should've put you in charge of supplies." scene 15_60_040 yd "I've never been camping before, [pl]. It sounds like a lot of fun." yd "Can I come with you next time? I'd love to try it, and I'll make sure to remember the marshmallows. Please say yes..." scene 15_60_044 pl "Well, maybe, [yd]. We'll have to ask your aunt and see what she says." pl "Anyway, I need to take a shower before your sister gets here. I doubt she'll be as forgiving as you if I smell bad!" else: #KoGa3 START# $ KoGa3CurrentMusic=MusicSuzi1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# pass # 62 - SUZI COMES HOME ############################################################ scene 15_62_010 with fade pl "So, [od]'s going to be here any minute. How are you feeling about her coming home? Nervous?" mom "Actually, I'm feeling fairly relaxed. I have a lot of experience dealing with her. How about you? How are YOU feeling?" scene 15_62_014 pl "Nervous! Ha ha. I'm really hoping we can get to know each other better and find some common ground." pl "I'm just worried she might want her old room back. The last thing I want is to create more problems for you, [mom]." scene 15_62_018 mom "Despite her faults, [od]'s always been very practical. It makes sense for you to stay where you are in her room, she knows that." mom "I'm sure she'll be fine with it. But, if not, then I'm not getting involved. You'll have to fight it out for yourselves!" mom "Oh, speak of the devil. Here she is now..." scene 15_62_024 with fade pl "Hey there, [od]. Welcome home. Can I help you with your things?" od "Uh, sure. And, thanks. It's good to be back... I guess." scene 15_62_028 od "There isn't much, just a suitcase and a holdall." od "I could've managed them on my own, but... thanks, [pl]." scene 15_62_032 pl "No problem. I'll take them upstairs for you." pl "Stay here and talk to your sister. She's been really excited about you coming home." scene 15_62_036 od "Yeah, I know. She's been texting me every day to tell me!" od "But where is she? I thought she'd be the first one to greet me." scene 15_62_040 yd "[od]! You're here. Welcome home!" od "Hi, Em. I expected you to be waiting for me by the door. What happened? Don't I get a hug?" scene 15_62_044 yd "Of course you do! I can't believe you're home. I'm so happy you're back." od "Aw, I'm happy too. But remember, I'm not going to be here for very long, so don't get too excited." scene 15_62_048 yd "Yes you are because I'm not letting you leave ever again. I've missed you too much!" yd "We're going to have so much fun together this summer. I can't wait!" scene 15_62_052 od "I've missed you too, Em. I'm really sorry I haven't been able to come home to see you more often." od "But now I'm back, I promise I'll make up for it. I'll spend as much time as I can with you." scene 15_62_056 od "Hi, Mom. I bet you're not so excited to see me back. Thought you'd gotten rid of me, didn't you." od "I'm actually surprised you haven't changed the locks!" scene 15_62_060 mom "Don't be silly, [od]. It's wonderful to have you home. But..." mom "You did say it was just for a couple of weeks, didn't you?" scene 15_62_064 od "Very funny, Mom!" mom "You know I'm joking. I just hope we actually get to see you and you're not just going to be training all the time." od "Don't worry. You'll get to see me." scene 15_62_068 mom "Good. My two girls are growing up so fast. I want to spend as much time with you as I can." od "Just... just don't treat me like a child, Mom. I've grown up a lot in the last three years, I don't want you mothering me." scene 15_62_070 mom "{i}(As if I could! When has she ever let me do that? I really hope she has grown. I don't want every day turned into a battle again.){/i}" mom "{i}(I don't have the energy for it anymore... I feel so drained lately.){/i}" scene 15_62_072 mom "Now, [od], about the spare room. Are you sure you'll be alright staying there?" mom "If not, we can always work something else out. It's just that..." scene 15_62_076 od "Mom. I already told you, it's fine. I'm not going to be here long before I leave again for the training camp." od "Just make sure [pl] doesn't mess up my room, or break anything!" scene 15_62_080 mom "Don't worry, sweetheart. He's been very careful so far. Now why don't we go and take a look at the room..." mom "{i}(I replaced that broken mirror just in time! I hope [pl] hasn't done any other damage I don't know about.){/i}" scene 15_62_100 with fade mom "So, [od], what do you think? We freshened it up for you. Painted the walls and got some new furniture." od "It's great, Mom. Thanks. It'll be nice to have my own room again. I won't have to listen to [odfr]'s snoring anymore." scene 15_62_106 yd "And what do you think of the colour, [od]? I picked it. It's gold!" yd "I thought it would inspire you, and remind you every day that you promised to win me a gold medal at the Olympics!" scene 15_62_112 od "Thanks, Em. That's a great idea. It'll definitely help keep me focused on my goal." yd "You should thank [pl] too. He did all the hard work and painted the room for you. I think he deserves a big hug!" scene 15_62_116 od "Did he? Well, I'm surprised. That was kind of him." od "But I'll leave it to you to give him a hug for me." scene 15_62_120 od "Thanks, [pl]. You're obviously quite handy with a paintbrush." od "It's good that you have something to fall back on in case this bodyguarding thing doesn't work out for you." scene 15_62_172 pl "{i}(Was that a joke, or is she busting my balls again? I can't tell with [od].){/i}" pl "{i}(I hope it was just banter. I want us to get along, because otherwise, living together is going to be a real strain.){/i}" scene 15_62_124 mom "Are you sure you're going to be okay in here, [od]?" od "For the last time, Mom - yes! I'll be fine. I just wish I had my own shower, that's all." scene 15_62_160 pl "Well, if you ever want to use my shower, I mean your shower, then you're more than welcome to, [od]." pl "It's no problem..." scene 15_62_164 od "Oh, you'd like that, wouldn't you, pervert!" od "Maybe we could shower together, you know, to save water or something?" scene 15_62_168 pl "What? No! I didn't mean it like that. We could share THE shower, not share A shower." pl "You can have the bedroom to yourself. I'll leave and go somewhere else while you use the shower." scene 15_62_170 pl "{i}(Damn, I thought things were going a little too well. Is she still angry about the locker room?){/i}" pl "{i}(She's been pretty mature about having the spare room, but there's clearly some resentment there.){/i}" scene 15_62_172 pl "{i}(I wish she hadn't put that thought in my head, though. I can't stop thinking about her showering now...){/i}" if mom_choice_04: pl "{i}(What's wrong with me? She's [mom]'s daughter! Just think about something else.){/i}" elif aunt_choice_03: pl "{i}(What's wrong with me? She's [aunt]'s niece! Just think about something else.){/i}" else: pl "{i}(But she has a great body. It's hard not to think about her dripping wet, washing herself... ){/i}" scene 15_62_174 od "{i}(Maybe he's being genuine, but I don't trust him after he came into the locker room.){/i}" od "{i}(That was to give me my phone back, though. And I really want to use my shower. The one in the other bathroom is useless.){/i}" scene 15_62_190 mom "Alright, we'll leave you to get settled in, [od]. I'll prepare some lunch. Come down when you're ready to eat." od "Okay, thanks, Mom. And, uh, thanks for your help, [pl]." #KoGa3 START# $ KoGa3CurrentMusic=MusicEmma1 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.0 fadeout 3.0 loop #KoGa3 END# scene 15_62_196 od "So how have you been, really? Has Mom been taking care of you? Are you feeling okay now? Not scared or anything?" yd "I'm great. Mom's been looking after me, and having [pl] here makes me feel safe. He's always there for me when I need him." scene 15_62_204 yd "And now you're back I feel even better! We've got so much to catch up on. I want us to spend lots of time together, [od]." od "Me too. We have a lot to talk about. Let's start with this week. What have you been up to?" scene 15_62_208 yd "This week? I've been mainly preparing for the fashion show, and counting down the days till you come home, of course!" yd "What about you? It must feel awesome knowing you never have to sit in another classroom again!" scene 15_62_206 od "I guess so. Hadn't really thought about it that way. I've been so focused on training." od "Everybody's been partying and preparing for graduation, but I'm just focused on getting to the Olympics." scene 15_62_200 yd "But you're not going to be training all the time, are you? You'll time to hang out with me, right?" od "Well, training does take up a lot of my time, Em. You want me to win you that gold medal, right?" od "I think I deserve a couple of days break, though. Don't you?" scene 15_62_210 yd "Yes, definitely! So what are we going to do first?" yd "I think we should play in the pool. I have to show you my cannonball, and I've been practising my dive, like you showed me." scene 15_62_214 od "Great. I can't wait to see how far you can dive now. It's such an important part of the race that you have to nail it." od "I need to buy some new swimwear, though. I'm so bored of the one pieces I have to wear for training. I want something fun to wear." scene 15_62_198 od "Do you feel like going shopping with me? We haven't been shopping together for ages. It'll be fun." yd "Awesome! [pl] can take us. He loves shopping for clothes. Ha ha, he doesn't really, he hates it, so we tease him all the time." scene 15_62_216 od "{i}(I didn't mean for [pl] to come with us. Will she get upset if I say I don't want him with us? No doubt...){/i}" od "{i}(Do they do everything together? I guess he did save her life, but I don't like how close they are.){/i}" scene 15_62_200 od "So, what else do you do with [pl]? What about playing in the pool. Does he love that too?" yd "Um... no, actually. He's never played in the pool with me. We'll change that and make him play with us!" yd "He's so big that I bet his cannonball would empty the pool!" scene 15_62_198 yd "He loves running though, and takes me out running a lot. We should definitely do that too. I've gotten much faster!" od "Faster than what? [pl]? You shouldn't measure yourself against him. He's old and slow." scene 15_62_202 yd "He isn't that old! And he's only slow because he's so big." od "Big? You mean fat." scene 15_62_212 yd "No I don't! Don't be mean, [od]. [pl] isn't fat." yd "You promised you were going to be nice to him. Remember?" scene 15_62_218 od "I did, Em. I'm sorry. I was just joking." od "So where do you go running now?" scene 15_62_208 yd "We've been everywhere! We've been to the hills, I showed [pl] where we used to go, but we've also been to a cool forest." yd "Oh, and [pl] showed us a special beach. It's really private and there's never anybody else there. It's really nice." scene 15_62_198 od "So how fast have you gotten? Think you can keep up with me now?" yd "Keep up? I can beat you now, for sure. I'm so fast, it'll be easy!" scene 15_62_203 od "Oh, is that right? Do you kiss Mom with that trash mouth? Sounds like someone wants a race!" yd "Okay. [pl] can come with us too and we'll all have a race to see who is the fastest. Or which one of you will come second!" scene 15_62_216 od "{i}(Great idea. If he's going to push his way into everything we do, then I need to show him who's the boss.){/i}" od "{i}(He won't even be able to keep up with me, let alone beat me. I just hope the old man doesn't have a heart attack!){/i}" scene 15_62_208 yd "This is going to be the best summer ever! I know I already said it, but I'm so happy you're home, [od]." yd "And to show you just how much I've missed you, I got you a present. Well, I kind of made it for you..." scene 15_62_234 yd "It's a photo of me! And I'm making a heart sign because I love you. Do you like it?" od "I love it, Em. Thank you. And I love you too. Give me a hug." scene 15_62_238 od "Okay. I'd better get unpacked and take a shower. I need to get ready for your big night tonight." od "I'm really excited and can't wait to see the dress you've designed. I just know it's going to be absolutely amazing." scene 15_62_244 yd "Wow. I'd completely forgotten about the fashion show. I'm so nervous about it, [od]." yd "I don't know how you're going to swim at the Olympics with so many people watching you on TV. They'll be, like, millions." scene 15_62_240 od "More like billions. But there's no reason for you to be nervous. We're all going to be there to support you." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# od "Be confident and think positively. You're going to win, and no matter what happens, you'll always be the best sister in the world." scene 15_62_252 yd "Aw, thanks, [od]. But you're the best sister in the world!" yd "I guess I'd better go and get ready too, then. It's great to have you back. Talk to you again later." # 66 - EMMA'S COLLEGE FASHION SHOW ################################################################# show black with fade scene 15_66_100 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicShooting1 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# yd "I didn't expect there to be so many people here, Mom. There weren't this many at last year's show." yd "Everyone's going to see my dress. What if it's no good? What if everyone hates it?" scene 15_66_104 yd "I'm so nervous and this is just a college show! I don't think I could handle having my own show." yd "Maybe I'm not cut out to be a fashion designer..." scene 15_66_108 mom "Sweetheart, everything's going to be fine. Everyone's going to love your dress, I know it." mom "Let's go and meet some people. Maybe talking to them will help calm your nerves." scene 15_66_110 mom "I see someone over there you should meet. She'd be a great connection to have when you're starting out." mom "A big part of success is knowing the right people, so it's important to start networking and making contacts." scene 15_66_112 mom "[sus]! So good to see you! I didn't expect to see you at the show tonight." sus "[mom]! What a pleasant surprise. What brings the world's top supermodel to Hillside college?" scene 15_66_116 mom "[sus], I'd like you to meet my youngest daughter, [yd]. She's one of the students showing a dress tonight." mom "[yd], this is [sus]. She's the editor of a fashion magazine and an old friend." scene 15_66_120 sus "Really? That's amazing. I remember you mentioning she was studying fashion design." sus "It's a pleasure to meet you, [yd]. How are you feeling? Nervous? Is this the first time showing a dress?" if mom_choice_04: scene 15_66_124 yd "I'm excited, but kind of nervous too. We had an end-of-year show last year and I showed a dress there." yd "But we were just first-year students then. There weren't nearly as many people, and no important magazine editors like you!" else: scene 15_66_125 yd "I'm excited, but kind of nervous too. We had an end-of-year show last year and I showed a dress there." yd "But we were just first-year students then. There weren't nearly as many people, and no important magazine editors like you!" scene 15_66_130 sus "Well, you couldn't really have anyone better at your side than Hillside's very own queen of the catwalk." sus "I'm sure your mother is giving you lots of great advice and insight on dealing with difficult models and handling stress." scene 15_66_140 yd "Mom, I really need to go and get my dress ready." mom "Okay, sweetheart. We'll see you later. Good luck, and call me if you need me." scene 15_66_132 sus "[mom], my dear, I've actually been meaning to call you. We really need to meet and have a chat." sus "The magazine can't let your retirement pass without some kind of celebration to commemorate your amazing career." scene 15_66_160 sus "Anyway, I'd better let you go. I'm sure Mom's feeling nervous about the show too." sus "I'll give [aunt] a call and see if we can't arrange a meeting soon." if mom_choice_04: scene 15_66_164 sus "And maybe we'll also have time to discuss who this big, handsome companion of yours is." mom "[pl]? He's nobody. He's just... he's just my bodyguard." else: scene 15_66_162 sus "And maybe we'll also have time to discuss who this big, handsome man is." mom "{i}([sus]'s such a gossip. I don't want everyone talking about us and assuming [pl] and I are together.){/i}" scene 15_66_180 with fade yd "{i}(This looks like my room...){/i}" yd "{i}(Oh no! Who's done that? And why tonight of all nights?){/i}" scene 15_66_184 yd "{i}(I don't need this right now. I'm already feeling sick with nerves!){/i}" yd "{i}(It must have been [g1] and [g2]. I've never done anything to them. Why can't they just leave me alone...){/i}" scene 15_66_188 g1 "Well, look who it is. If it isn't the little bitch herself." g2 "You probably want to cry, don't you. Shall we show you where the toilets are?" scene 15_66_192 yd "No. I don't want to go to the toilets and I don't want to cry, stupid!" g1 "You will later. You'll be crying to Mommy like the little baby you are, believe me." scene 15_66_196 g1 "No one can save you this time. Not even that bullying sister of yours." g1 "It's too late. Nothing can change what's about to happen!" scene 15_66_200 yd "My sister's not a bully, and I don't need anyone to save me anyway. I can take care of you!" yd "Just leave me alone. I have to get ready for the show and make the final adjustments to my dress." scene 15_66_204 g1 "I wouldn't waste my time if I was you. There's no chance of you winning this year." g1 "Everyone's made sure you can't cheat your way to a win like you did last year." scene 15_66_208 g2 "Ha ha. That's right. Didn't you hear? The rules for the show have been changed." g2 "I guess they forgot to tell you. What a shame that it's too late for you to do anything about it now!" scene 15_66_212 yd "What? What do you mean they've been changed? What rules?" yd "Nobody told me! Please, you have to tell me. What rules did they change?" scene 15_66_209 g1 "And here come the tears. We told you you'd cry later, you little loser!" g2 "Ha ha. Yeah. Such a loser!" scene 15_66_230 pl "[mom], you're scowling. Is everything okay?" mom "Maybe. Maybe not. I don't know. But I'm worried that something's going on..." scene 15_66_234 mom "You see that group over there. They're parents of some of the other students. I remember them from last year." mom "They weren't happy that [yd] won first prize and caused a fuss, trying to get the result changed." scene 15_66_238 mom "I've got a bad feeling about this. Some people believe they can just buy whatever they want, including success." mom "If they are up to something, then it can only be to try and stop [yd] from deservedly winning." scene 15_66_250 aunt "It's okay, you can stop worrying. We're here. You may start the show when ready." aunt "I hope we're not late. We ran into some traffic along The Boulevard." scene 15_66_254 aunt "How's [yd] doing? Is she coping with her nerves?" mom "She's fine. She's just gone off to get ready and fit the dress to her model." scene 15_66_258 mom "[od], now you're here, come with me. It's your turn to be introduced to some of my friends, and no complaining!" mom "It'll be good for you to meet some new people now you're back in Hillside." scene 15_66_270 mom "Good evening, you two. It's fantastic to see both of you here tonight." mom "I'd like to introduce you to my eldest daughter, [od]. [od], this is [val] and [model]." scene 15_66_274 val "Now [val] knows he is in the right place. The queen herself graces us with her heavenly presence!" mom "Have you been drinking already?" val "When free champagne is on offer, how could [val] refuse such hospitality." scene 15_66_278 model "It's great to finally meet you, [od]. [yd]'s told me all about her super sister!" model "She's so proud of you, and keeps telling me you're going to win her a gold medal. I can't believe you're going to the Olympics." scene 15_66_282 od "Thank you, but I'm not guaranteed a spot yet. I'll secure my place on the team at the national trials in a few weeks." model "That's great. So [yd] was really excited about you moving back home. Are you back there now?" scene 15_66_286 od "That's right. Not for long though. After the trials I'll be leaving again to go to the Olympic training camp." od "I have a lot of training to do before then, though. I can't afford to take a holiday like that little slacker." scene 15_66_290 model "Ha. Well, I hope I get to see you again before you leave. I'm sure I will as I visit [yd] and your mother when I can." model "And, you know, I workout a lot too. Maybe we could train together sometime. Go for a run, or visit the gym?" scene 15_66_294 od "Yeah, sure. You'll have to give me a call when you're not busy and we can arrange something. I'll be free whenever." model "Great. I'll do that." scene 15_66_300 val "How is the queen? Is she feeling nervous for the little princess?" mom "She is. She's feeling very nervous. This is much worse than when I do a show myself." scene 15_66_304 mom "She just doesn't believe in herself, you know. I'm sure she'd really learn a lot from you..." mom "Because I don't know anyone with a higher opinion of themselves, you old!" scene 15_66_308 val "Ow! You cut [val] like a sharp knife!" val "It is true he has a high opinion of himself... but you know as well as he does that it is fully deserved!" scene 15_66_310 val "Hmm, not even a little laugh. It's okay. Something distracts the queen." val "What could it be? [val] knows you. You have a nose for trouble and were always one step ahead" scene 15_66_320 mom "Sorry. You remember the last time we spoke, I told you about the other parents and how I was worried?" mom "Well, there they are. They're up to something, I'm just not sure what it is." scene 15_66_330 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for or \"aunt_choice_03\"") #KoGa3End val "The queen knows just how many enemies those at the top have." val "If the little princess wants to be the best, she must learn to crush her enemies in battle!" #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if aunt_choice_03: scene 15_66_360 with fade pl "Have I told you how dangerously hot you look in that red dress? Makes me want to get you out of it right now." aunt "That's such a coincidence, because I'd really like you to get me out of it right now, handsome." scene 15_66_364 aunt "Our little getaway was perfect, [pl]. I had such a great time. I can't wait until we can sneak off and do it again." aunt "When do you think that might be? How long should we wait before asking [mom]?" scene 15_66_368 pl "I'm not sure, [aunt]. She has a lot to deal with right now. I don't like to pressure her." pl "I'm working on sorting out a few things to make her life easier. Hopefully, things will be better soon." scene 15_66_372 aunt "Hey! You naughty boy. Someone might see you doing that." pl "Don't worry, I'm discreet. I can't stop thinking about making love to you under the stars. It was amazing." scene 15_66_380 pl "You looked so beautiful in the warm firelight... I wish we were back there now." pl "I want to do things to you, [aunt]. Bad things!" scene 15_66_384 aunt "Oh, really? Well, maybe you should give me a call one night and we can discuss exactly what it is you want to do to me." aunt "I have plenty ideas of my own that I'd like to share with you." scene 15_66_388 pl "Really? I like the sound of that." pl "And maybe you could send me a picture or two? Or even a video..." else: scene 15_66_340 with fade pl "Hey, [aunt]. Great to see you. You look great tonight." aunt "Thanks, [pl]. This could all have been yours. Nice to see you looking a bit smarter too." scene 15_66_368 pl "Have you been and talked to [yd] since you got here? I'm worried about her. She was so anxious about the show." pl "And now I'm feeling nervous too. Why am I nervous? I wish there was something I could do to help her." scene 15_66_364 aunt "Aw, that's really sweet, [pl]. I never imagined you two would become so close when I told [mom] to hire you." aunt "But don't worry about [yd]. She's stronger than you think. She'll call us if she needs us." # SUZI AND VAL ########################## #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious9 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.0 fadeout 3.0 loop #KoGa3 END# scene 15_66_400 with fade od "Hello, Mr [val]. Mom's told me all about you." val "[val] is wounded! You don't remember him... but you were just a little girl hiding behind mama's skirt when we met last." scene 15_66_404 val "Now, you have grown very beautiful and tall like your mother, the Queen." val "Not as beautiful, of course, and not as pretty as the little princess either, but this is not your fault." scene 15_66_408 od "Err, thanks... I guess. Em's always been the prettier one, so I'm used to hearing that." od "But we're different, not rivals. She knows I'm her biggest supporter." scene 15_66_412 val "Yes! The princess, she is the flower. But you, you have power. Strength. Beauty of a different kind!" val "You? You are more like... a lioness! A fierce, strong beast with golden mane!" scene 15_66_416 od "A lioness? Yeah, I like that. I do have sharp claws!" od "And I’ve never needed the world to tell me I’m beautiful. Not like [yd] does." scene 15_66_406 val "So, do you model like your mama? Hmm? Surely you must!" val "With legs like those, it's criminal you’re not walking the runway!" scene 15_66_410 od "I've done a little modelling, yeah. I've got a contract with a clothing company and model for them sometimes." od "Just sports wear. Nothing high fashion." scene 15_66_418 val "Sports wear? No, no, no! This is a crime! With a physique like this, you should wear couture! [val] couture! Not just stretchy things!" od "That's not really my scene. I'm an athlete. I don't really enjoy wearing dresses and gowns." scene 15_66_414 val "Not your scene? The fashion world needs you! Sports? Pfft! The runway is the true battlefield!" val "The walk, the pose, the drama. It's the ultimate competition!" scene 15_66_416 od "I’m more into the real thing. I like going head-to-head and competing against others, pushing my body to its limits." od "Fashion is a different kind of challenge, but not one that interests me." scene 15_66_415 val "Real thing? The runway is real! It is more than real. It is life! You swim, yes? But when you are tired of swimming, you will come to [val]." val "You will walk the runway and you will conquer it. Just like the water. You wait and see." scene 15_66_408 od "Perhaps one day, when I've achieved all my goals and have an Olympic gold medal hanging around my neck." od "But for now, the pool is where I fight my battles." scene 15_66_420 val "Yes! One day soon. You will see [val] is right and you will come to him." val "How could you not? He is irresistible. Even to lionesses!" scene 15_66_424 od "{i}(What the hell is he doing?){/i}" od "{i}(I don't care who he is. If he touches my ass, he's going to find out how sharp my claws are!){/i}" # KAYLAH JOINS LUCY AND MC ############################ #KoGa3 START# $ KoGa3CurrentMusic=MusicMC1 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 3.0 fadeout 3.0 loop #KoGa3 END# scene 15_66_450 aunt "Hi, [model]. It's good to see you again. Thanks for coming." if kay_choice_01: pl "Hi, [model]. You look amazing, as always." else: pl "Hi, [model]. I didn't expect to see you here tonight." scene 15_66_454 model "Oh, I wouldn't have missed this for the world. [yd]'s been refusing to show me even a sketch of her dress, so I'm hyped to see it." model "And I know how nervous she's been about the show, so I wanted to come and support her." scene 15_66_458 aunt "Thank you. I know she'll appreciate seeing you here." pl "Yeah, your friendship means a lot to her." scene 15_66_462 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a small branching point for \"fox_relationship\" and \"kay_choice_01\"") #KoGa3End aunt "Sorry, but can you excuse me. I need to go and annoy someone else." aunt "This should only take a minute. I'll be back soon, so try to behave yourselves." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if fox_relationship: if kay_choice_01: scene 15_66_471 pl "[model], there's something I need to tell you. This isn't the ideal time, but it can't wait and I didn't want to tell you over the phone." pl "The things is, I've met someone else. Only there's a chance it might actually go somewhere." scene 15_66_475 model "Oh. I see... this is unexpected, [pl]." model "So, what are you saying? That you want to end it? You want to end us?" scene 15_66_478 pl "Yeah. I'm sorry, [model]. I really hate to... you're incredible, and I really enjoy being with you. But I want more." pl "I'm older than you are. I really need something more than a good time, as incredible as it is being with you. I'm sorry." scene 15_66_477 model "No. It's okay. It was convenient having you available to satisfy my needs. And you really did satisfy them, [pl]." model "But, I get it. I'm just disappointed, that's all. Don't worry, I'll get over it." scene 15_66_467 pl "Thanks, [model]. I hope we can still be friends?" model "Of course we can. And, if it doesn't work out with this woman, then maybe we can pick up where we left off." elif kay_choice_01: scene 15_66_480 pl "You know, I had an epiphany while I was in your hot tub the other night." pl "Do you know what I realized?" scene 15_66_482 model "No. What did you realize?" scene 15_66_486 pl "That you have a fucking amazing ass! I want to see you both again... soon." model "[pl], don't. Not here. Someone might see you!" scene 15_66_480 pl "But I thought you got off on people watching us?" scene 15_66_482 model "I do, but not at [yd]'s college fashion show, you pervert!" model "I have fantasized about doing it at a fashion show before, though. On the catwalk in front of everyone..." scene 15_66_490 model "You're making me so horny, [pl]. I wish there was somewhere we could go." model "We need to get together again soon. I need you inside me." scene 15_66_494 pl "Yeah, I wish we were alone right now. I'd pull that dress down and suck your beautiful nipples." model "We should compare schedules and arrange our next meeting... maybe I should just come and hide in your room for the night." scene 15_66_490 model "You know, I'm going on a photo shoot with [mom] soon. I assume you'll be travelling with her?" model "Maybe we'll be able to find some time alone together and have some more fun." scene 15_66_470 pl "Yeah? It could be difficult with [mom] there... but I need you." pl "If we can't see each other before then, we'll definitely make it happen while we're away." # LUCY AND VAL ################################################# scene 15_66_500 with fade val "No! No! No! [val] left his purse at home. It is no use picking his pockets tonight, you thief!" aunt "I don't believe you. Let me check!" scene 15_66_504 val "No. You stay away from [val], you red witch!" val "[val] and his old friend were just talking. No need for any agents to stick their nose in and raise the fee!" scene 15_66_508 aunt "Listen, you old miser, if you want the best then you have to pay for it." aunt "Isn't that how you excuse charging such outrageous prices for your cheap clothes?" scene 15_66_512 val "Outrageous?! Cheap?! [val] hasn't been this insulted since... well... the last time he saw you!" val "People do not pay for the dress, they pay [val] for years of blood, sweat and tears that made him who he is!" scene 15_66_516 val "Ha ha. [val] is going to miss our battles when the Queen finally retires. How are you, my dear?" aunt "I'm all the better for seeing you, you old goat. It's always a pleasure to see you." scene 15_66_524 mom "If you two have finished, it looks like they're getting ready to start the show." mom "We'd better find our seats and sit down. [yd] said we were in the front on the left side." scene 15_66_540 with fade mom "I'm nervous, [aunt]. I hope [yd] isn't feeling as bad as me." aunt "Relax! Everything's going to be great. [yd]'s worked so hard for this and everyone here is rooting for her." scene 15_66_542 mom "{i}(Not everyone. I’ve seen how some of those other parents can be. They’d do anything to see their child succeed.){/i}" mom "{i}(I can’t shake the feeling that they're planning to sabotage [yd]'s big night...){/i}" scene 15_66_544 mom "{i}(It's from [yd]... she needs me urgently! What could be wrong?){/i}" mom "{i}(Has something gone wrong with the dress? Or is she feeling overwhelmed?){/i}" scene 15_66_548 aunt "I hope that wasn't something important. The show's about to start!" aunt "Damn, I'm nervous for her now. This is such a big moment for her, and I just want everything to go perfectly!" scene 15_66_552 mom "It's [yd]. She says she needs me. She says it's an emergency!" mom "I don't know what's wrong, but I need to go and help her." scene 15_66_556 pl "I'll come with you, just in case." pl "You shouldn't go alone." scene 15_66_560 mom "No, [pl], you can't come. There are girls changing backstage, and I don't want you getting into trouble." mom "I'll be fine. You'll hear me scream if I need you." scene 15_66_566 aunt "Don't worry, [pl]. I'll go with her instead and keep her safe." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.5 #KoGa3 END# aunt "You stay here and have a nice chat with [od]. I've got this." scene 15_66_570 pl "Alright, but please be quick. And don't hesitate to call me, or shout if you need help." pl "I don't like being away from you, not even for a minute." scene 15_66_580 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious10 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# mom "I'll go and see what's wrong. Can you wait outside and make sure no one else comes in?" mom "She's probably just having trouble with the model and fitting her dress. It shouldn't take long..." scene 15_66_584 mom "What the hell! Who would write that? And tonight of all nights!" mom "That's probably why she called. She was already feeling anxious, now she's going to be upset." scene 15_66_588 aunt "Just wait until I find out who did this! I know [od] will want to talk to them as well when she hears about it." mom "Hold on. Before you and [od] start a fight and cause a scene, let me talk to [yd] and find out what's going on." scene 15_66_592 mom "[yd]? Sweetheart, are you crying? What's the matter?" mom "I saw the writing on the door. Is that why you're upset? You mustn't let it get to you. They're just words." scene 15_66_596 mom "Sweetheart, talk to me. Tell me what's wrong so I can help you." yd "It's not the mean things they've written. They always call me nasty names. I'm used to them bullying me." mom "What do you mean you're used to it? How long has this been going on? Who's responsible?" scene 15_66_600 yd "It doesn't matter, Mom. It's not that. It's the fashion show. They're cheating!" yd "They've fixed it so I can't win. Why are they doing this to me? Why can't they just play fair?" scene 15_66_604 mom "What do you mean they're cheating? Who is, [yd]? How are they cheating?" mom "I notice there's no model here. What happened to her?" scene 15_66_608 yd "They said they changed the rules and we were supposed to arrange our own model. They said they told me, but that's not true." yd "The other girls are using professional models... they're not supposed to do that!" scene 15_66_612 mom "What? I'm sure it's just a misunderstanding, sweetheart." mom "The college has always used other students as models. It wouldn't be fair if some students used professional models." scene 15_66_614 mom "{i}(Those conniving bitches! I knew they were up to something. They're trying to stop [yd] from winning again.){/i}" mom "{i}(Well, they don't know who they're dealing with if they think I'm going to let them get away with this!){/i}" scene 15_66_630 mom "Don't get upset, [yd]. Come with me, we'll get this whole thing straightened out." yd "I hope we can, Mom. This means everything to me." #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy2 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 3.0 loop #KoGa3 END# scene 15_66_636 with fade mom "{i}(Just as I thought. They're the ones I saw talking before, or should I say conspiring!){/i}" yd "{i}(I hope Mom can sort this out. I haven't seen her this angry since Aunt [aunt] bought her that naughty birthday present.){/i}" scene 15_66_638 yd "That's [miss]. She's in charge of the show. And that girl's one of the other students. Maybe that's her mom?" mom "Okay. Let's get this sorted." scene 15_66_650 mom "Excuse me, but what exactly is going on? I understand that you've changed the rules of the show." mom "Why wasn't my daughter informed about it? It seems she's the only one that wasn't told." scene 15_66_654 miss "She didn't know? Well, I'm sure everyone was told." miss "If someone wasn’t paying attention, or failed to read their emails, that’s hardly our responsibility, is it?" scene 15_66_658 mom "She didn’t get anything because you didn’t send it to her. You deliberately withheld that information." mom "I know exactly what this is. You’re trying to sabotage her. Admit it!" scene 15_66_662 miss "Sabotage? My dear, that’s a rather strong word. Your daughter isn’t the only student here. If she’s unprepared, that’s on her." miss "Rules are rules, Miss Lloyd. If your daughter doesn't show her dress, she won't be entered into the competition." miss "And unfortunately, that will have an impact on her final grade for the course. I'm sorry. But there's nothing more we can do to." scene 15_66_666 mom "But she doesn't have a model now. The college was supposed to supply the students with models!" mom "You’ve been playing favourites with these parents since the beginning. Conspiring to push out someone you see as a threat." scene 15_66_670 amb "A threat? Oh please, honey. She’s a child, not competition. Honestly, we’ve worked too hard for our daughters to have this turned into some charity case." amb "Why should they be punished for her poor planning? If she’s not ready, she shouldn’t be here. You might as well just go home." scene 15_66_674 amb "That's it, off you go. Back to your cold empty house." amb "I guess being famous doesn’t help when it comes to keeping a man around, does it?" scene 15_66_678 yd "{i}(Mom’s walking away? Is she giving up? I’ve never seen her like this. She never backs down.){/i}" yd "{i}(She’s the strongest person I know. She never lets anyone push her around, and always fights back. She always wins.){/i}" yd "{i}(I thought she could fix this, like she always fixes everything. But they’re stronger than she is...){/i}" scene 15_66_690 with fade mom "Who the hell do they think they are? Not just cheating, but trying to make it look like this is all your fault." yd "It's over, Mom. All that work on my dress... it was all for nothing." scene 15_66_692 yd "{i}(This is so unfair. How can they just change the rules? Why would they do this?){/i}" yd "{i}(That woman's right. We should just go home. I never stood a chance at all.){/i}" scene 15_66_694 yd "Why do people cheat, Mom? Surely it can't feel good winning like that." yd "Can we just go home, please? I don't want to stay here... I can't win now." scene 15_66_698 mom "Stop! I don't want to hear that word come out of your mouth again, [yd]." mom "You are not giving up. Never say you can't do something." scene 15_66_700 mom "Sweetheart, I'm sorry. I didn't mean to snap at you." mom "Don't be disheartened. This isn't over yet." scene 15_66_704 mom "{i}(Oh, my poor baby. Look at her... she's so defeated. This is all my fault.){/i}" mom "{i}(I've sheltered her her whole life. I thought I was protecting her, but I've just made her weak and vulnerable.){/i}" scene 15_66_708 mom "{i}(I just wanted her to be happy. Able to live her dreams without knowing how brutal this world can be, and avoid the things I've been through.){/i}" mom "{i}(She'll never fulfil her true potential if she doesn't learn how to overcome adversity. She needs to learn how to fight.){/i}" mom "{i}(I have to fix this. I have to teach her, but I have to do it quickly. We don't have much time!){/i}" scene 15_66_710 mom "[yd], listen to me. This is important. You only get one shot at life. You can't come back to this moment and try again. " mom "You have to decide who you want to be right now and commit to it. Do you want to be a winner, or a loser?" scene 15_66_714 yd "What? I don't want to be a loser. I want to be a winner. I want to be like you and [od]." yd "But... I don't think I am, Mom. I'm sorry." scene 15_66_718 mom "[yd], look at me. It's my fault that you're this way, not yours. I've sheltered you, sweetheart, and I'm sorry." mom "But you're stronger than they are. If you weren't, they wouldn't have to cheat to beat you. Cheating is a sign of weakness, not strength." scene 15_66_722 yd "But it's not fair. How can I beat them if they're cheating?" yd "I don't know how, Mom." scene 15_66_726 mom "[yd], all they've done is thrown an obstacle in your way, but you've decided there's no way around it and given up." mom "Sweetheart, you're handing them victory without even trying to win." mom "If you want to win, then you simply need to fight and not give up. You're better than them and you WILL win IF you fight. So FIGHT!" scene 15_66_730 yd "Okay, but how do I do that, Mom? The show is about to start." mom "Think, [yd]. The rules have changed, but you're still playing by the old ones. You have to adapt to the new rules and find a way to turn them to your advantage." scene 15_66_722 yd "But they're using professional models... and now I don't have any model at all!" yd "I'm never going to find one now. It's too late!" scene 15_66_734 mom "Really, [yd]? You don't know any models that could wear your dress for you?" #KoGa3 START# $ KoGa3CurrentMusic=MusicEnergetic3 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 3.0 loop #KoGa3 END# yd "Wait... I do know one!" # MC talks to Suzi here? ##################################### scene 15_66_740 with fade pl "{i}(This feels awkward. I ought to say something, but what? I'm scared of saying the wrong thing.){/i}" pl "{i}(She's bound to take it the wrong way and give me grief for it.){/i}" scene 15_66_744 pl "So, [od], I hear the national trials are soon... for the Olympics. When are they exactly?" pl "And how are you feeling? Are you confident? Or nervous?" scene 15_66_748 od "I'm always confident! I don't get nervous, and the trials are a few weeks away yet." od "Why are you asking? Are you trying to get rid of me already?" scene 15_66_752 pl "No. I was just making conversation, or trying to. I was just thinking about your mother and keeping her safe." pl "Do you know if she's planning on attending the trials? I don't even know where they're being held." scene 15_66_746 od "They're in Indianapolis. Mom wanted to come, but I told her not to bother. It's just the trials." pl "Oh. I thought you'd want everyone there to cheer you on and give you support." scene 15_66_756 od "No. Honestly, it would be a distraction having them there, and I don't need them." od "I'm going to make the team for the Olympics. They can come and watch me race and win the gold medal there." scene 15_66_758 pl "{i}(Is [od] really that good of a swimmer? Or is she just arrogant and heading for a painful fall?){/i}" if not mom_choice_04: pl "{i}(She's certainly got the body of a professional athlete. I'd love to watch her swim sometime. Just to see how good she really is...){/i}" else: pl "{i}(I guess we'll find out soon when she swims at the trials.){/i}" scene 15_66_760 pl "I'd wish you good luck, but I'm sure you'd tell me you don't need it." pl "So I'll wish you success instead, and hope I also get to see you swim at the Olympics." scene 15_66_764 aunt "I'm back! Did you miss me? Of course you did." pl "You're just in time. The show's starting. But where's [mom]? Is she okay?" moc "Good evening, everyone, and welcome to tonight's fashion show, where creativity, passion, and dreams are brought to life." scene 15_66_766 aunt "Don't worry, [pl], Charlie's fine." aunt "But there's been a slight change of plans..." # FASHION SHOW STARTS ######################################### scene 15_66_790 with fade val "Oh, wake [val] up when something exciting happens. These designs are all so tired, so last year, so ancient!" val "Even the free champagne tastes flat. Spare me this boredom!" scene 15_66_792 model "Will you behave yourself? The students have been working hard on these dresses for months." model "You're supposed to be here encouraging them and supporting them, remember?" scene 15_66_794 val "You are no fun. [val] wonders why he even brought you with him? Let him have his little joke." val "Life is too short for this. Give [val] a kiss, beautiful!" scene 15_66_796 model "Oh, stop it! How many glasses of champagne have you had?" model "Just be quiet. [yd]'s dress is up next, and I don't want to miss it." scene 15_66_806 # other model val "Maybe he is getting old, or maybe he is drunk, but these models do not look like students to [val]!" model "You're right. She's definitely not a student. She's a model, I know her. But why?" model "I offered to model [yd]'s dress for her, but she said they weren't allowed to use their own models." scene 15_66_794 val "Professional models parading as students? The Queen herself is missing from the scene." val "[val] smells scandal brewing! At last, some real entertainment." scene 15_66_812 # mc close pl "{i}(Where's [mom]? I shouldn't have let her go off with [aunt]. I should have gone with her.){/i}" pl "{i}(I'm going to have to go and look for her. She wouldn't miss [yd]'s show... she should be here.){/i}" scene 15_66_820 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# moc "Our next designer is someone whose work speaks loudly, even when her voice is soft. She’s the kind of artist whose designs are as daring and bold as she is quietly determined." moc "[yd] Lloyd, a young woman who, for as long as she can remember, has had one dream – to become a top fashion designer." scene 15_66_828 model "[mom]? What's she doing up there?" val "Ha! [val] knew it. Now you shall witness how the Queen ruthlessly deals with her enemies!" #KoGa3 START# $ KoGa3CurrentMusic=MusicEnergetic4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# scene 15_66_824 # c hands on hips moc "[yd]’s designs are nothing short of remarkable. Her work has always been about pushing boundaries and breaking free from convention." moc "But [yd]’s vision isn’t confined to Hillside. She has her sights set on Milan, the fashion capital of the world." scene 15_66_829 # cheats "Husband" "{i}(Fuck me! What I wouldn't give to be going home with her tonight. Look at that fucking rack!){/i}" "Husband" "{i}(I wish I could take a photo, just one photo, but [amb] would kill me... literally!){/i}" scene 15_66_830 # mc suzi lucy pl "{i}(There she is! What's she doing up there?){/i}" pl "{i}(She looks... I don't want to say how she looks. Did [yd] really design that dress? I expected something a little more... conservative.){/i}" scene 15_66_832 # wide shot moc "Yes, even though she’s never set foot in Italy, [yd] dreams of one day holding her own solo show on those legendary runways." mom "{i}(You'd better believe my daughter's going to have her own show in Milan. She can achieve anything she wants to!){/i}" scene 15_66_836 # mid c pl "{i}(I can't believe that's [mom] up there. She's like a different person.){/i}" pl "{i}(I guess this is her domain where she is unmatched... and she knows it.){/i}" scene 15_66_838 pl "{i}(I shouldn't be thinking about her like this, but it's impossible not to when she looks like that.){/i}" pl "{i}(I didn't realize her breasts were so big... or so firm.){/i}" scene 15_66_840 # close groin pl "{i}(And I can see through that dress to her panties underneath.){/i}" pl "{i}(Imagine what lies behind those...){/i}" scene 15_66_845 od "Wow! Mom looks stunning rocking [yd]s dress." pl "Yeah she does! She looks absolutely amazing." scene 15_66_842 # c wink pl "{i}(Did she just wink at me?){/i}" pl "{i}(Why would she do that? What does it mean?){/i}" scene 15_66_846 pl "{i}(Damn. How can a wink turn me on so much. It was just a wink...){/i}" pl "{i}(But I've never seen her look so confident and so... sexual. That dress does not leave much to the imagination.){/i}" scene 15_66_850 od "{i}(Look at him. He's practically drooling over Mom. It's disgusting!){/i}" od "{i}(I swear men only think about one thing. Well, he'd better not start looking at me like that...){/i}" scene 15_66_880 moc "This particular design, as you can see, embodies [yd]’s fearless approach." scene 15_66_882 moc "The vibrant colours, the dramatic silhouette, and the intricate detailing speak to a designer who isn’t afraid to take risks, even in a world that often rewards the safe and predictable." scene 15_66_884 amb "What the hell? You can't do that! That's cheating! You're not allowed to model in the show!!" amb "ARGH!!" scene 15_66_885 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 7.0 #KoGa3 END# yd "{i}(Mom's on her way back and everybody's clapping and cheering. Does that mean they like my dress?){/i}" yd "{i}([pl]'s got a huge smile on his face... I guess he likes my dress.){/i}" scene 15_66_886 moc "[yd]’s journey is just beginning, but we’re all lucky to witness the birth of a designer who’s going to leave a mark on the world." moc "So, let’s give it up for [yd], a future star in the fashion world, who proves that while you can be quiet, your designs don’t have to be." # EM AND C GO BACK TO ROOM ####################################### scene 15_66_900 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSexy5 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# yd "I can't believe that just happened, Mom. You wore my dress and everyone was clapping and cheering!" mom "Oh, sweetheart. The look on your face is priceless. I'm so happy for you." scene 15_66_904 mom "But, oh my god. Did you see the face of that woman? She looked like a bulldog chewing a wasp!" mom "That's what you get for cheating!" scene 15_66_908 yd "This is the best night ever! I'm so happy everyone was here to see it and share it with me." yd "I'm so lucky to have you all in my life. You and [od], Aunt [aunt], [pl], and [model] was there, and I think I even saw Mr. [val]!" scene 15_66_912 yd "It was all so amazing. But, Mom, what was that thing you did?" yd "You kissed your hand and then it looked like you touched your bum. What were you doing?" scene 15_66_916 mom "I was politely telling that cheating bitch to kiss my ass, sweetheart!" mom "Nobody messes with my daughter and gets away with it." scene 15_66_920 yd "Mom! I can't believe you did that. That's rude... but so funny." yd "She was really angry when you did that, and I didn't understand why. Ha ha!" scene 15_66_924 mom "Let's forget about them and focus on you and the incredible success of your dress." mom "I'm so proud of you, sweetheart. The way you faced everything that happened. I really think you've grown tonight." scene 15_66_932 play sound "audio/door_knock_01.ogg" pl "[yd], it's [pl]. Is it okay to come in?" pl "Is your mother with you? I'm getting worried about her." yd "Yes. Come in, [pl]." scene 15_66_936 pl "There you are, [mom]. I've been worried about you." pl "I came to find you and give someone a hug and congratulate her..." if mom_choice_04: scene 15_66_938 "*KISS*" pl "{i}(What the hell!){/i}" scene 15_66_940 pl "I actually planned on giving [yd] the hug... but okay!" pl "That was a real surprise when you stepped onto the runway, [mom]. You really commanded everyone's attention." scene 15_66_942 mom "Sorry, [pl]. I'm still a little excited. That was a lot of fun." mom "Although, I'm just beginning to realize how revealing this dress is..." if mom_choice_04: scene 15_66_943 pl "{i}(Yeah it is! I love [yd]'s dress. She deserves first prize just for getting [mom] to wear it.){/i}" pl "{i}(Look at those...){/i}" scene 15_66_946 pl "[yd], congratulations. I'm so proud of you. I know how nervous you were, but you handled everything so well." yd "Thanks, [pl]. I'm so happy it went well. And seeing Mom wear one of my dresses on the runway - that was a dream come true." yd "I know it was just the college show, but it meant a lot to me." scene 15_66_948 pl "It doesn't matter if it was just a college show, sweetheart. Your dress was amazing and outshone all the others." pl "The dress is a masterpiece, and the more I look at it, the better it gets!" scene 15_66_950 yd "You really think so, [pl]? Thank you!" yd "It means so much to me that you like it. I've been kind of scared about letting people see it in case it wasn't very good." scene 15_67_016 pl "Well, I don't know anything about fashion design, and I might be biased, but I thought your dress was easily the best in the show." pl "I don't think it was even close. None of the other dresses were as... exciting as yours." scene 15_67_020 lan "Hi. Sorry for the intrusion. I'm one of the teachers at the college. Is it okay if I come in?" mom "Yes, of course. Please come in." scene 15_67_024 yd "Hello, [lan]. Are you announcing the winner now? Do we have to come back out?" mom "Is everything okay, [lan]? You look... worried." scene 15_67_028 lan "No. Everything is not okay. I came to tell you. Some, or rather one, of the other parents is protesting the result." lan "And, uh, things are getting a bit... out of hand. So the winner's announcement and presentation have been cancelled." scene 15_67_032 lan "But, I'm pleased to tell you that the judges chose [yd]'s dress as this year's winner. Congratulations, [yd]." lan "And I wanted to apologize for, uh, everything that has happened tonight. I'm sorry that you're missing out on having a ceremony." scene 15_67_036 mom "Oh, [yd]. I'm so proud of you. Well done, sweetheart. " pl "Congratulations, [yd]. I knew you could do it." yd "Thanks, Mom. Thanks, [pl]. I couldn't have done it without both of you." scene 15_67_060 mom "So what's going to happen now? What's going on out there?" mom "Should we stay here, or what should we do?" scene 15_67_064 lan "College security have been called and people have started to leave." lan "I think it's best if everyone just goes home. That's what I'm planning on doing before that awful ginger woman finds me!" scene 15_67_080 pl "What do you want to do, [mom]? Should we wait to see if things calm down?" mom "I think we'd better do as he says and leave. Let's all just go home." scene 15_67_090 pl "Okay. I'll stand outside and guard the door while you get changed. I'll give [aunt] a call and let her and [od] know that we're leaving." pl "Is that okay, [yd]? Are you going to be upset if you don't get to be announced as the winner in front of everybody?" scene 15_67_100 yd "No! I'm glad I won't have to stand in front of everyone and say something. I'd hate that. I don't want everyone looking at me." yd "I'm happy I won, but I'd rather just go home. That's the end of my college course. It's over and I don't ever want to come back here again." scene 15_67_110 yd "Mom, I've decided I don't want to go to university. If Mr [val]'s offer is still open, I'm going to go and learn from him." mom "Really, sweetheart? Well, that's a big decision and perhaps we can talk about it tomorrow after you've slept on it." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# mom "But you know I'll support you one hundred percent if that's what you've decided." scene 15_67_114 yd "Thanks, Mom. And thanks for helping me tonight." yd "I love you so much." # 68 - GOING HOME ####################################################### scene 15_68_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC4 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 0.5 loop #KoGa3 END# mom "It's awfully quiet in the back. Are you two getting along okay?" mom "What about you, big guy? Have you got enough room?" scene 15_68_034 pl "No! My head's touching the roof. I'm going to have a sore neck in the morning." pl "Why can't I sit in the front seat like I normally do? Why am I the one stuck in the back?" scene 15_68_084 mom "Oh, I'm sorry, did you just win the college fashion show?" mom "[yd], remind me. Did [pl] just win the college fashion show?" scene 15_68_080 yd "Nope, Mom, he didn't. He didn't win anything." yd "But I did!" scene 15_68_038 mom "Did you hear that, [pl]? The front seat is reserved for winners, like my beautiful, talented daughter. That's why you're in the back." mom "Isn't that right, [yd]?" scene 15_68_060 yd "Yeah, [pl]. The front seat is for winners. Try winning something and then you can have your seat back!" yd "Until then, you have to sit with [od] and make friends. Ha ha." scene 15_68_020 mom "Do you want me to open the sunroof for you? That way you can stick your head out and get some air? How about that?" pl "You're both mean! Fine, I'm not talking to either of you anymore. I'll talk to my new friend [od] instead. She's much nicer." scene 15_68_066 od "{i}(What's going on with these three? They all get on so well together. It's actually kind of funny watching them.){/i}" od "{i}(But why do I feel like punching him whenever I look at him...){/i}" scene 15_68_080 yd "I still can't believe it, Mom! You looked incredible in my dress. And to win the competition... wow." yd "What did you think, [pl]? Didn't Mom look amazing?" scene 15_68_068 pl "{i}(How am I supposed to answer that? That dress was... revealing to say the least. [mom] looked absolutely stunning.){/i}" pl "Uh, yeah... she looked great. Really great. Your design was very... bold. Really adventurous." scene 15_68_064 od "{i}([yd]'s so naive. She has no idea what perverts men are. He couldn't stop staring at Mom in that dress.){/i}" od "{i}(She didn't even look that hot either. He'd probably die if he saw me dressed up looking my best.){/i}" scene 15_68_030 mom "Sweetheart, it was your dress that looked amazing. I just wore it. I hope you're as proud of yourself as I am." mom "You've worked so hard over the last two years, and it showed tonight. You've earned the opportunity to work with [val]." scene 15_68_024 mom "We'll talk about it more tomorrow, but if that's the path you want to take, then you'll have to push yourself even harder to prove you belong there." mom "For now, though, let's get home. After all that excitement, I'm feeling ready for bed." # 70 EMMA AND SUZI TALK IN EMMA'S BEDROOM ####################################################### scene 15_70_020 with fade od "I'm proud of you too, Em. I knew you'd win, but seeing you put those cheating bitches in their place was great." yd "Thanks, but Mom won it for me really..." scene 15_70_031 od "No she didn't, [yd]! Don't put yourself down. There are enough people in the world that'll try and do that for you." od "Mom wouldn't have gotten involved if they hadn't tried to fix the competition. She just evened things up for you." scene 15_70_024 od "You won because your dress was amazing and because you're the best damn designer at the college. Be proud of yourself." yd "Thanks, [od]. I'm so happy you're back. I've missed you so much." scene 15_70_052 od "I've missed you too, Em. I'm sorry I haven't been here for you when you needed me." od "But I'm back now, at least for a while." scene 15_70_056 yd "So what do you think to my new room? I chose everything and even painted the walls myself... with a bit of help from [pl]." od "I love it. You did such a great job that I'm actually a little jealous now I'm stuck in the spare room." scene 15_70_032 od "Oh, hey. Here's an idea. Why don't I move in here with you?" od "You wouldn't mind sharing your nice big bed with me, would you? I mean, you'd have to stop snoring, obviously." scene 15_70_036 yd "Hey! I don't snore, and yes I would mind. I like my big new bed and I'm not sharing it with anyone. Not even you!" yd "I've got an even better idea. Why don't you move back into your old room and share the bed with [pl]!" scene 15_70_038 od "Are you serious?! I'd NEVER sleep with him. Not in a million years!" yd "Why not? If you're going to be sharing the shower with him, then you might as well." scene 15_70_044 od "We are not showering together! I wouldn't shower with him if he was the last man on Earth." od "That caveman can only dream of having someone like me. He's so... ugh..." scene 15_70_072 yd "Ha ha. [od], your face has gone bright red!" yd "What's wrong? Are you in love with him? Are you in love with [pl]?" scene 15_70_076 od "In love with him?! Wait, are you teasing me? How dare you..." od "Come here, you little stirrer!" scene 15_70_090 yd "Hey, what are you doing? Why are you tickling me? I didn't do anything!" od "Didn't do anything?! You were just teasing me, you brat!" scene 15_70_094 yd "No, [od]... don't! You're so mean!!" yd "I'm innocent, I swear! Why does everyone always tickle me?!" scene 15_70_100 #KoGa3 START# if KoGa3Music == 1: stop music fadeout 6.0 #KoGa3 END# od "Because you're a troublemaker and you deserve it. Somebody has to teach you a lesson!" yd "No they don't! Ha ha! Stop it, [od]! Stop it!!" scene 15_70_104 yd "You're so mean! I'm gonna tell [pl] about you." od "Go ahead. I'm not scared of him. If he touches me it'll be the last mistake he ever makes!" # Suzi leaves bedroom and bumps into MC on landing. ############################################################# scene 15_75_020 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicMC2 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# od "Oh, [pl]. I didn't see you there." od "What are you doing sneaking around out here?" scene 15_75_024 pl "Sorry, [od]. I didn't mean to startle you. But I wasn't sneaking." pl "I was just going to your mother's bedroom. There's something I need to tell her." scene 15_75_026 od "You didn't startle me. Just caught me off guard... whatever. It doesn't matter." yd "She wants to sleep with you in your bed, [pl]!" scene 15_75_030 od "What?! No I don't, you little liar!" od "Stop trying to cause trouble or I'm going to tickle you again." scene 15_75_038 pl "Sounds like you two have been catching up and having fun. She's been looking forward to having you back home." pl "So have I, [od]. I hope you'll see that I'm not a bad guy and really do have your family's best interests at heart." scene 15_75_046 od "Yeah, we'll see. But I'm no push over. You're going to have to prove yourself to me." od "There has been mention of a race. You won't beat me, of course, but you'll at least need to keep up with me to earn my respect." scene 15_75_054 pl "A race? Challenge accepted. But for now, I have to go out for a while. I've asked a friend to come and guard the house while I'm gone." pl "It's probably best if you don't talk to him. I'd really appreciate it if you would look after your mother and sister for me while I'm gone." # MC TELLS CHARLOTTE HE HAS TO DO SOMETHING ####################################################### scene 15_75_100 with fade play sound "audio/door_knock_01.ogg" pl "{i}(I should've told her about this sooner. She isn't going to like me surprising her with this.){/i}" pl "{i}(But I don't want her asking questions and finding out where I'm going. I don't want her to worry.){/i}" scene 15_75_104 mom "[pl]? What's going on? Why have you got your jacket on?" mom "You're not thinking of going out and leaving us here alone, are you?" scene 15_75_108 pl "[mom], I'm sorry, but I've got to go and take care of something. I have to meet someone." pl "I shouldn't be long. I've asked [ste] to come and stay with you while I'm gone. Is that okay?" scene 15_75_112 mom "What? No, not really, [pl]. I don't understand. Why are you only telling me this now?" mom "Why are you being so vague? Take care of what, exactly? Where are you going?" scene 15_75_116 pl "I'm sorry, [mom]. There's just something I have to do. I need you to trust me." pl "I won't be long, I promise. And I'll tell you where I've been when I get back." scene 15_75_120 mom "I do trust you, [pl]. But I don't like this. I don't like being kept in the dark." mom "Just... please be careful." scene 15_75_116 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog for \"mom_choice_04\"") #KoGa3End pl "I will, [mom]. I'll be leaving in a minute as soon as [ste] arrives." pl "He'll stay downstairs and won't bother you, so just relax, go to sleep, and I'll see you in the morning." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_75_122 mom "{i}(Where's he going? And why is he being so secretive about it?){/i}" mom "{i}([ele]? Could he be meeting her? They did talk about getting together. Is she what needs 'taking care of'?){/i}" mom "{i}(There was definitely something between them in the past, I know it. What if he still has feelings for her?){/i}" scene 15_75_124 mom "{i}(No, [pl] wouldn’t do that to me. He’s always been honest. So why won’t he just tell me where he's going?){/i}" mom "{i}(Damn it. If he betrays my trust... I'll never be able to trust a man ever again.){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 4.0 #KoGa3 END# scene 15_75_130 play sound "audio/door_close_02.ogg" pl "{i}(Okay. I've got to keep my cool. I don't want to hurt him and have [mom] think I'm a thug.){/i}" pl "{i}(But that bastard has questions to answer...){/i}" # 76 - MC BEATS UP JASON - Fox restrains MC ################################################################## show black with fade scene 15_76_050 with fade #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious7 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# joh "{i}(This is a stupid fucking idea! Why did I agree to this? If he actually shows up, he's gonna kill me...){/i}" joh "{i}(But so's that big ape if I don't do what he says. Fuck. Why do I have such shitty luck?){/i}" scene 15_76_054 joh "{i}(Maybe he won't show up. Maybe he'll realize it's a trap.){/i}" joh "{i}(What if I tell him it's a trap when he gets here, then run like hell and let them kill each other!){/i}" scene 15_76_058 joh "{i}(Who's that? Please don't let it be him... shit. It is him!){/i}" joh "{i}(Fuck my life! Stuck between two assholes. I'm gonna get shit on whatever happens.){/i}" scene 15_76_062 jas "I got your message. So what is this? Thought you could squeeze some money out of me, huh?" jas "You'd better not be playing games with me! Because, if you are..." scene 15_76_078 play sound "audio/phone01.ogg" fbi "[pl]? I've been meaning to check in with you, but I've been busy. You know how it is." fbi "It's a bit late for you to call. Is everything okay?" scene 15_76_070 pl "Do you know the alley where [mom] was attacked?" fbi "The alley? Yes, I know it, it's off The Boulevard. Why? What's going on?" pl "Get here as soon as possible. I have the evidence you need." scene 15_76_079 fbi "Evidence? What evidence? [pl]? [pl]?!" scene 15_76_080 fbi "{i}(Damn it! What's he doing in the alley? And what evidence does he think he has?){/i}" fbi "{i}(I'd better get over there as fast as I can. I've got a bad feeling about this...){/i}" scene 15_76_090 jas "Is it true? Do you really take photos? And don't fucking lie to me!" jas "I want them. Give them to me NOW!" scene 15_76_096 joh "Yeah, it's true. And you can have them!" joh "I'll give them to you, just don't hurt me, man... please." scene 15_76_094 jas "Hurt you? I'm not gonna hurt you... I'm gonna kill you!" jas "You have no idea who you're fucking with!" scene 15_76_098 jas "I've got to give it you, though. Arranging to meet in the alley was cute." jas "But coming alone... that was stupid. Really fucking stupid!" scene 15_76_102 pl "He's not alone, [jas]. But you are!" pl "And coming alone was really fucking stupid." scene 15_76_106 jas "You! What the fuck are you doing here?" scene 15_76_107 jas "You lying asshole! You fucking set me up!!" #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious12 if KoGa3Music == 1: # stop music play music KoGa3CurrentMusic fadein 1.0 fadeout 1.0 loop #KoGa3 END# scene 15_76_110 pl "Where do you think you're going?!" pl "Get back here! You're not getting away this time!!" scene 15_76_118 jas "Get the hell off me!" pl "I've got some questions for you, you bastard!" scene 15_76_120 pl "Listen to me! The photos are real and I have them now. You're going to prison, do you understand? It's over." pl "So fucking tell me, why did you attack [mom]? She didn't do anything to you. Why did you try and kill her?" scene 15_76_126 jas "Photos? And who are you going to give them to - the police? We own them. I'm not telling you shit, you dumb fuck!" jas "That bitch had it coming, anyway. Think she's too good for everyone else. Too good to spread her legs occasionally." scene 15_76_124 pl "JUST FUCKING TELL ME THE TRUTH!" jas "Alright! Alright!" scene 15_76_130 jas "Fucking whores... they're all the same. Always sticking their noses in where they don't belong!" jas "It was none of her damn business. She should've kept out of it, but she couldn't help herself!" scene 15_76_140 pl "And [yd], what about her? I know she didn't kill herself, so don't feed me that bullshit!" pl "Tell me what happened, or I swear I'm gonna fucking kill you!" scene 15_76_134 jas "[yd]? That stupid blonde bimbo you were supposed to protect? Are you still crying over her? That's pathetic!" jas "She took a drug overdose and killed herself. Happens a lot with these young girls... it's so sad." scene 15_76_124 pl "I told you not to lie to me! Tell me what you did to her, you cunt! Did you kill her?!" pl "You did, didn't you! Admit it, you piece of shit!!" scene 15_76_154 with vpunch play sound "audio/punch_01.ogg" jas "Ugh!" jas "Don't! She... she saw something. Filmed it on her phone. She shouldn't have fucking done that...." jas "Then that arrogant bitch pushed her... made her to go to the police. That's why she's dead." scene 15_76_184 pl "Don't you dare fucking blame [mom] for what you did, you bastard! Tell me what really happened!!" pl "You killed her, didn't you? Who else knew? Who covered it up? I want all their fucking names!!" scene 15_76_154 with vpunch play sound "audio/punch_02.ogg" jas "Argh! Don't hurt me..." jas "It was an accident... a fucking accident! She wouldn't answer my questions... bitch just kept lying!" jas "I didn't mean to kill her, I swear! I just hit her a few times, and then... then she just died." scene 15_76_188 pl "{i}(So... it wasn't suicide. She always denied he was hitting her... she lied to me.){/i}" pl "{i}(There was nothing more I could've done. She made her choice to stay... just like Mom did.){/i}" scene 15_76_170 jas "You... you're fucking useless. Where were you when she needed you, huh?" jas "You couldn't save her. And guess what? You won't save [mom], either. You're the worst bodyguard ever!" jas "Next time I see that fucking bitch, she's dead! You hear me? Dead!" scene 15_76_180 pl "STAY THE FUCK AWAY FROM [name_mom!u]! I'LL NEVER LET YOU HURT HER AGAIN! DO YOU HEAR ME?!" pl "AND YOU'RE GONNA PAY FOR WHAT YOU DID TO [name_yd!u]!" scene 15_76_400 fbi "{i}(Shit! I knew it. I knew he was going to do something stupid!){/i}" fbi "{i}(Who the hell is that he's beating? I hope I'm not too late to save them...){/i}" scene 15_76_408 joh "Hurry up! He's crazy! He's gonna kill him!!" fbi "[name!u]! STOP!!" scene 15_76_420 fbi "I SAID COOL IT! HE'S DONE!!" pl "GET OFF ME! I'm GONNA KILL THAT FUCKING BASTARD!!" scene 15_76_426 pl "IF YOU GO NEAR HER AGAIN I WILL FUCKING KILL YOU!" pl "YOU AND THAT OTHER FAT FUCK!" scene 15_76_428 with vpunch play sound "audio/punch_03.ogg" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 5.0 #KoGa3 END# jas "Ugh..." fbi "THAT'S ENOUGH!" scene 15_76_432 fbi "Don't do this! I don't want to have to hurt you. Just calm down!!" pl "I am fucking calm! Let me go!!" scene 15_76_440 #KoGa3 START# $ KoGa3CurrentMusic=MusicSerious15 if KoGa3Music == 1: stop music play music KoGa3CurrentMusic fadein 2.5 fadeout 0.5 loop #KoGa3 END# fbi "You need to tell me what the fuck is going on! How is this going to help anything?" fbi "And what the hell are you doing dragging me into this? I'm not your damn get-out-of-jail-free card!" scene 15_76_450 pl "I've got the evidence you need. I just wanted him to answer a few questions before you arrested him... just in case you let him go again!" pl "I'm sorry, [sel]. Things... things got out of hand. He was taunting me, threatening [mom]." scene 15_76_458 fbi "Evidence? What evidence? What are you talking about?" fbi "You know we're not allowed to beat confessions out of people, right?!" scene 15_76_462 pl "Here! Everything you need is on there. That creep over there's photographer. He witnessed the attack on [mom] and took photos." fbi "Seriously? Is that what's on here? The photos?" pl "Yeah. And he knows a lot more, probably has more photos too. He'll tell you everything, but you have to protect him." scene 15_76_466 fbi "Okay. Just give me a moment to think..." fbi "You really know how to make my life complicated, [pl]." scene 15_76_470 pl "Look, this fucking coward will turn on the others to save himself, I guarantee it." pl "He can help you to get them, maybe even the people at the very top of all this." scene 15_76_490 fbi "Okay. You need to leave. Just get out of here before the police arrive. I'll try and clean up this mess." pl "You sure? Can you handle the police?" fbi "Yes. Just go!" scene 15_76_500 fbi "But you'd better hope I got here in time and he makes it to the hospital alive." fbi "If he dies, I won't be able to protect you, and you'll have thrown away our last chance to take these bastards down." # STEVE LEAVES THE HOUSE ###################################### show black with fade scene 15_80_010 with fade pl "Hey, brother. Are the girls safe? Any problems?" ste "No problems and they're all fine. They've gone to bed. What about you? I was getting worried." scene 15_80_020 pl "I'm good. Listen, thanks for helping me out tonight. I appreciate you watching them for me." ste "No problemo, but I wish you would've let me come with you instead. Did everything go okay?" scene 15_80_024 pl "Yeah... no.. not really. That arrogant fuck was taunting me, and... I lost it. Things got out of hand." pl "I'm not sure if that bastard's even still alive. He's not going to be troubling [mom] again, that's for sure." scene 15_80_028 ste "Then I'd call that a big fucking win. He got what he deserved, so don't feel bad about it." ste "And I want to hear all the details next time I see you, but I should get going. Keep me in the loop and call if you need me." scene 15_80_030 pl "Thanks, [ste]. I owe you one." ste "One? You owe me a lot more than that. And then there's your growing tab at the bar. Are you ever going to pay it?" scene 15_80_034 pl "Yeah, yeah. Time for you to go!" pl "I'll talk to you later, brother." # CHARLOTTE TALKS TO MC ####################################### scene 15_80_050 with fade play ambient "audio/water_basin_loop.ogg" fadein 1.5 pl "{i}(Shit. I shouldn't have lost control like that. That was fucking stupid.){/i}" pl "{i}(I should call [sel] and find out how [jas] is. I could be in real trouble if he dies... what would she do?){/i}" scene 15_80_054 pl "{i}(Ah, fuck. There's no point worrying about that piece of shit now. If he dies, he dies.){/i}" pl "{i}(At least [mom] won't have to worry about him anymore if he's dead...){/i}" stop ambient play sound "audio/water_faucet_stop.ogg" if mom_choice_04: scene 15_80_058 else: scene 15_80_059 mom "[pl], thank God. I was worried something had happened to you." mom "Where have you been? I've been waiting hours for you to come home!" scene 15_80_062 pl "Sorry, [mom], but you shouldn't have waited up. I told you I was just going to meet someone." pl "I'm here now, so there's no need to worry. Why don't you go to bed and get some sleep?" scene 15_80_066 mom "I can't help worrying about you. How can I when you just leave without telling me anything?" mom "And I don't mean vague excuses, [pl]. I know you're hiding something from me. What's really going on? I need to..." scene 15_80_067 mom "[pl]... your hands!" mom "Is that... is that blood? Oh my God, whose blood is that?!" scene 15_80_070 pl "It doesn't matter whose it is, [mom]. It's not important." pl "Everything's fine, so just, uh... just forget about it." scene 15_80_080 mom "Forget about it? Are you serious? Don't you dare stand there, in my house, with blood on your hands and tell me that!" mom "What did you do, [pl]?!" scene 15_80_088 pl "I'm sorry, [mom]. I didn't have a choice. I gave [fbi] a chance, but she failed us." pl "I only did what I had to do to protect you. I'd do anything to keep you safe. Anything." scene 15_80_084 mom "[pl], I know you want to protect me, but you're scaring me! What do you mean by anything?" mom "You promised you'd tell me everything, remember? I need to know what's going on. What have you done?" scene 15_80_098 pl "I did promise, you're right, and I will tell you..." pl "But it's late. Maybe we should talk in the morning?" scene 15_80_090 mom "No, [pl]! Stop treating me like a damn child. I don't need your protection from the truth!" mom "Tell me what the hell is going on, right now!" scene 15_80_088 pl "Okay, [mom]. First, I owe you an apology. I lied to you the other night, and I'm sorry." pl "Remember that photographer in the garden? He didn't get away... I let him go." scene 15_80_084 mom "I knew something was off! The way you looked at me, I could tell you were hiding something." mom "What really happened? Why would you let him go? Why lie to me, [pl]?" scene 15_80_088 pl "I've run into that guy before. He's a lowlife. I warned him to stay away from you, but he didn't listen." pl "When I caught him in the garden, I was angry... angry that he'd ignored me, so I... I hurt him." scene 15_80_080 mom "[pl]..." pl "I'm sorry. But then he offered me something to make me stop. He said he had photos." mom "Photos? What kind of photos?" pl "[mom], please, I don't want to tell you..." scene 15_80_078 mom "It's okay, [pl]. Whatever it is, I need to know. It's better that you just tell me." pl "Alright, if you're sure. But it's going to upset you, and the last thing I wanted is to cause you any more distress." scene 15_80_099 pl "The photos... they're from when you were attacked. He was there. He saw everything and took pictures." pl "That's what he offered me. Evidence that could put [jas] away." scene 15_80_090 mom "Wait... what? He was there? Watching me get attacked, and he did nothing?" mom "I can't believe this. While I was fighting for my life, he just stood there and... took pictures?" scene 15_80_091 mom "I feel sick... how could anyone do that?" scene 15_80_100 pl "This is what I didn't want for you, [mom]. I knew it would upset you. That's why I tried to keep it from you." pl "But I knew we needed those photos. They could put [jas] away, maybe even catch the others too." pl "That's why I let the photographer go... to get the photos. I met him the other morning to get them." scene 15_80_112 mom "You have the photos? You've seen them?" mom "Then where did you go tonight? And whose blood was that on your hands?" scene 15_80_104 pl "Yeah, I've seen the photos. I wish I hadn't. But I don't have them anymore. I gave them to [fbi]." pl "[mom], I went to meet [jas] tonight. I wanted to talk to him before [sel] arrested him." scene 15_80_090 mom "[jas]! Why would you talk to him?" mom "And what about the blood? Was it his?" scene 15_80_104 pl "I needed to know the truth about [yd] and how she really died." pl "So I tricked him into meeting me, and... things got out of hand." scene 15_80_090 mom "Out of hand? [pl], what do you mean? What happened?" mom "Did you... did you kill him? Is [jas] dead?" scene 15_80_104 pl "No, I don't think so. I hope not." pl "[mom], I'm sorry. I didn't go there planning to hurt him... much. But I couldn't stop thinking about those photos." pl "After seeing what he did to you, and hearing what he said about [yd]... it's lucky [sel] was there to stop me." scene 15_80_102 mom "[fbi]? Wait, she was there and let you get away? I don't understand." #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog for \"mom_choice_04\"") #KoGa3End pl "Yeah, she was there. I called and asked her to meet me, to hand [jas] and the photos over to her." pl "Luckily, she showed up in time to stop me doing something stupid. She said she'd handle everything and told me to go." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_80_099 pl "[mom], I'm sorry I lied. I didn't want you to get hurt, and I was worried about how you'd react if you knew everything." pl "I was scared... scared of losing you." scene 15_80_092 mom "{i}(I feel so confused. I'm not happy [pl] lied to me, and I don't like what he's done... but, I'm not sorry he did it.){/i}" mom "{i}(I'd be lying if I said I never thought about hurting [jas] myself... even asking [pl] to do it for me.){/i}" scene 15_80_093 mom "[pl], I... I don't know how to feel right now. Knowing someone stood and watched me suffer makes everything worse." mom "Why didn't he do anything? He was there the whole time, just taking pictures while I fought for my life!" scene 15_80_094 mom "And part of me... part of me hopes that bastard is dead. He stole something from me and I want him to suffer for it." mom "I know it’s wrong, but... I wish I could have watched hurt him. What does that make me, [pl]?" if mom_choice_04: scene 15_80_095 pl "It makes you human, [mom]. You’ve been through hell, and it’s only natural to feel anger, to want justice. Don’t punish yourself for feeling the way you do." else: scene 15_80_093 pl "It makes you human, [mom]. You’ve been through hell, and it’s only natural to feel anger, to want justice. Don’t punish yourself for feeling the way you do." scene 15_80_099 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon more dialog for \"mom_choice_04\"") #KoGa3End pl "It's over now. Just give yourself time to process everything, and it'll all be okay. Trust me, things are going to get better for you." pl "You don't have to worry about him any longer. He'll never hurt you again." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_80_109 mom "{i}(I’ve spent so much of my life surrounded by men who only saw me as something to possess. It’s hard to trust [pl]... even now.){/i}" mom "{i}(But he's different. He’s the opposite of everything I've come to expect from men.){/i}" mom "{i}([pl]'s put my safety above his own wants, above his need to be with me. He’s fought for me when no one else would... risked everything to protect me.){/i}" scene 15_80_110 mom "I hope you're right. I can't keep living like this... constantly in fear, waiting for the next nightmare to begin. I don't know how much more I can take." mom "If this really is over, if you've finally put an end to all of it... I don't think I'll ever be able to thank you enough, [pl]." scene 15_80_111 #KoGa3Start $ KoGa3ChoiceHints = 1 $ KoGa3ChoiceHintsText = _("WT+ hint: soon a branching point for \"mom_choice_04\"") #KoGa3End mom "No matter what happens, I want you to know how truly grateful I am for everything you've done for me... for us." mom "Honestly, I don't know what I would've done without you. You've gone so far beyond what anyone could have asked of you." #KoGa3Start $ KoGa3ChoiceHints = 0 $ KoGa3ChoiceHintsText = "" #KoGa3End if mom_choice_04: scene 15_80_240 mom "For the first time in years, I'm starting to feel hopeful, like I can actually see a brighter future ahead." mom "Things have been dark for so long, but... I feel like maybe there's a chance for something better now. A brighter future where I might even be happy." mom "{i}(But can I really picture [pl] in that future? It's only possible because of him...){/i}" scene 15_80_220 pl "{i}(Does she see me in this brighter future? She deserves peace, but what if I'm part of the darkness she needs to leave behind?){/i}" pl "{i}(When she feels safe again, when she doesn't need someone to protect her...will she still want me in her life?){/i}" scene 15_80_240 pl "It's good you're thinking that way, [mom]. You deserve to be happy, to live a life free from all of this fear. And you will, I promise." mom "I want to believe you, [pl]. I really do. But after everything that's happened, I'm scared. I don't even know how to dream anymore." scene 15_80_246 mom "But... this dream, the idea of us together, I need to believe in it... I need to believe in us." mom "It means everything to me, [pl]. Please tell me it’s real. Reassure me." scene 15_80_250 pl "{i}(Being together with [mom] would be a dream come true... I just hope I haven't thrown it away.){/i}" pl "{i}(But keeping her safe is more important than being with her. I love her and I'm not going to let anyone hurt her again.){/i}" scene 15_80_260 pl "I won't let anyone hurt you ever again, [mom]. You're not alone anymore." pl "I'll do whatever it takes to protect you and your family, and I'll never abandon you. I promise." scene 15_80_264 mom "I believe you, [pl]. Thank you... for everything." mom "Well, I guess it's late. We should get some sleep. We can talk more in the morning." scene 15_80_266 pl "Yeah, you're right. Good night, [mom]. I hope your dreams are more pleasant tonight." pl "And no more secrets. I promise. I'll be completely open with you from now on." scene 15_80_300 mom "{i}(Could this nightmare really be over? Could the future I’ve been too afraid to hope for actually be within reach?){/i}" mom "{i}(But... what do I really feel for [pl]?){/i}" #KoGa3 START# if KoGa3Music == 1: stop music fadeout 8.0 #KoGa3 END# show screen message_save_now scene 15_80_308 pl "{i}(I don't want her to leave, not now. I want to hold her in my arms as she falls asleep beside me.){/i}" pl "{i}(God, it felt electrifying when she pressed herself against me. I could feel her heartbeat, her warmth... we felt so connected.){/i}" scene 15_80_316 pl "{i}(She’s so beautiful, it almost hurts to look at her. How did I get this lucky?){/i}" pl "{i}([mom] could have any man she wanted... any man in the world. What does she see in me?){/i}" else: scene 15_80_100 pl "Protecting you and your family is what I'm here for, [mom]. And it's a privilege to do it." mom "But you’re more than just a bodyguard to us now. You've become part of our family, and that means so much to me... to us." #KoGa3 START# if KoGa3Music == 1: stop music fadeout 8.0 #KoGa3 END# show screen message_save_now scene 15_80_104 pl "That really means a lot to me, [mom]. Earning your trust and being part of this... I don't take it for granted. Thank you." pl "Well, it’s getting late. I'm sorry for keeping you up. We should both try to get some sleep." scene 15_80_078 mom "You're right. It's been a difficult night for both of us." mom "Good night, [pl]. I'll see you in the morning... and thank you, truly." scene 15_80_302 mom "{i}(Could this nightmare really be over? Could the future I’ve been too afraid to hope for actually be within reach?){/i}" mom "{i}(I don't want to get my hopes up, but I can't help it.){/i}" hide screen message_save_now show black with fade scene endsplash_01 with fade pause return